No comments about Mother Goose of Yesteryear.

2 comments about Early Paper Money of America: An Illustrated, Historical, and Descriptive Compilation of Data Relating to American Paper Currency from Its Inception in ... the Year 1800 (Early Paper Money of America).

1. This is a must for money buffs and the like.



2. Wonderful pictures, and even identification of the signers of the bills. Some signatures are hard to make out even if clearly written in dark ink due to the style of writting, but are identified here. Worth every penny!

No comments about Romantic Valentines.

No comments about The Kremlin And Red Square: Moscow in Old Postcards 1895-1917.

3 comments about Paperweights: The Collector's Guide to Identifying, Selecting, and Enjoying New and Vintage Paperweights (Collectors Guide Series).

1. 
   This is a nice book for the collector, particularly one who is fairly new to the hobby. It covers most of the more popular makers of the 19th and 20th century. Paperweights have been on the go for a relatively short space of time, about 150 years give or take a year and initially started out to serve the purpose for which they were originally designed, a weight to hold down paper on a desk. A useful implement in the days of pen and paper.
   
   Very soon after they started being produced they became more and more complex and attractive with each factory striving to outdo their rivals. There are few people who fail to be fascinated by a good paperweight, particularly the Millefiori type which comprise of small canes of glass of varying shapes and colours, sealed into what initially was a molten lump of glass.
   
   The various forms of weights, millefiori as we have just mentioned, Sulphides, Lampwork and Dumps (the large green domes of glass that were often used as doorstops in their larger sizes), are all mentioned. Plus information on how to start collecting and differentiating between the different makers, not always easy, even for the expert.
   
   One part of the book that did appeal to me in particular were the pages that showed the different cane designs for the different makers. This is an excellent aid to identifying paperweights that you are unsure of and I have used this method more than once myself.



2. A very nice introduction to paperweights ~ good photography as well as interesting information on the history and types of weights.



3. Good book, simple, easy to read. Good reference for beginners.

5 comments about Standard Catalog of World Paper Money: Modern Issues : 1961-1997 (Standard Catalog of World Paper Money. Vol 3: Modern Issues).

1. It was a pleasure to work with you. The catalog is very useful and it was delivered in no time. Thank you



2. As a beginning collector, I didn't really know very much about this subject, and the book helped me immensly. I highly recommend this book both for novice collectors like me, and for those lucky individuals who have been doing it for years. An excellent source!



3. If you collect modern banknotes, you must own the Standard Catalog of World Paper Money, Volume III: Modern Issues (US$50, Krause Publications, ISBN 0-89689-502-5). The simple fact is that there is no other omnibus catalog that covers post-1960 issues in such detail. Now in its 13th edition, Volume III contains 12,000 illustrations of notes from over 200 issuing authorities, most with valuations in three different conditions. The SCWPM is our collector community's bible, and its "Pick" numbers are the lingua franca used worldwide to identify types and varieties. However, anyone who spends more than a few minutes examining the SCWPM soon discovers its many flaws.
   Let me begin by stating that I realize it is a gargantuan task trying to ensure the accuracy of so much detailed data on a subject that is sometimes obscured by intentional secrecy. With 1,048 pages, it's inevitable that minor typos creep in and omissions are made. Many errors I had spotted in previous editions have been corrected, yet new ones have cropped up. But the problems I have with the SCWPM are not minor, they are systemic. According to the back cover blurb, editor George Cuhaj compiles input from "more than 80 experts around the world." This alone probably explains many of the catalog's flaws. These unpaid contributors are anonymous, and they bring different levels of dedication to the task of updating their areas of expertise. As a result, the SCWPM is often inconsistent.
   For example, sometimes a note with a new date or signature combination gets a new type number, other times it warrants only a new variety letter, and other times it's just grouped together with several other dates. Australia, Switzerland, and West African States all have listings with extremely detailed varieties, while most other countries list only an issued note and specimen. Speaking of specimens, often they are listed without description or price. Does this mean they are unconfirmed or rare? And why is it that the introduction claims the variety letter "r" is used to indicate remainders, though Biafra's notes lacking serial numbers are given "b" variety letters and Cayman Islands uses "r" to indicate replacements? Rather than being systematic and predictable, the numbering scheme is arbitrary and subjective. Fortunately, renumbering has been held to an "absolute minimum" in this edition, but unexplained gaps from previous renumberings exist, as do new discoveries shoehorned into the inflexible scheme with numbers followed by capital letters to distinguish them from lower-case variety letters.
   The problem with inconsistencies extends beyond the pervasive numbering scheme to the issue of signatures. If a country's note varieties are clearly distinguishable from one another based upon other attributes--such as date or overall design--I understand there is no need to publish a signature table. However, it is unforgiveable to omit same if the note descriptions make specific references to signatures either by number or name. For example, Argentina SCWPM 275-282 refer to signature titles by letters, but the accompanying table from the 12th edition has been dropped. Likewise, Belgium SCWPM 134-152 refer to signature numbers that have never been documented in any edition. Unfortunately, the signature tables which do appear don't always include the signatory's full name, title, and term of service. In fact, Bhutan's signature table lacks numbers altogether, so references are confusing, to say the least.
   I'm happy to report that the list of banknote printers and their abbreviations has returned after being dropped since the 10th edition, but good luck finding it since it doesn't appear in the table of contents (hint: it's in the back of the book, sandwiched between full-page advertisements).
   Though it bears a copyright of 2007 and claims to cover modern issues from "1961-present," the 13th edition fails to include many recent releases one would expect. For example, there's no mention of the new families of notes from Azerbaijan and Mozambique introduced in 2006, nor of the European Union notes bearing Jean-Claude Trichet's signature, and these have been out for years. Nonetheless, I would recommend the 13th edition if for no other reason than its black-and-white images are much clearer overall than the muddy illustrations of the previous edition. While the front and back of most notes are shown, not all notes are depicted, and the images are just big enough to aid in identification, but not to savor the details. Inexplicably, all recent editions have also included eight pages in color of randomly selected notes without any commentary or obvious purpose. This costly insert should be put to better use--highlighting new color varieties or particularly attractive new issues--or dropped entirely.
   Aside from identification of note varieties, the other purpose of a catalog is to provide accurate values of notes. Here, too, the SCWPM provides questionable guidance. Many countries have not seen any valuation changes whatsoever over the course of several editions. This is simply impossible given the fact that all values are expressed in US dollars, and this currency has experienced a significant drop in exchange rates across the board over the past few years. For example, the high-denomination Haitian notes printed on Tyvek remain listed at relatively accessible prices, despite the fact that I have never seen these rarities offered for sale at any price. Even in those countries which have been updated, the new valuations are unreliable. For example, Romania's notes dated 2005 are all still priced below face value, though not as severely as in the previous edition. On the other hand, the prices of common recent issue Australian notes have spiked beyond reason. And some countries--such as France, Italy, and Qatar--have some VG and VF notes priced at face, despite being demonetized.
   If you collect the entire world, the SCWPM is the only game in town, and is a necessary reference well worth the price, even in light of its shortcomings. But if you focus on particular countries or regions, you'll want specialized catalogs instead.
   
   This review first appeared in print in the International Bank Note Society (IBNS) Journal 46.3.



4. Having been a major collector of banknotes for 40+ years, I find the SCWPM series of banknote catalogs invaluable, but far from complete or accurate. This volume has improved graphics and updated pricing compared to the previous edition. The numbering system is chaotic, pictures misplaced, signature charts missing or incomplete, latest issues missing, etc. Mr. Cuhaj needs some help.



5. I was very disappointed by the latest issue of the 'modern issues' catalogue. There are at least two instances of incorrect page-headings, which are confusing, and one group of notes missed out completely - which suggests carelessness in editing the book. However my main disappointment is the number of issues which were new in 2005 or the first half of 2006 which have not been included - which, for a book dated and published in 2007 just is not good enough. If Krause Publications are going to make an annual out of the modern issues catalogue, then they must make the cut-off date for the inclusion of new issues much closer to the publication date. Why could they not put in the front a prominent note saying something like 'including all new issues up to July 2006'?
   
   I feel a bit cheated by Krause.
   
   
   Keith Potter

No comments about Surreal Collage Mini Note Pads.

No comments about Six Old-Fashioned Children Advertising Cards (Small-Format Card Books).

No comments about Stanley Catalog Collection, Vol. II.

1 comments about Addresses & Birthdays.

1. happy birthday jeannie i hope your day is great.love your sister carrie.