2 comments about You, Too, Can Make Money Selling Good Junk: An Easy and Quick Guide to Starting a Business Selling "Good Junk.

1. I really liked this book! Easy to read and very informative. This book is an uncomplicated, well organized manual on buying and selling Good Junk. A must read for everyone interested in selling their finds!



2. Linda's book is fun and interesting to read. After reading it you really believe that you can take the initiative and start your own business and have fun doing it at the same time. Linda takes you step by step through the process of finding and selling items in such a manner that "You too can do this". This is a "must read" for anyone who loves to go to flea markets, yard sales, and auctions. Enjoy reading-----------Steve

1 comments about Collectible Vernon Kilns: Identification and Value Guide (Collectible Vernon Kilns).

1. This book is a must have for anyone interested in collecting any of the numerous shapes and/or patterns of pottery made by Vernon Kilns. I won't repeat what's said above in the book description or product details, but I will add that many years of obvious painstaking research has culminated in Maxine Nelson's 4th book on the subject.
   
   I had no idea what a challenge it would be to complete a collection of dinnerware in just ONE of the patterns ("Gingham", a green and yellow plaid design) that was made. Even with this book in hand you will never be 100% sure of all the pieces that exist in whatever pattern you're attempting to collect. In my opinion, the "not knowing" is part of the challenge that only serves to make collecting this truly versatile line of wares that much more fun, interesting, and rewarding.
   
   By the way, this book has 320 pages, not 192 as listed above. Sadly, this book is already out of print. However, at the time of this writing quite a few copies are still available.
   
   If you're a fanatic, you'll want to find copies of the newsletter "Vernon Views" printed from 1981 through 2003 by Pat Faux and Nancy Scadeberg, but we'll save that for another time...

2 comments about Civil War Collector's Encyclopedia: Arms, Uniforms and Equipment of the Union and Confederacy.

1. An absolutely pioneering ground breaking book on Civil War equipment when it was originally published. I literally wore the covers off mine a thirty years ago! It is nice to see it reprinted. Dr. Lord put extensive research into this work, and to my knowledge it was the first book on Civil War equipment. Historian or collector alike will enjoy this book, and it has stood up to the test of time, despite shelves of books on the subject of Civil War equipment since then. If you don't have one, get one. If you already have one, buy another. It is that good.



2. Any serious collector of Civil War arms, uniforms and equipment should consider the Civil War Collector's Encyclopedia: Arms, Uniforms And Equipment Of The Union And Confederacy as an indispensable reference and core guide in this specialized are of military antiques and collectibles with noted authority Francis A. Lord covering almost everything to do with Civil War memorabilia, from equipment to uniforms on all sides. Over three hundred photos and drawings - many from Lord's own holdings - accent a guide organized by memorabilia categories for quick browsing. If it sounds familiar, the Civil War Collector's Encyclopedia comes with a history: it's a reprint of an original 1963 work - and has lost none of its importance or relevance over time, as it's packed with history and collectibility insights more than values.

No comments about Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms.

2 comments about Van Patten's ABC's of Collecting Nippon Porcelain: Identification and Values.

1. I bought this book to help me value a number of Nippon items I had in my inventory. If that is what you are looking for, find another book. I believe the cheapest item I found in the book was for $100, and most were well above the $500 level, in fact, many in the $1000's. I know my items are not worth anywhere close to this! Apparently the author chose to picture only the most expensive items.
   
   This is an informative book, however. The opening is history, culture, and FAQ's. It has an EXTENSIVE list of backmarks, and points out numerous fake markings with very good line drawings showing the differences. There is a full chapter picturing pieces that are fake, reproduction, or fantasy pieces. Unfortunately, no prices for these pieces, which would have been helpful as long as they are pictured.
   
   The rest is a lavishly pictured run through the ABC's of possible items, for example, Bird scenes, black collectibles, children's items, dolls, hunt scenes, etc. Pictures generally show individual items, with prices underneath -(convenient). However, as beautiful as the pictures are, they show only a tiny smattering of the possible designs or items availble under each category. Thus, a great book showing the beauty of especially the top end of Nippon items, but not functional for identifying and pricing the majority of items you probably have in your possession.
   
   An informative book introducing Nippon and some gorgeous pictures. For pricing your collection, you'll have to find other sources.



2. It was what we were looking for and met our expectations

5 comments about Standard Catalog of World Paper Money, Modern Issues: 1961-Present (Standard Catalog of World Paper Money. Vol 3: Modern Issues).

1. It was a pleasure to work with you. The catalog is very useful and it was delivered in no time. Thank you



2. As a beginning collector, I didn't really know very much about this subject, and the book helped me immensly. I highly recommend this book both for novice collectors like me, and for those lucky individuals who have been doing it for years. An excellent source!



3. If you collect modern banknotes, you must own the Standard Catalog of World Paper Money, Volume III: Modern Issues (US$50, Krause Publications, ISBN 0-89689-502-5). The simple fact is that there is no other omnibus catalog that covers post-1960 issues in such detail. Now in its 13th edition, Volume III contains 12,000 illustrations of notes from over 200 issuing authorities, most with valuations in three different conditions. The SCWPM is our collector community's bible, and its "Pick" numbers are the lingua franca used worldwide to identify types and varieties. However, anyone who spends more than a few minutes examining the SCWPM soon discovers its many flaws.
   Let me begin by stating that I realize it is a gargantuan task trying to ensure the accuracy of so much detailed data on a subject that is sometimes obscured by intentional secrecy. With 1,048 pages, it's inevitable that minor typos creep in and omissions are made. Many errors I had spotted in previous editions have been corrected, yet new ones have cropped up. But the problems I have with the SCWPM are not minor, they are systemic. According to the back cover blurb, editor George Cuhaj compiles input from "more than 80 experts around the world." This alone probably explains many of the catalog's flaws. These unpaid contributors are anonymous, and they bring different levels of dedication to the task of updating their areas of expertise. As a result, the SCWPM is often inconsistent.
   For example, sometimes a note with a new date or signature combination gets a new type number, other times it warrants only a new variety letter, and other times it's just grouped together with several other dates. Australia, Switzerland, and West African States all have listings with extremely detailed varieties, while most other countries list only an issued note and specimen. Speaking of specimens, often they are listed without description or price. Does this mean they are unconfirmed or rare? And why is it that the introduction claims the variety letter "r" is used to indicate remainders, though Biafra's notes lacking serial numbers are given "b" variety letters and Cayman Islands uses "r" to indicate replacements? Rather than being systematic and predictable, the numbering scheme is arbitrary and subjective. Fortunately, renumbering has been held to an "absolute minimum" in this edition, but unexplained gaps from previous renumberings exist, as do new discoveries shoehorned into the inflexible scheme with numbers followed by capital letters to distinguish them from lower-case variety letters.
   The problem with inconsistencies extends beyond the pervasive numbering scheme to the issue of signatures. If a country's note varieties are clearly distinguishable from one another based upon other attributes--such as date or overall design--I understand there is no need to publish a signature table. However, it is unforgiveable to omit same if the note descriptions make specific references to signatures either by number or name. For example, Argentina SCWPM 275-282 refer to signature titles by letters, but the accompanying table from the 12th edition has been dropped. Likewise, Belgium SCWPM 134-152 refer to signature numbers that have never been documented in any edition. Unfortunately, the signature tables which do appear don't always include the signatory's full name, title, and term of service. In fact, Bhutan's signature table lacks numbers altogether, so references are confusing, to say the least.
   I'm happy to report that the list of banknote printers and their abbreviations has returned after being dropped since the 10th edition, but good luck finding it since it doesn't appear in the table of contents (hint: it's in the back of the book, sandwiched between full-page advertisements).
   Though it bears a copyright of 2007 and claims to cover modern issues from "1961-present," the 13th edition fails to include many recent releases one would expect. For example, there's no mention of the new families of notes from Azerbaijan and Mozambique introduced in 2006, nor of the European Union notes bearing Jean-Claude Trichet's signature, and these have been out for years. Nonetheless, I would recommend the 13th edition if for no other reason than its black-and-white images are much clearer overall than the muddy illustrations of the previous edition. While the front and back of most notes are shown, not all notes are depicted, and the images are just big enough to aid in identification, but not to savor the details. Inexplicably, all recent editions have also included eight pages in color of randomly selected notes without any commentary or obvious purpose. This costly insert should be put to better use--highlighting new color varieties or particularly attractive new issues--or dropped entirely.
   Aside from identification of note varieties, the other purpose of a catalog is to provide accurate values of notes. Here, too, the SCWPM provides questionable guidance. Many countries have not seen any valuation changes whatsoever over the course of several editions. This is simply impossible given the fact that all values are expressed in US dollars, and this currency has experienced a significant drop in exchange rates across the board over the past few years. For example, the high-denomination Haitian notes printed on Tyvek remain listed at relatively accessible prices, despite the fact that I have never seen these rarities offered for sale at any price. Even in those countries which have been updated, the new valuations are unreliable. For example, Romania's notes dated 2005 are all still priced below face value, though not as severely as in the previous edition. On the other hand, the prices of common recent issue Australian notes have spiked beyond reason. And some countries--such as France, Italy, and Qatar--have some VG and VF notes priced at face, despite being demonetized.
   If you collect the entire world, the SCWPM is the only game in town, and is a necessary reference well worth the price, even in light of its shortcomings. But if you focus on particular countries or regions, you'll want specialized catalogs instead.
   
   This review first appeared in print in the International Bank Note Society (IBNS) Journal 46.3.



4. Having been a major collector of banknotes for 40+ years, I find the SCWPM series of banknote catalogs invaluable, but far from complete or accurate. This volume has improved graphics and updated pricing compared to the previous edition. The numbering system is chaotic, pictures misplaced, signature charts missing or incomplete, latest issues missing, etc. Mr. Cuhaj needs some help.



5. I was very disappointed by the latest issue of the 'modern issues' catalogue. There are at least two instances of incorrect page-headings, which are confusing, and one group of notes missed out completely - which suggests carelessness in editing the book. However my main disappointment is the number of issues which were new in 2005 or the first half of 2006 which have not been included - which, for a book dated and published in 2007 just is not good enough. If Krause Publications are going to make an annual out of the modern issues catalogue, then they must make the cut-off date for the inclusion of new issues much closer to the publication date. Why could they not put in the front a prominent note saying something like 'including all new issues up to July 2006'?
   
   I feel a bit cheated by Krause.
   
   
   Keith Potter

1 comments about Griswold Cast Iron Vol. #2.

1. Not as big as I expected but still very informative for an novice collector.

1 comments about Scott 2007 Us First Day Cover Catalogue & Checklist (Scott Us First Day Cover Catalogue & Checklist).

1. First Day Cover Collecting has become a MAJOR facet of the Stamp Collecting world over the past 100 Years, and is perhaps more popular now, than ever.
   
   Michael Mellone's 2007 U.S. SCOTT First Day Cover Catalogue and Checklist is a MUST for FDC collectors. And besides being a standard Pricing Catalog for virtually all U.S. Stamp issues from the beginning, this little tome also answers all the critical questions about the Hobby; such as 'What is a Cacheted First Day Cover'?
   
   The common 15 Cent Statue of Liberty Stamp, #696, from 1931 is worth $100.00 if it's cancelled first day of Issue on even a plain envelope. People can find out JUST HOW VALUABLE FIRST DAY COVERS can turn out to be with Mellone's book!
   
   I most highly recommend this Publication and the price won't cost you an arm and a leg either!
   
   Scott Klynstra
   Life Member #103
   American First Day Cover Society

No comments about The Curious Collector: A Lively Little Tour of 101 Favorite Collectibles.

No comments about Pedal Car Restoration and Price Guide.