5 comments about Fiasco: The Inside Story of a Wall Street Trader.

1. This book should be required reading for all business majors and MBA students. Partnoy takes you inside some of the biggest brokerages on Wall Street and blows you away with the realities of trader mentality. I only wish I had read this book before I worked among the traders in my previous job as an auditor at a major investment bank. I can see now how naive I really was!
   
   My only criticism is that the explanation of the specific derivatives deals is WAY too detailed. Although, I'm not sure Partnoy could explain it any other way since derivatives ARE naturally extremely complex.... perhaps some endnotes with a few brief definitions? I found myself flipping back and forth towards the end to try and understand some of it. Just a thought for the next publication.
   
   But overall, it's a very well-written and easy to follow. Enjoy!
   
   I also HIGHLY recommend: "Conspiracy of Fools: A True Story"
   by Kurt Eichenwald



2. The anecdotes alone around "I ripped his f***ing face off" is worth the whole book.
   
   And what a book! This is the narrative flip side to Merton's "Cases in Financial Engineering" where obfuscation is king, and getting clients to overpay for one element of some overly-complex structured product is the fee-driven sport to fuel a decedant lifestyle at the margins of "ethics." That it all happened at this whitest of white-shoe firms Morgan Stanley makes it so much the better.
   
   The single best book to read after Merton's "Cases in Financial Engineering."



3. The book was published in 1997. I found it and read it in a day. Now that we are in the midst of another derivative crisis and we are watching our politicians on both sides of the aisle falling over themselves to bail out Wall Street under the guise of helping the homeowner....I am thinking that this book should have been required reading before the more recent crisis. I don't know if Bernanke has read this but it might be a good idea for him. If the characters and motivation and compensation of these clowns are anything like this book suggests, and the news media suggest it is the case, the average American should be outraged. These salesmen have even forced the US Government to do their will. In any event a short, quick, well written and humorous read that seems strangely prescient.



4. This is a pretty important book for most investors out there. As the author points out, this includes millions of Americans who own mutual funds or certain equities. As far as I know it is the best book on derivatives. I had little understanding of these financial weapons of destruction and was glad to learn more through this book. Warren Buffett talks about the dangers of derivatives in his shareholder communications. Autobiographies often can be self promoting and have hidden agendas, but I did not find this book to be annoying. The author kept it entertaining by exposing some of the characters and culture in investment banking.
   
   As other reviewers have pointed out, FIASCO is a lot like Liar's Poker. At times I cringed at the level of copying (ie: phrases like "rip someone's face off" or clients getting "blown-up"). If you haven't read Liar's Poker or are not too bothered by copy-cats then you shouldn't care about this point. After all, Michael Lewis, the author of Liar's Poker does not mind it and praised FIASCO (see the book's back cover). He realizes that copying is a complement. In any case, the copying takes little away from the educational value of this book and perhaps enhances the entertainment value. If you enjoyed FIASCO, I also recommend:
   
   When Genius Failed
   Den of Thieves
   Liars Poker



5. Great book! Hilarious! If you read Liar's Poker by Michael Lewis then don't miss out on this one! Look forward to read Infectious Greed by the same author.

2 comments about Dumbfounded: Big Money. Big Hair. Big Problems. Or Why Having It All Isn't for Sissies..

1. This memoir draws you immediately in with humor and unique characters. while I believe Dumfounded, by Matt Rothschild to be true, it is obvious he takes liberty with conversations--dialog that couldn't possibly be remembered. In fact, the book reads--in a good way--like fiction.
   
   Rothschild is raised by his wealthy grandparents in New York City. He is constantly getting in trouble, usually in school, and often unfairly blamed. His grandparents are eccentric and a joy to get to know. Less joyful are the bits about his mother, living in Italy.
   
   Rothschild writes a very funny, sometimes sad, memoir about his childhood that is extremely readable.
   
   Recommend.



2. On the back cover of DUMBFOUNDED, Matt Rothschild is said to be "the man David Sedaris could have been if he'd been part of an esteemed family on Manhattan's Upper East Side." Likening yourself to a famous writer is always a no-no for emerging authors, but Rothschild's memoir lives up to the comparison. While he doesn't yet have the near-flawless style of Sedaris, this first memoir is not something to be discounted or brushed off as amateur.
   
   Rothschild was raised by his grandparents in New York, while his mother lived her own life in Italy. Throughout the years his family situation, weight, Jewish ethnicity and emerging sexual orientation separated him from his peers. While many children in a similar situation would fade into the background, Rothschild fights back with humor, sarcasm and by singing Judy Garland songs --- one of which he performs at a school talent show. Unfortunately, the humor and sarcasm aren't always appreciated, and he finds himself being shuffled from school to school --- albeit private school to school --- until he enters college.
   
   While Rothschild's childhood is atypical, so is his level of responsibility. As he grows older and his grandparents' health declines, his mother and uncle are caught up in their own lives --- leaving him to provide care, make adult decisions, and juggle ensuring his grandmother isn't taking the car out on joyrides with trying to have his own social life back at college. It is this level of personal responsibility matched with independence and humility that cause Rothschild to make a decision that will radically change his future.
   
   From the beginning, Rothschild hooks us with humor. The first 80 pages are dedicated to childhood antics and funny dialogue from his grandparents, and this is the part of the memoir that reads just like Sedaris. However, Rothschild breaks out of the Sedaris style when he talks about his mother. While every other scene in the book is light with occasional serious undertones, any mention of his mom is just plain heavy. It is in these situations that he switches from Sedaris's style to that of Jennifer Lauck --- an author whose memoirs make us cry for the little girl who loses her parents at an early age.
   
   The problem is that, while Rothschild's strength is humorous narrative, he doesn't excel at the type of dramatic writing that made Lauck so effective. When I read Rothschild's humor, I am so mesmerized by the story that I forget I am reading words on a page. But with the introduction of any narrative about his mother, I have moved from mesmerization to being fully aware that I am reading about something that has touched the author deeply but does not flow as a narrative should. In these instances, instead of being captivated by the writing and thus transported into the world he is narrating, I am propelled back to the book itself and feel as though I am reading a draft for critique at a writing group.
   
   This, however, is my only complaint, and I'm sure one that is not unusual for a review of someone's first work. The story behind the narration is intense, heart-wrenching and full of plot twists, and this makes up for any flaws in the actual writing. Rothschild presents a boy trying desperately to fit in and failing at almost every turn. His story reads so well that it easily could be fiction, and his characters are so rich with personality that they all could have been invented. But the fact that they are not makes it a precious and priceless tale, and one that anybody --- whether like Rothschild or completely different --- will find worth reading.
   
   --- Reviewed by Shannon Luders-Manuel

No comments about Born Standing Up: A Comic's Life.

5 comments about Spectacular Things Happen Along the Way: Lessons from an Urban Classroom (Teaching for Social Justice) (Teaching for Social Justice).

1. School is for more than English, Math, and Science - it's for the intangibles too. "Spectacular Things Happen Along the Way: Lessons From an Urban Classroom" follows Brian Schultz as he teaches an inner city class something far more valuable than academics - determination and a feeling of self worth. An inspired and inspiring tale sure to give hope in the next generation ensues. "Spectacular Things Happen Along the Way: Lessons From an Urban Classroom" is highly recommended for community library education collections.



2. I read this book and I loved it. You have to read the book because it shows the power of children to make the World better.



3. One of the most important and challenging things we do in this country is educate our children. This becomes especially important when we think about how education can affect one's life. This book really highlighted for me the hope and possibilities for education in a time when all I hear about is that teachers are focused on standardized tests. Apparently, things can be different.
   
   I must admit that at first I was resistant to some of the ideas presented early on in the book in terms of allowing the students' to guide the learning. I thought the students would naturally pick something that did not challenge them. But, boy was I wrong! It is almost as if my inclinations were the exact opposite. That is where this book has a extremely powerful hook. The students clearly went well beyond that simplicity. They clearly found something that mattered to them. They clearly became transformed in their learning.
   
   While reading the book, I really want to know what happened next. The author does an excellent job of drawing the reader into the story. I felt like I was sitting in the dark classroom with my coat on as vividly described in the narrative. And, I found myself learning, questioning, and reflecting as I was reading. I especially learned what horrific conditions exist in some schools and better understood how that old mantra of picking oneself up by the bootstraps is not so easy when most things in some schools like the one in this book are stacked against you.
   
   I strongly recommend reading this book. It is a page-turner. It will give you much to think about. I promise! What is especially great is that the students are front and center rather than it being all about the teacher. And, I believe that as the author states throughout the book, you will learn from the students in this story, just as he did.



4. Brian D. Schultz's "Spectacular Things Happen Along the Way: Lessons from an Urban Classroom" is a beautifully written, well-researched, and heartfelt account of one classroom's journey from stereotyped and ignored to empowered, challenged and brilliant. Schultz's narrative intelligently interweaves the students thoughts, hopes, disappointments, work, and words with his own reservations, thoughts, struggles, and triumphs. Furthermore, he manages to connect, explain, and reinforce their story with some of the greatest educational philosophy and research available (e.g. Dewey. Kozol, Freire, etc.).
   
   What is this read about?
   It's about Room 405. In 2004, Schultz was a 5th grade teacher at Chicago's Carr Community Academy. And in short, Schultz participates in a workshop called Project Citizen, which in turn inspires Schultz to do something new with Room 405. He asks the students to identify a problem that they care about/want to solve, and from there, a year-long curriculum was created by the students and for the students of Room 405.
   What do the students decide upon?
   Room 405 decides that they need a new school because their school is obviously falling apart, so they set-up an Action Plan that consists of the ways in which they are going to go about this undertaking (e.g. writing letters to legislators, interviewing the principal, emailing newspapers, etc.).
   What happens after they decide on their problem and what they are going to do?
   Are you serious? Just read the book!
   
   As an educator myself, I want to point out that Schultz's Social Justice teaching, as exemplified in this book, should have all of the skeptics and naysayers believing because the proof was and is in the students and the results of what they learned, shared, achieved, and experienced together.



5. "Impressive..." or "Extraordinary..." may be a more appropriate title for this book. Schultz traces the both the history of a non-functional inner-city public school classroom all the way through the children's education achievements, and his personal growth along the way. Developing a democratic classroom with both the students and teacher learning from each other is truly amazing!
   
   The book allows the reader to share, and understand, the successes and disappointments of both Schultz and his students. And throughout, the reader remains totally engaged.
   
   The interaction between the students and politicians, the news media, and national organizations has demonstrated that we all have much to learn. Truly inspirational and extremely motivational. A must read.

5 comments about Epileptic.

1. This autobiography story caught me from it's first page. The hypnotic drawings, full of ink, shadows, and so colorful although painted black & white only.
   The story tells the tales of what appears to be at first as normal family with epileptic kid. Soon, the seizures take the family into a voyage of great suffer but full of hope, while effecting and deforming the kids souls and life path. The parents, both kind of New-Age bourgeois type, trying to find a cure for their son, while visiting all kinds of guru's, magicians, witches and doctors of all sorts. This voyage takes the whole family into never ending frustrating whirlpool. Along with that, David B. tells the story of France, through Alger war and others, culture changes, and local, yet influence the world, events. Brilliant.
   Yes, the story is pretty sad, and morbid but it's worth it. Childhood conceptions, dreams and thoughts comes into vivid describful life, takes the reader into the mind of a child, and later - adult. This journey is fascinating.
   Eventually, everybody is epileptic this way or another...
   5 stars definitely.



2. I purchased this book because I suffer from epilepsy. This book is authentic and I recommend it to all, epileptic or not. Filled with family trials and very skilled illistrations.



3. This book blows me away and I don't usually read this artform. But the book got great reviews, and has only recently been translated into English (from French). It's original. It's unscathingly truthful. I hope David B. gets the recognition he deserves.



4. None of the individuals portrayed in this story emerge intact, including the author David B. I was left with the impression that either David B. is so fully aware of this that he purposely (and perhaps brilliantly) avoided communicating how messed up everyone in his family is, or that they are so messed up that he has no idea how messed up they are. Clearly he is angry at his family for spending his entire childhood revolving around his brother and his illness, but that's perfectly normal for someone who has grown up with a seriously ill family member. But David B's self awareness seems to end there. The damage is more extreme and disturbing because his family's approach to illness and guilt is more extreme and disturbing. This book is not "light reading" in any sense - There were times when I was only able to take in a page or two in a sitting. The art is so rich and complex and the story is so complicated, I needed to take breaks or I wouldn't know what I was reading anymore. The book is brilliant, beautifully translated from French, and like nothing I've ever read.



5. the only prior experience i brought to this reading of a graphic novel was 'jimmy corrigan: the smartest boy in the world,' which is why amazon recommended it to me. ultimately, i think that the genre is all that connects them. this book is much more intimate, personal, passionate, and chilling. all things 'smartest' wanted to be but only got 4/5's of the way there.
   
   i myself am an epileptic and there are fewer diseases that this book relates to than just ones that are 'out of control.' the effects of epilepsy are far more psychological than physical. where a cancer victim is at the mercy of the disease and body, the epileptic, like many schizophrenics is affronted by dark and sinister shadows, lurking demons. however, it's one thing for an epileptic to be able to voice this. i find it amazing that David B., the brother and author, found so many ways of accurately depicting the demons' influence and sympathetically already fighting in his own way to overcome them with the tools of a child. both graphically and through the course of the story you learn of the ways the family and David B. adapt to confront the shadow, though the epilepsy ultimately remains intractable.
   
   another thing about this book that opened my eyes, is that for the epileptic, the story is told in first, second, and third person. for the family member, where it may always seems superficially to be a disease to which the family remains a third party, one may realize the struggles endured that were ignored. if i were to ask my mother how it felt for her to go through many of the struggles faced in this book, she might not think much of them. but upon reading and seeing the struggles afresh, she might realize that she had much more at stake than anyone, even herself, gave her credit.
   
   this book is so moving and deep because of David B.s ability to so comprehensively annotate each of five family members struggle. the autobiographical aspect takes a backseat to the chronicling of a dark disease that is never cured, much like alcoholism, but only ever treated and hoped against. the ending is particularly potent on this point: it is a tenuous grasp that is held to consciousness, and a varying relationship any of us have to reality, but when we hold together we arent scattered below. .mfg

5 comments about Planting Green Roofs and Living Walls.

1. Wide range of examples of designs presenting different approaches to green roof and living walls planting. Examples rarely accessible in other books. Described methods, plants selections and names of producers give real help in daytime work. Book for interesting reading! not only for looking on photographs.



2. I am a big advocate on using plants to create green walls and roofs. They can reduce the urban "heat island" effect and create usable green open spaces. I found this book's discussions on Intensive Green Roof, Extensive Green Roof, Ecoroof, Brown Roof, etc interesting. This book is a serious attempt on a difficult subject. The color photos inside the book are helpful also.
   
   There are still technical difficulties in using green walls and roofs: water proofing, how to handle the structural weight of large trees, how to integrate large plants with building structure, etc. All these technical discussions are needed, and they could be the subject of another book.



3. Planting Green Roofs and Living Walls is an excellent book for any landscape architect who has not yet designed and detailed either. For myself, the most helpful bit of information was the data collected and presented from various green roofs.
   
   The living wall section on the other hand was thin. There was no mention of the living wall system Patrick Blanc developed which is much more interesting than putting up a wire trellis and planting vines next to it. The other comment i would have is that almost all of the examples are from Europe. We have fabulous examples in the US with more relevant plant materials and weather conditions.
   
   Finally I would say that the authors didn't seem interested in exploring native plant materials and instead focused on a few cookie cutter plants commonly planted all over the northern hemisphere. Not unlike McDonalds.



4. This book is great for those who may have trouble visualizing the possibilities of what you can do with a green roof. There are many examples of what you can grow, and what types of vegetation are suitable. The book is however not very technical about the architectural detailing considerations involved. Some sections and detail drawings would make this book much more valuable as a design resource.



5. Greenroof professionals and enthusiasts alike will be delighted with the easy reading and scope of content offered in "Planting Green Roofs and Living Walls" by Nigel Dunnett and Noël Kingsbury. Very well organized, the book's forte and major value is as an essential resource - especially in terms of plant description, characteristics and specification. It's also a great bargain in that the book is filled with color photos, drawings, charts and reference material. This indispensable hard cover reference guide contains a truly massive collection of appropriate plant information, and perhaps most importantly, extensive plant directories are provided for both greenroofs and façade greening.
   
   Organic Architecture with Plants
   Greenroofs, living walls, and various other bio-engineering techniques are introduced and the authors cite the associated benefits and reasons why we should be integrating these measures of organic architecture into our built environments. The authors refer to current international research and technology; background and history are touched on; and benefits and applications of these "ecotechnologies" are discussed at length. Yet, a "How-To Build" book this is not; basic principles are set out and tools for further research are provided.
   
   Benefits at a Range of Scales
   The section "Why Build Green Roofs?" explores hard evidence and the various benefits operating at a range of scales from amenity and aesthetic values to economic and environmental aspects. Increased roof life, insulation and energy efficiency, green building assessment and public relations, biodiversity and wildlife value, water management, air pollution, and fire prevention and risks are discussed with supporting evidence.
   
   Although previously well known, the biodiversity and wildlife value of greenroofs is expanded upon here, including the new British models of "brown" or "rubble" greenroofs - those which recreate the thin, infertile landscapes of disturbed brownfield sites. Spontaneous colonization is presented as an important natural occurrence.
   
   A Vast Array of Planting Opportunities
   The authors rightly note that "The majority of guides to green roofs and roof greening concentrate on the technical and construction aspects but have relatively little to say about planting opportunities - mainly because most authors are not plant specialists." Well, Noël - a well known writer of plants and gardens, and Nigel - a senior lecturer in the Department of Landscape at the University of Sheffield, most certainly are plant experts, and an entire 47-page chapter is devoted to the wide range of planting opportunities for extensive greenroofs, beyond the ubiquitous albeit hugely successful use of Sedum species.
   
   Prevailing site conditions will always dictate the plant selection, so designers need to know what plant species will not only survive but thrive in extreme local conditions. Desirable physical attributes of plants and how they may be established and managed are presented. Considerations of monocultures, single plant combinations and mixtures, and plant communities are useful as planting design tools. The form and physiology of suitable greenroof plants are nicely covered from a botanical as well as functional and aesthetic perspective. Issues of viewing considerations are pondered and design solutions are offered relating to the roof function and visual criteria. "Methods of vegetation establishment" is particularly detailed and thus extremely valuable. The authors point out, however, that current research is insufficient to show how long each species will live and how each species will interact over the years atop roofs.
   
   The very important aspect of different growing medium properties and functions is addressed in-depth, and comments are provided about particular types of materials, substrate depths, and accompanying vegetative possibilities. Maintenance issues and requirements are briefly noted, touching on feeding, plant protection, drainage, and weeding.
   
   Considerations of Natives and Introduced Species
   The unexploited opportunities of testing and using native vegetation are explored, in terms of increasing biodiversity and aesthetic benefits. Regionally native plants should be tested for many reasons, including ecological restoration. Non-native plant species with invasive tendencies can be a problem, therefore careful selection is critical to maintain healthy ecosystems. Yet many introduced species are appropriate, and there are many circumstances where non-natives offer considerable local wildlife value.
   
   Certain natural plant communities and their soil types are explained and presented as an argument for further study as suitable models for successful roof plantings. Trialing of appropriate local plant communities is therefore recommended and encouraged so as ultimately to be able to introduce more natives into the greenroof matrix of plant species.
   
   "The natural habitats of potential roof-greening plants" explores the potential to discover and trial the world's flora found in similar harsh habitats. Mountain, high latitude, coastal, limestone, sclerophyllous woody vegetation, semi-desert environments, and species whose plants are exposed to climatic extremes are regions with potential for testing of new roof greening plants.
   
   The Task Has Just Begun
   Philosophy and advice to greenroof plant enthusiasts can be summed up with these reflections by the authors: "With roof greening becoming an important part of the new built environment, it is increasingly important that more attention is paid to sourcing new plant material from habitats in the wild where conditions approximate those on rooftops and other problem urban situations...The task of selecting suitable plant species for roof greening has arguably just begun, and it offers potentially enormous rewards."
   
   They are quick to point out that the globalization of our knowledge base and the ready availability of certain aggressive species can threaten entire ecosystems, and care must be provided to the selection of greenroof environments (just as at ground level) so as to avoid invasive and potentially destructive non-natives or introduced species.
   
   Façade Greening and Living Wall Structures and Surfaces are the final two chapters of the book, offering both visual and ecological climbers, clingers, ramblers and scramblers. New support structures, materials, technologies and details provide practical and interesting information for this older yet equally fascinating design element of green architecture. The authors examine how the design of façade greening can equally disguise unattractive features while at the same time enhance existing surfaces. In either case, education and care are necessary to promote vigorous growth that is supported by a variety of vertical and/or horizontal structures.
   
   At the end of the book, 49 pages are devoted to the Roof-Greening and Façade-Greening Plant Directories, listed by botanical names, common names, cultivars and related species. The horticultural and cultural aspects are presented with definitions and listings of many specific plant characteristics.
   
   A minor grumbling on my part about the book is the absence of identifying greenroof project photo captions for the geographic locations and the building application types. It would be beneficial to know not only where each is located, but also whether the project is commercial, industrial, residential, etc.
   
   A Dovetailing of Living Plants, the Building, and Its Human Users
   Whereas Ted Osmundson's excellent 1999 "Roof Gardens: History, Design, and Construction" is considered the bible for the intensive greenroof crowd, Nigel Dunnett and Noel Kingsbury's "Planting Green Roofs and Living Walls" is simply a must have for extensive and intensive greenroofers worldwide.
   
   "Planting Green Roofs and Living Walls" is a comprehensive argument for integrating nature and architecture, and I highly recommend it. It's obvious that Kingsbury and Dunnett are first and foremost dedicated, ecologically minded plantspeople; here, then, is a very important work for those of us in the greenroof industry. ~ Linda S. Velazquez, Publisher Greenroofs.com

5 comments about Two or Three Things I Know for Sure.

1. Dorothy Allison's Aunt Dot said she only new two or three things for sure and added, "Of course,they are never the same things." This slim volume, a family history memoir, celebrates the way that women know and affirms that what women know is different from what men know. Allison not only tells an engaging story, she tells her story with clear compassion for all concerned. That doesn't mean she hedges around about the truth. It means that one of the things she knows for sure is that "if we are not beautiful to each other, then we cannot know beauty in any form." Compassion goes along with being beautiful to one another. This book is both honest and forgiving. and as such reminds us to look with an open heart on our life circumstances. Don't compound the hurt or the suffering with hate suggests Allison in a mere 94 pages. I suspect most people will want to read this book more than once. I pull it out when when I feel my heart closing and each time, the thing I come to know is never the same thing.



2. "Let me tell you a story," is how the author of BASTARD OUT OF CAROLINA begins her autobiographical journey, alerting the reading audience from the start that she is a storyteller first and foremost above all else: above her being a woman, a daughter, a sister, a lesbian, a survivor. Indeed, she creates and tells stories in order to better define those qualities she has, the labels she possesses, and with an effort towards cleansing her soul of ugliness in favor of beauty and hope.
   
   Originally designed as a performance piece, that she staged in San Francisco at The Lab in August of 1991, Allison reworked the spoken narrative into this flowing, written memoir.
   
   There are many inspiring, defiantly unsentimental portions of the book, which serve to display Allison's valiant attempts to heal herself while becoming an artist. Unfortunately, there are also Anne Lamott-type lapses into cliche and sap and faux-inspiring writing that fails to ring completely true. The pictures of Allison and the family she writes about that accompany the book are vivid and add an even greater genuineness to the text.
   
   A scene that encapsulates the tone of the book, as well as describing Allison's life-long struggle and that of the girls and women she loves, appears near the end of the book, when Dorothy is visiting her sister and pre-adolescent niece. "I looked into my niece's sunburned frightened face. Like her mama, like her grandmama, like her aunts -- she had that hungry desperate look that trusts nothing and wants everything. She didn't think she was pretty. She didn't think she was worth anything at all." Heartbreaking, real and a truth that haunts the women in Allison's family from generation to generation until... when? That's a question that the author refuses to deal with, probably more out of fear for its answer than anything else.
   
   On a side note, I saw Allison appear live at an event in Orange County in 2006. She was fiery, profane, fearless, and struck me as a serious truthseeker with a motivating message for aspiring writers and aspiring humanists. I was at first taken aback by her brashness, her unapologetic stance about people and politics and education. But as she continued on, she became less guarded, more sympathetic, and ultimately more loving than someone who's seen so much hatred and so much abuse should be expected to be. She was, truly, an inspiring figure up there on the stage.



3. Dorothy Allison:
   No one has put the struggle to be human in terms as stark, alive, and
   desperate and uncertain.
   
   This book is necessary because it reminds even those who don't want to believe it that we are in that terrible, possibly beautiful and desperate place--just trying to get our leg muscles to work, or our hearts.



4. Done originally as a theater piece, "Two Or Three Things I Know For Sure" is moving, a quick read, and educational. In other words, it's everything you'd expect from one of our finest contemporary writers. I didn't see it when it was performed as a show. As a memoir, it is very good. My only criticism is -- and it is not so much as a criticism as a wish -- that I wanted to know more, especially about Allison's Aunt Dot and her mother. The book is generously illustrated with photographs of Allison and her family through the years. There is a piece in the book family photographs in a box, pictures of relatives Allison knew little, if anything, about. I would have loved if that section were expanded upon, and maybe to have seen some of the photos. Succinct and thought-provoking (not to mention heart-tugging), this short book makes for a valuable reading experience.



5. I bought this book because the author's books `Skin' and `Trash' are spotlighted in the anthologies `Courting Pleasure' and `Lovers: love and sex stories' by Tee A. Corinne. I enjoyed them both tremendously and sought out this book.
   
   From the back of the book - [...] Out of Carolina, nominated for the 1992 National Book Award for fiction, introduced Dorothy Allison as one of the most passionate and gifted writers of her generation. Now, in Two or Three Things I Know for Sure, she takes a probing look at her family's history to give us a lyrical, complex memoir that explores how the gossip of one generation can become legends for the next.
   
   Illustrated with photographs from the author's personal collection, Two or Three Things I Know for Sure tells the story of the Gibson women -- sisters, cousins, daughters, and aunts -- and the men who loved them, often abused them, and, nonetheless, shared their destinies. With luminous clarity, Allison explores how desire surprises and what power feels like to a young girl as she confronts abuse.
   
   As always, Dorothy Allison is provocative, confrontational, and brutally honest. Two or Three Things I Know for Sure, steeped in the hard-won wisdom of experience, expresses the strength of her unique vision with beauty and eloquence.
   Lambda Literary Award: Finalist

5 comments about The Lords of Discipline.

1. like i said a little slow in the beggining and i though i wasn't going to like it. don't give up though...the story gets intense without too much "action" type stuff and it ended becoming one good read.



2. I received this book as a gift and was reluctant to read it as the subject matter was not of interest. I started to read it just to see what it might be like and was captured by the outstanding writing. It was just a joy to read and the characters will stay with me forever.



3. About half way thru this book and had to set it aside. I'll return to it later as it is a little too intense and the language is shocking.
   
   I thought his books Beach Music and The Prince of Tides were much better. I could not put Beach Music down.



4. This is a great military/coming of age novel by Pat Conroy that I would put slightly behind The Great Santini (one of my favorite books of all time) in his catalogue. In this story, Conroy follows a young cadet at the fictional Carolina Military Institute (modeled partly on Conroy's time at The Citadel) as he endures his plebe year and then comes to grip with the fact that the school fosters a great deal of hate, racism and cruelty to accomplish its mission of developing the Complete Man. Conroy's writing always moves quickly with engaging dialogue, humor and entertaining story lines and this book is no exception. It is certainly deeper than your standard pop fiction book, but it reads just as easily and quickly. I would highly recommend it to Conroy fans, people who enjoy good fiction (even my mother likes this book) or people who have interest in military schools or the South in the 50's. A very good book.



5. The mark of a successful coming of age story is that you, the reader, can see yourself reflected in the protagonist. For me, this book worked very well. Will McLean, the main character and first-person narrator, a second generation Irish boy, son of a Marine, a mongrel outsider in the pedigreed Carolina Military Institute searches for himself, the man within the boy who is being molded by a system of discipline and honor that doesn't match his internal morality. He's an English major in a college of warriors. He's a basketball player, a finesse guard, in a school of brute force. He's fighting against systems he doesn't understand within a life choiceless in it's inequality.
   
   Pat Conroy, himself a graduate of the model for the fictional Institute, The Citadel, weaves a compelling tension-filled story while eloquent in his setting, Charleston, South Carolina. Employing gracious proper Southern dialect filled with flowers, antiques, and tradition, he describes brutality, racism, sexism, and betrayal. The language works well because it provides within its description the biting irony of the scenes. Will McLean fights through every taboo the South has to offer in the 1960's: a black cadet in the all-white tradition of the military college, an unwed pregnant girl shunned by society for her shame while the father of her baby remains blameless, the brutal plebe system that crushes individuality while remaking young men as soulless military automatons, the classed society of high south old money and it's cruelty to those not born within the circle, and the fact that military honor doesn't equate to individual morality.
   
   Fighting through this maze of pitfalls, McLean has only his closest and dearest friends to rely on, roommates Dante "Pig" Pignetti and Mark Santoro, two brawny, Northern boys of Italian descent and Tradd St. Croix, an "old Charlestonian" (from a very rich and respected family). His moral guide through the story is the epitomy of hard military men, Colonel "Bear" Berrineau, a vulgar battle-scarred man whose character is unimpeachable and whose idea of duty includes awful repercussions.
   
   I loved this story and I couldn't put it down. If I had one criticism to give, it's that Conroy tried to put too much into the novel - too many problems and taboos and tried to fix hundreds of years worth of problems in one book. But, that's not really a criticism because he did it and did it well. Bravo.
   
   CV Rick

5 comments about Still Alive: A Holocaust Girlhood Remembered (The Helen Rose Scheuer Jewish Women's Series).

1. I found this book extremely tedious, poorly edited, full of boring speculations and philosophical self centerdness. Am shocked at myself being able to say this about any survivor, but there you have it. I kept thinking, "OK, now when are you going to get on with the actual story", before realizing that it just droned on in this way. A much better book that I just read is 'A Jump for Life', a far more moving account and likeable woman.



2. There are many excellent memoirs describing the Nazi death camps, but this one touched me in a way that no other book has.
   
   My fiancé died in the World Trade Center, and this is really the only book that resonates with the deep, bitter grief I felt in that disaster's aftermath. I don't mean to compare 9/11 to the Shoah at all, but Kluger articulates many of the contradictory feelings and beliefs I myself have struggled with, including my frustration at being shaped by something that everyone knows about, but almost no one understands. I felt a shock of recognition when she complained about people visiting Auschwitz as a sentimental gesture, because I feel that same (totally irrational) discomfort about people visiting "Ground Zero". Though I have lived my life as an intellectual, Kluger spoke to the savage in me that still rails and howls at my loss.
   
   This is oftentimes an angry, bitter book, but she mentions in passing that she has grandchildren, so I believe she found some measure of joy in her life after her internment. After my tragedy, I was forced to ask myself how someone who doesn't believe in life after death can go on in the face of the gruesome injustice of existence. I never really found an answer, but I kept on living, and I don't intend to stop anytime soon. I heard a lot of my journey in Kluger's voice as well, and I am exceedingly grateful that she wrote this book.



3. Ruth Kluger gives a remarkably lucid and thoughtful account of her experiences as WWII Austria, and eventually the concentration and forced labor camps of Germany. Even though English is not her first language, Kluger writes remarkably succinct and cogent English prose, and she confronts the moral and emotional complexity of the holocaust in her memory. "Still Alive" is loosely structured, as Kluger prefers to record the events as she recalls them as opposed to adhering to strict chronology, but the result is very interesting, she superimposes her thoughts and secrets as the horrible events unfold. She paints a vivid and, at times unusual portrait of the Nazi holocaust, often ruminating on the pain and humiliation (she wonders if her father trampled children when sentenced to the gas chamber), but also the sheer enormity of the camps as an historical event, she recalls that when she received her tattoo she felt glee because she realized that she was a part of something that was much larger than herself, something "worth witnessing." A third of the memoir is post-holocaust, Kluger recounts her experiences in New York after the war as she and her mother struggle to regain control of their lives, and look for possible meaning and redemption in their past-suffering.



4. The author doesn't simply recount fact and opinion, she has truly analyzed her childhood growing up in Vienna and then through the Holocaust and concentration camp. What a treasure we have in this book to document one girl's life, living through a horrific time in history. It is a bonus that the author is such an outstanding writer. Kluger allows the reader to relate to her life through their own life experiences. She is certainly someone I'd like to know better. Highly recommend.



5. I really enjoyed reading this book. It was written in a way that went through Ruth's life during the Holocaust years. It starts at the very beginning and just talks about her whole experience. I like how Ruth mixed in experiences and comments from the future. This showed how the Holocaust still impacts her life and what she thinks about her surroundings. No one will ever be able to understand what Ruth had to suffer while in the concentration camps. But I feel that by reading her life story it makes it seem more of a reality and brings to life aspects of how the Jews were treated during this time period in American history. All the hardship and discrimination that Ruth had to endure shows the power and willingness she had to live. I liked how she never said it was strength that le ther live rather it was mostly luck. I thought that reading this book made me feel greatful for everything that I have. I would recommend reading this book if you want to realize what life during the Holocaust was like.

5 comments about Roasting in Hell's Kitchen: Temper Tantrums, F Words, and the Pursuit of Perfection.

1. One of the many complaints about Gordon Ramsay is his harshness. Many people I know dislike him because of his treatment and apparent belittlement of his contestants on Hell's Kitchen. (Season 1 now available on DVD - Hell's Kitchen: Season 1)
   
   Read this book and you will have that feeling no more.
   
   The best attribute of this book for me was reading about all of his life experiences and to see how they shaped who he is today. It really becomes evident when you watch him on television. If you think he is harsh to the Hell's Kitchen contestants, listen to what happened to him working for Joel Robuchon and Marco Pierre White. Incredible.
   
   Not only do you feel for him because of his situations with his family, but you really develop a full-blown respect for him. He was, is and always will be a very classy and mature man.
   
   His narrative just sails you through this book. It is quite a wonderful story to read. You will love the stories that you read. It will change the way you look at Gordon forever!



2. Ok so I am a Chef and I love this book. If you are a fan of hells kitchen, and I was until the second season, you will enjoy reading this. It goes into why he became a chef and why he gets so upset on the show, other than the paid for dramatics. If you are thinking of auditioning then I would suggest reading this book first -M



3. I was floored when I read this book. I've always been intrigued by Ramsay because of his shows and his management style (and, of course, his mouth). He says what everyone wishes they could say -- not a single filter -- and gets away with it.
   
   What you get in this memoir is a deep understanding of how to excel at your job -- be passionate about what you do, commit to what you do and then, simply, do it with conviction.
   
   Ramsay is to cooking what Tiger Woods is to golf -- a unique and talented guy who brings unbelievable attention from the non-culinary crowd to his business.



4. I found this book to be well written and entertaining. It gives a different perspective of Gordon Ramsay than what most people think. I found it hard to put down, I wanted to keep finding out more about his journey to become such an outstanding chef.



5. This book grabs you from page 1. Anyone who thinks they know Gordon Ramsay -- even after watching him on TV -- will be taken aback by what they read. Here is a climb from despair, through mine fields of restaurant kitchens, to the heights of fame and fortune.