5 comments about How to Talk Dirty and Influence People.

1. This book is just as relevant now as it was in the age it was written. If you don't "get it" then it wasn't meant for you.



2. I first read this book at the tender age of fourteen, and even then it had an impact on my perceptions. Now, over thirty years later, it has remained one of the strongest influences of my life! I would not be the wise and compassionate Spiritual teacher that I am without having read about Lenny's life of pushing the boundaries and comedic concepts far ahead of his time. He was and still is the most profound comic Spiritual visionary America has ever seen...and most likely will ever see. Long live Saint Lenny!



3. I found this book to be thoroughly enjoyable. Lenny Bruce is an interesting guy and I think it's very insightful just of life and society in general and of all their inconsistencies. Though today, I'm sure, is much different than Lenny's era, most of what he has to say still applies. He can be really funny at times, but I'd say its a darker humor. I remember thinking it dragged just a bit when he gets deep into his legal battle near the end of the book but overall it kept me entertained.



4. You could be forgiven for thinking that this book is by Eric Bogosian. Although generally okay, the Fireside edition spends more time talking about Bogosian on the front cover than it does talking about Bruce himself.
   
   Too bad. But luckily for the reader, this book is pure Lenny.
   
   More readable than the transcripts of his performance (since he intended this to be read)-- How To Talk Dirty and Influence People is part autiobiography and part diatribe. Bruce explains, jokes, cajoles and convinces as he writes. This is the story of his life from his birth until 1963 when it was written.
   
   Lenny Bruce is a very important figure in the histories of performance and free expression. This book is a little bit sketchy to be a final remembrance, but is still worth the time and effort that it takes to read. In particular, the beginning sections of the book are magical-- funny, wry and moral. It loses the thread a little bit towards the end, as Bruce is more and more obsessed with the legal wars that he was then fighting on every front. Certainly understandable, but the latter chapters are much less open for the reader and seem to have been written in a much bigger hurry than the rest of the book.
   
   If you are interested in Bruce, this book is a must-read. The Fireside edition is bound with an introduction by the aforementioned Bogosian and with a preface by Kenneth Tynan.



5. You don't have to be a fan of Lenny Bruce to love this book, you don't have to really know who he is (I really only know him from a few recordings and by reputation). This book is funny. This book is still a valuable piece of social satire and criticism. This book is an interesting story. This book is a piece of history. This book is great. This book should be read.

No comments about Making Short Films: The Complete Guide from Script to Screen, Second Edition.

No comments about Human Communication: Motivation, Knowledge, Skills.

5 comments about Speak the Speech!: Shakespeare's Monologues Illuminated.

1. This book has been so helpful in my auditioning process. THANK YOU FOR PUBLISHING THIS!!



2. As a young actor currently studying Shakespeare in an acting conservatory, this book perfectly compliments the tools I am being taught.
   
   It is full of information written in a clear, efficient manner and is never patronizing to the reader. The tone has a lighteness and joy that invites the actor into the world of classical text and removes any stodgy stereotypes that may surround the poet's work.
   
   I recommend this book to any actor who is looking for some less performed Shakespeare monologues and comes equipped with an incredibley useful guide to understanding the plays themselves, as well as what is going on specifically with each monologue.
   
   I would buy it as a gift for all of my acting friends.
   
   Bravo to the authors.



3. Simply the best book ever to analyze Shakespeare's monologues: incisive, illuminating, deeply intelligent, always entertaining and sometimes brilliant. Experienced actors as well as those new to the craft will find this immeasurably helpful, and they will have plenty of company. Anyone who appreciates Shakespeare's words and work will find this wonderful book an oasis in a literary desert too often filled with mirages.



4. As a nonactor I'm in the midst of reading this book. Now for the first time I'm completely grasping the prose and verse. In the past I've tried to read Shakespeare cold, with no help, and as a modern English speaker you can pick up some things yes, but this book makes it all, and I mean all clear. We get well over 100 of his greatest monologues, and every unfamiliar word is fully explained, as well as multiple interpretations of the lines.

   I recommend this book to students, actors, writers, and layman for it will unleash the magic of the verse. And when it does you can read or see a performance and grasp it all...and there is so much to grasp, and a good play requires a good reader, a good performance, a good audience, and this book will make you one.




5. Learn the Speech! Actors need tools for their acting toolkit and not a day goes by here at my Writers & Performers Garage in Los Angeles that I don't mention this great new tool. With over 150 monologues, it's an essential for actor preparation. I can't think of any recent book I've read that is more useful for actors working seriously at their craft.

2 comments about Acting is Believing.

1. The book got to me super fast, it was new and in perfect conditions. These people really try hard to make the customer happy.



2. This was our assigned text in beginning acting. I was first skeptical about how much one could learn about from a book. The answer is, "quite a bit." The book, in spite of its slim appearance, holds a good amount of information and is packed with acting exercises. All in all, a good supplement to anyone's shelf.

3 comments about Enjoyment of Theatre, The (7th Edition).

1. Let's face it. Most introductory textbooks are pretty much alike: a little history, a little theory, an overview of what theatre professionals do, etc. Cameron and Gillespie give the student a leg up by writing their chapters in a user-friendly format, with chapter objectives, bulleted (main) points, and key terms at the end of the chapter, as well as web sites for further information. They also provide headings and subheadings as chapters progress, helping us digest the material in conceptual chunks rather than one long narrative. As one reviewer pointed out, there are no cuts from plays inserted, but that gives the instructor the freedom to choose his/her own plays to examine in class. Overall, I think it's an excellent introductory text. I especially like the attention to script analysis using Aristotle's Poetics.



2. This book is meant to be informative. It is. Unfortunately, only about 15% of the book contains useful information. It actually takes the time to explain what a standing ovation is: "To show exceptional approval, audiences may stand and applaud (give a standing ovation)." It goes on to explain that if an audience finds something funny they will laugh. Imagine that.



3. The story of the textbook is to give students an appreciation of theatre, to delineate theatre from other Art forms such as sculpture, dance, and painting as well as film and sporting events. The text gives a concise and accurate, although thoroughly Western, overview of theatre history with brief emphasis on African and Asian theatre. One is taken Chapter by Chapter through a discovery process from the very broad appreciation of theatre as a performing art to the very specific nuances of various Asian performance techniques. Along the way there are three units broken up into various chapters. Unit one focuses on audience relationship to the stage, the social context of theatre, textual and visual analysis a.k.a audience appreciation. Unit Two analyzes the state of theatre today and occupations in theatre. Unit Three focuses entirely on theatre history with chapters on ancient theatre, the middle ages, neoclassicism, romanticism, avant garde, eclectic and current theatre, and concludes with world theatre (mainly African, Islamic, and Asian). The book's weaknesses are its decidedly Western and Caucasian focus, very little of the text is devoted to non-white theatre and (although much improved on other texts) there are very few multi-cultural photos and illustrations included. Also, there are no plays included in the text. It is difficult to encourage script analysis if no script is included, and one page of a script with blocking scribbled all over it does not suffice. There is not much focus on design besides explaining the role of designers in the theatrical process and showing different illustrations of various historical theatre buildings or areas. Lastly, not knowing how to eloquently state this, there is something disturbing about siphoning Chekhov, Ibsen, the Federal Theatre Project, Kathakali, avant garde, Ira Aldridge etc. to two paragraphs or less. By trying to include so many various historical topics in one relatively small text, the authors have sold many of them short. Overall, If used in combination with lectures or texts on design, live performance, and a collection of world drama or scripts this is a solid and very useful text.

1 comments about Actor's Choice: Monologues for Teens (Actor's Choice).

1. 
   This volume of highly entertaining monologues is gleaned from previously produced one-act and full-length plays allowing for full characters with interesting stories.
   
   The book is organized well with monologues divided by gender including a section with monologues that would work with either gender. Pieces range from one to five minutes in length and cover a wide range of emotions. Characters run the gamut from historical to modern, literary to supernatural. While the age range of characters is 5-18, most of the characters are written as straight Caucasians. Dialogue in the book is realistic giving the teen actors opportunity to use strong voices.
   
   This is an excellent monologue book for middle and high school students with applications for competition as well as use in drama, speech, or English classes. Drama instructors can also get an idea of tone and pace of the plays from which these pieces come, making it easier to select a school play.

No comments about Mastering Public Speaking: The Handbook (MySpeechKit Series).

No comments about An Adult Evening of Shel Silverstein.

1 comments about Argumentation and Debate (with InfoTrac ) (Wadsworth Series in Communication Studies).

1. When I learned debate, it was the 1996 version of this book, but it has gotten better! This is a great book whether you are a beginning novice debater wanting to learn how to compete in academic debate or an experience debater looking to solidify your theory arguments.