5 comments about A Pig in Provence: Good Food and Simple Pleasures in the South of France.

1. Great little book about Rural France and a difference culture - you get a feeling thru the writer as to how things have maybe changed but hopefully stayed the same - it's a good fast read



2. Rather evocative but wish it were fulleer and longer. The recipes could have been rather more original



3. This is not only an immensely enjoyable memoir of provencal living which is so easy to read, it has a useful overview of subjects such as mushroom collecting with practical receipes at the end of each chapter. I have ALOT of books about americans living in France and this is one of my favorites to date.



4. This is a fantastic story about one woman's introduction to and exploration of life in Provence. The book takes you on a culinary journey through the region, with beautiful introductions to specialties of the area. Each chapter features a different major Provence food: truffles, goat cheese, garlic, etc and ends with a recipe that has been featured in the narrative. For those who want understand the relationship between the land, the food, and the people of Provence, this book is highly recommended.



5. A PIG IN PROVENCE: GOOD FOOD AND SIMPLE PLEASURES IN THE SOUTH OF FRANCE tells of a habitual France vacationer who decides to buy a small farmhouse deep in the backcountry. Thirty years later she tells the story of her life in Provence: a story that revolves around seasonal change, culinary specialties, and fun stories of the foodways and culture of the region. Any fan of Provence or French culinary traditions will find this gentle story revealing and appealing, and libraries catering to Francophiles will also find it a popular lend.
   
   Diane C. Donovan
   California Bookwatch

5 comments about About Alice.

1. A touching in memorium to the author's wife, who recently died of lung cancer. The couple's relationship is tenderly depicted, but I found myself not liking Alice all that much. She is definitely a complex person, but she also seems a bit superficial and showy at times. i suspect this is my misinterpretation based on a few episodes described by Trillon. I really enjoyed Trillin's writing and his sensitive treatment of his relationship with his wife, though.



2. About Alice contains some very powerful stories about the transforming power of human love. The story about the handicapped girl at the end of chapter VII (p.65-66) is especially moving.



3. It's all been said before, but never so eloquently. A true loss. An amazing spirit.



4. This is a slim book and a quick read but don't let the small size fool you; it packs a punch. Readers of Trillin's other works may recognize a version (or two) of Alice in this book. He never nails down Alice's essence which may be a disappointment for anyone who picks up the book with the hope that Alice's true personality would be revealed. This is a love letter about Alice and their marriage.
   
   Love can be the culmination of stories told (some details are naturally remembered differently than your partner) and shared experiences. Trillin visits many different stories and memories (his and others') about Alice and their life together. There is no doubt he loved her and was inspired by her to be a better writer and a better person.



5. Calvin Trillin's wife Alice died of cardiac arrest in 2001. During their 36-year marriage, Alice had served as Trillin's muse and first editor, and she often featured as a sort of character in his writing. (I confess I've only read one other book by Trillin, his 2001 novel Tepper Isn't Going Out). In About Alice, published in 2006, Trillin seems to be trying to define his wife's personality, to preserve a piece of it for the record, to explain why she inspired his devotion. It is not a maudlin account. He writes about Alice's attitudes toward parenting and money, for example, about the role she played in his writing, her charity work, her cancer scare in 1976. The book is a sort of extended love letter to Alice, to be sure, but a further point of the exercise is to be found on the book's dedication page. About Alice is dedicated not to her, but to the couple's grandchildren, who will never know her. The book is a nice gift to them, and to Alice.
   
   About Alice is brief--it only takes about an hour to read--and Trillin's prose goes down easy. The book should be of particular interset to readers familiar with Trillin's characterization of his wife in earlier books.
   
   -- Debra Hamel

5 comments about Storms: My Life with Lindsey Buckingham and Fleetwood Mac.

1. As a very, very longtime fan of Fleetwood Mac, I got this book as soon as it came out. I felt sure it would be one sided, as is the nature of autobiographies, but thought any book about my favorite band would be a fun weekend read nonetheless. And it was. I don't doubt Stevie was hell on wheels or that Lindsey was abusive, I think drugs, godawful quantities of drugs at that, make you do horrible things you normally may not do. There were also some very funny stories recounted by Carol and I thought it was a very interesting look into "life on the road." But I thought the book was horribly written and she made herself out so be such an innocent little lamb, it's gag worthy. And there are so many innacuracies, it's hard to take anything she says as truth. I mean, c'mon, she says she wrote this book using her old journals and tapes she recorded, but if she did that, how the hell can she get dates wrong? Not just wrong by a few days but wrong by years! If she can't remember dates of events she says she wrote about in a journal, how did she remember all these conversations, word for word, that she wrote in such such detail in this book? And some of the things she says ar just rediculous if you know anything about this band. The first thing that caught my attention is she writes that when she met Lindsey, he was so over Stevie and could care less about losing her. But Lindsey himself has stated several times that he was devastated by the breakup, is was extremely hard for him to move on and took him a decade or more to do so. Another part I found somewhat laughable is when she writes about one time when Stevie was "mean to her" and of course, she ran straight to Lindsey to tattle. So Lindsey says he'll talk to Stevie and get her to apologize. He leaves Carol in their hotel room, goes to Stevie's room and doesn't come back for several hours. Uh, Carol dear, open your eyes! I doubt they were "talking" about you for that amount of time. From all accounts SnL were still screwing around all through the 80's, they themselves have practically admitted as much. I guess what bothers me is not so much that she didn't acknowledge in her book that Stevie and Lindsey still had strong feelings for each other for many years, I'm not sure I would if I were in her shoes either. What bothers me is that even though she didn't mention it in her book and she made it look like Lindsey was so gaga in love with her that he didn't give Stevie a second thought, BUT she had no problem laying it all out a few months after the books release. Yes, Carol gave an interview after the books release saying she knew both Stevie and Lindsey harbored feelings of pain and regret over their breakup for many years and never got over each other and she actually said she knew Lindsey was still in love with Stevie all the years he was with Carol. If it's good enought for an interview, why is it not good enough for your book? IMO, you don't write an autobiography, then contradict yourself later. That makes your entire saga much less believable.



2. I suppose any literate person should have gathered this would be a "tell-all" book, which is bound to contain reams of gossip and irrelevant banter. However, there is also a great deal to be said for eye witness accounts, even if they may be a bit clouded from drug use. Carol Ann Harris introduces herself as down-home charming laced with infuriating learned helplessness in this revealing book.
   
   All evidence is delivered in a first person narrative, citing event after event that should/presumably would have made most people run for the hills. No amount of cocaine could make the horrors Ms. Harris claims bearable. After reading this book, one will probably never see the members of Fleetwood Mac the same way again, most particulalry Lindsey Buckingham and Stevie Nicks. The previously admiring lens which simply saw talented musicians will be shattered. The other three members maintain the personas most likely prescribed to them by most fans, but these two... wow. It's disappointing, another example of "reality" media, giving us more information than we really wanted. The writing style is also a bit disjointed, with quirky, although adorable, insertions of Ms. Harris' folksy internal thoughts ( lots of " Jeeze" and " friggin'), yet, at the same time, an attempt to strike a formal note with sentences beginning, for example, with " For I surely....", and redundent ruminations are plentiful. It is advised, however, that one plow through those moments, because Ms. Harris will plant an interesting, major detail square in the middle of one of those passages that almost puts one to sleep.
   
   If you are a Mac fan, it's worth getting for a lazy Sunday afternoon read. There is some sensational writing within, and one does have to question what motive Ms. Harris has, at this late date, for writing such a tell-all. Further, prepare yourself for a lot of forehead slapping, wondering " What was wrong with this girl! What part of this picture was so hard for her to understand!" This book does a fine job of humanizing the larger than life characters who form Fleetwood Mac.



3. eeehhhhh....ummmm. I just read this book. I love Stevie Nicks- but i realize that in her heyday she was probably a coked out bitch on wheels. That said, the writing in this book is awful, and I have a hard time believing that Carol Ann was the dumbass country bumpkin that she paints herself to be. Everyone in the book "turned ghostly white" and it was ALL SO SHOCKING!!! She never misses an opportunity to talk about how beautiful and sexy she was -all the while never even realizing it! "OMG I am going to stand in the middle of these bright lights and go all marilyn monroe on this fan and convince myself that everyone in the audience stopped staring at stevie to look at little ol' me!" Puke. She tried so hard to convince herself throughout the book that Lindsey wanted nothing to do with stevie -which may have even be true-but she didn't believe it for a second. All the talk of " beautiful insanity" and whatever other terrible metaphores she came up with made me cringe-she HATES these people-I can see right through her writing. Girlfriend is bitter!



4. Being a fan of Lindsay Buckingham and Fleetwood Mac only in the last several years, I was interested in what he was like in the band's heyday and this book delivered. He seems very much of an enigma and I learned so much about him from the author's stories. She didn't seem to have a hidden agenda for this book, which I appreciated. This book does not give much information about the band, however, which I didn't think it would, but for those of you buying it for that reason, don't. It basically told me one thing about Fleetwood Mac "back in the day." That is that they did a LOT of drugs. I haven't ever read a book written like this before, from someone so intimately connected to a celebrity that I was interested in, and finished it in just a few days. If you are a fan of Lindsay Buckingham, I say this is a "must read."



5. I was looking forward to an insider's look into the world of Fleetwood Mac and instead I got a look at my own life. Actually, I should clarify that and say it was my life of 10 years ago. I can identify with each and every phase Carol Ann Harris went through with Lindsey Buckingham. The sudden and inexplicable temper explosions resulting in physical beatings. Carol Ann endured those at the hands of Lindsey and although some of the other reviewers are doubting her truthfulness, I have to believe her when reading about all the other physical symptoms she suffered. The panic attacks, the absolute numbness to any feeling after being nearly choked to death, going back to Lindsey repeatedly because she was sure she had done something to cause the violence.
   
   It takes a tremendous amount of strength to leave a relationship where you become caught up in the cycle of abuse and reconciliation. Carol Ann was dependent on Lindsey for room and board, a fabulous lifestyle, and even love...when she could forget the torture. She got out, made her own life, never gave any interviews and has only now spoken about this. Some people may ask why she felt the need to unburden herself. I say, Lindsey should have thought of that when he was dragging her by the hair as he drove away from Christine McVie's house (a bit of violence witnessed by Christine, by the way.)
   
   The book is well written and does give some great Fleetwood Mac moments, aside from the nightmares with Lindsey.

5 comments about The Seventeen Traditions.

1. This book is one of Nader's finest published works. It chronicles his life, and how he was raised. He takes the lessons learned as a kid growing up and puts them into seventeen specific traditions that are very easy to read.
   
   The rare and valuable part of this book is that it's one of the only times you can find Ralph Nader willing to talk about his life rather than about politics. There isn't much, if any, political discussion in this book other than a few instances of how his family used politics to bring home values.
   
   I highly recommend this book to all of my friends and family. He touches you with stories of how his parents immigrated from Lebanon and the lessons passed on to him and his siblings. The book will give you an appreciation for spending time with family, and does so in a way that is easy to read and enjoy.



2. This book offers greatly needed insight for a nation filled with antidotes, from fast-paced labeling of psychological disorders to quick fix prescription drugs and self-help book remedies. Ralph Nader takes the reader back to a slower paced society--a world enveloped by the wisdom of his parents. Chapter by chapter, Nader shares pithy, memorable maxims such as, "Jokes are to words as salt is to food" (81), along with other valuable scenarios which serve as life-enriching lessons. For a sampling of the earnest adult figure many of us may have missed while growing up, Nader's book is analogous in resource value (on a smaller scale) to The Discourses of Epictetus.



3. A short book that reflects on society, democracy, and the peace
   of a good life.



4. I've long admired Ralph Nader and have enjoyed some of his
   other books . . . so when a friend recommended that I read his
   latest, THE SEVENTEEN TRADITIONS, I made it a point to get a copy.
   
   My only problem came afterwards; I couldn't put it down . . . so
   some other projects had to be aside as I read about Nader's
   boyhood in a small town in Connecticut, and how that existence
   and the role of his parents affected the rest of his life.
   
   As he notes:
   * I am often asked what forces shaped me. Rather than trying
   to give a full answer to that question-which would take
   longer than a limited interview would allow-I often reply
   simply, "I had a lucky choice of parents." My brother, two
   sisters, and I had a remarkable father and mother, who
   cared for us in both direct and subtle ways. The examples
   of their lives set us on the solid paths we have explored
   ever since.
   
   As I was reading it, I kept thinking of how my parents were
   similar in so many ways . . . in particular, this passage
   could almost have been written about them as well:
   
   * Mother and Father each lived to be just short of a century
   old; we benefited from their seasoned perspectives and
   wisdom for many, many years. They were forever young,
   exemplifying my mother's strong belief in the importance
   of remaining "interested and interesting." And they succeeded
   in doing this throughout their lives, attracting ever-younger
   friends to visit, whether we children were home or not. They
   created the strong family base from which my siblings and
   I sallied forth into the wider world, full of new experiences
   and high expectations.
   
   In sharing the lessons he learned from his parents, Nader
   also gave this advice that should be heeded by anybody raising
   children today:
   
   * Perhaps it was my father who best captured their attitude. Once,
   when I told him that I'd done my best at something, he leaned
   over quietly and looked at me. "Son, never say you did your
   best, because then you'll never try to do better."
   
   As the holiday season approaches, methinks that THE SEVENTEEN
   TRADITIONS would make a perfect gift for anybody wanting to
   read about life back when his or her parents were younger . . . and
   how much of what took place then could still be put into effect now.



5. For the money, it was not much of a book. For the talent accepted for the author, it was not much of a book. Simple platitudes which are mostly captured in the first chapter, and the rest of the book just re-hashes that theme: My parents were great, I am great, why don't you do likewise! Of course it is too late to change parents, but it does give some good foundation thinking for people just starting out to raise a family, and who are looking for some parenting skills.

1 comments about The Lady in the Palazzo: An Umbrian Love Story.

1. Some people may enjoy this book. But I found the author self-indulgent
   and sentimental. I should add that I am an Italophile and have spent a couple of years in Italy--both for work and pleasure.
   
   I cold not recommend this to anyone.

5 comments about Chicken with Plums.

1. Marjane Satrapi, Chicken with Plums (Pantheon, 2006)
   
   Satrapi's fourth book gives us biography instead of memoir this time-- the story of her great-uncle Nasser Ali Khan, a musician who decides to die after his wife breaks his favorite instrument. We are taken through the final eight days of Khan's life, as friends, relatives, and his own consciousness try to change his mind.
   
   I admit that my somewhat cool reaction to the book is almost certainly a product of the complete overload of memoirs and memoir-like biographies with which the market is currently glutted; I'm relatively sure this will be my last one for a long, long while, save one series-memoir I'm in the middle of. I say this because it's certainly not a bad book; Marjane Satrapi is a witty writer, and no less here than in her other books; Chicken with Plums is as enjoyable as anything else she's done. I just couldn't get my head round it as much as it deserved. ***



2. This is a story of a man who lives for music and a tragic love. It is a very simple yet wonderful tale of a man who doesn't seem to know how to live. He becomes a great musician but can't work and loses the love of his life due to his devotion to music. Without music and his memory of great love, he dies. The man's family, friends and relatives don't seem to count in his estimation of life. I found this book very moving and very touching. I think some reviewers took offense since it differs from her most famous book but this one holds its own and is very special. I highly recommend this book. It is very touching and the ending is just as tragic as the main character's life.



3. I just finished Chicken with Plums, and I loved it. It has about a human condition. In this case a man, who is living a life that he felt he did not own, except his musical instrument, and the secret it held for him.
   It is deceptively simple, but it is deep in what it conveys to the reader.
   I noticed some readers felt that the book was not finished, or they were confused about it. However, I found it very clear, honest, and funny at times. It made me sad too. I wonder how many of us live a life like Nasser Ali Khan, the musician? The life that is not truly an expression of our hearts.



4. Having read Persepolis I and II, as well as Embroideries, I was excited to snatch up Chicken With Plums as well. And despite some of the negative reviews here (which almost dissauded me), I found this book one of Satrapi's most magical, perfect creations. It's quite different than the autobiographical, child-like Persepolis I, though readers of Persepolis II and Embroideries will recognize the general tone and style. That said, it's a work that takes you by surprise with its directness, honesty, and sheer invention.
   
   The book follows the last eight days of Nasser Ali Khan's life, as he decides to resign himself to death after his wife, in an argument, destroys his precious "tar"--an Iranian sitar-like instrument. He is a master musician, renowned throughout the country, and the great love affair of his life (despite one thwarted human one) was with this reciprocating instrument. Unable to find another tar to requite his passion, he loses all taste for life and its joys, and decides to stay in bed until Azrael, the Angel of Death, comes for his soul. While waiting, we get a series of flashbacks and flashforwards as he--and others--recount the stories and anecdotes that frame his life. Reading this book is like listening in on family stories around the dinner table, which by their very nature are fragmentary, interrputed, and from multiple points of view.
   
   Though a simple story, the manner of telling it is amazingly complex and mesmerizing. Satrapi's storytelling is at its most concise here, but so much is revealed about the very human passions that shape a life, and how blind we are even to the people we live with. This is a magical book, filled with Satrapi's beautiful characterizations of the people she knew and loved. I cannot recommend this book highly enough.



5. Drawn in bold black and white, Marjane Satrapi's graphic novel illustrates the moving and disturbing life and last days of her uncle, Nasser Ali Kahn. He was a famous Iranian musician, loved for his virtuosity, and the sensitivity with which he played his beloved tar.
   
   It's a tale of how a man's happiness was gradually eroded by his culture, loss, suppressed feelings, and unrealizable expectations.
   
   The story starts with an older man in black walking down a city street. He encounters a slender woman with her grandchild. He hesitates. Asks if her name is Irane. She doesn't recognize him. Wonders how he knows her name. He, Nasser, apologizes and walks on to a friends business where he hopes to buy a replacement for his recently broken tar.
   
   We later learn that the broken tar had special meaning for Nasser. When he was a young man, the parents of the woman he'd fallen in love with forbade her to marry him because he was only a musician. Losing her plunged him into deep depression. He had difficulty playing. Nasser's tar master tried to console him by telling him, "To the common man, whether you're a musician or a clown, it's one and the same. The love you feel for this woman will translate into your music. She will be in every note you play." He then gave Nasser his own tar and instructed him to go on playing.
   
   From then on, Nasser's joy was his music. His playing thrilled his audiences
   
   Since childhood he'd been unable to meet the conventional expectations of others. His mother's, his brother's, his teachers', the parents of the woman he loved, his wife, his children.
   
   His mother urged him to marry a woman he didn't love so that he would forget his loss. Although the woman he married did love him, she resented his music. His children, influenced by their mother's attitude, became estranged from him. This drove him further and further into his music.
   
   After he failed to find another tar equal to his broken one, feeling that without that tar and his music there was nothing else he wanted, Nasser came to the conclusion, "To live, it's not enough to be alive." He decided to die.
   
   This where the novel really begins. Through Satrapi's masterful construction, we are able to piece together what we need to understand who Nassar was, and why he would make this tragic choice.
   
   Satrapi reveals Nasser's life and character by skillfully rearranging temporal events - picking up a incident, then dropping it, and then weaving it in later on in the story with new threads. She loops the past into the present, the future into the past. Sometimes, from frame to frame, she switches back and forth between the past and the present, showing how a character's unhappy memories and lingering hurt become emotional IEDs on the path to true understanding.
   
   There are many lenses through which to "see" another person, many ways in which to know them. At Nassaer's mother's funeral, a mystic tells him the story of five men in the dark trying to describe a whole elephant from the part each has touched. "We give meaning to life based upon our point of view," he tells Nasser. In Chicken With Plums, through characters and events, Satrapi gives us the whole elephant.
   
   As the novel progresses, Satrapi's drawings become more expressive and surreal, adding more decorative touches. Her work resembles animation, almost cartoonish, but her story has the depth of a great novel. She has the timing of a film maker, knowing just what to show when, and how to keep the mystery and tension to the end.
   
   Chicken With Plums has touched me deeply. It's a heart breaking story of love on many levels, fulfilled and unfulfilled. I believe Nasser died of a broken heart. Without Irane and without his music, he could not find a way to be in this world.

5 comments about Driving with Dead People: A Memoir.

1. I really liked how the author took steps to deal with her pain. I can't imagine what it must have been like to go through a childhood like hers.It's hard enough getting through your youth with loving parents. The parents should be your support system not the problem.



2. Good book till halfway through, then the author loses her vehicle, as it were--"Driving With the Dead" jettisons its macabre hook and becomes one more descriptive self-help tome, and that's a shame; the author should have been able to thread her metaphor all the way through--her talent suggests that this book could have used an aggressive editor. Also, I'm forever wary of books with a "Note to Reader" which announces some individuals--and thus some occurrences--are composites. For example, Holloway's pregnancy at the hands of the guy who claims sterility: not saying this isn't exactly how it was, but it's such a cliche as to be transparent, leaving the reader wondering if this is one of those composite characters/occurrences. Memoirs thrive on versimilitude; one false note and much can collapse. It does here. And what profits an author to note that "All incidents are portrayed to the best of my recollection"? Why does Holloway have to say that? Because, in doing so, she loses the reader's confidence in the whole sordid tale before he or she even starts the read.
   
   It IS commendable, IF she's remembering correctly, and IF the characters are true--and not just objective correlatives, that the siblings represented here did not form a pact and murder the most horrid-sounding parents in recent non-fiction (?) memory.



3. that the support system you expected from your family is simply not there:
   
   "Knowing there is no cavalry is much better than hoping for a cavalry that never comes. I am strong because I have to be. I am the cavalry."
   
   This memoir of family dysfunction admirably traverses the path that brings the author to write those words.



4. I loved this book. It is such an incredible story written so incredibly well. It completely blew me away. Amazing. I'd recommend it to anyone.



5. I just finished this book, less than 24 hours after its arrival in my mailbox. The author has a refreshing sense of humor relating to topics such as death, embalming, and driving a hearse as a sixteen-year-old girl. I laughed out loud many times, and had to pick up the book again after my children left for school. As a mother, the lack of parenting in this book is apalling, but also a lesson in how much of a responsibility we as parents have to protect our children from harm not only outside of our nhome, but within it. I applaud the courage of the author to search her soul for unthinkable ugliness and gain strength from the family she made her own, those that truly cared for her. I highly recommend this book, in spite of its less-than-rosy reality.

5 comments about Still Life with Chickens: Starting Over in a House by the Sea.

1. It's rare to find such a sweet, satisfying read on the topic of midlife changes and detours. While there's nothing terribly new in this memoir -- we've all read about painful divorces and renovating ramshackle houses in far-flung locations -- Catherine Goldhammer's voice and the clarity of her writing make this book highly relatable to women in the throes of change. As an empty nester facing transitions of another kind, I melted into the pages of this book and found comfort. Wish I could find more like it.



2. This is a charming little book,with a happy ending..Perfect reading for a long trip on a plane, train, automobile..or a waiting room.



3. There are numerous self-help books on the market that enable people to cope with major life transitions - divorce, the death of a spouse, the move to a new neighborhood, the onset of empty-nest syndrome. Nothing attacks life changes better, though, than the wit and mirth of Caterine Goldhammer's "Still Life With Chickens". Her conversational style is hilarious and reads as if she is sitting across the table from you over coffee and talking about her move to a fixer-upper house by the sea. My favorite paragraph is her observation about the simplicity of life as seen through the eyes of her brood of fluffy chicks: "The chickens went about their little chicken lives, eating and drinking and pecking. When I picked them up, they settled into the hammock I made of my shirt and went to sleep. Their beady little eyes drooped and they leaned their little heads against my thumb. Chickens are masters at living in the moment. I should stop worrying about them, I told myself. I should bow to their greater wisdom."
   A must-buy book for giving to friends who need a good laugh during difficult times.
   
   Christina Hamlett
   Author of "Movie Girl" and "Screenwriting for Teens"



4. I enjoyed the book. It combined my love for chickens, divorce plans from my husband, and my teenage daughter as personal links to the author's story. Well written overall, and it is always comforting to read a book that has such strong connections to your life.



5. I bought this book because I have pet chickens. The story was great and I really related to the chicken stories.

5 comments about Covert: My Years Infiltrating the Mob.

1. The book offers a mix of human interest, police how-to, mafia and sports and will entertain readers of various backgrounds. The storyline is excellent and very well written. Mr. Delaney is first class citizen. I don't care at all for basketball but liked learning about officiating a game and how he got into the field after his law enforcement career. "Covert" gets an 'A' from me.



2. Entertaining read. His story is quite remarkable. You don't come across someone who has his life experiences very often. I would recommend this book very highly.



3. From the first pages, I just could not put this book down. The suspense in dealing with people who could turn on you any moment was thrilling. It is obvious that Bob Delaney is one of our true heroes in the fight against crime.
   I highly recommend this book to those who like true real life thrillers.
   Tim Berg.



4. This book stinks! Just another cop glorifying himself. Covert: My Years Infiltrating the Mob



5. This book is a must for anybody who enjoys Mafia stories, but inside is so much more.
   
   Bob Delaney has a story to tell that few people can truly appreciate, let alone relate to. The detail in the tale of his undercover life is amazing, and Dave Scheiber brings the Jersey waterfront to life in front of you. We all know what today's high-tech world is like, where you can bug a man's house from top to bottom without the slightest clue, but imagine what it was like back in the 70s, when state of the art devices were still pretty sizeable tape recorders. Bob Delaney was undercover, surrounded by the Mafia, wearing wires and carrying tape recording devices that weren't exactly nano-technology.
   
   Hearing his depiction of the events and his life before and after the experience is an incredible privilege, and I urge anybody to read this book.
   
   Good journalism is nothing more than the art of telling a story. Bob Delaney had a one in a million story to tell, and Dave Scheiber told it to perfection.

5 comments about Plain Secrets: An Outsider among the Amish.

1. Neither a scholarly treatise nor a vilification, an idealization nor an exposé, Joe Mackall's PLAIN SECRETS is a narrative that explores one man's relationship to an Amish family and, by extension, a community.
   
   Mackall, who lives in Ashland County, Ohio, befriends the Shetler family: Samuel, Mary and their nine children (names changed by the author). Over the years, living in close proximity to the Shetlers, Mackall develops as close a relationship with the family as an Englisher might be allowed. What emerges is the peace, beauty and goodness of the culture, as well as the disturbing questions he finds himself asking about legalism, the rights of women and the protection of children. His friendship with the family also helps him learn more about himself. "I have chosen...to mine the raw material of their everyday lives in search of everyday truths," writes Mackall.
   
   It's an immersion into the world of the Swartzentruber, the most traditional and strict of the Amish sects. The Swartzentruber refuse to use reflective signs on the back of their buggies, leave school after the eighth grade, bathe only once a week and carry no insurance. The women are not permitted to wear bras and are not allowed to shave their underarms or legs.
   
   However, there are plenty of surprises. This conservative sect shops at Wal-Mart and loves the Dollar Store, and may enjoy junk food such as Milky Way candy bars and potato chips. Although they don't practice "rumspringa" like many other Amish sects, the Swartzentruber Amish let their teens go on "dates," in which a teenage boy and girl spend the night together, side by side, in her bed. Mackall skillfully weaves other information throughout the narrative: the history of the Swartzentruber, the organization of the church and the ordination of ministers, and Amish perceptions of African Americans.
   
   As part of his exploration, Mackall follows the story of Samuel's nephew Jonas, who leaves the Amish to join the English community. The reader will be alternately intrigued, sympathetic and repelled at how Jonas handles his new-found "freedom." To abandon Amish life, Mackall shows through Jonas's attempt, is to encounter immediate problems. How do you get a Social Security number if your parents refuse to let you have a copy of their marriage license? How do you find a job when you've never gone to school past the eighth grade? The Amish community's culture and rules, Mackall realizes, make it difficult for a child to leave.
   
   Living in close proximity to the Shetler family offers Mackall positive insights as well --- an appreciation and attention to the weather, a realization that he doesn't need as much as he perhaps wants. Mackall, a professor of English and journalism at Ashland University, beautifully pens one particularly haunting scene, which finds him rhythmically tossing butternut squash to Samuel in his truck as they get ready to go to an auction.
   
   "Perhaps it's because the weather is fair and the season is autumn, but suddenly I experience a paroxysm of joy --- sheer, sharp unadulterated joy. I'm suspended between two worlds, an outsider in an outsider's world. I'm here with friends who consider themselves separate from the world but woven into the earth, while we all throw fruits of the earth to one another: seeds planted, sown, produce reaped and cleaned, soon to be sold, bought, and eaten. Toddlers play, teenagers laugh, a friend loses his hat, my back aches, and through it all the beauty and heartbreaking brevity of this life pierce me with their stunning certainty."
   
   Other scenes are not so prosaic. After enjoying his rides in Samuel's buggy and telling others about them "as if I were playing a small part in some quaint drama most people could only watch", he must re-evaluate his thinking after another family's buggy is hit by a car and an eight-year-old girl is killed. This leads to a written personal tirade, which ends with, "Is sticking with your sacred buggies more important than the sanctity of human life? Can't you take care of your children?" Readers will have further concerns when Samuel takes his daughter to a veterinarian for medical treatment or, like all Swartzentrubers, refuses to immunize his children. Mackall's questions as he ponders the less appealing side of Amish life are respectful, vulnerable and thought provoking.
   
   Threaded throughout Mackall's book is Samuel's belief in God's will and how it affects his world. "He talks about God's will the way he reports how much it rained the night before or that one of his cows has the milk disease. God's will is like gravity --- it is rain and dirt and sun and snow and wind and fire and every other elemental thing. It is what it is --- no matter what we do." Despite Mackall's own disagreement with Samuel's theology, he finds himself strangely comforted by it when a disabled uncle dies.
   
   It's these conflicting perceptions that provide the necessary tension that holds Mackall's narrative together. Readers will come away with new perspectives about Amish life and some disturbing questions.
   
   --- Reviewed by Cindy Crosby



2. Plain Secrets was our choice for our book club this month. It was an informative read. Much info about the Amish of Ohio and a good conversation work.



3. Very enjoyable read. Mackall uses his sensitivity, humor and vulnerability to tell us a real story about real Amish people. Living next door and making friends with a Swatzentruber (very orthodox & traditional) Amish family, he is there for them in their time of need, and they welcome him in to their lives - to a certain point. Mackall smashes many of the popular, but inaccurate notions we have about the Amish and leaves us a little more informed and thoroughly entertained.



4. As someone who grew up Swartzentruber Amish in the same community as the "Shetler" family I consider this to be one of the best books on the Amish I've ever come across. It accurately tells the real story without being offensive. My only problem with reading it was knowing how private the Amish are I felt like I was eavesdroping! If you are looking for an accurate account of life inside the Swartzentruber Amish community this book is a must read.



5. Good book, worth reading. Honest, interesting.
   
   Joe Mackall ends up proving the Amish points FOR them in the buggy arena. The English are the ones who need to explain those buggy deaths, not Samuel & his brethren. As Mac says, there are virtually no buggy on buggy deaths- yet he blames the buggy-car deaths on... THE AMISH!!! ???? Blaming the victim, the author's cultural imperialism becomes quite clear... He doesn't seem to have much introspection into the choices and sacrifices he has accepted as normal while qualifying the Amish as abnormal. He bemoans the opportunities and education afforded Amish girls as opposed to boys while the maintsream culture he partakes in has done no better and has created a popular culture porno-slut ideal of womanhood.