2 comments about Whose Muse?: Art Museums and the Public Trust.

1. With everything from motorcycles, cars, boats, Jackie O's clothes, Star Wars artifacts, elephant dung and more finding their way into the museum, this is probably a good time to examine just what the museum is and who it is for. Art Institute of Chicago director James Cuno has assembled a veritable who's who of major museum directors to hold forth on this topic. Taken together, the essays provide rare insight into how museums are being shaped in the 20th century. With sometimes surprising candor the directors make their case for how and why the museum is beholden to the public trust. A roundtable discussion at the book's end further amplifies the issues set forth in the essays. This is an important book.



2. This is a compilation of essays written by directors of major art museums: Cuno from the Art Institute of Chicago, De Montebello from the Met, Lowry from the MoMA, MacGregor from the British Museum, Walsh of the Getty in LA, and Wood, formerly of the AIC. Each addresses how museums can cultivate public trust in cultural institutions, the kinds of authority museums have, and how they should manage their responsibilities. MacGregor's essay was my personal favorite; it includes two amazing stories of how art proves to be valued for its emotional power during times of crisis (specifically on 9/11 and during WWII). Walsh offers suggestions as to how museums can offer its visitors a more genuine experience through curatorial choices and placement of lighting and seats. Lowry and De Montebello write about the relationship of the entertainment industry to museums. A very accessible, jargon-free text that is surprisingly interesting.

3 comments about Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections.

1. Gustav Klimt (1862 - 1918), while popular and admired in his time, suffered a period of being regarded as the King of Kitsch for many years after his death. It has only been in the past half century (and especially now) that his contribution to the art world is being recognized and appreciated. His paintings are highly prized, are cause célèbre in their movement from collection to collection, and his influence on modern art and the birth of the decorative arts (especially Art Deco) is unchallenged.
   
   This extraordinary book GUSTAV KLIMT: THE RONALD S. LAUDER AND SERGE SABARSKY COLLECTIONS is now the definitive work on the strange man who introduced the Secession, a movement that hoped to create a new style that would depart from historical influence and stir in the influence of Sigmund Freud. Klimt, whose shimmering paintings incorporated gold leaf and sensuous nude women in 'scandalous poses', brought Vienna to its feet to recognize the works of the French Impressionists. The book is not only a compendium of lush illustrations of his photographs, drawings, and paintings, but it is also a fine history of all of the elements that Klimt incorporated into his work and his inevitable influence in history.
   
   The writings in the book are not dry pages of overused history: here are essays by some brilliant writers and historians such as Alessandra Comini, Ronald Lauder, Renee Price, Janis Staggs and others, each of whom takes a special aspect of Klimt's work and life and polishes the information with some first revelations of unknown notebooks and images. In this collection of drawings are little known works of nude women satisfying themselves that show the mutual influences of Klimt and Egon Schiele! But the final glory of the book is the very large collection of Klimt's output. It will be a while before any other volume can match this one for visual and intellectual interest. Highly Recommended. Grady Harp, December 07



2. This is the catalogue for the current Klimt show at the Neue Galerie in NY. All the works belong to the two founding collections of the museum and most of them are drawings, which allows an irreplaceable insight into the artist's working method. The illustations are of a very high quality and the book is a treasure trove of information on Klimt's early Austrian collectors (mostly Jewish,which accounts for their tragic fate during WWII), and the subsequent "discovery" of Klimt by American collectors, thanks to some courageous dealers like Otto Kallir, owner of the gallery Saint-Etienne in New York. The book also dwells on the much commented recent acquisition of Klimt's famous painting "Adele Bloch-Bauer", which is the centerpiece of the exhibition, and on its importance in the artist's oeuvre. Without being a retrospective, this book, through its many top-quality illustrations and thorough studies of various aspects of Klimt's oeuvre, is a must-have for any art lover, even if some may wonder if the artist is really the top-tier painter that the Neue Galerie makes him out to be: isn't Klimt's art sometimes too decorative (especially when compared to Egon Schiele's)?



3. Although there are few paintings in the collection itself (mainly drawings), a large number of paintings are actually represented in the book to illustrate essays on Klimt's most important patrons and muses (some of which I had not seen in reproduction before) - these form about half the book, with interviews, contemporary documents, letters and photographs - I found this section the most interesting - there are also good essays on his background and his relationships to other artists, contemporary reception of his work, and his inspirations (especially fascinating were the visual comparisons of his drawings of nudes to the work of a contemporary erotic photographer, where the similarities are too many and complex to be put down to pure coincidence). Most poignant is the essay on three of the most prominent Jewish families of the period who were major collectors of Klimt's work - the Lederers, the Bloch-Bauers, and the Zuckerkandls, based on a mind-boggling 193 references. These families began the century at the pinnacle of contemporary society, and were at the centre of Vienna's cultural life; their stories make for harrowing reading - for example, Elizabeth Bachofen-Echt, the daughter of Adele Bloch-Bauer, survived the Third Reich by claiming that she was Klimt's illegitimate daughter and therefore of mixed race - and are worth the price of the book in themselves. Layout and reproductions are superb, as is the general quality of the book. A joy to the eye and definately one of the best art books on the market.

3 comments about Bernini.

1. sculptor. architect. child prodigy... Bernini's real name was Michaelangelo, but he hid the fact so that his own work would stand apart from that of the greatest sculptor of all time. Here is a tribute to a man who fufilled a great potential to create beauty in this world. The Galleria Borghese in Rome will attest to this. A wonderful volume about a truly incredible talent.



2. Wittkower has created a book that is easily enjoyable for those familiar of Bernini, or those starting to learn about art/archetecture of the Baroque. I highly reccommend this book to anyone remotely interested in this period, as the photos are clear and the explanations are not filled with jargon a lay person could not understand. bravo.



3. Wittkower's work is simply stated an artistic anthology of the achievements and life of the chief architect of the Roman Baroque. His perseptive commentary and pertinent factual information are extremely useful to all who attempt to comprehend the complex messages behind all of Bernini's work. While the author stays committed to rendering the artist as a sculptor and architect, one wishes that Wittkower would delve more into the environment, particularly political and religious movements, that continually serve as an impetus and background to Bernini's chef d'oeuvres. Regardless, Wittkower's inclusion of both color and detailed black and white plates allow the viewer to observe the Baroque master's works in their appropriate light.

2 comments about American Quilts & Coverlets in the Metropolitan Museum of Art.

1. This is an expanded version of Amerlia Peck's writing on this subject origianlly published in 1990. It is well organized by type; the colors and the detail in the photogrpahs are mesmerizing. Peck has a talent for conveying information that is simultaneously instructive and entertaining. I'm impressed with the social, material, historic and design development range covered. Very comprehensive. I've given it as a gift more than once.



2. This is all pretty good except for the close-up detail photos. Somebody cheaped out and didn't take actual close-up shots. Instead it seems they just enlarged the overall shot which comes out too blurry to be able to examine any detail. That is very disappointing in a book from the Met - also the editing seems a bit lax. I'm no grammar police, but there were several obvious mistakes.

1 comments about Folk Art in Maine: Uncommon Treasures 1750-1925.

1. Folk art can be a window into the soul of the past and the people who lived there. "Folk Art in Maine: Uncommon Treasures 1750-1925" is a look at the folk art of Maine from countless artists both those intentional and unintentional throughout history. Full of brightly colored metaphorical snapshots of history, "Folk Art in Maine" is enlightening and educating to view. A top pick for community library art collections.

5 comments about The Acme Novelty Datebook.

1. beautiful drawings...no matter how self critical mr. ware was back in the day. the book really allows the reader into the head of a master illustrator. if you're looking more for a graphic novel, don't start with this one (try his first real freshman work jimmy c, or his ACME novelty library, probably my favorite - you get a real sense of what ware is all about - clean lines, insane, or better put, anal details). anyway, back to this one...great book, if you're a fan of ware, there's no reason not to get this one, and if you're not yet convinced, this is a nice piece just to have - these same drawings and doodles that once inspired ware himself, now get me thinking. love it.



2. I didn't think I would like this one. But after owning everything else the man ever made, I asked for this one for x-mas. Wow! I love it! There are spontaneous portraits of people on the bus, views from friend's rooftops, the rudiments of strips like: God, Jimmy the robot etc...
   If you are a Chris Ware fan YOU WILL LOVE THIS BOOK! If you are not familiar with Chris, best to start somewhere else.



3. The book is a record of an absolute monster drawing talent!
   It collects tentative investigations, as a scrapbook of ideas and odds and ends. The amazing thing about it is its vitality.
   Anything and everything becomes a source of inspiration and investigation into the nature of drawing. A coffee cup, a telephone in a waiting room, a washing machine, such mundane things seem to begin as notations but are transformed by Ware's observation of line and tone into their inner vitality - much like Van Gogh's peasant shoes. There are beautiful portraits. And beyond the observed notes, the book is positively brimming with characters, mutations, and cartoons from his eccentric imagination. The fantastical musings and the observed notations blend, merge together, separate like DNA strands through the book, adding up to a rich record of creativity



4. I just finished reading this, and it's a real treat. Fans of Jimmy Corrigan or Acme Novelty Library will enjoy drafts of these but expect differences in style. This gives a better look at Chris Ware than his other publications that I've read. You can really feel his frustrations in this work. I reccommend this to both fans and non-fans.



5. If you want to see inside Chris Ware's head, this is the book. There's next to no Jimmy Corrigan or Acme Novelty, just raw sketches of inspiration and internal struggle spanning 9 years of Ware's life (1986-1995). As an illustrator/designer, I found this book to be the most inspirational book I own, and I own many inspirational books. I definately recommend it.

5 comments about Star Wars: The Magic of Myth (Star Wars).

1. Ms Henderson has taken from many, many sources to present a succinct analysis of myths from the past, works by many scholars, and today's world in order to show the need for all of us to have myths in our lives. Beginning with George Lucas' journey to creating Star Wars, moving into the cultural milieu in which the films were made to the that which the audiences brought and continue to bring, the author gives us the "reasons" for the motivation and then success of the 3 and later 6 movies done by Lucas. The book is well-illustrated with scenes from the movies, storyboards of its development, and art representing other myths, stories and legends of many cultures and times. A fantastic book for anyone looking for the core ideas of Lucas and his greatest work.



2. If you enjoy any of the books by Joseph Campbell and are a Star Wars fan, then this is the book for you. It covers everything from Greek mythology and Zen Buddhism to the Cowboy archetype and the uniforms of World War 2. Most of the artwork is incredible (many pics from the "Art of Star Wars" books), and there are tons of detailed photos from the Smithsonian tour, which I was lucky enough to catch at Houston's Museum of Fine Arts many years ago. I only wish they had waited a few years until the entire Prequel Trilogy was completed before they published this book!



3. Within this book I would say this incredible look into the mix of Mythology, History and Star Wars that I have ever seen. A great companion Book to the "Magic of Myth" exhibit.. and it would make a great companion book to the Joesph Campbell books "The Hero with a Thousand faces and "The Power of Myth."
   
   Basically giving the impression of the origin of the Star Wars Films. How Lucas was influenced with all these ideas and made the films what they are today. How timeless the story really has been. Also available is some of the pre production artwork from the Classic Trilogy.



4. Excellent book with amazing pics of the props and unusual images from the movies from the OT. Fantastic!!



5. If you've been lucky enough to see "The Magic of Myth" in one of its many permutations, this book is a great supplement to and a wonderful reminder of just how cool that exhibit was. If you haven't seen the exhibit, this book is still great to have for it's back-story on the origins of the trilogy.

   I'm not the most well-read person around so it was a lot of fun to learn how Lucas' characters and story were shaped by (or copied from) myths and legends of other times and cultures. Reading this book has led me to explore some of the material that Lucas borrowed from in creating Star Wars. I'm a big SW nut, but it's nice to get my head out of the SW universe and out into other forms of art and literature.

   If you don't feel like reading, this book is also full of GREAT photos from the trilogy.

   I keep this one on the shelf next to Joseph Campbell's "Power of Myth." It is a nice complement to Campbell's book.

1 comments about Joakim Eskildsen: The Roma Journeys.

1. This book is wonderful for its abundance of truly great, intimate, revealing photographs -- and for its intelligent and insightful brief texts about a Gypsy culture that has been little understood for centuries.
   
   The book is arranged in seven main sections, each representing an in-depth insider's perspective of the daily lives of Roma Gypsies who live in communities in seven very different countries. We are able to soak up the visual richness of the Roma's personal surroundings and unique ways of living while they adapt to (and resist) the influence of the dominant cultures of Hungary, India, Greece, Romania, France, Russia and Finland.
   
   Overall, The Roma Journeys is an important document and exploration of a unique group of people as they live their lives in the midst (or on the fringes) of seven distinctly different cultures. At the same time, it is a beautiful photo book.
   
   We are made to understand the level of prejudice and hatred that the Roma suffer almost universally in the world. We bear witness and begin to understand, too, how and why they refuse to adapt too much to outside cultural influences. We are also able to see the daily celebrations of the simple things in life, and the love and joy they share along with the hardships they endure.
   
   We are told: "Throughout their history, the Roma have been subjected to persecution, expulsions across Europe, slavery in Romania, prohibition on the use of the Romany language, and other creative attempts to misuse, assimilate or extinguish their people. Many Roma still have to deal with discrimination on various levels, and in all European countries, the general attitude towards them is at least suspicious."
   
   This book is the result of seven years (2000-2006) of travel and living within each of these communities in an attempt to understand the people and their culture.
   Joakim Eskildsen took the photos (all remarkable, and with a lovely mix of color 4x5s and black-and-white panoramas). His traveling partner, Cia Rime, wrote all of the texts, which read like an engaging mix of journalism, sociological study and personal diary notes.
   
   The book is big, heavy, beautiful, and not a bit too long. It is equally pleasing to read it straight through from cover to cover (over several days or weeks), or to flip through it at random and soak up the richness of the imagery. The differences in lifestyles within each national culture is quite surprising, too. The gypsies in Finland seem very, very different from their cousins in Hungary or Greece.
   
   The book also includes a CD of a "sound collage" of music and daily life which is perhaps the only weak element in this project -- but it's worth listening to one time while looking through the book.
   
   Hats off to everyone involved with this book. It is the kind of book you can enjoy and treasure for a lifetime.

1 comments about El Greco to Velazquez.

1. In addition to the artistic renaissance that was underway in late 16th and early 17th century Italy, a comparable movement was flourishing in Spain from 1598 to 1623 under King Philip. A time of cultural and political fervor, Spain was experiencing the evolution of a naturalistic style of painting that showcased detail and space in court portraiture, still life, religious themes, and the development of polychrome sculpture. While El Greco and Velazquez were two of the most notable figures in this era of the Spanish art world, "El Greco To Velazquez: Art During The Reign Of Philip III" covers not only these two legendary artists, but examines the works of lesser-known but highly talented artists who contributed to and influenced the development of the Spanish school of art. Knowledgeably compiled and deftly co-edited by Ronni Baer and Sarah Schroth, "El Greco To Velazquez" is enhanced with informed and informative essays by academicians and art history scholars Laura Bass, Antonio Feros, and Rosemarie Mulchay, as well as the co-editors Ronni Baer and Sarah Schroth. The beautifully illustrated text provides an historical, literary, cultural and religious context for this illuminated and illuminating study of a critically important period of Western Art History in general, and Spanish Art History in particular.

5 comments about Nathan Oliveira (San Jose Museum of Art).

1. I don't think that the overtones of existentialism that resonated over forty years ago hold up today. This is a classy book with the full story from Peter Selz. Peter Selz used to teach art history at the Institiute of Design in 1953 -54. I don't think his interest in expressionism fitted the Moholy Nagy idealogy.The reproductions are ample and good.The late prints interest me more than the painterly figure work. A centralized figure that takes so much importance to his ouvre from those days ,is academic.He is sometimes Giacometti, other times Bacon, his sources don't seem to be resolved. I like his stuff better than Diebenkorn,another academic approach to the figure. My preference is for the Chicago figurative painters. Leon Golub's work still carries power, he saw Iraq prison torture scenes before it happened there.One figure seems easy. Compositions of figures such as Golub carry more weight because there is a message in the interaction of people.His work will hold up not just from a standpoint of subject matter, but form his more original approach to the canvas.For another critique of the San Francisco figure painters see. The Painters Mind: Carl Holty and Romeare Bearden. I am not alone in this judgement. It is a well written ,well illustrated book. Again ,the late prints of Oliviera struck me more than the early work ,as unique work.



2. This book was published for a Nathan Oliveira exhibit at the San Jose (CA) Museum of Art. It portrays the evolution of his painting and many of his most memorable art pieces. This professor emeritus from Stanford University is currently working on a meditation chapel to be built on the campus of that prestigious university.



3. i was disapointed by this book and the presentation of it.



4. plain and simple its a nice book and i like oliveria but i really don't think it was worth the price new- and i have quite a few books on painters.



5. Just the right amount of history and ample full-color depictions of the artist's masterful use of gesture, color and raw expression. This book really showcases Oliveira's amazing versatility and his under-rated virtuosity as a painter. Oliveira's work should be included among the greats of contemporary art--and this book proves it. Wow!