No comments about The Mural at the Waverly Inn: A Portrait of Greenwich Village Bohemians.

3 comments about Painting Flowers and Plants (Watercolour Tips and Techniques).

1. This is a great book if you are a beginner like me. She is very easy to understand and follow and doesn't get bogged down with symbol shapes,elements and principles of design like some other books.
   Those books that by the time you get to where they actually start to explain something you can undersatnd...you have had enough of the book anyway.
   Janet Whittle's book is so easy to follow and she gives you five easy to follow step by step demonstrations.
   I bought this book for my art teacher as well as a gift and she loved it



2. great paintings but i wish she described more the colors she used in her techniques...and maybe some more specific details about her techniques



3. This must be one of the most useful books in flower paintings I've ever read. Janet tells you in patient steps how to get the background and negative paintings done; and how to lift the colours to get the stems and stalks look natural; how to vein the leaves and colour the petals. I would recommend to anyone thinking seriously on painting flowers.

No comments about Game Development Essentials: Game Level Design.

1 comments about Watercolor Techniques.

1. I have always wanted to try watercolours, but was always put off by everyone telling me it was very hard, luckily a tenant was clearing out all her books and donated this one to our small libary, I took it out and my interest in watercolour was instantly renewed....I have since purchased this and ALL of his other works, and a couple of his video's.
   He was a truly gifted artist, and I was sad to hear that he has passed away.

No comments about Raphael.

No comments about Landscapes and Cityscapes for Artists and Craftspeople: From 19th-Century Sources (Dover Pictorial Archive Series).

No comments about In the Forest of Fontainebleau: Painters and Photographers from Corot to Monet (National Gallery Of Art, Washington).

5 comments about Mary Cassatt: A Life.

1. Mary Cassatt is a true American treasure. This is an enjoyable, and thoroughly researched biography about her. It is not only well-written, but it is full of wonderful and historic photos of Mary, her paintings, her friends, and her family throughout her life.



2. Despite Mary Cassatt's continuing resurgence in popularity as an artist since the 1970s, prior to this volume her biographers had missed the boat. As a result, most people who admire Ms. Cassatt's wonderful paintings are filled with inaccurate beliefs about her life and the condition of women artists during her life. If you care enough about her work to want to correct those mistaken beliefs, please do read this volume. You'll also learn even more if you follow that reading by also looking at Cassatt: A Retrospective by the same author, Nancy Mowll Mathews.
   
   Mary Cassatt is an elusive subject for several reasons. She didn't write many letters, often didn't care what others thought of her and wasn't written about by others nearly as often as she deserved. In addition, her role as an iconic woman pioneer in the Impressionist movement has caused many to "interpret" her life to explain other agendas.
   
   The reality is much more interesting than the misinformation. At a young age, she was exposed to the leading cultural events in Europe . . . a rarity for any American. Her mother was probably one of the most intelligent and capable women of her generation anywhere. The family moved around constantly in rented homes to stay close to the various children and business opportunities. Only after her father's death was Ms. Cassatt able to purchase and enjoy a home. Contrary to popular belief today, it wasn't at all unusual for women to pursue painting careers. In fact, the Louvre was full of American women painting copies of the masterpieces there. What was unusual was for a woman to be viewed as the peer of the best male artists. Ms. Cassatt clearly reached that pinnacle during her Impressionist years and beyond. Much to her own disgust, she let herself be led into painting the mother and child paintings that we all love so much by the marketing plans of her gallery . . . rather than her own passion. Although profitable, this path was in her view a diversion from her better work. Paradoxically, Ms. Cassatt's two bothers were even more famous in their day than she was . . . even though we have barely heard of them today. Her older brother was, in fact, one of the most important railroad developers in the eastern United States. As head of the Pennsylvania Railroad, he directed the development of the railroad tunnel into Manhattan.
   
   Ms. Mathews does a nice job of balancing what is known from what is not . . . while pointing out what the possibilities were. As a result of this biography, I felt I knew the real Mary Cassatt for the first time.
   
   Bravo, Ms. Mathews!



3. Ms. Mathews presents Mary Cassatt's entire life and incorporates little known details about her travels and associations with friends and family. She mixes facts, anecdotes and reflections on society in such an easily readable way that even her suppositions could be viewed as gospel truth. The (hardcover) book is well illustrated with historical photographs and black and white illustrations of Cassatt's and her contemporaries' work. The author makes numerous points regarding what motivated and inspired the artist at different periods in her life. She gives very specific illustrations of how difficult life could be for a woman of Cassatt's time. Additionally, the author admits Mary Cassatt's opinions and outspokenness often got her in trouble with friends. Those friendships she was able to maintain were based on a mutual, professional respect. Included is a chapter about the artist's work in an historical context. Her work was viewed differently by critics, and herself, at different times. Nancy Mowell Mathews book gives so much life to the artist's character, I wouldn't be surprised if it's made into a movie! It is certainly motivation for any working woman.



4. Nancy Mathews gets to the point... her book is wonderfully researched and weaves through the intricately woven fabric of Cassatt's life; yet she doesn't bog you down with too many details. I enjoyed every page of this book and felt like I got an honest portrayal of the woman, her art and the reasons behind the decisions she made. I especially thank Nancy for her sympathetic yet analytical overview of the many misunderstandings that have been perpetuated year after year about Cassatt and other women artists in the late 19th/early 20th century. I'm glad to know the truth.

   This biography left me in awe of Mary Cassatt who was obviously a focused, smart and privileged person at a time when many male artists were barely making ends meet. She was unafraid of the establishment, outspoken and determined, not to mention a smart businesswoman. The only thing I disagree with is when the author states that at 51 Mary Cassatt "was faced with an unusually hard burden of loneliness." Mary Cassatt was blessed with many friends, family and admirers and moved in a great many social circles all her life. She rarely veered from her chosen path. But the greatest lesson we can learn from Ms. Cassatt is to stay focused on our life purpose and to honour our own lives with the best we can give of ourselves.




5. I highly recommend as a MUST READ this book Mary Cassatt: A Life. by Nancy Mowll Mathews. The book is a fascinating not only of the life of Mary Cassatt but for the insights on the art circles, family life and historical context of these artists and the times in which they lived. Mary Cassatt was a mover and shaker of her times, with good social skills and a mind for business. You travel with her life and times as if you were present. From my perspective I am so happy that I happened on this book because it puts alot of bits and pieces together on these artists.

   Deborah Chapin

3 comments about Timeless Techniques for Better Oil Paintings.

1. This one goes right up there with the Andrew Loomis books and Richard Schmid's Alla Prima.



2. This is a book for anyone interested in improving their painting skills. There are a thousand books on art technique out there, but this one is a gem. Whatever your skill level, if your interest is traditional, representational painting, there is something to be learned here. I've been painting seriously for ten years, and I've never seen the basics so clearly explained. We all need to bust ourselves back down to fundamentals from time to time, and this book does it in a way that is a true pleasure.



3. Have read many art books over many years and found this to be one of the best dialogues on values I ever read. Color harmony, placement and conceptual input very useful to experienced artist. Artists works are lively with color and represent a skilled painter of people and places.

5 comments about John Singer Sargent: The Sensualist.

1. After I graduated from art school, I realized I'd taken that massive library for granted, and that I was going to have to invest in my own art books if I wanted to retain them as a source of inspiration and instruction. Of the fine artists, Sargent was my first target, not just because of his exceptional art, but also because the apparent explosion of interest in his work that has occurred in the last decade or so means that books about him are easy to find. This is the second Sargent book I've purchased, and what I like best about it is the quality and variety of the reproductions: there are oil paintings both famous and obscure, lovely watercolors, and a nice collection of incredible nude figure drawings. While it is hardly a comprehensive view of Sargent's work, this is a great overview for anyone with a passing interest in the artist and a wonderful addition to any enthusiast's collection. Highly recommended.



2. This is my 3rd book on Sargent purchased from Amazon so I might have been expecting something more. It's very well prepared, though I think that no painting should be printed in black and white! I found the few black and white images quite annoying actually. The rest of the book is well presented, but I found the occasional reference and clear bias about Sargent's private life is quite irrelevant for me.



3. 
   Handsome and powerfully built, American painter John Singer Sargent (1856 - 1925) epitomized the versatility of the Realist approach. Noted for his luminous portraits of the wealthy and famous on both sides of the Atlantic, he astonished viewers and critics alike with his powers of observation and deft renderings. A visitor to his studio once noted that he had painted his model's scarf with one sweep of his brush.
   
   Trevor Fairbrother has prepared a rich and meticulous analysis of this expatriate painter in "John Singer Sargent," a volume in Abrams' acclaimed Library of American Art Series. In his preface Fairbrother states, "I want this book to reflect the complexity of Sargent's affiliations and practices as an artist. I will try to provide a balanced representation of the man and his art, in the hope of understanding the unusual highs and lows of his reputation." Fairbrother accomplishes these goals admirably.
   
   Born in Florence, educated in Florence and Dresden, influenced by Velasquez, Sargent's career as a portraitist began in Paris. He later settled in London where he maintained a rigorous schedule, adding watercolors and drawings to his expanding oeuvre. His portraits were commissioned by the Rockefeller family, statesmen, authors, and actors, enhancing Sargent's celebrity. It was argued snobbishly "that Sargent was most useful to people with new money or foreign blood who want to buy social recognition."
   
   In a day that paid homage to power and physical beauty, very much as we do today, Sargent knew no peer. With some 100 illustrations and well crafted text, this beautiful volume represents him well.
   
   - Gail Cooke



4. Singer es un pintor a quien debe verse en vivo en los museos; el único inconveniente que encuentro en el libro es su tamaño, esas pinturas se disrutan mucho más en formatos más grandes



5. The reproductions of Mr. Singer's drawings are worth the price alone. A wonderful collection of work which needs to be in the library of all serious artists. The main thought of the text, however, makes an issue of Mr. Sargent's personal life regarding his sexual orientation which as depicted in this book may or may not be accurate. It saddens me when an author speaks in great authority on deeply personal areas of a celebrity when they never met the person and do not know if their theories are accurate.
   
   Other than that, there is a great deal of valuable information in the text which is very interesting in regards to giving insight into the history involving many of Mr. Sargent's paintings. The reproductions are very well done and the tonal studies in the back of the book are master courses on human form, anatomical structure, body movement and emotional impact.
   
   I highly recommend this collection of reproductions and must say the price is insignificant compared to the wealth of art inside. If you sketch his tonal drawings in your own hand, you will learn a great deal and open yourself to a new realm of artistic achievement. Mr. Sargent continues to earn respect for his artistic achievements which very few have attained.