1 comments about Paul McCarthy: Head Shop.Shop Head.

1. mccarthy heads up the knuckles on the punch that is coming and it is all hear in grotesque faithful glory. belly blooming liquid sqwelch that has become the pysche house taboo center, next up is the calm dome. but non the les, les the non, paul mccarthy gives us the cream 50's thru 00's style, in hallowed saloon, charles manson charles eastwood is good bad and ugly ya. crawl thru the space and drag your smegma about, its a trail of tears for the former represser. needless i love the title, gimme all the images so i maybe fasten them to the walls of the calm dome archive. i am over the age of 13.

No comments about Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400.

4 comments about Outdoor Monuments of Manhattan: A Historical Guide.

1. Selecting 54 outdoor sculptures that are of personal and aesthetic interest, the author takes you on a guided tour of Manhattan starting from the Statue of Liberty in the south all the way north to El Cid by Anna Hyatt Huntington.
   
   An easy read for all, each essay gives a brief introduction into the sculptures stylistic elements. It also compares them to how they could have been different and what that would have done to the artwork's meaning. The author also provides background information on the sculpture and its subject to further enhance our appreciation.
   
   Of course when it comes right down to it, Durante shows us through sculpture great minds at work (artisan and innovator) who have accomplished much in their pursuit of values.



2. Manhattan's streets and parks are packed with historic monuments, and some fifty of them are included in OUTDOOR MONUMENTS OF MANHATTAN: A HISTORICAL GUIDE, which offers up background history, surveys of American sculptors, and analysis of each sculpture, its influences, and its history. A 'must' for any Manhattan resident or library seeking background information on the area's best outdoor monuments to use as either a take-along travel tote or a study.



3. As a native New Yorker, at one time or another I've passed by and gazed at every one of the 54 sculptures listed in this excellent book. What I learned was how great each one is. Several of my favorites are mentioned (Columbus, Washington, Hamilton) as are some less publicized gems, like Verrazzano and Dr. James Marion Sims. By breaking down the categories of About the Sculpture and About the Subject, one can learn so much about these outdoor gems in the city. Dr. Durante's style of writing is very clear and she gives a practical guide in "how to read a sculpture" with an objective basis.
   
   Pick your style of heroism and you'll find it here. Whether it's celebrating a job well done (Washington in Union Square) or charging into the battle of a new project (El Cid up in Harlem) or refusing to submit to defeat in the face of death (Nathan Hale in City Hall Park) you are sure to be uplifted.
   
   Every New Yorker should own this book, as it will give them a chance to fill their lives with inspiration by simply traveling to a location simply mapped out in the book. As for non-New Yorkers, this is yet another reason to come here and enjoy the greatness of this magnificent city.



4. Apart from Ayn Rand's own work in esthetics (The Romantic Manifesto---and several other articles outside of it) and Dr. Leonard Peikoff's Objectivism: The Philosophy of Ayn Rand, Dr. Dianne Durante's Outdoor Monuments of Manhattan is the first published work to apply some of Miss Rand's revolutionary esthetics to works of art. This is a MAJOR achievement.
   
   In order to shape a culture dominated by by a rational philosophy, the Objectivist ethics is THE most important idea to get into the culture. And a number of outstanding philosophers have each, independent of one another, done admirable work in this area.
   
   The second most important idea essential to changing our culture is Miss Rand's esthetics. Dr. Durante opened the door to this with her criticism of the thoroughly reprehensible exhibition in New York's Central Park of Christo's Gates. She stood firm against invective. Now she is offering more details as she applies Miss Rand's esthetics to Outdoor Monuments of Manhattan.
   
   Outdoor Monuments of Manhattan is a clever organization of facts and commentary. It is also a welcomed introduction to important ideas that offer the reader rational guidelines to better appreciate and understand art in general and the outdoor monuments of Manhattan in particular.

2 comments about Shelley Tea Ware Patterns.

1. Though a little expensive, this book is a "must have" resource for any Shelley collector. As an avid collector myself, I use this book on a daily basis and have found it to be 99.99% accurate on patterns and descriptions. It does appear that the dollar value placed on items may be a little high, but that may be due to the fact the author lives in England and her values in pounds need to be "translated" into current dollar equivalency. Highly recommended resource for a Shelley collector!



2. This is a great reference book for Shelley china collectors. It shows pattern shapes, pattern numbers and color photos of the hundreds of Shelley tea sets. Great for a beginning collector or for someone who wants
   to catalog their collection. Also,it gives the history of the Shelley company from 1860 to its end in 1966. I like this reference book the best of all the Shelley books I have collected.

No comments about The Collector's Guide to Shawnee Pottery.

No comments about Hans Ulrich Obrist and John Chamberlain: The Conversation Series (The Conversation).

5 comments about Collectible Silver Jewelry: Identification and Value Guide.

1. "Collectible Silver Jewelry" provides a brief, yet reasonably comprehensive, guide to silver jewellery and jewellery makers from around the world. This book covers most of the major silver jewellery producing countries of the world, including the U.S., Mexico, Peru, Scandinavia, the U.K., Germany, Italy, the Netherlands, Eastern Europe, the Middle East, China, Japan and Siam, and for each country, it provides a guide to all of the main silversmiths and manufacturers of that country. For each manufacturer, a brief history is given, along with a photograph or illustration of the maker's marks used. A valuation guide (with pictures) is also provided at the end of each section to give the reader some idea of the style of jewellery produced in each country and its value (although this book was first published in 2001, all values were updated in 2005).
   
   This book is very well presented. It is a large size hardback with glossy pages and full-colour photographs throughout. A glossary of jewellery terms is provided at the back, as is a detailed index, making this book very easy to use.



2. This was a general book on Silver and I felt it did not go into depth. I do not like it as much as others but it covers many country silver jewelry.



3. I haven't found another book that covers what this one covers. It is well organized and has lots of good photos. There are written commentaries about the various manufacturers of silver jewelry, discussions about mid century artisans, and great information about silver jewelry from Scandinavia, Mexico and other places in the world. There are additional resources in the back of the book and lots of information about hallmarks as well. I can go on and on but take it from me, this is the best book out there on silver jewelry.



4. This book has been fabulous because it includes a broad span of silver jewelry, not just one specific type. It has helped me identify many pieces. Great pictures, great explanations. Includes many different marks. I love it and use it all the time.



5. Whether you are an expert collector or a neophyte, you will find this book a valuable reference source. It is illustrated in full-color and covers the range of silver jewelry makers exhaustively, maker by maker, including illustrations of makers' marks.

1 comments about Calder in Connecticut.

1. Reading this book about Calder's work makes me want to bend a wire clothes hangar into nifty loops and spirals ... just for the fun of it.

   Calder's art is BIG TIME fun, on every scale from immense graceful outdoor sculptures to strikingly elegant necklaces and pins. The book shows the variety of his creations...tapestry motifs, silver and brass cutlery, campaign posters. Check out his clever pull toy for a toddler.

   Mobiles is probably Calder's most familiar category of work, but his playful menagerie, including a kangaroo, an elephant, a giraffe, a big bird and a flock of origami-size birds is his most endearing.

   Photos and narrative, together, convey the wit and warmth of the sculptor. They offer opportunity to meet Calder, his wife, and their circle of friends.

   Calder, by fine example, inspires one to lighten up and love it. This book is written permission to do exactly that, be it, high brow, low brow or no-brow.

2 comments about Copper Red Glazes.

1. This book provides a clear and detailed understanding of the technical side of copper red glazes. I did find it in some places to be "heavy" reading and the lack of good quality colour photographs was disappointing.



2. This book contains everything a potter would want to know about how to obtain that elusive copper red glaze. Although not a book of formulas, it does go into specifics as to the how and why of firing, with a comprhaensive section on trouble shooting. Highly recommended by a producing potter getting copper reds.

2 comments about Modeling with Polymer Clay (Artist's Library series #33).

1. I first got this book out of the library and now that I've read it, I'm going to buy it. The book demonstrates a cartoonish but not cutesy style of sculpting. I've always wondered how to make that style of eyes and brows and it showed me exactly. Might not be the best book for someone who has never touched clay before but definitely worth reading for anyone with even a little experience.



2. I recently discoverd this book by David Kracov and had to purchase it to see how close I could come to duplicating his sculpting technique. So far I am very happy with the results, and considering the fact that he uses a clay that I have not used in the past, I consider this a good selling point for his book. I would not recommend this book for someone just getting into clay sculpting as he leaves out some vital information (or so I believe) and some of his instructions are very vague. But if you've learned the basics of sculpting characters from another source or are a natural artist, I think you should be able to glean some very useful design concepts from this book. Mr. Kracov is very talented and I hope he publishes another book soon. I will be watching and waiting for one.