5 comments about Catherine the Great.

1. i hard to believe a little german priness would become the most powerful woman in europe.but that catherine story .married to a stupid czravish who had no sense. he was determine to stay greman in russian,but katherina made show she learn langauge ,religion and people.she learn the art of policital when the time was right she took over.brought a new age not seen since peter the great.i would had like more about here early life in german but this book was well done.



2. This is one of the very best biographies I have ever read. Troyat has taken a very interesting but not particularly palatable historical figure ( My mother-in law referred to Catherine as "that awful person")and brought her to life with all of her fascinatingly complex character in a well wrought historical background.



3. Bad translation of a mediocre and sappy history. I couldn't stand it and have gone looking for a different biography of Catherin the Great.



4. Prior to reading this book, the only information that I had on Catherine the Great, Empress of Russia, was that she was an 18th century Czarina of some repute and that she was essentially a nymphomaniac. While the author disputes my clinical characterization of Catherine's sexual prowess, he certainly does take great pains to point out her long list of conquests, right up until her death at a then advanced age.
   
   This book is very informative and quite enlightening as it relates to the political and social mores of Eastern European and Asian aristocracy during the period of Catherine's reign. The tangled webs of shifting alliances during the roughly 50 years covered by the book are many times fascinating and at times hung by the thread of whether a 16 year old heir to a throne was enchanted at first site by a 13 year old princess. Entire nations hung in the balance.
   
   Especially interesting was the author's repeated juxtaposition between Catherine's espoused liberal "enlightened monarch" ideals and her actual rule over, and disposal of millions of enslaved serfs. Her fascination and financial support of many liberal French and Swiss political reformers and philosophers and then her horror when such philosophies actual came to fruition in the French Revolution.
   
   Ultimately, Catherine was a woman of her times and indisputably proved to be a most able successor to the earlier Peter the Great inasmuch as she made Russia a major player on the European stage and greatly expanded the territory under her control. The personalities involved make for a highly entertaining read.
   
   I've seen some of the comments labeling the prose as dry or tedious and tend to disagree. Certainly, writing style of non-fiction historical biographies differs from that seen in fictionalized accounts. In addition, this is a translation which perhaps hinders certain elements of style that others might prefer. All in all, I was not dissatified with the writing or the content. I recommend this book to any seeking an understanding of Russian or Eastern European history and/or culture during the mid to late 18th century.



5. Troyat needs no bolstering from me: his credentials as a well-known documenter of Russian monarchic history are legion. I relished every page of Troyat's documentaries on Ivan IV, Pjotr I, and Aleksandr I (ranking in strict chronologic order). However, his bio of Yekaterina II--while unquestionably meticulously researched--is dry. For one thing, it is quite overlong, which one must question right out of the starting gate insofar as Henri Troyat's book on Pjotr I--also a fabulous monarch of critical importance to the emergence of the empire, arguably even more so than Yekaterina II--was brief and swift. (Indeed, every paragraph literally burst with fascinating facts and characterizations.) Troyat goes on and on and on about every minor detail to the point where the essential message is basically lost amid the sheer volume: a crystalline example of forest-amid-trees overpowering. As a basis for research, for high school papers, etc., "Catherine the Great" is to be most highly commended. However, as an armchair read for the history devote [only one 'e': I can't render accent aigu through this medium, and devotee is the feminine form--Ed.], it plays marked second fiddle to Henri's Ivan, Peter, and Alex.

No comments about Loose Girl.

5 comments about A Walk with Jane Austen: A Journey into Adventure, Love, and Faith.

1. This book goes to show you that adding a reference to Jane Austen is one way to sell a book, and I'm out of excuses for why I keep buying them. This book is much less about walking with Jane - and when the author does try to draw parallels they are week indeed - and much more about poor pitiful Lori. Lori has made life choices, and then expects us to feel sorry for the consequences. Lori is also an emotional roller coaster in a way that I was at 16, not 33, and when she laments that single men are single for a reason, I can't help but think the think the same could be said of her.
   
   I have been to England to see Chawton and Bath and walk where Jane did; while they brought me significant joy (much more than I expected), being your average tourist (which Lori basically was, sans car) hardly qualifies as adventure. Climbing a stile does not induce terror (at least not the ones I climbed in England, perhaps she found a different style of stile?). Yet I knew my vacation didn't make a book, and somehow Lori's vacation is this lightweight. She had no profound life changing experiences or revelations, though the reader does learn all about her outfits (poor thing - she had to put on a clashing red fleece in the cold!). Seriously, are Jane Austen fans supposed to care about this?
   
   I've already attacked the "adventure" part of the title, and unless you think falling in love over a couple of days with someone who honestly tells you early on that he is seeing someone and wants to be true to that - if you think that that is a journey into love - because really, that's all there is - then well, maybe you can find the journey into faith part, too. Prattling on about your doubts and insecurities but not coming to some conclusions or altering your views or learning something about yourself does not a journey into faith make, in my opinion.
   
   Lori really comes across as insincere - "I don't care if I'm not beautiful (please tell me I am)" is how it reads over and over - all in ways that not only have very little to do with Jane Austen, but probably in ways that Jane herself would make fun of if she were so unfortunate to be reading this book.



2. I went to the bookstore one night looking for 'something'. I found what I was looking for when I stumbled upon this book. I am so suprised and delighted by this book. I have never even read a Jane Austen book, but I have always been fascinated by the time and place in which she lived. I found Lori to be very interesting and I can relate to her in many ways. I'm glad she shared her story and her feelings in such a warm and friendly manner.



3. "Poor Lori." At least I assume the author wants the reader to feel this sentiment by the end of the book. Does the author create an appetite to read or re-read Austin's books? Sadly,no. I only found this book interesting as a possible indicator of how some young women think - their own self-importance being worn as a badge of freedom from anything "evangelical" or assumed. Lori Smith's "A Walk..." assumes equal footing with Jane Austin's writings which have been proven by untarnished character,reputation,excellence, and time. I'm quite sure this book will not survive the same scrutiny. I gave this a "one star" because it is mistitled...possibly "A Journey With Me" would have been more appropriate instead of capitalizing on Jane Austin's name.



4. I really really wanted to like this book. And the author, whose Jane Austen quotes blog I enjoy. And I did, at times.
   
   When the author was JUST talking about Jane Austen and the pertinent Jane landmarks she was after, the book was great. But the author, bless her heart, is too self-indulgent, too poor pitiful me, too insecure and self-deprecating. And not even a funny self-deprecating -- more of a "I'm going to say some bad things about myself and you should tell me they're not true" kind of thing. (Just a bit of advice for reference, dear: complaining about being a "fat skinny girl" will get you sympathy with NO ONE.)
   
   With a book title like "A Walk with Jane Austen," the book should be ABOUT Jane Austen, with a little Lori Smith thrown in. Instead, it was the Lori Smith show, with a little Jane Austen as an after thought.
   
   Smith gets props for having the courage to be so honest about her doubts and problems, and her writing IS easy and conversational . . . but unless you enjoy reading the emotionally sentimental ramblings of an angsty single Christian woman, you might want to skip this one.



5. I grabbed this book impulsively as I walked into the bookstore, being one of the startling number of women unable to resist anything with Jane Austen's name on it; and I'm glad I did. Despite many interesting biographical facts, this is not a biography of Jane Austen. Nor is it exactly a travelogue. Rather, it reads like a long and engaging talk with a friend and fellow Janeite.
   
   Lori Smith writes in an open and entertaining style about love, faith and dreams, along with plenty of well-researched Austen information. I found myself identifying with her in many ways, as well as enjoying a Jane Austen-themed holiday.

5 comments about Narrative of Sojourner Truth (Dover Thrift Editions).

1. So often we find out how important a piece of text written hundreds of years ago can change the way the human species views the world as well as themselves. The Narrative of Sojourner Truth is such a novel. Not only does it show the harshness of human error, it also illuminates the strength and compassion that exists within all of us . I now realize how iggnorant I actually was before reading this novel. I had no idea that cruelty to slaves was so prominant in the northern part of the U.S during the early 1800s. The reader can feel the raw emotion radiating off this extraordinary women who faught so hard for racial and sexual equality. Sojouner(or Isabella) is so commited, she even fasted for three days just to improve herself spiritually. It is acts like this as well as the numerous occasions where she seeks to help others that will leave the reader in awe. I would suggest this book to any body interested in America's history and anybody who is looking for a little inspiration in their lives. This narrative is part of America's young yet vast history and should never be forgotten.



2. Provided a valuable insight into some of the thinking of slaves even while experiencing inhumane treatment and searching for their own identity. A woman of courage, foresight and well ahead of her time.



3. In a world that still suffers from the blight of slavery, mainly in Islamic nations and northern Africa, and Sudan, but also through the sex trade in nations like Thailand, this book is a great nonfiction account, especially for grade and middle schoolers, but also for all who think slavery is a thing of the past.



4. I can never tire of learning the depts of suffering black woman had to endure. It gives me even more pride for my people and much hope for a better tomorrow.



5. very much a must read
   the way the words flow
   with your thoughts
   as if you were really there
   to me it is a must read
   nice book

5 comments about In Search of Our Mothers' Gardens: Womanist Prose.

1. I often disagree with some things a writer chooses to share but those are small things that prove your thinking about what you've read and not just scanned the material. The one that stands out the most after 20 years is the piece on Cuba. Each piece however took me somewhere beyond my own thoughts. It is more than well written, it is thought provoking and at times peaceful.



2. and this is not exception. Her honesty, her heart and her story telling is excellent as ever. May she bless us with many, many more stories.



3. Alice Walker is insightful and thorough in her examination of literature. I especially enjoy her piece about Flannery O'Connor.



4. This book helped me gain my voice. I love it so much -- I have two copies of it and I would still not be willing to loan one out. Alice Walker is a powerful visual writer and a Gift to the Womanist Academy!



5. In her essay concerning post-Reconstruction African-American women, Alice Walker seeks to put a human face on what Americans may otherwise only remember as an unfortunate scar on our glorious history. She asks, "Who were the Saints? These crazy, loony, pitiful women?" And in answering herself, she replies in repetition, "our mothers and grandmothers." These are the human faces to which she has attributed all that is contemporary Black America.
   
   "Moving to music not yet written," Walker's image of the former female slave is one, not necessarily of a battered laborer, nor of a heifer being kept only because of her ability to breed valuable livestock, but rather as an artist ahead of her time. These women made beauty while amidst horrible conditions. These women were not merely ex-slaves, but they were "Poets, Novelists, Essayists, and Short-Story Writers" whose potential was never met, and dreams were never realized. For this reason, Walker attempts to embolden and even mobilize African-American women with the responsibility of realizing the potential of black creativity denied their ancestors.
   
   Walker asks, "Do you have a genius of a great-great-grandmother who died under some ignorant and depraved white overseers lash?" What an amazing question to ask. How many geniuses and artists were slain by the horror of slavery? Americans spend a lot of time and energy thinking about the economic, political, and social restrictions slavery imposed on African Americans, but I have never even heard elusions to the loss of black creativity due to slavery. I too have given more thought to the socioeconomic inequality within black America than I've ever given to the stifling of their creative ability. Perhaps, we should give this idea more thought, for it was the efforts of these "poets" in everyday life that transported black women to where they are today, and have arguably elevated the intellect, creativity, and soul of an entire nation.
   
   Thought provoking; this is an essential read for anyone interested in understanding the effects of slavery, especially those effects that go beyond our typical understanding of oppression.

5 comments about Gender Outlaw: On Men, Women and the Rest of Us.

1. You know this is not a subject that I know a whole lot about...though I do profess some interest and curiosity about the reasons why people choose gender reassignment surgery. Mostly I was interested in exploring the why's and if's about gender and the myriad of choices and ways of being that people encounter and deal with or embrace in their lives. I wasn't sure what to expect...and I'm still not entirely sure how I feel about this book, but I've finished reading it and it's time to write down my thoughts about it. First and foremost, this is a book that doesn't just rehash the same debates one sees nearly everywhere these days about how little Tommy can play with dolls and Sally can play with cars or how Molly can be a doctor and Biff can be a nurse...this goes beyond what's considered politically correct or "allowable" excursions outside the comfort zone of the tribe. In Gender Outlaw Borenstein really tries to examine why we need gender at all and how gender is really determined in today's societies, she looks both backward and forward with regards to this issue in a way that is both informative and entertaining. Gender Outlaw is a strange blend of biography and gender theory written with a theatrical flair. The author is really not looking to redefine gender so much as she is looking to toss it out altogether, in favor of a gender model that is more dynamic and fluid. Now for what I didn't like about the book...well, I do understand that the author is an artist and performer at heart, but I read because I LIKE to read and while I like most of what I read to be entertaining and informative, I DON'T like to have to struggle to read it because the author thought it would be interesting and creative to create columns and make the reader have to read from side to side skipping about on the page. There is a serious lack of continuity in the format of the text that makes it a bear to read. Everything does not have to be performance; everything does not have to be art. Sometimes a book should just be a book. Outside of that, I enjoyed reading Gender Outlaw, I think the author wanted to reach the mainstream and this book is certainly readable and accessible to the general public...now if we could just get them to read it and open their minds to the ideas presented. Borenstein certainly got there with me, as I had no quarrel with the gender I've been assigned, but it certainly gave me lots of food for thought and I'll probably never think of gender the same way again. I give it a 4 stars (3.5 really, but since Amazon doesn't allow ½ stars, I'll settle for 4, round up instead of down).



2. I so wish I had read this book at 30 years of age. I so wish everyone would read this book.
   Kate Bornstein is right. There simply is no gender. Anima, animus.
   Sometimes we do need to have our ideas challenged. I am happy to have had my old ideas changed by this book. It seems to have given me answers for so many vague questions I had in my mind.
   Valuable book for heterosexual ppl and homosexual ppl. Valuable book for ppl.



3. Gender Outlaw is considered a classic and a step forward. And it is, annoyingly.
   
   A lot of her fearless theory, proto-GenderQueer, I believe is totally right on - and certainly harmonizes with my ideal of Permanent Transition. Yet Bornstein, with her conventional SRS, might not the most compelling proponent of smashing the binary chains. Like Trotsky, Bornstein has a populist (often gimmicky) style in which to place her epistemology and, like Trotsky, Bornstein is a tireless self-publicist: Just how many times does the reader need to know she appeared on the Geraldo Show?
   
   Kinda the right book, by the wrong author.



4. This is an amazing, amazing book. It's easy to read, engaging, and the tone is casual but the content is rich and nuanced - both accesible and intelligent. If you only read three books in your life, this should be one of them. I'm not exaggerating.



5. The format of this book makes it real hard to read and detracts greatly from the content. Your eyes have to dart from one side of a page to the other and back again then to the middle. The content is important but on the edge of the spectrum which makes it even more difficult to read at times with the far fetched concepts. I'm not a big fan of this one.

No comments about Lost Women of the Bible: The Women We Thought We Knew.

5 comments about Surprised By Truth 2: 15 Men and Women Give the Biblical and Historical Reasons For Becoming Catholic..

1. This book puts together a collection of powerful testimonies from people who discovered or re-discovered the True Faith laid out by Christ (the Catholic Church and its teachings). I was most inspired and deeply moved by these testimonies. I will contact at least one of the contributors to this book. I felt particularly identified with his story and will seek advise on how to follow the path he took to "Rome". Buy and distribute among your friends the Surprised by Truth series. I did give away my copy of the preceding book of this Surprised by Truth series and I am pleased to inform that it helped to convert my friend to Catholicism. I am looking forward to read the third book of the Surprised by Truth series.



2. I highly recommend this book and the first "Surprised by Truth" book. Very inspiring testimonies by a wide variety of people who write about their search for religious truth. If you have questions or doubts or just want to know the facts, this is the book to read.



3. This book was as good as the first. I think it gives a good understanding as to why someone would convert. As a Catholic myself it has made my faith stronger. I bought the book to then pass on to someone who is considering becoming Catholic. I would not however try to force my beliefs on someone but if someone is interested to understand more it is a great book to read.



4. Conversion stories are always a fun read, when one is reading the stories of those who convert to their own faith.
   
   Of course, when the conversion is one away from one's own tradition, that is another thing entirely.
   
   However, fair is fair, and evangelicals have been publishing and telling conversion stories about how people were "saved" from the Catholic Church since the beginning of their movement some 400 years ago. It is remarkable therefore that some would criticize these humble and powerful stories of people who "swam the Tiber" in the other direction as "triumphalist" (whatever that word means) or inappropriate. Yet that is exactly what many evangelicals have done regarding the renaissance in Catholic apologetics that has occurred over the last 20 years.
   
   However, in my opinion, this renaissance is neither "triumphalist" in a negative sense, nor inappropriate. For, in theology, the only way to get at the truth is to use the time honored tool of philosophical reasoning when discussing Divine Revelation. That means making arguments from Sacred Scripture. Arguments invite counterarguments. Reformationists reject the authority of the Church to settle arguments when they get out of hand, or threaten unity. Therefore, we will continue to argue with each other, even while we often work side by side in the trenches fighting things like abortion.
   
   This book clearly shows that ideas have consequences, especially when those ideas are religious ones. Every person whose story is in this book is someone who had the courage to not only challenge received "dogma" but also live their life in a way in conformity with their ideas, regardless of the consequences.
   
   Luckily, these brave individuals are not building their houses on the sand of their own understanding, but rather on the rock of Jesus Christ and the teachings of His Church.
   
   This book and its companion volumes are a great tool when one needs the support they provide. They are also useful for explaining to reasonable non-Catholics why people would find it necessary to call the Catholic Church their spiritual home.
   
   I struggled with whether to give this book series 4 or 5 stars. As collections of conversion stories go, these are excellent. However, conversion stories are monologues, not dialogues, and are therefore less interesting to me than a good discussion of various theological issues. I feel good editing and inclusion of other ideas (perhaps a commentary?) could have addressed this weakness to some degree. However, fair is fair, and most other faith traditions (especially Fundamentalist Protestantism) don't extend the same intellectual courtesy when discussing the conversion stories of those who choose to leave the Catholic Church.
   
   At the very least, these books prove that the Catholic faith is compelling, and reasonable. I, of course, believe it to be true. However, until He comes again, I fear that debate will continue. When we are Christian it will be a good discussion. When we fail, it will be shouting match. Such is the Christian experience post the reformation.



5. I have read both the first and second book of Surprised By Truth. Both were excellent. Anyone reading them objectively, with an open mind and heart, will learn a lot about the Christian faith in general and Catholicism specifically. I could say a lot about these essays; they are so well-written. What is most important is that they are written from the point of view of love and truth-seeking. I recommend Surprised By Truth.

5 comments about Through the Narrow Gate, Revised: A Memoir of Spiritual Discovery.

1. Older book with new foreword. Personal discription of life in convent by well-known religious author.



2. I thought that this book was very honest, while at the same time providing a captivating and enticing read. I have read many of Karen Armstrong's later books on religion; however, I read this wanting to know more about her past life as a nun. The book details her seven years in a religious order in which she endures the pains of pre-Vatican Council II styled religious life. On the outside world, to which she was oblivious, things such as the sexual revolution and the Vietnam war were occurring. I could identify with some of her stumbling blocks to cultivating a spiritual life, including emotional and intellectual barriers. I now have the deepest respect for such a profound woman, not only in her writing ability but also in her courage and willingness to be so transparent in telling her story. This is a wonderful autobiography.



3. Karen Armstrong has written a most marvelous account of her life within a very strict order of English Catholic nuns of the 1960's. Her description of the torments she endured has caused me to regard with renewed respect and affection the nuns who taught me in the 1950's. How odd that we boys who were in class with the nuns for hours each day really had no idea of what kind of lives some of them led in the hours before and after school. The moral, spiritual, and intellectual gifts they bestowed on us daily are inestimable, even though at the time we were probably more interested in whether or not they actually had hair under their wimples!
   
   I've noticed some confusion in these reviews about several aspects of Catholic religious orders of those days. First, despite having no contact for long periods of time with "seculars" - i.e., civilians - Karen was not in a order of "cloistered" nuns. Cloistered sisters do truly cut themselves off completely from the world and, if I can be so bold as to describe them, they live a life governed by "ora et labora" - work and prayer. In fact, though, as strict as they were, Karen's order was primarily an order of teaching sisters.
   
   But there is a much more important concept that many people seem not quite to grasp, and that is that all Catholic youth of those days - at least in my experience - were taught that the most perfect way to be a true follower of Christ was to share in his suffering. That is why those nuns were treated - and treated themselves - as harshly as any Marine Corps recruits would ever be treated - only the nun's harsh treatment was to continue all her life. Certainly, most youth who took Catholicism very seriously must have given thought at one time or another to entering the religious life. We were always told to examine ourselves to determine if we had a religious vocation, but we were also warned that it was not a calling for everyone. In any event, to decide at a young age to become a nun, brother, or priest - to dedicate one's life to doing good - was not understood by many of us to be the same as dedicating one's whole existence to God. When young people make the decision to enter the religious life they often do not know what that really entails. Some religious communities are extraordinarily strict, others less so. The particularly strict order to which Karen belonged was obviously intent on making sure those young girls found out immediately that the religious life was not a game, that sharing in Christ's suffering was not to be an abstract concept but a concrete reality. Those young nuns were to put up with the sadism of some of their superiors in the same way as Christ had to endure the sadism of his tormenters. They were not only to tolerate it but to welcome it and even seek out even more spiritual pain and physical hardship. (As the British often jokingly say about the paddlings they endured in school, "Please sir may I have another?") This concept of self-denial is probably not well understood in our modern climate of "personal fulfillment."
   
   The total abnegation of self, of one's personal desires, of pride, of the hope for friendship and love, was the goal of the harshness they inflicted upon themselves. Their goal was to die to themselves in order to reach God. If you do not grasp this concept I think you'll miss the heroism inherent in the story of Karen and her fellow nuns. Naturally, that kind of life is not for very many of us, as Karen eventually found out for herself. It may be totally misguided or, by modern standards, even pathological, but it's the way some people have reached true holiness.
   
   I'm very happy for myself and for all her readers that Karen Armstrong eventually chose to leave the convent and to follow another path in life. This book is not only a gift from her but, through her, a gift to us from all those other nuns who took - and take - the road less traveled. A truly wonderful and enlightening gift.



4. As this is a book relating to Catholicism, it is fitting for me to start the review with a confession. I bought this book not because I was interested in it, but because I wanted to read its sequel - The Spiral Staircase - and felt I should read this book first. I was not interested all that much in the story of becoming a nun and my only curiosity was how Miss Armstrong would find anything interesting to say about it.
   
   Well, I was off the mark. Karen Armstrong's recounting of her 2 years in the convent (and subsequent disenchantment with the process) are fascinating. Most of the action in this story takes place inside the subject's head as she tries to wrestle with being human in a place where humanness is to be shed (as one must renounce worldy desires, thoughts, and feelings to be close to God).
   
   Karen Armstrong does a magnificent job of depicting what this conflict is like. The process of becoming a nun, as Armstrong describes it, is a rigorous program of self-denial. One is not to complain, be tired, be mournful, be happy, be questioning, or let onesself feel any of the things that come with the territory of being human. Rather, it was taught that the pinnacle of the spiritual life was the abillty to shed one's humanness, to think and feel only about one thing - God.
   
   Armstrong also tells of a very hierarchal system where to question one's superiors is to question God (as one's superiors are closer to God than onesself; that is why they are superiors). With accuity of word, Karen Armstrong recounts how she was constantly made to feel insignificant and imbecilic by her superiors. At the same time, feeling bad about this was attributed to her weak spirit and - so it was called - her selfishness.
   
   Armstrong's story ends when she voluntarily leaves the convent after experiencing much too much. Here she tells of the schock of living in a 'regular' world after years of physical and emotional seclusion.
   
   This is much more interesting a book than i had originally thought it would be. Owing to Armstrong's ability to describe the internal struggle between her desire to be human and her desire to devote herself to God, Through the Narrow Gate has an incredible forward motion. As The Spiral Staircase picks up where this book leaves off, I cannot wait to read the latter half of Karen Armstrong's remarkable journey.



5. In this, [Book One of Two], written twelve years after Karen Armstrong left her life as a nun, she describes the genesis of her vocation or "calling" and reveals how reluctant her parents were about letting her embrace a life of ascetism. She was a mere seventeen years old at the time.
   What follows is a chronicle of what it was like to go through the rigors of becoming a nun. The nine months as a postulant, the two years noviceship, the two years of the scholasticate.... the mind-numbing discipline of achieving full-fledged nunnery-ness (my word).
   She was one of the last people to go through the old system before it was reformed by the Second Vatican Council and Pope John XXIII. In what I consider extreme generosity, she admits that her own immaturity was the cause of many of her difficulties, but ultimately what happens is that Karen finds out that she is simply not suited for the life of a nun.
   In the convent, God was conspicuous only by His perceived absence, and confessing this to her superiors was not helpful. It only sent her back into herself and confirmed her theory that God's silence was her own fault. In all of the seven years on the inside, never once did she "hear from God" nor realize the pre-convent aspirations of her heart. It is a powerful story of religious devotion gone awry.
   I could talk forever about how IMPORTANT I think this book is.
   An excellent read!

4 comments about Lucia: A Venetian Life in the Age of Napoleon.

1. I just finished reading this sequel to A Venetian Affair. Lucia is quite different from Giustiniana (the main character in the previous book) but this true story leaves you with the same mixture of fascination and melancholy. Unlike Giustiniana, Lucia immediately marries her first love, Alvise, and despite also being the protagonist of a scandal, her life is not as thrilling as Giustiniana's. Like Giustiniana, Lucia lives first hand through the European aristocracy, from Venice to Vienna and to Paris. But while in A Venetian Affair the source of dismay is the missed happy ending for Giustiniana and Memmo (her lover), in Lucia it's another demise that characterizes the book: the fall of her beloved Venice.
   Through her detailed correspondence to her sister we learn of Alvise and Lucia's efforts to keep their status once orphans of the Most Serene Republic. This is what I believe defines this book. It's the story of a power couple who in their prime loses their motherland, and that helplessly witness a millennium of history being crushed between the French and Austrian power struggle. Alvise and Lucia, they really try. When Napoleon has the upper hand they get back on their feet and are actively involved in being part of the new world order. But as soon as the Austrians take control they have to start from square one, and we find Lucia mingling with the Viennese aristocracy while living in the Hasburgic capital. But then Napoleon is back, and off to Paris they go. These are not merely social ladder moves. There are estates to save, and the underlying theme is the slow but inevitable decadence due to unfortunate geopolitical circumstances that this otherwise very capable and visionary couple is subject to. Of course the book is packed with affairs and loaded with illegitimate children, but the force of this book is its historical value. It's the first hand account of how a historical European nation was phagocytized and of why its resurgence has been suffocated in the following decades.



2. Lucia: A Venetian Life in the Age of Napoleon begins where Andrea Di Robilant's A Venetian Affair left off. Lucia Mocenigo was the eldest daughter of Andrea Memmo, and she married at seventeen into one of the best-known patrician families in Venice. When the Republic fell in 1797 to Napoleon, Lucia went to Vienna, where she became friends with Josephine Bonaparte. Later, Lucia moved back to Venice, where she became Byron's landlord. She died in the 1850s, when she was in her 80s.
   
   Lucia is a compelling look into the life of an intriguing woman. She was at the heart of European political change, as her letters to her husband and sister show. What Di Robilant does successfully in this book, as he did in A Venetian Affair, is bring the event s and people to life. Everything Lucia, her husband Alvise, and her son Alvisetto, do is documented here with precision. Sometimes with too much precision: when her son was a teenager, Lucia obsessively worried over his progress in school. But in all, Lucia was an impressive woman who rose to the challenges she faced with courage.



3. In this book Venice at the end of the eighteenth century comes to life. Lucia was only a young girl when she returned to her native city from Rome, where her father was Venetian Ambassador, to be married to a much older man. She lived in many of the great courts of Europe, travelled extensively, witnessed the fall of the Venetian Republic to Napoleon, and as an impecunious widow was the landlady who rented out her fabulous family palazzo to no other than Lord Byron. It was in the attic of Palazzo Mocenigo on the Grand Canal that her correspondence, recounting every minute detail of her long and fascinating life, was preserved and handed down through the generations until it came into the hands of the author, who is her descendant. A wonderful book. Highly recommended.



4. Let's start with the lovely cover image: thanks to the research behind Lucia, this previously unknown work by the widely acclaimed Swiss painter, Angelica Kauffmann, came to light. And thanks to the owner's permission, its appearance on the cover allows us all to enjoy it. This is our first meeting with the blossoming young Lucia. Her glowing complexion, full bosom and that chestnut tendril that curls downward along her neck bespeak an innocent yet eager anticipation of life's sweetnesses. But this is not a love story. Lucia's life is much larger than her courtship and marriage with Alvise Mocenigo, and emphatically disproves what we think of as the bounds for a woman then.
   From the start, Lucia's story shows her caught in the middle of things, from local power struggles in Venice to empires rising and falling and the devastating wars they brought about. Political events determine one challenge after another for her, as daughter, fiancée, wife, mother, woman on her own.
   Accounts of political moves, diplomatic dealings, warfare strategy might not seem the stuff of a woman's life story, and yet they make perfect sense here, are fundamental, illuminating and intriguing. As these combine with finely wrought details of the everyday, the past truly comes to life. Di Robilant's style, as in A Venetian Affair, draws the reader in. When you read Lucia, you feel welcome and respected. And at once you are involved.
   Di Robilant works with some very special material, unearthed not only among family papers but also in archives around Europe. In the end, he did not write the story exactly as he had set out to, for his research uncovered unexpected turns in what he knew as his family's history. He never makes an issue of this, but leaves it tacitly to his readers to imagine what it must be like to see a family legacy twisted into a different shape and to discover fundamental family ties you never knew existed. Di Robilant set out to bond with his past, which in the end he did, but not with the past as he knew it when he set out.
   I highly recommend this book to readers with a passion for Venice, the Napoleonic years and memoirs about women who rise to unexpected challenges; to readers curious to have an insider view of life at court (Paris, Vienna, Milan) in the nineteenth century or a landlady's perspective on the scandalously libertine Lord Byron; to readers simply fond of books where biography and history elegantly merge with great merit to both genres.