5 comments about People of the Deer (Death of a People).

1. The concept is correct anyway. These people were led to their demise by three factors: the church, commercialization (HBC), and the Canadian government. Mowat claims he spent two years living among these people. This is doubted by some. I've traveled in some of the areas that this book takes place. Not everyone has great things to say about this author. One person I talked to called him a historical novelist. He has other nicknames.
   
   But while it is questionable that all the events described in this book and its' successor (The Desperate People) actually took place, at least he got the main theme correct.



2. What ever you do, do not waste your precious life reading this book...



3. This book is magic. You will never think about a small band of Indians as statistics again. This book does volumes to make people of our society really feel what goes on in traditional societies. To feel jealous of their solidarity. To feel unloved by our own. It's great! READ IT.



4. First published in 1947 and available in a wide variety of editions since then, Farley Mowat's first and most distant book is still remarkably readable in the world of the 21st century. It concerns one of the stranger human sagas of the last century, that of the discovery and destruction of a remote Inuit society, the Ihalmiut, in Canada's north. The setting of the book is far enough away in time for us to marvel at how little things have changed since. The contemptuous attitude of European man for the aborigine seems hardly to have altered over the years. We are still hard put to understand the needs of the first peoples and how to answer them.

   Farley Mowat has combined a fine sensitivity for the natural environment with a sharp eye for the details of man's place within it. It must be exceedingly rare in the history of anthropology that such an inexperienced investigator has taken such pains to get to the source of his information. Mowat lived among the Ihalmiut for over a year to write the book. During that time he witnessed the rapid deterioration of the small group which remained, and tried to examine the causes of their decline. With very deft prose for such a young writer, he points out the difference between the intentions and the actions of the European discoverers of The People (as they refer to themselves) and the consequences of such disparity. The Ihalmiut were exploited in much the same way as any other tribal band found wandering by the early explorers. However, as Mowat points out, this was an exceptional group which had survived the extreme rigours of a barren land (known to us simply as The Barrens) for so many generations, only to be felled by contact with the very race which might have provided them with so much assistance.

   The Ihalmiut are long gone from their homeland but their story serves to remind us of our often difficult relationship with the land and the people on it. Perhaps, as a race of city-dwellers, we need to consider our place in the natural environment more than ever. Mowat's work is a just accounting of where we stand in relationship to nature. Nor does he suggest that we should all go and live in the tundra. Yet People of the Deer is a source of considerable inspiration for those now ready to reflect on the unbalancing effect of contemporary values.




5. A truly insightful story of the inland eskimo people of the Canadian Arctic. It details not only their day to day survival in a harsh land, but also tells of their myths, legends, and history. It also tells of the whiteman's interference with their culture and how that affect may ultimately lead to their extinction. The book sincerely takes the reader into the lives of the People of the Deer.

5 comments about No Man's River.

1. It has been a long time since i have enjoyed a book as much as those written by Farley Mowat. His respect for native cultures and his skill at describing their environment are what make these books so enjoyable and interesting. I will read all of his works--it is well worth the time.



2. No matter how many books he writes, Farley Mowat continues to amaze his fans. His non-fiction is never dry or uninspiring, though he's a talented fiction writer as well, and this faithful reader of his work is certainly not disappointed. Thank you again, Mr. Mowat for your great writing. It is truly appreciated!
   Chrissy K. McVay



3. A book I could not put down. It is a well written insight into a world that none of us will ever experience. Mr. Mowat is a great story teller and a national treasure. Anyone who is interested in the least about people and lands of the north must read this book.



4. Farley Mowat has been one of my favorite authors since I was in 6th grade in the early 1960s. I ordered a copy of "Two Against the North" from the Arrow Book Club and read it over and over. The story of two boys from different cultures trying to survive winter in the barrens was riveting to me, a gal firmly stuck in the suburbs. Mowat's descriptions of glacial landforms in that book remained with me and were recalled with every earth science and geology lesson I ever took. (The book can be found in some libraries under the title "Lost in the Barrens"--a great read for a middle schooler curious about the world outside familiar places.) Part of what I loved about No Man's River was that the journeys described were clearly the basis for many aspects of "Lost in the Barrens"--kind of like an echo of an old favorite. Mowat is the consummate story teller--reading his books makes you want to sit around a campfire with him for several hours hearing spin his yarns. One of my favorite quotes comes from him--"Never let the facts get in the way of a good story." No Man's River has jaw-dropping adventure as well as thought provoking commentary on the clash of vastly different cultures. Enjoy!



5. Readers can count this book as one more captivating true tale of Canada's far north, told by its best-read authority. The young Farley Mowat, returning disillusioned from the War in 1947 and thinking to become a biologist, joined with a taxonomist on a collecting "scientific" expedition into the Barren Lands of Northern Manitoba and Saskatchewan. The headstrong 26 year old was improbably paired up with a disciplined naturalist of the old school, who killed and skinned every animal he could shoot, poison or trap. After a while, Farley, having seen enough killing in the war, became disillusioned with this approach to appreciating the wonders of nature, and deserted his post in favor of exploring the largely uninhabited territory in the company of an Indian half-breed, Charles Schweder. His real desire was to contact the "People of the Deer," the Imhalmiut. These people came to be idealized in Farley's mind as a people "uncontaminated with the murderous aberrations of civilized man."
   
   Mowat gives a clear picture of the hardships encountered by the few inhabitants of this harsh landscape. By the time of the expedition, the Imhalmiut had dwindled to only a few scattered bands, having been nearly wiped out in a succession of epidemics. Farley tells of the well-intended but sporadic and largely ineffectual aid given to them by the Canadian government and its minions, and how Schweder had been traumatized by his experience in a partially successful rescue attempt he had made the year previous. His rescue of a six year old replacement for his child bride, dead of starvation, presents the reader (and Mowat) with a thought- provoking moral dilemma. So much for the myth of the noble savage...
   
   For me, though, the message of the book was how uncaring and ruthless "Mother Nature" really is, and how down and dirty a bare-handed struggle it is. He, Thoreau-like, at one point meticulously gives a complete list of the things they chose to carry on their epic trip down an unmapped river system: guns and ammo, flour, sugar, baking soda, canned food, gasoline and oil for their outboard motor, tarps and tents. Even with all these products of Western technology, their trip was hair-raising and nearly disastrous. And the bugs!
   
   For such a rough subject, this turns out to be an engrossing tale and hard to put down. On the other hand, the map requires a magnifying glass to read and there are no illustrations. I really appreciated, though, the last chapter, in which he follows up on the fate of the characters he encountered, giving the reader some "closure" as it is disgustingly called these days.
   
   I found it a little curious, though, that Mowat felt the need to apologize in a postscript for his use of some now politically incorrect words, such as Indian, half-breed, and Eskimo. This is largely a story of the encounters of people with different cultures, of different races, viewed through eyes that are quite a bit more honest than is usually tolerated by the demagogues and girly-men of our sensitive time.

5 comments about The Truth About Stories: A Native Narrative (Indigenous Americas).

1. The Truth about Stories, a Native Narrative,
   
   By Thomas King. U of Minn. Press
   
   The Truth about Stories by Thomas King is the prestigious Massey Lectures on culture produced on Canada Broadcasting Corporation Radio. King is the writer of many of my favorite works including the very funny Medicine River that was made into a TV movie with Graham Greene.
   
   This book is another honor added to this Cherokee writer's portfolio. I found the book beautifully written and enjoyable as a interweaving of stories both from traditional sources and his personal life.
   
   King has a deft way of making fun of himself that resembles the lead character in Medicine River. At the same time he is as obvious in his manipulation of the reader as that character was in creating the situation that trapped the Graham Greene character into coming home.
   
   The book is laid out in five sections that begins with the story of "The Girl who fell to earth." King then proceeds through the comparison between native literature that stresses the interconnectedness of life and the authoritarian structure as experienced in the "Alpha Male" version of the Biblical Creation. What he doesn't mention is that this also has its parallel in native life in the Alpha character of Wolf society. But that is quibbling.
   
   King takes the listener reader through his life as a non-reservation Indian and as an activist author. He records funny encounters with reporters and journalists who struggle to understand how he could be "Indian." Or even what being Indian entails.
   
   He speaks to the problem of suicide amongst a people who are not afraid of death but can't find a reason for living and ends the book with the problem of his failure with a friend and the issue of Fetal Alcohol Syndrome.
   
   If there is a problem in the lectures I would say that it doesn't really draw upon our strengths but more on the observations of Indians by outsiders eyes. Indian people had a full rich societal life with all that entailed prior to the plagues that destroyed us. I would like our story tellers to show us how these metaphorical myths opened up the depths of our spirits. How we had a science, art, economics, public health, laws and spirituality. How the stories walk lightly through these structures instead of with the steel tipped boots of the tyrant. Now that is a book about stories that I would enjoy even more than I enjoyed this one. And I enjoyed this one a great deal.
   
   
   Ray Evans Harrell (this is a review that i wrote for the nuyagi keetoowah newsletter for november 2005. )



2. This book is fantastic! The first chapter alone is a must read for everyone you know, and could change your life. About how the kinds of stories we tell can be paradigm-shifting. Deals with the romanticized notion of native americans (see also Edward Said's book ORIENTALISM), how an invented idea of "indian" has been used and abused by the u.s. in hypocritical ways, and how the stories we hear and tell about ourselves shape our identity. Lots of very sad facts about native american history in its relationship with the US government. The book is set up in a kind of spiral with a recurring story told in different ways at the beginning of each chapter. This book is really for everyone - not just those with an interest in native americans. The stories we are telling in America today are globally destructive and negative - let's start fresh with some positive stories to turn this country around - we are all on this planet together.



3. ...make it this one. I have thousands of books, I'm a chronic reader....this book is Special. Written with warm heart and acute intelligence, wit and reserve, pathos and philosophy, the book is an absolute jewel. With a spoon full of sugar, the pages turn easily; and without ever once taking the podium, Thomas King makes each one of his readers a smarter, richer person. A Mozart with words.... may he live long and write continuously!



4. I am a New Zealander and I heard Thomas King on the radio as he presented the Massey lectures this year. His words resonated with me even though his stories are not from my land. The pain of indigienous people and the stories of suffering that continues long after colonisation are heard in many countries of the world. King's stories express pain, but also hope, grief, but also joy. He is an extraordinary storyteller and as I read I can hear his voice reaching out, asking for a greater understanding and respect for the lives of people, and the well-being of the planet.



5. Oft times we don't realize how important stories are in our lives. Each day is a new story we live, a new story to share with someone. Thomas King (the author) hits the nail on the head through his notion of stories as a means to change ones life.
   
   Each chapter begins and ends the same, with a short ancedote, something King can call his own. What falls inbetween ranges from personal to historical stories, all with pertinence and value.
   
   King portrays the significance of stories and how they can be overlooked and ignored. Stories are one of the foundations of how we live our lives. Each story has the opportunity to shape and/or change ones life. Enjoy King's story and share your own with others.

5 comments about The Last Gentleman Adventurer: Coming of Age in the Arctic.

1. This was an amazing story of the early years of the Hudson Bay Company and a year of young mans life at a trading post in the Arctic. I couldn't stop reading. I only wish the author had not stopped his story writing.



2. Fascinating story. Written in very genuine, matter of fact style. Author was completely open to learning all he could about Inuit culture, and this comes through in the book. A must read if you want to understand the culture and ecology of the arctic. Read this, then go watch "The Naked Runner."



3. In this beautifully written book, Edward Beauclerk Maurice takes the reader to a distant, cold land to experience heartwarming stories of adventure, love and loss.
   
   Maurice spent five years living with Eskimos (Inuit) on Baffin Island in northern Canada as a representative of the Hudson's Bay Company. He came of age there, starting as naive 16-year-old and growing to become an experienced leader by 21.
   
   Maurice tells his stories in an understated and humble manner. When he falls in the water, he makes a joke. When he nearly plummets to his death off a cliff, he blames his own clumsiness. When Eskimo women express interest in him, you can almost feel him blushing. You really can't help but like him.
   
   There's danger and adventure here, too. Maurice confronts wolves and polar bears. Storms tear the roof off buildings and threaten to swamp boats. Eskimos die tragic deaths.
   
   Particularly well-written is a story near the middle of the book where Maurice and an Eskimo come to the rescue of a village where people are dying from a contagious disease. It's a grim scene, and I could feel myself there through Maurice's writing.
   
   As a I read "The Last Gentleman Adventurer," I was somewhat wistful that neither I, nor anyone else, will ever get a chance to experience this sort of life again. It was an isolated existence, and Maurice and the Eskimos had to completely depend on each other and to live off the land. There was almost no communication with the outside world; a supply boat came just once a year.
   
   The book is divided into two parts -- the first includes highlights of Maurice's first few years on Baffin Island. The second is a more detailed description of his life at a base where he was the only non-Eskimo for one year.
   
   If you're wondering why I give this four stars, not five, it's only because in the second half of the book there are some flat parts where Maurice could have perhaps summarized and moved on. I also wish the book had a map.
   
   Despite those small complaints, I'd love to see someone turn this into a movie. It's not a big blockbuster story that would interest major studios, but I could see the BBC or PBS adapting this for TV.
   
   Readers who enjoy this book would also enjoy "Alaska Wilderness" by Robert Marshall.



4. I spent 9 years in Canada's Eastern Arctic in the 80"s and 90"s and this book struck a powerful chord with me. The author is perceptive enough and humble enough to gain a thorough understanding of the Inuit people and talented enough to bring his experience to life for us.
   
   I am a big fan of this man. He brings the Inuit to life with great compassion and truth without decending into the hero worship that sometimes inflicts visitors to the far north. These are real people and the good and the bad comes accross.
   
   There are also some fun adventures and honest reporting of how the experience transforms the author. I loved this book. I even wrote the authors family asking if he had other works to publish! That a book like this took decades to find a publisher when trash is printed on a daily basis speaks volumes.
   
   This book rings true with every sentence. Like all great books I was sad when it ended, like on the departure of a true friend.



5. An amazing account of a young man stepping up to the plate of life in a difficult environment requiring not only daring and tenacity, but incredible personal and political skills not usually inherent in a man of his age. An amazing tale of adventure, friendship, and loyalty.

2 comments about Klee Wyck.

1. If you are interested in the environment which generated the powerful West Coast Native art, the artist, Emily Carr, conjures it up in this original book. Her travels to their coastal villages are translated into these atmospheric essays.



2. this book by Emily Carr gives a very wonderful and descriptive account of the Pacific Northwest along British Columbia's shores. Emily Carr was a very unique woman who defied her times in her interactions with Native Peoples and her adventurous independance. This book details her explorations among the Queen Charlotte Islands. It is so descriptive it makes one feel that they are actually on the west coast.

5 comments about Kabloona: Among the Inuit (Graywolf Rediscovery Series).

1. I read this book and thought, yes this Frenchman makes many derogatory and embarassingly insensitive remarks about the Inuit. However, contrary to what one reviewer said below in "Good descriptions, bad insights, July 27, 2005", the author slowly develops a great respect for the intelligence, culture and abilities of these people so much so that he begins to emulate them. It is a subtle conversion story wrapped in a fabulous adventure; thoroughly enjoyable and well worth reading.



2. The audio CD is outstanding...indeed the best I have ever listened to. For one thing, the narrator is marvelous in recreating both the 1930's world of France and Frozen Canada. I can't think of any other book or audio that so successfully transported me into an alien culture. Considering that there are quite a few films and books about Eskimos, why buy this one written 70 years ago? Answer: the literary quality of this work surpasses the prose of the last quarter century. When you listen to the narrator weave his tale, it mirrors the experience of hearing a tobacco chewing explorer slowly recounting his adventures in the wild. The story dives deep into the interior life of the author as much as it details an ethnographic examination of (primitive) Inuit life. The myths and values of the Eskimos contrast sharply with the borgeouis morals of a gentleman of Paris. For example, in Eskimo culture, there is little concept of private property...that's why an Eskimo man will let you borrow his wife or a snow knife. Language in the arctic is far more concrete. A polar bear is HE WHO HAS NO SHADOW. Far away, in the cold Arctic, author Grontran De Poncins learns what it means to be human, a man preeminently. This is a romance, a classic reminiscent of Robinson Crusoe. If you buy the audio CD, you will not be disappointed.



3. This is a magical book which I first read when I was young. It inspired in me dreams of adventure which I did not follow, but which became a part of my inner life. Now that I am old, I am reading Kabloona again so that I can remember that I once was young.



4. My good friend and I were talking a while back after I had watched the movie The Fast Runner, which he had recommended. Talk got around to my deciding to send him my old childhood copy (out of print, I believe) of Peter Freuchen's Book of the Eskimos, and his deciding to send me his old childhood copy of Kabloona. Neither of us had ever heard of the other's book. I must say, as much as I've always liked Freuchen, I got the better of the deal!
   
   What a wonderful book. So well written, such nice storytelling, so enjoyable, refreshingly honest, and unexpectedly insightful. It is haunting. It really is in a class by itself, although I have trouble putting my finger on exactly why this is so. All I know is that I did not want it to end, as I'm sure the author did not want his time in the North to end. And, like him, I don't think it will be the same if I go back and try it again. And I know I also had a strange feeling throughout which only later I identified as a form of envy, envy for the experiences this man had and for his ability to experience them so deeply. I've seldom felt envy mixed with awe and admiration like this before.
   
   Of all the book, I was most deeply moved by his account of the priest out in the middle of nowhere who had survived and kept warm in incredible cold merely through the power of faith and prayer. Humbling.
   
   A man comes out of nowhere, lives these experiences, writes this incredible book, and disappears back into nowhere. Amazing. Read it.



5. I looked up at the bookshelf over my computer and spotted the battered 1941 edition of Kabloona that has been in my family for 40 years since I first read it in the village of Coppermine (now Kugluktuk) when I was a 12 year old boy in 1961. I decided to do an AMAZON.com search to see if anyone else knew of this marvel that had so enchanted me as a child, and found the site you are now visiting.
   
   We were much more civilized in the Coppermine of 1961 than the same village the author had visited 20 years earlier. We had electricity, and communication with the outside world by a Morse code key at the Department of Transport office, plus we had a scheduled visit by a single-engine Otter every two weeks. It was a magical time for me (adults found it a difficult time, but they simply did not understand things)
   
   The book Kabloona gave me insight into the minds of the people around me. We were a community of 200 Inuit (Eskimos) and 35 whites. The whites had as many of the amenities of civilization as they could garner, but the Inuit lived much as described in De Poncin's book.
   
   I was enthralled by the awesome hunters with their dog sleds and their magnificent huskies, not show dogs or racing dogs, but working dogs that made the difference between life and death. The men would bring back the carcasses of seal and caribou, and the furs they had trapped. The women sewed the furs into beautiful garments that kept man, woman and child warm in intolerably hard winters. It was also the women's job to butcher the carcasses, which they did with incredible speed and skill using only the ulu, or woman's knife. I regularly witnessed the activities of this way of life. De Poncin described all this in his book, but he also gave me insight into the underlying culture I was immersed in.
   
   You can't live the life I led 40 years ago as a boy in the high Canadian arctic, but you can vicariously journey there to an even more primitive time, and enter into the incredible peace and stillness of an arctic winter night in an igloo, or the warmth and safety of a house made of snow as an unbelievable storm rages outside around you.
   
   I recently spoke by satellite telephone to a man in Coppermine from my home in Missouri where I now live, and found that the village I once knew is now a very different place. But you can go back to an earlier era with De Poncin. I assure you, you won't regret your wonderful voyage with him.
   
   I don't know if I'm permitted to speak of it here, but I have described my life in those years in the Arctic in a book, The Boy Who Fell To Earth. It is available at Amazon.com for those would like to buy a hard copy, or can be read for free on my warmbooks.com web site.

1 comments about Mohawk Saint: Catherine Tekakwitha and the Jesuits.

1. This is not a biography of the humble young Mohawk woman whose courage, holiness, faith, and purity earned her (as thousands who know and love her truly believe) that place in Heaven. This book, in the author's own paraphrased words, is meant to "bring Tekakwitha down from heaven." (And it is part of a gloomy trend to do just that - to as much as one can to bring one's subject down.) And, thankfully, despite over two hundred pages of trying, he has not succeeded in dragging her down.
   
   There are people who were primarily historic figures and those whose lives are mainly of religious significance. Blessed Kateri (or Catherine, as the author prefers to call her) Tekakwitha was very clearly the latter. But this book approaches her from the former point of view, making her a postmortem pawn in the Jesuit's missionary work among the natives in Canada. The mystical and the supernatural (from a religious view) are ignored. The author seems even unwillingly to use the title of "Blessed" in reference to her.
   
   At one point, the author even seems - in a very subtle way - to imply the Kateri and her closest friend (Marie-Therese Tegaiaguenta)were lovers. If, as he writes, there is "no reason to think they were lovers," why mention it at all? What does it serve?
   
   The author dwells on each and any discrepancy in the original accounts by the two missionaries who knew Kateri during the last years of her life. (Even the Bible - in all its various popular translations - has its discrepancies.) Any story of any person, any account of any event is bound to have differences when told by two different witnesses. That alone is not enough reason to discount the differences.
   
   His grim portrait of Kateri in no way accounts for the great numbers of people (not only Native Americans, but from around the world) who have a profound love for this holy young woman.
   I can speak from my own experiences and observations that she has had a great impact even on people who knew little or nothing of her.
   
   Historians may find this book of interest, but for those who have a devotion to this wonderful saint-to-be, there is little to recommend it.
   
   On a personal level, I have been studying the life of Blessed Kateri for a number of years. My personal collection includes nearly a hundred works of literature on her. These range from reprints of the original biographies by Fathers Chauchetiere and Cholonec to fluffy, sentimentalized (to the point of being quite ridiculous) books for young readers.
   
   I am also the creator of the web site mentioned on page 241 of this new book. I work for and look forward to the day when she is finally declared a saint.
   
   I pre-ordered this book many months ago and read it with an open mind as I am always eager for new details on her life. For me, it was a dull read (the narrative flow seems uneven) with left me unimpressed (not with Catherine Tekakwitha) and with a very unpleasant taste.
   
   Historians, cultural anthropologists, and the politically correct may find something of interest in this dry and dreary book, but for those who have a devotion to this wonderful saint-to-be, there is little to recommend it.
   
   (I gave it one star because there is no lesser option and, well, my site was mentioned in the Notes to Chapter 9. I suppose I owe it something.)

No comments about Early Masters: Inuit Sculpture 1949-1955.

5 comments about It Stops with Me: Memoir of a Canuck Girl.

1. "This book is incredible." Louise Erdrich
   "beautiful book." Lawrence Ferlinghetti
   "Tough, evocative, border-crossing, honest, unflinching...large enough so it can embrace its readers. Margaret Randall, Author. PEN NM Lifetime Achievement Awardee 2005
   "An emotion-charged story of initial struggle and ultimate success...a must in any library collection." Book Wire
   "magnificent in its courage and decency." Sam Ballen Author Without Reservations.
   
   Great Reads - New Mexico Magazine, April 2005 p. 45.
   Personal Journeys: More Than Just Survival by Michelle Miller Allen
   "Our girlhood years, formed in various cultures and family configurations-from the most abusive to the most loving-and tempered by the social prejudices and taboos of one's time-are where we begin our journeys into adulthood. These factors have much to do with whether we will just survive or become empowered by the most demanding, even devastating, events on our individual paths.
   It Stops with Me: Memoir of a Canuck Girl by Charleen Touchette (TouchArt Books 2004) Touchette's memoir opens the doors into the lives of women who shaped her childhood into adulthood-the healers, storytellers, homemakers, and artists. This most compelling book includes fascinating color and black and white reproductions of the author's artwork over three decades. The book charts Touchette's journey from a French Canadian/RhodeIsland childhood at the hands of an abusive alcoholic father, to Wellesley College, to New York City's culture of arts, to Minnesota and Indian Country.
   Touchette combines the voice of the reminiscing adult writer/artist with that of a child obsessed with "making things" as a survival mechanism. Abusive parents seem to bank on the false assumption that their children, as adults, will not remember abuse. Yet anyone who doubts the intelligence and level of awareness in a young, abused human being should read the end of Chapter "Forsythia Blossoms": "I do not know when I started fighting back. I do not have a memory of when Daddy started hitting me. I was too young. But I do remember clearly the moment when I looked up at my dad's face, and realized he was a fool. I was seven."



2. December 14, 2005
   
   Woonsocket Harris Public Library Board of Trustees
   Diane Rivers, Chair
   Dorian Parker, Vice-Chair
   Lisa Sparks, Secretary
   John Pellizzari
   Ernest "Buddy" DiSpirito
   303 Clinton Street
   Woonsocket, RI 02895-3214
   Fax: 401-767-4140
   
   Dear Members of the Woonsocket Harris Public Library Board of Trustees,
   
   On behalf of the 2,900 members of PEN American Center, an international organization of writers dedicated to protecting freedom of expression wherever it is threatened, we are writing to express our deep concern over the fact that the Woonsocket Public Library Trustees are considering a request to ban It Stops with Me: Memoir of a Canuck Girl written by native Woonsocket author-artist Charleen Touchette.
   
   We understand that a citizen request to ban the book was made at the Library Trustees' September meeting. The Library Trustees removed the book from the Woonsocket Harris Public Library shelves after the September meeting pending a decision.
   
   It Stops with Me: Memoir of a Canuck Girl, the latest work by author-artist Charleen Touchette, invites you into the provincial world of a French Canadian girl in Rhode Island who cannot tell anybody her family secrets. Years later when she has her first daughter she must relive her childhood to heal the future generations of her family. It is a story of survival and triumph as a victim of childhood abuse and was written for an adult audience. The novel tells a realistic story with complex figures. Such books help readers approach sensitive topics and figure out how to deal with them. Even if the novel's themes are too mature for some, they will be meaningful to others. No book is right for everyone, and the role of the library is to allow community members to make choices according to their own interests, experiences, and family values.
   
   Author Charleen Touchette, a member of our colleague organizations PEN USA and the Author's Guild, advocates for the freedom to write worldwide. It Stops with Me has been praised by authors Lawrence Ferlinghetti, Louise Erdrich, Margaret Randall, Ana Pacheco, and Winona LaDuke, and received a Foreword Book of the Year 2004 Finalist Award.
   
   PEN American Center respectfully asks you to deny the request to ban It Stops with Me: Memoir of a Canuck Girl and to return it to library shelves. By doing so, you will be upholding a fundamental principle of freedom: the right of all Americans to read, inquire, question, and think for themselves.
   
   Thank you for your attention to this matter.
   
   Sincerely,
   
   Hannah Pakula
   
   Larry Siems
   Chair, Freedom to Write Committee Director, Freedom to Write
   and International Programs



3. Reviewer Jennifer Lefkowitz chose "It Stops with Me" as the Book Special for "Girlfriends Magazine" November 2005 issue, p. 58 with two color photos of Touchette's art.
   
   "It Stops with Me: Memoir of a Cannuck Girl"
   
   "Charleen Touchette's memoir is healing and cathartic, a story of survival and triumph as a victim of childhood abuse. The author is an artist, and throughout the book she showcases her paintings, which resemble the work of painter Frida Kahlo. Like Kahlo, Touchette survived vehicle collisions; after a spine injury she is able to connect her past to her present. This compelling memoir dives into the dark trenches of that past, confronting memories with ancient practices. "I learned it is the task of all human beings to cut through the fog and illusion of maya, and reconnect with the light." A - Jennifer Lefkowitz
   
   "Water Illumination" (top) and "Boom Boom Boom" are two of the many paintings which illustrate the author's journey."



4. An autobiography of a spunky Franco-American woman from Woonsocket, Rhode Island gives cultural storytelling multi-generational appeal. Too many Franco-Americans (with ancestral roots in French-Canada) are quickly amalgamating into the mainstream of American culture without writing their special family stories. Fortunately, Charleen Touchette, a Woonsocket, Rhode Island writer and artist now living in New Mexico, puts both of her pleasingly creative talents together in "It Stops With Me: Memoir of a Cannuck Girl".
   Touchette writes about her Franco-American roots by relating simple, often bittersweet and even brutal experiences growing up as a typical French Catholic girl in Woonsocket and later as an accomplished artist.
   Moreover, Touchette energizes her autobiography's prose with a series of original black, and white and color print blocks. In other words, "It Stops With Me" expresses Touchette's Franco-American creativity using prose accentuated by her surprisingly cutting edge original art describing absorbing coming of age experiences. Her journey from a parochial Franco-American into her adult life is fraught with opportunities, along with unexpected harsh challenges. Her life is ordinary in some ways but hardly a nostalgic cake walk.
   "It Stops With Me" is at its best when Touchette looks back and elevates normal Franco-American experiences to familiarities we can identify with. For example, she describes cooking with her "Ma Tantes" or getting ready to receive First Holy Communion at Woonsocket's Eglise Précieux-Sang (Church of Precious Blood).
   Discord arises at a young age. Growing up as a French Roman Catholic girl is an underlying theme. Touchette's typical childhood is without the benefit of feeling safe at home, as she depicts in one of her portraits of a "Not a Picture Perfect Family".
   Rather, Touchette's absorbing life story endures familial stress, social and personal conflicts, even leading to physical ailments, which haunt her into adult years.
   Touchette's hard hitting narrative is set apart from others of the modern autobiographic genre by the intimate and complicated relationships she shares with her family. Delving even deeper into her private spiral are the intense personal investigations Touchette undertakes with regard to her sad relationship with her father.
   Nevertheless, in spite of the particular circumstances, it's typical of Franco-Americans to harbor deep attachments for their relatives and parents regardless of obvious flaws, shortcomings or even family violence. Female family role models are especially strong in Touchette's life. "Although my Maman was a devout Catholic, she was a strong supporter of my right to freedom of expression," writes Touchette. In fact, her female relatives were outraged when Touchette even considered not going to college after high school. In her Woonsocket Franco-Americans world, Touchette writes about how curious it was to be singled out for college when no other woman in her family ever went beyond a high school education.
   Throughout the autobiography, her French heritage is front and center, even when she embraces the peace of Judaism.
   Many of the book's chapters are charmingly led by simple French titles.
   Touchette's talent as a creative writer moves the reader beyond the dark side of her autobiography. Using the power of words, she inspires us to learn more about her as an individual woman with a spellbinding story to tell. Touchette does a good job explaining the pros and cons of the personal contrasts she inherited from her religious and ethnic roots. This is a well written autobiography, nominated for book awards, with a progressive social focus.



5. Charleen Touchette's story "The Pie Religion" is online in the May issue of Késsinnimek - Roots - Racines
   
   "What a loving, touching article! I could see, smell, hear everything, thanks to your beautiful descriptions. And what memories of my own childhood you brought back; we, too, had a pie religion among the women in our large family. My mother even had a modest business of making pies for the restaurants and the hotel in our little Northern Vermont town.
   Indeed, the secret to pie-making is passed on from mother to daughter to daughter as a sacred tradition.
   Thanks for a great read!
   I've recommended your article to several people, with my comment that if I could write as well as you, I'd give up quilting and stitching...and making pies!"
   Louise Dubrule

4 comments about Halfbreed.

1. The way Maria Campbell literally bears her entire being onto paper is absolutely amazing. As Canadian citizens, it is important to still recognize the issues that plague our society. Campbell's book does just that, offering insight and a hope for something better.



2. The novel, "Half-breed" is based on the biography of Maria Campbell, a Metis woman who was born in northern Saskatchewan. Maria Campbell's family was a mixture of Scottish, French, Cree, English, and Irish. They spoke a language completely different from the people around them. The half-breeds lost their land when the authorities reclaimed it to offer to immigrants. Thus half-breeds settled down along the road lines and crown lands where they built cabins and bars, giving them the title of "Road Allowance people". Maria was born in a home where Cheecum, her father's Cree grandmother, taught ancient Cree rituals and legends. Maria's struggle for existence was strengthened by the Cree traditions and by Cheecum's wisdom. However, this was weakened by extreme discrimination and poverty.When she was fifteen, she tried to escape from poverty and discrimination by marrying a white person. However, soon after she broke up with him and found herself alone in the slums of Vancouver where she faced drug addiction, prostitution and depression. After many years of hardship and struggle, Maria made new friends who helped her to remember Cheechum's lessons, advice and her heritage. Eventually she returned to her own people and decided to work with native organisations all across Canada. The text is mainly concerned with the frequent discrimination, its negative impact and the extreme poverty in which the Metis- Indians had to live under. The narrator of the book, Maria Campbell, conveys her sorrows and frustrations by emphasising what it is like to be a Half-breed woman and grows up between two opposing worlds: white and native. The text clearly demonstrates the existing problems regarding race within the pluralistic Canadian society. The narrator develops the argument by describing her experiences. Through her experiences, she explains how badly whites treated her and her people. She grew up as a social outcast and was constantly teased and mistreated by other school children. Throughout the novel, Maria Campbell provides many examples to show the white society's mistrust and rejection of her people. The examples show the Indians' isolation on every level of society, including the church. Not only were she and her family excluded and driven out of church, but they also had to suffer verbal insult. Whenever the Half-breeds went downtown, the town's people would yell "Half-breeds are in town, hide your valuables." If they walked into stores, other white women and their children would leave while the shopkeepers'wives and children would watch to prevent the Half-breeds from stealing. The text discusses three important sociological concepts: discrimination, poverty and injustice. Defining these concepts in "cause-effect" context, one can see the interconnection among the three. Unjust government policies causes poverty, which in effect contributes to society's enhanced discrimination and mistrust of the Indians. While the Half-breeds represent a subculture, characterised by certain cultural traits that differs from others in the society, whites represent the dominant class who hold the power and influence. The Half-breeds were homeless because the Canadian government had unfairly taken their land away from them, so they have remained poor and unable to establish their own social institutions such as church and school. Consequently, the Half-breeds were subordinated and forced to speak the dominant language, behave the way whites do, and go to schools and churches that were built by the white society. Thus, the cultural diversity, different physical appearance, economical scarcity and a disordered life style, greatly influenced the discrimination against the Half-breeds. In the first fourteen chapters, the narrator relates the life style of half-breed families, their relationship with the white society, their traits, traditions, and their history. Through her experiences, she explains how badly whites treated her and her people. She grew up as a social ou, the Half-breeds remained relatively poorer and powerless. As the narrator states, due to poverty and lack of housing the Half-breeds had to move to "road-allowance-houses" (which are like shacks). The pages of these chapters also uncover the main cultural differences between whites and half-breeds by describing their family structure, distinct traditions and conception. These differences can be the structural elements that contribute to the uniqueness of Indian's situation. Firstly, unlike whites', half-breeds have extended family type in which two or more generations of the family members live together. Secondly, the half-breed families and other Indians live in a community where they practise their spiritual rituals, traditions and transmit their distinct cultural elements to the coming generation. It is also evident in the novel that Maria's family included her extended family and the Cheemchum taught Maria and her siblings their heritage, legends as well as cultural values and norms. Finally, the most important characteristic that sets the Indians apart from whites lies in their spiritual conception of the world. While the Indians are highly spiritual and believe in the interpretation of the natural and the supernatural, the whites strongly believe in subduing and dominating nature in order to create nature in men's image. With respect to such differences, in regards to family and community structure Indians try to sustain their distinct conception of the world as well as their distinct culture. Hence, their struggles to protect and sustain their uniqueness make them more distinct and marginal in the society. Maintaining these distinct elements also causes the Indians to remain economically weak in the contemporary industrialised Canadian society, since their belief is based on rationality rather than spirituality and the supernatural. The rest of the chapters are about Maria Campbell's life in Vancouver. The book mostly focuses on the realities of urban racism, prostitution, drug addiction and violence. Maria's husband left her without any money, which forced her to face prostitution. Within functional perspective, which is based on consensus and harmony for the benefit of society, prostitution seemed to be the only way for Maria to survive. Therefore she had to get involved in prostitution in order to survive and have enough money to raise her daughter; thus she carried out her function in society. In this process she also became addicted to drug and alcohol, because all the terrible circumstances that she faced were against her moral understanding and distinct (Half-breeds') conception of the world. So she lost her self-esteem and found herself in depression with the trap of drug addiction and alcoholism. At the end, she recovered from her addictions through the help of her own people. They helped her to regain her identity and dignity hence she started to work within "Native people" organisations throughout Canada.Campbell's experiences with discrimination, poverty, and other unfavourable things are realistic and persuasive. The examples that she gives in the novel strongly support her argument: the hardship of being "a half-breed woman in the white dominated Canadian society". Yet, at times her narrative tends to be biased since she conveys her story in a subjective manner. Especially, her easy and quick involvement in prostitution and drug addiction is questionable and difficult to understand since she was raised in a conservative and traditional Cree family. Nevertheless, The book "Half-breed" basically reflects an outstanding aspect of native people's difficulty in assimilating into the pluralistic Canadian society. It also provides a brief knowledge about how native people's distinct culture and subordinated economical or political weakness contribute their marginal and isolated position in the society. Overall, I personally think this book is useful for understanding the sociological concepts such as inequality, discrimination and poverty through the eyes of the distinct people who are discriminated against. The text offers an aspect of native people's lives in northern Saskatchewan through a half-breeds woman's experiences. The simple language and fascinating narrative makes the book more interesting and easy to read.



3. though her stories are not exclusive to the life of a Metis woman, the imagery is haunting. poverty, addiction, motherhood and the will of a society forced to make it on their own are all exposed. these themes are explored by other authors but not from this perspective. I would recommend this to every mother and/or women thinking of starting a family. this is a must read. for a guys perspective on similar themes check out alexie sherman's "the lone ranger and tanto fist fight in heaven". you won't be disappointed.



4. Maria Campbell tells a story of courageous survival from the perspective of a Metis woman. The reader becomes a part of Maria's journey through life, which begins amongst the Road Allowance People of Northern Saskatchewan. Her story describes a life dominated by basic survival. Hunting, trapping, poaching - if need be - and roasted gophers for a young school child's lunch. Her odyssey leads her through many dark places, one of them the Vancouver skids and a life as a junkie. Yet througout Maria Campbell manages to convey a sense of beauty, and her story, though often tragic, will become vivid in front of the reader's inner eyes. Half-Breed is a story of triumph over racial oppression. After reading this book, one can feel this woman's willingness to continue the fight that her great-grandmother's people began long ago in Riel country.