1 comments about Play Production Today.

1. I've read this and other books by Jonniepat Mobley. This book is simple, clear, concrete; it's a wonderfully practical, thoughtful book.
   
   What I don't understand, though, is why (when the name of the author is clearly on the cover of the book), Amazon is listing this as being written by McGraw-Hill, the publishers. Don't authors deserve credit?

No comments about Brecht for Beginners (A Writers and Readers Documentary Comic Book).

1 comments about Ballet Dancers Stained Glass Coloring Book (Dover Pictoral Archive Series).

1. Good or bad, I was surprised to get this and realize the "stained glass" bit refers to the TRANSLUCENT PAPER, not the ease/large size of the areas to color. The pictures are lovely, but I was expecting something a bit simpler (that might be executed in stained glass, for instance) for my kindergarten princess to color.
   
   I'm sure she'll like it anyway, and at least she can use her markers without them bleeding through the paper, but still a little surprised.

No comments about Circus Calendar (Wall Calendar).

1 comments about Understanding The Crucible: A Student Casebook to Issues, Sources, and Historical Documents (The Greenwood Press "Literature in Context" Series).

1. mega swanky book yeah

No comments about Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement.

No comments about Communicating: A Social and Career Focus (with MyCommunicationLab) (10th Edition).

No comments about Everybody's Shakespeare: Reflections Chiefly on Tragedies.

4 comments about Total Directing: Integrating Camera and Performance in Film and Television.

1. Total Directing is a very thorough book on directing narrative (for both film and television) which will leave you with a sense of awe at how complex a task film-making is, but at the same time give you enough concrete, technical advice to make you feel you could actually become a director yourself.
   
   The book covers the directing process from first idea through to post-production, with particular attention placed on reading and marking up a script in order to block (plan actors' movements) and plan shots. The chapters covering blocking and camera placement are very detailed, with specific advice on how to shoot scenes with 2, 3, and 4 actors. There is also good coverage of other technical issues such as post-production (editing, sound effects, music).
   
   The other aspect of directing covered in this text is the human aspect. Here, Kingdon illustrates his points with sidebars describing his own experience on various productions, and with references to well-known films and quotes from directors, famous and unfamous. There is a good discussion about how to work with actors to make the best use of their skills, as well as some material on the culture and politics of TV and Hollywood production.
   
   There is a supplemental chapter at the end with some interviews with directors describing their different paths towards becoming directors and giving advice to the aspiring director.
   
   To summarize, this is a great book to read if you are serious about wanting to be a director and are looking for specific technical instruction rather than (or in addition to) "inspiration" and grand ideas. This is a book you will be able to use to solve concrete production problems when you make your first film that involves working with real actors in a professional or academic setting.
   
   The book is also well-suited for a course in film school or media studies, although if used in a hands-on course where students are expected to produce films, it will need to be supplemented with material that covers the details of using a particular camera and editing platform. (The book does a good job of covering both film and video and not choosing an editing device or program, but as a result, certain details are necessarily missing. This is not a fault in the book. One can't expect a single book to cover the entire process of film-making, and this is a book focused on directing actors, even though it touches on other aspects of production.)



2. very effective, simple, but interesting the book gives a complete insight in directing. It is really difficult to find such a complete book, I found it a great book.



3. There's nothing wrong with reading interviews with master film directors, but they rarely give you the practical, hands-on information you need for becoming a professional director. Tom Kingdon's book is one of the only books that guides you through the steps and skills a director needs to know to take a script through to the final cut. I'm a professional documentary filmmaker, script writer and production teacher in a major media arts college, and in over twenty years of teaching, this is the first time I've assigned a directing text.
   
   So by all means, study the words and works of Hitchcock, Kazan, Scorcese et al, but don't expect them to teach you how to break down a script or rehearse actors or many of the myriad tasks and procedures essential to being a real director.



4. It is my opinion that the only books on filmmaking that should be read and utilised are the books which are written by people who know what they're talking about. This is a book on filmmaking by a man who has never made a film! I've always found that to be ridiculous. The types of film books I read are mostly interview books, because you are getting the information straight from the source. Also, there are many books wwritten by actual award-winning, famous directors. For example, MAKING MOVIES, by Sidney Lumet. As far as interview books, you have what I call the "big four," being CONVERSATIONS WITH WILDER (Cameron Crowe), HITCHCOCK (Francois Truffaut), THIS IS ORSON WELLES (Peter Bogdonavich) and, in my opinion the best, KAZAN: THE MASTER DIRECTOR DISCUSSES HIS FILMS (Jeff Young). These are actual directors speaking about the craft. Wouldn't it be better to read books on directing from actual directors? But, its up to you. It's your choice. Learn the craft from masters like Hitchcock, Kazan, Welles, or Wilder, or you can learn from Tom Kingdon.

3 comments about Thinking in Type: The Practical Philosophy of Typography.

1. This book seems to give a good history of type, but was hard to read for me. Pages were very busy with lots of sidebars, making it difficult to read, and many good layout examples were small and in black and white. I'm returning this book. If you want one good, easy to read book on type, get Ellen Lupton's "Thinking with Type." Less information, but much easier on the eyes to read, concise and clear.



2. This is one of those books that every designer should have read and probably own. It contains a lot of useful information including history, theory, application, a lot of examples, and a fair share of philosophical food for thought.
   
   I would recommend it as a great addition to any design library, and for students as a follow up to a basic book on type.



3. Hands down, without a doubt, this is the BEST book on typography that I have ever read.
   
   From the history of type to page layout, this book is a thorough reference in a little more than 200 pages.
   
   Pictures accommodate every page, yet there is a TON of substance to read if you're interested.
   
   I would recommend this book to anybody interested in graphic design and page layout (this applies to web design as well).
   
   Great book!