1 comments about Marbles: Identification and Price Guide (Marbles).

1. Easier to use than some of the other marble "standards." It is well organized and the values, based on the condition of the marble, are with the marbles. Some of the other books have you constantly flipping from back to front to find a value. The different types of antique handmade marbles are logically grouped for the most part and the machine made marbles are divided by manufacturer.There is even a section with examples from contemporary marble artists. My one complaint would be that there should be an index to make finding of the great many types of machine made marbles easier. Until something better comes along, I carry this with me to auctions, flea markets, antique shows or anywhere else I think there might be an opportunity to buy, sell or trade marbles.

5 comments about The Marble Faun (Oxford World's Classics).

1. I started the Marble Faun twice: The first time was kind of a slog before my trip to Rome. The instant I got back home drom the trip I started all over again and I felt I was reading a completely different book! It was an absolute joy to tour that wonderful ancient/Christian/Renaissance city with Hawthorne as my guide. After all, Rome hasn't changed THAT much since the mid-19th century, and it's been a tourist attraction forever. Be sure to read this book with the Internet close at hand, or sitting in the public library, or at least a decent pictorial tour book of Rome at hand. (If you google the words `rome art lover' you will find a website that answered most of my questions.) You'll want to see exactly what Hawthorne is talking about. The writing just drips with metaphor and symbolism, ie Corrupt, eroding Europe vs. American Purity. Hawthorne references history, specific artworks, architecture, myth, literature to describe (I wouldn't say flesh out) out his 4 characters--three young American expat artists, and their Italian friend--and the intrigue that manages to take them all over the city and on a trip beyond the walls. I loved Hawthorne's broodings all the things I loved about Rome, in particular a visit to Saint Peter's by an innocent Protestant who has witnessed a murder by her friends. Another highlight: the guilty parties' reaction when, creeped out by something they see in the Capuccine Church, they flee down to that amazing crypt...During his characters' walk through the Forum, Hawthorne ruminates on why the ancient past in Rome seems so much more recent than, say, the Middle Ages do in England. I could go on and on. I did not find the solution to the mystery of the plot at all satisfying, but I forgive Hawthorne this once and have even vowed to re-read the Scarlet Letter, which I didn't enjoy in HS.



2. This penetrating and provocative novel has the power to create a trance-like state in the reader's mind. Much of the dream quality of the scenes is the result of the setting in historic Rome, the art focused characters, and, especially, the author's poetic genius.
   
   Like "The Scarlet Letter" and other Nathaniel Hawthorne works, this story centers upon morality and the value of experience in a person's growth, and here read "SIN" for experience.
   
   I read the book in four days, and that is a dash for me. Totally immersed in the story, I frequently found myself marveling at the poetic presentation of universal truths about mankind; some of which had me re-examining hard won personal realizations about morality.
   
   It had been years since I read this icon of the American Renaissance; I'll be reading another selection of his soon.



3. This is a great book for people who have been to Rome or are going to Rome. However, as with most of Hawthorne's novels, some patience is required. I found that the first half of this book moved along quickly and was, in a word, enchanting. The second half was not quite as engaging and the end seemed somewhat abrupt to me. I almost felt that Hawthorne was in a rush to finish. Not that I didn't enjoy it. I was just left on the last page saying, "What? Where's the rest of the book?" I'll admit it though, I'm a Hawthorne fan and despite it's imperfections this is a worthwhile read and one of my personal favorites.



4. According to Hawthorne, this is not a novel, it's a Romance, and not just a Romance, but an Allegory, fraught with Symbolism, to illustrate a MORAL. The end result being that Hawthorne's characters are a cartoonish, unconvincing bunch, uttering stilted dialogue like a troupe of half-baked Shakspearean hams declaiming away in some tawdry, gaslight melodrama. Hawthorne frequently brings the story to a dead stop so that he can inflict on the reader his generally negative opinions on art, Rome, Italians, etc., reserving most of his venom for Catholicism. In spite of all that, he does succeed in telling a story, even if he does cheat the reader out of a satisfactory ending. If you want to read the Fall of Man, acted out by arty Americans in 19th century Rome, you're better off with "Roderick Hudson" by Henry James. James took the basic elements of Hawthorne's novel and came up with a much more rewarding book.



5. _The Marble Faun_ concerns three young American artists, Miriam, Hilda and Kenyon, and their Italian faun-like friend, Donatello, whose characters are transformed while on their stay in Rome, the Eternal City. _The Marble Faun_ is very reminiscent of Henry James' novella, "Daisy Miller," where a young and innocent American woman falls under the deleterious spell of this European city. In fact, Hilda, while visiting one of its art galleries is warned by an old German artist to go back to America soon "or you will go never more...The air has been breathed too often, in so many thousand years, and is not wholesome for a little foreign flower like you, my child, a delicate wood-anemone from the western forest-land." Hilda witnesses a serious crime being committed by Donatello and Miriam (supposedly, neither of whom would have done so were it not for the evil influence of Rome's atmosphere) and becomes overwhelmed from ensuing feelings of guilt and depression. Despite her Puritan heritage, Hilda is compelled to unburden herself by seeking confession with a Catholic priest, who suggests that she convert to Catholicism. Hilda seriously considers, but decides to resist this transformation.

   Hawthorne spends much of the novel in describing in detail Rome's architecture, its art galleries, churches, and its many other landmarks and shrines. When relevant to the story--especially in the author's depiction of the catacombs (from whence Miriam and Donatello commit their unforgivable deed), sunlight streaming through a church's stained glass windows, the extinction of a legendary flame standing before a lofty shrine, and the majestic bronze statue of a pope stretching out his hand in benediction--the effects are quite wonderful. However, a sizable portion of the novel is merely endless travelogue, which seriously detracts from this fairly well-told gothic romance. I did very much like Hawthorne's portrayal of carnival-time in Rome towards the end of the book, and the author's conversation with Kenyon and Hilda at the novel's conclusion is quite charming.

5 comments about Everett Grist's Big Book of Marbles: A Comprehensive Identification & Value Guide For Both Antique and Machine-Made Marbles (Grist's Big Book of Marbles).

1. Great pictures, and lots of them, with information on go-alongs and on manufacturers, but not a great an ID guide as I had hoped it would be. I still can't tell who made my vintage marbles.



2. Everett Grist's Big Book of Marbles is very comprehensive and extremely well illustrated. It will be a great reference for both hand-made and machine-made marbles. The price estimates given for the illustrations are realistic in my opinion and will be helpful in valuing my collection.



3. I decided after attending a national collector-run marble show in my area to get this updated Third Edition of Grist's book, because it looked like it would have enough new pictures to make identifying all those troublesome common marbles a possibility. And the pictures in the book are nice, being clear and color-accurate, and showing multiple marbles so one can see the range of designs/colors that fall within a category. However, I've always considered Grist to be a lazy author, and this just confirms it. Yes, it takes some work to get the pictures of so many marbles, but that is something almost anyone could eventually do. This is sub-titled a 'comprehensive' ID book, so I expected Grist to deliver. He does not even come close to delivering on that promise! First of all, many marbles are left out and many more poorly dealt with. As new as I am to marbles, even I know that there are subtle differences that help one to differentiate between marble companies. Yet Grist has virtually NO TEXT explaining how to ID various types of marbles. It is simply pictures and an occassional comment, and as we all know, pictures of certain marbles, such as cateyes, do not do justice in showing the differences. Those need to be EXPLAINED (how many vanes, shape, etc) because the differences usually do not show well in pictures. None of this happens. Many of the Peltier marbles are simply lumped together as 'Champion Jrs.' with none of the common names used in the trade included. And as far as being a comprehensive value guide, only ranges are given with no differention for size or condition given. That is hardly a comprehensive price guide! On top of that, most prices on common marbles (under $10 each) appear to be grossly inflated over what is actually happening in the marketplace today. I wish I could get those prices for my commons - I'd be rich! The final insult is the poor editing done in the book. "Peltier" is spelled "Pelitier" half the time. There are pictures where the heading states "row 1" when it means "column 1." Just plain sloppy. Most pictures of the rarities have no prices at all and only general category IDs for the entire group shown. In general, a nice picture book but nothing about it is 'comprehensive' - just more false advertising. Why can't anyone put out a book with the quality and extent of pictures Grist does and the helpful, detailed text and variety listings such as Block attempts? Then we would be approaching a 'comprehensive ID and value guide.' So far, I've found nothing close.



4. Excellent book for identification of marble types and values, and for general history of marble manufacture and select manufacturers. Grist details characteristics of marbles to identify the manufacturing method and general production dates, but you cannot identify marbles to manufacturer or more specific production dates by this book. Excellent pictures and selection of marbles. Overall, this is a good quality marble book.



5. As a serious marble collector, I think this book is invaluable. It's informative and very well put together. I believe it could also work well for non-marble collectors. Marbles are pretty universally fascinating and this book can inform anyone about the worth and characteristics of marbles.

1 comments about Collecting Antique Marbles: Identification And Price Guide.

1. I is a good reference book for marbles. A bit dis-jointed and hard to follow. Pictures are not as clear as some other referance material but book should be in a marble collectors library.

5 comments about Marble Mania.

1. wonderful photos', informative narrative, the new guy can't go wrong. And the speed of shipping can't be matched. Thanks all around.



2. i loved this book because it gave you funny expample of how to play i also loved it because it gave you marbles that you can play with.
   from,
   caroline



3. Marble Mania has fine photographs of every imaginable marble from pebbles found alongside streams to the Industrial Revolution in Germany & Austria. Here the cutting of agate cubes & polishing them into marbles for export all over the world became a huge cottage industry. You have to see the beauty of all the clay, pottery, crockery, china & porcelain globes. It was fun to read this big book. Found myself chatting at the local recycle shop about the blue canning jars in their windows filled with marbles. Eyeing them eagerly, with a little more knowledge & a few more names.



4. I bought this book for my husband (from Amazon) for Xmas. Not only is the book very beautiful, but he has become an expert in his own right. With a year-2000 interest in things retro, marbles are enjoying a boom. We now have jars of them everywhere, looking great and, according to this great book, appreciating in value as we watch. With the help of the pricing guides we discovered that we already owned some very valuable marbles, and have since acquired more. In fact, the book paid for itself about 10 minutes after we got it, with the discovery of an unrecognized treasure.



5. Marble Mania will prove to be the standard to which other marble related books will be compared to. A thorough, comprehensive view of all aspects of marble collecting. Graphically superior with detail that will be utilized by not only the beginning collector but the advanced collector also. Mr. Block has taken the time, performed the research and compiled this vast amount of information into an enjoyable, eye and mind satisfying beautiful book. Mr. Block is clear in his intentions to continue to be the leader in an area of great challenge, I can't wait for Mr. Block's next marble book. The bar has been raised!

5 comments about Making Marble-Action Games, Gadgets, Mazes & Contraptions: Designs for 10 Outlandish, Ingenious and Intricate Woodworking Projects.

1. In today's world not many woodworkers make things by hand. The book is hard to work with, difficult to find basic stock requirements and measurements. I would not buy again.



2. This book contains 10 ideas for games which seem to be what every child would enjoy. The problem is that most of the figures used in the book to give construction details leave a lot to be desired. Most of the photos are black and white and difficult to see any detail. The drawings are also in black and white and are also very difficault to follow.



3. I was disappointed as well. I expected projects I could build, but nothing struck me as worth the time. The basic ideas are OK, marble rollers, and so on. But I would only use this stuff as a departure point for my own designs.



4. This book was a terrible disappointment. I wanted to give it no stars but that didn't seem to be an option. For most of these gadgets he begins the chapter by explaining that they don't actually work very well, they tend to jam and clog up requiring a certain amount of tilting and tapping to clear the device. Many of the mazes and such are non-functional - they are there to make the contraption look complicated. It's clear to me from looking at it that the dice substitute will never generate a 1, 2, or 6, and the thing is definitely not uniform like dice would be. The spirit of Rube Goldberg is represented by contraptions that do a lot but accomplish very little. The mechanisms in this book just don't do anything. I didn't find a single satisfying project in here and felt like it was a waste of twenty bucks. And what are metric conversion tables doing in here? An embarrassment if you ask me. If you like this kind of stuff get Making Wooden Mechanical Models by Alan and Gill Bridgewater. It is far superior.



5. I am used to making projects for which dimensions for the various pieces are provided. Not only does the author fail to provide dimensions but he also fails to even talk about some of the pieces that are part of a given project.

1 comments about Aggies, Immies, Shooters, and Swirls: The Magical World of Marbles.

1. There are several things that make this book a stand-out. The first is the basic information about the types of marbles (antique, machine-made, modern) and the makers of the marbles. If you're looking for extensive historical information, this may not be the book for you. But if you collect marbles and are interested in good, basic information as well as tons of photos (most enlarged so you can see every detail) of a wide variety of marbles, this book fills the bill. While I'm no marble expert, I learned a grat deal from reading this one!

2 comments about Collecting Antique Marbles: Identification & Price Guide.

1. As the wife of a train collector, I found this book very familiar territory -- but even better. Baumann's grasp of history, archeology, industrial technique and the esthetic of marble art is wonderful. This was a great read (and look--the color plates are a real asset), as well as an excellent reference.



2. 176 pages with 1,200 color pictures and many black and white plates. This book really provides a comprehensive history of marbles including how to classify and collect them. Details on clay and crockery, china, swirls, solids, opaques and sulphides. Transition and machine-mades, reproductions and toys are discussed. A comprehensive price guide is included, and a marble club listing. Add this book to your collection if you're a new marble collector or a long time collector. A great reference source.

4 comments about Antique and Collectible Marbles.

1. This is an excellent referance book for early hand made German and American marbles. It is well illistrated and easy to follow. It is not meant for marbles manufactured after the late 1920's. A must have for marble collectors.



2. I was disappointed not only in the size of this price and identification guide for marbles, but also in the marbles that were covered. I was looking for a guide that would help me identify older, but more common marbles, not so many pages on sulphides with characters encased and rare marbles.



3. This book has beautiful pictures and is a nice introduction into marble collecting. However, it is not very helpful in identifying your marbles. There are pictures of different manufacture's marbles but enough information to teach you how to tell them apart yourself.



4. This book IS marble collecting made easy. It's easy to understand with very clear pictures and text. The pictures are fantastic. I had picked up some old marbles in an auction boxlot and this book really made it possible for me to identify the valuable ones. It has to be the LEAST dry and boring antique reference book I've ever found. I highly recommend it!

No comments about Antique Glass Swirl Marbles (Schiffer Book for Collectors).