2 comments about Puffkins Collector's Guide, 1999.

1. I definitely agree the guide is wonderful, but incomplete! I found it very useful and informative. The problem is over half the Puffkins I have are not in it! (That's the reason I only gave it 4stars, rather than 5!)



2. I had recently ordered and gotten the 1999 edition of the Puffkins Collector's Guide from CheckerBee Publishing,thought it was a good guide and hoped that they "did it again" by putting out a new edition of the Collector's Guide for 2000. I had also thought it was about time they did it since I had noticed that there were SEVERAL new Puffkin releases and retirements since the last guide was published

1 comments about Lady Head Vases.

1. A wonderful source of information for the collector, (buyer or seller) of Lady Head vases. The pictures and text provide comprehensive information for the seeker of these fine collectibles. After referring to a friend's copy of Zavada's book, I had to get my own.

No comments about Mid-century Modern Dinnerware: A Pictorial Guide, Redwing to Winfield (Schiffer Book for Collectors).

No comments about Ceramics From The House Of Amphora 1890-1915.

3 comments about Scandinavian Art Pottery: Denmark And Sweden (Schiffer Book for Collectors).

1. This is the best available introduction to Danish and Swedish pottery that I know of. Especially the chapters on "Royal Copenhagen", "Saxbo" and "Arne Bang" are excellent. The material on Swedish pottery are not at all that good but still O.K.



2. I'll begin by stating that I am an avid collector with extensive knowledge of Scandinavian studio art pottery. And while I don't consider myself necessarily and authority on the topic, I'm not writing a book on it either. I found Hecht's book informative on some levels and largely misinformative or under-informative on others. The information gathered here filled a gap in collector's books that was long overdue. It is unfortunate, however, that this book is littered with very poor and inaccurate references to its topic. It contains either false, nebulous or no reference at all to some pottery marks and their meanings & rarity. Some of the most significant factories and artists are often barely touched on or left out completely while several pages will be devoted to others that are comparatively far less significant. I also found that of those artists featured, many have no reference to their most representative work. Not to mention, 3/4 of the book is devoted to Danish work, with the last afterthought 1/4 to Sweden, which is, in my opinion, diametrically allocated. And as for values, I don't know where these came from -- some are strangely through the roof while the very few absolute hottest collectible artists will be strangely undervalued. I hate to think that the author is providing this to help sell her own collection at terribly inflated values alongside her Fleetwood Mac albums and tour buttons on eBay while picking up the best pieces at lower prices. Some of us are not fooled.



3. I'm not a collector of pottery of any kind. I saw this book at a friend's and started reading it. The history of the pottery houses and different genres are very well explained here and it's a compelling read. I was able to even see styles and artists that matched my sensibilities. Overall, I learned something new and saw many pieces of art pottery that I enjoy. I understand why Scandinavian art pottery is so collectable now.

No comments about Collectible Kay Finch: Biography Identification Values.

No comments about Experience Clay (Davis studio series).

4 comments about Deruta: A Tradition of Italian Ceramics.

1. This book provides a look at the history of Italian Majolica. I enjoyed looked at both past and present examples of the beautiful work of so many talented artisans. I would highly recommend this book to both new and current lovers of majolica. I would also rocommend visiting patriziaimports.com..they have a beautiful selection of items!



2. I puchased this book for my wife who brought home some pottery when she was in Umbria. I was hoping for a book that had a lot of pictures of the different kinds of Deruta pottery. This book was a history of the pottery from 1200-present. Although it was not what I thought, it was still very informative and enjoyable. I would recommend to anyone who wants to find out the history of this beautiful Italian pottery



3. This is a beautiful book! I highly recommend it to anyone enchanted by Italian majolica and interested in it's history. After I read it, I thought I'd leave it on my coffee table for easy reference...but so many people at work have asked to borrow it! Even as I rode the train to work with the book in my lap, people next to me couldn't resist staring at the pictures and commenting on its beauty.



4. This book is an excellent source of study, for the ones who want to know a little bit of the history of Deruta and its pottery tradition. For artists, it provides some wonderful pictures of many kinds of pottery in bright colours. The publishing quality is also very good.

4 comments about Hopi-Tewa Pottery: 500 Artist Biographies, Ca. 1800-Present, With Value/Price Guide Featuring over 20 Years of Auction Records (American Indian Art Ser).

1. Granted this is a huge undertaking. And it is at present the best book on the subject. But it, like the rest of the "American Indian Art Series," is not particularly well edited. And without seriously acquainting yourself with its form and arrangement - it is difficult and often frustrating to use efficiently. But it is all we have... and it is not a bad value.



2. With this first volume, the team of Dr Greg and Angie Schaaf began their welcome and comprehensive American Indian Art Series. The reader can only begin to imagine the amount of work involved in such an undertaking. The Schaafs should be commended for their efforts. From A-Z the biographies of nearly 500 Hopi potters are included. From Nampeyo to the masters of today (Rondina Huma, Steve Lucas, Rainy Naha, Mark Tahbo, etc, etc) to the elders who sell from the doorsteps of their homes ... all are included. This being an initial volume, there are certain inherent shortcomings. All photographs are reproduced in black and white. Artists photographs, in many cases, were far from current. The first edition, published in 1998, has a photo of Rondina Huma which is over 20 years old. Similar 'vintage' photos are included. Examples are not consistent. Some potters have numerous examples included while certain award-winning potters have 2-3 at most. Again, one can only begin to imagine the amount of time and effort to meet publication deadlines. A second printing (Nov, 2004) is now available and it is my understanding that some updating has been done. It is good to know that the price is now within reach of all readers. A secondary market price of over $200, for the first edition, was totally out of reason! If you are a collector, this publication and others in the series would be valuable additions. Subsequent volumes, in the series, are in color and the biographies appear to be more current.



3. Here's hoping this robust hardback book is reissued in an affordable soft cover to assist those who really need it . . . researchers and beginners! Its presence since 1998 has had a wide and dramatic impact on Hopi pottery interest levels and is already, itself, a First Edition collectible, jumping from its $60 issue price into the $300-$400 collectible range (at the time of this writing - amazon.com).

   The author has gathered what might be only a smattering of the Hopi-Tewa potters who have produced quality Hopi Pottery over the decades. There are doubtless many more equally deserving of similar literary attention. But this book is an especially strong start and lays a sound foundation for future volumes.

   Some artist biographies offered in its pages are fairly sketchy; otherwise, the author has done his homework. For example, if you own an Evelyn Tootsie specimen, you might be disappointed to discover her name and nothing more. On the other hand, if you own a similar quality piece made by Garnet Pavatea, you'll be delighted to unearth a page and a half of valuable bio, museum, photo and auction info. Schaaf can assemble tons of information and seems to go to extremes to find bio data on his included artisans. It is curious there is no mention of the Indian traders in the area, even those serving the local Hopi populace (and who are doubtless rich sources of such bio data). Interestingly, the book is heavily laced with photos of specimen from Schaaf's own collection.

   The author's promise to revise and expand this book with additional artisans also includes a welcome tool for added information from the adoring public of Hopi potters. This volume includes a handy "artist survey" to encourage the inclusion of more Hopi potters in future editions. Hopefully, more Hopi-Tewa pottery artists, their families and collectors will seize the opportunity contribute and, thereby, expand the known world of Hopi pottery.

   Quality features of this First Edition production could use an upgrade in any subsequent reprinting. The book utilizes a flashy dust cover with thick, glossy face; then the book falls back on traditional cost saving features; a measly 4 pages of color photos followed by whopping 180 pages of black and white. The paper stock is thick, coarse and unwieldy. The book does not deliver the workshop feel of a research-type book (or even measure up to a typical auction catalog), although the linen hardback cover is heavy and strong. The binding imparts a fragile feel, making me wonder how much archival quality the book will maintain over the years. Under heavy use I fear the result would be loose and failing page structure. If you buy this edition, don't plan on using it much. My copy already delivers a disturbing crackling noise from the binding, not good.

   Overall, I would not say this book is a great instrument to support and motivate collections of Hopi Indian pottery. I don't feature it as a scholarly approach to Hopi pottery; however a biographical volume such as this spawns interest and promotes added value to Hopi pottery in general. Its place in the pantheon of Indian books is sound.

   Except for the soaring secondary market on this edition, I'd say every Hopi pottery researcher and collector should have one. Finally, if you don't have a few hundred dollars to squander on the lofty collector price of the First Edition, you might be better off waiting for the author to make good on his promise to expand and republish.




4. If you are ready to make an investment in Native American pottery from the Hopi, this book is a "must have". Every gallery I've been at pulls this book out when I ask them something about who made a particular piece of pottery. The author provides information on every known Hopi potter. It includes complete family histories, who they learned from, and how much some of their art has sold for. Also included is an appendix on common signatures and hallmarks. If you're a new-comer to Native American pottery, this is not a good starting point -- try "Southwest Pottery: Anaszai to Zuni" by Hayes & Blom. Also, if you are looking for thousands of pretty color pictures, this is not the best book (even though there are some nice photos). But if you're going to spend money on pottery, check it out.

No comments about Doulton Lambeth Wares.