1 comments about The Charleton Line: Decoration on Glass And Porcelain from Fenton, Cambridge, Consolidated, Westmoreland, Duncan & Miller, Heisey, Imperial, Limoges, And Others (Schiffer Book for Collectors).

1. This is a fabulous book! It shows so many Charleton examples and identifies the various artists. It helped me identify designs that I had wondered what they were and where they came from. It's very thorough, detailed information, and a beautiful book to look at. I refer to it often and go through it every time I research a rose pattern that isn't Dresden.

1 comments about Casas Grandes and the Ceramic Art of the Ancient Southwest (Published in Association with The Art Institute of Chicago).

1. I my self love southwest art and the ceramics and in this book I see the most beautiful pieces and colors outstanding.Who ever loves this art this is a book not to pass on

3 comments about The Art of Fine Enameling (Jewelry Crafts).

1. I really enjoyed this book on enameling. I have always wanted to get involved with this art, but I was concerned that I wouldn't understand any of the terms or processes. I found the book easy to find answers to my questions as I progressed with any steps. I have the opportunity to see many different techniques so I can make decisions on the style I want to use. Keep up the great work - I wish there were books up to this quality level in all the arts!



2. The Art of Fine Enameling is not just for practicing enamelists, it is for the collector and art lover, too, as the book includes so many beautiful photos and easy to read descriptions of the major enamleing techniques. As a how-to book, it is for both the beginner and the more skilled enamelist and works well as a text book because of it's easy to read desciptions and it's comprehensive troubleshooting section.

   You can read more about the book at
   http://www.kcEnamels.com/enamel_book
   which lists the Table of Contents, shows you each of the project pieces, includes some additions to the book like a list of photo references of each artist's plate in the book and more.




3. Seldom am I so impressed by a book that I feel you absolutely must have it, but I can't imagine anyone interested in enameling not having it. This hardcover book contains 160 fully packed high quality pages with 423 color plates and 13 demonstrative sketches. Twenty artists have contributed a wealth of knowledge on their own unique variations of enameling techniques. The projects are: Basse Taille created by etching with natural elements by Ingrid Regula; Champlevé by Katharine Wood; a Cloisonné Brooch created directly in the setting by Karen L. Cohen; Decals and applications of other embellishments by June Jasen; Fusion Inlay Under Enamel by Charles Lewton-Brain; Ginbari Foil Embossing by Coral Shaffer; Grisaille by D.X. Ross; an amazing 8 page mosaic Limoges project by Ora Kuller; Liquid Enamel and Glass Ball Additives by Judy Stone; Minimal Firing (2-3 firings) Enameling by Averill Shepps; Mounting large enamel installations by Marian Slepian; Plique-`a-jour Pierced-heart Pendant by Diane Almeyda; Raku-fired Bowl by Jean Tudor; Separation Enameling by Tom Ellis; Sgraffito Plate and Stenciled Tile by Sally Wright; Silk Screen for Enameling by Ute Conrad; Stone Setting Within an Enamel by Dee Fontans; Torch-altered Metal with Cheesecloth Stencil by Roxane Riva; Torch-fired Beads by Aileen Geddes; and Vessel Forms - how to successfully enamel vertical surfaces - by Sarah Perkins. Additionally, there are Photo Galleries scattered throughout the book representing another 51 of the finest enamelists, with a total of 71 represented in the book.

   Each chapter is laid out beautifully and clearly: Tools, Materials, a short overview, Metalwork, Enameling, and Finishing, each in numbered steps. A highlighted box prior to the overview lists Techniques to Know with page references to instructions covered at the beginning of the book. Another lists colors needed to replicate the project as illustrated. "Notes" throughout include helpful hints such as how to avoid problems with a specific instruction, or special touches the author might add at this point. "Tips" include where to find specific tools or supplies. The 3" margin is filled with clear step-by step photos.

   The book opens with a brief history and then a complete glossary of terms, techniques and tools used in the book. I thought it brilliant to place these terms first as an integral part of the book instead of an afterthought at the back. The Enamelists' Tool Kit was not just a complete list of everything you could need, but warnings and instructions on how to maintain a safe studio - also important information before jumping headfirst into a project.

   The section on Enameling Application covered every possibility, including tools, with referrals to project pages, and firing, including supports, heat sources and their care. Studio Basics, Tips and Tricks included where to scavenge tools, when to high fire, and excellent photos of the four stages of firing. Cohen clarifies the 6 grades of sifting and when to use each with a fine chart. Her helpful hints throughout, such as capturing silt with coffee filters when washing enamels, are wonderful and highlighted so they are easy to spot. She continues with sections on test firing and color analysis, computer-aided designs, metal patterning, soldering/fusing, metal preparation, wirework, basic enamel applications, foil application, finishing , metal finishing, and mounting. Then she added a miscellaneous section, in case she forgot anything. There are 31 tips in these sections alone. Written by Cohen, this information is referred to in every chapter in the highlighted "Techniques to Know" boxes. The final chapter confronts 14 common enameling problems with 56 possible causes and solutions.

   This book is overwhelmingly well- organized and leaves out nothing. The artists represented are amongst the best and so are their projects, which can be created in any studio. It's a treasure. It belongs in every studio and every school. Don't miss it!

No comments about die wiener gruppe - the vienna group: ein moment der moderne 1954 - 1960 / die visuellen arbeiten und die aktionen - a moment of modernity 1954 - 1960 / the visual works and the actions.

No comments about Catawba Indian Pottery: The Survival of a Folk Tradition (Contemporary American Indians).

No comments about Palissy Ware: Nineteenth-Century French Ceramists from Avisseau to Renoleau.

No comments about Marvin Lipofsky: A Glass Odyssey.

No comments about No. 3 Guthier.

No comments about Emergences-Resurgences.

No comments about Josiah Mcelheny.