1 comments about The Prison Memoirs of a Japanese Woman ((Foremother Legacies Ser.)).

1. I originally had to read this book for a Japanese History class, and found it incredible. In the 1930's it was standard practice to take a written confession from prisoners before execution, but this one stood out and has survived to the present day for its insight and honesty. This is a person who, after unthinkable suffering acheived not only complete self-realization but the ability to communicate it to others. It's also facinating because, despite so much spilt ink about understanding the conservative Japanese psyche, this is one of the only non-fiction works which effectively and honestly tackles communal mentality and social hierarcy without over-complicating the issue. But beyond that, it is an incredible story not unlike a true-to-life Japanese version of Ellison's Invisible Man. It is a crime that this book is not well known.

2 comments about Girocho: A Gi's Story of Bataan and Beyond.

1. Girocho: A Gi's Story of Bataan and Beyond
   
   I had a special interest because John Henry Poncio is/was a relative, but even more because he bore no enmity for the Japanese. That still amazes me. The story of what our troops endured should be required reading in our schools.



2. Poncio's story from Bataan to Hirohata, written with total context of the war. An outstanding and complete story.

   Every so often, one discovers a "POW" book that is not only accurate, but well written. Each line, each paragraph, each page weaves a complete tapestry of a Prisoner's life under the Japanese. Add to this, one sees beautifully crafted typography that makes this a classic. Of the more than 1000 books w have on the subject, this book ranks in the top ten.

   Poncio adds depth and meaning to the history of our POWS, especially the guerilla and public support by foreign nationals and Filipinos. His is one of the rare books that even acknowledges the support from the legendary Madame Utinsky, a heroine who deserved the Medal of Honor. No phase of the experience is slighted nor any detail ignored as the writers weave a tapestry of horror endured yet an inspiring and unending battle to survive and sabotage the Japanese war effort. Poncio's description of desperate hunger alone is worth the price of the book. On a scale of one to five stars, Poncio's book deserves seven extra large stars.
   Center for Research
   Allied POWS Under the Japanese

3 comments about A Sheep's Song: A Writer's Reminiscences of Japan and the World.

1. I found this autobiograhpy to be an interesting view into the life struggles and journey of Kato Shuichi. I feel the translation was done quite well and was deeply moved by the details and insight the author put into his autobiography.



2. I found this book surprisingly flat. It was an enjoyable enough read, but Kato seems to be more interested in dropping names than building stories. Chang's copious footnotes demonstrate this aptly -- she adds information on writers that you never "hear" from again. I would have enjoyed hearing more story-building details from him about his friends, life abroad and in Japan, career, marriage.



3. I would have given 'A Sheep's Song' five stars if I hadn't expected something much different. But what I got was refreshing and at times philosophically profound. It is difficult to recommend the autobiography of a person you have probably never heard of, and even more difficult because I expected a concise look at Japan over the last seventy years through the eyes of one of that country's great thinkers. Little did I know how much he yearned to be away from Japan, if for no other reason, to learn to appreciate it more through his absence. What Shuichi Kato provides is an in depth look into his reasoning for wanting to be away from Japan and a detailed account of his life and in the process gives the reader a taste of Japan's contemporary history and the adventures of a Japanese abroad throughout Europe. Of particular interest is Kato's perspective on the bombings of Hiroshima and Nagasaki. This section is worth reading the whole book for. While not for everyone, 'A Sheep's Song' is recommended for those looking for a world perspective that is intriguing and entertaining.

5 comments about Tale of Genji (Tuttle Classics of Japanese Literature).

1. I had to read this book for class. It wasn't that good. Conversations get confusing because its not clear who is saying what. It might be a small book but its tedious reading. I'm usually a fast reader but it took me a couple of days just to get through 3 chapters. I asked around at class and found that I was not the only one who had this problem. Its less painful if you just get a summary or if you just get someone to tell you what happens.



2. This edition is actually the first volume of the series that makes up the complete Tale of Genji. After much anticipation, fuelled by books such as The Tale of Murasaki, I was ready to take on this giant of world literature. It was quite disappointing, but perhaps much of that was due to my strong personal dislike of the title character, Genji. Presented as a `shining prince', and the epitome of manhood, I found him to be a vain and childish character who was annoying in the extreme. So when the story is based on his adventures and accomplishments, it is bound to disappoint.

   However, something strange happened with this book - by the end, I had decided to seek out the further volumes so as to complete the story. So Genji, annoying or otherwise, grows on the reader, and you feel compelled to find out what happened next. And this is the sign of a good book. And if you have any interest in Japanese literature, or Heian culture, this book is a must-read, as so much relates to it.

   This is one of the `classic' translations, and is quite easy to understand. I would recommend having `A Reader's Guide to The Tale of Genji' by William Puette on hand while reading if you want to fully appreciate all that is going on.




3. The Tale of Genji, or Genji monogatari, was written in the tenth century by Shikibu Murasaki. In it, there is a deep look at the culture and way of life of the highest classes in Heian-era Japan.

   The tale itself is about the 'shining prince'; Genji. Son of the emperor and one of his lowest consorts, Genji is fated to be one of the most important men of the age, but never able to truly ascend to royalty. This story, all thousand plus pages of it, details his life full of music, poetry, and efforts to win the hand of various ladies.

   While starting out very episodic, Genji soon turns into a more refined tale, when all the threads of story come together to create surprising relations and events that will delight the imagination in their color and depth. By the end of the book, you will have lived through so much of the characters lives that each person comes into their own, and you cannot help but hope that all will end well.

   I will say, however, that this book is somewhat difficult to get into for the uninitiated. There's much in the way of allusion to religion of the day (be it Shinto or Buddhism), and of customs that are barely mentioned due to being so commonplace at the time. As such, I would suggest something to introduce people to the Heian culture.

   My first and best suggestion would be The Tale of Murasaki, written by Liza Dalby. It's a diary of the author of Genji, Shikibu Murasaki, pieced together from poems and the real diary, and filled in with further guesses as to her life. Compared to Genji, it is very approachable, and makes reading this story even easier.

   I cannot recommend Genji enough, being quite possibly the first novel in the world, and certainly one of the best. For anyone with an interest in Japanese history, well-written romance, or just the best of the written word, Genji is sure to delight.




4. I was hesitant to start reading "The Tale of Genji" because it seemed so long and ponderous and serious. It seemed like the kind of novel you read because you should, not because it's fun. That wasn't the case at all! The book is a little obscure, a little hard to read, but it keeps me up reading it at night. The world it evokes is distant, exotic, and poetic. I haven't read the other translations, but I will say that for me it wasn't hard to keep track of who was who, despite the lack of personal names, and I'm glad that this translation stuck close to the original in that respect.



5. A longtime admirer of Murasaki Shikibu's exceptional work, I fell in love with Genji first through Arthur Waley's translation, which made this admittedly exotic novel accessible to non-Japanese readers. Curious to know more about the Heian period and culture, I acquired Ivan Morris's tremendously helpful and readable "The World of the Shining Prince." Then I discovered Edward Seidensticker's superb rendering of "The Tale of Genji," and have read and re-read that version with deepening understanding and enjoyment. Seidensticker, while presumably adhering closer to the language of the original (which even modern Japanese find difficult to read), gave us a translation which is perfumed by the sensuous beauty of what must have been a truly refined and special time and place (albeit a very limited one).

   Now comes Royall Tyler's superb effort, which comes with myriad and very helpful details: each chapter starts with an explanation of the chapter title, how the section relates to previous chapters and the cast of characters. There are also generous appendices including a chronology of events in the novel and a glossary. Line drawings throughout the two volumes (also present in Seidensticker) provide helpful visual clues as to dress and architecture. Tyler's effort seems even closer to the original language, and thereby lies the problem.

   This version unnecessarily burdens the reader with ever-changing nomenclature. Since in the original characters are known by their rank-names, and Tyler (mostly) adheres to this usage, the reader is challenged to keep up with the changes. Put the book down for a day or two and you will feel quite lost for several minutes when you restart. As an aide, the translator does provide footnotes to clue you in, but this just makes things more awkward and tedious. For example, at the start of Chapter 43, "Red Plum Blossom" in Tyler's version: "There was in those days a gentleman known as the Inspector Grand Counselor, the late Chancellor's second son, hence the younger brother of the Intendant of the Watch (1)" This same sentence in Seidensticker reads: "Kobai, the oldest surviving son of the late To no Chujo, was now Lord Inspector." How much more to the point!

   To conclude, while Tyler's translation is awesome in its scholarship and abundant detail (including sources of the poetry), it is also much less readable. To my mind, the scholarship gets in the way of the story telling. I found myself longing for my Seidensticker at many turns as I went dutifully through the Tyler. Aside from providing a more continuous flow to the story, I also found that Seidensticker's translation of the many poems in the tale more comprehensible and lyrical.

   If you are new to this literary masterpiece, you will find the Waley translation the most accessible. If you get hooked on the work, you will probably want the other two. If you must have only one version, however, go with Seidensticker.

No comments about Shapers of Japanese Buddhism.

4 comments about The Defining Years of the Dutch East Indies, 1942-1949 : Survivors' Accounts of Japanese Invasion and Enslavement of Europeans and the Revolution that Created Free Indonesia.

1. This historical book provides individual, personal in depth true accounts of the Dutch and Dutch-Indo's plight during and immediatiately following Japanese invasion and internment in the former Dutch East Indies during World War II. A truly inspiring book of courage and fortitude that gives the reader an opportunity to acquire an understanding of this turbulent period of time in the Pacific theater of war. An excellent and informative read of stories that need to be told.



2. My family is Indo (Dutch-Indonesian), and our family history has been oral. It was difficult to relay their story to American friends who had never heard of any atrocities of the second World War other than the holocaust. As it's noted in the book, "It is unconcionable to allow future generations to forget what happend in the Indies, just as it is folly to turn our backs on the holocaust in Europe."
   
   Memory fades fast, and it's good that this history is written down to be remembered. I'm involved with some contemporary Dutch organizations, but I look different by my dusky skin, and sometimes I think that this book explains to the "whiter" Dutch what I am, and where I came from. Forgotten or not, I'm part of their culture.
   
   I cannot recommend this book highly enough. I've read enough about the American internment camps that the Japanese-Americans were held, and while there is a great deal of sympathy towards them in the United States, what the Japanese did to the Dutch and Dutch-Indonesians shouldn't be forgotten either. I sometimes wonder if it isn't known as much in the US because it didn't take place in Europe.



3. This book consists of eyewitness accounts of various people, mostly Dutch nationals or Dutch colonists, who were caught up in seven long years of war -- beginning with the Japanese conquest of Indonesia (then known as the Dutch East Indies), the Second World War and the subsequent revolution by Soekarno and Hatta, Indonesian revolutionaries whose drive for independence was given the blessing of the Japanese.
   
   The Dutch received an unfortunate smear -- "Dutch courage" -- as a result of a premature surrender to the Japanese; if what I've read is true, then this smear is undeserved (particularly in light of the British surrender at Singapore). This book should go a long way to rectifying that unearned stigma.



4. This is history they didn't teach us in school! Jan Krancher has compiled 24 personal accounts from survivors of a brutal -and nearly forgotten- episode of World War II: the Japanese occupation of the Dutch East Indies and imprisonment of thousands of its people. This 3 1/2 year occupation was immediately followed by a bloody revolution and the creation of modern Indonesia.

   These deeply moving stories, from civilian internees (including children) and military POW's, give the English-speaking reader a glimpse of what has been called the "other Holocaust", the brutalities of the Pacific War. You won't forget them.

   If you liked the film "Paradise Road", you won't want to miss this book.

2 comments about Japanese Print: Historical Guide.

1. Yes, there is the one censored plate, and the author is prudish throughout about shunga prints in general. However, anyone who is purchasing this book for the illustrations will be severely disappointed. There are some color plates in the middle of the work, but the vast majority of plates are reproduced in black in white. This is not a coffee table work with large, full-color illustrations. Nor is it a scholarly treatise on Japanese woodblock prints or a critical appraisal of why certain artists are held in higher regard than others. What it attempts to do is provide a brief overview for the general reader of the careers of the major artists and a historical guide detailing the development of the medium, and within the scope of its modest ambitions it actually works fairly well as an introduction to Japanese woodblock printing.

   As stated, this is not for the specialist or the serious collector. The historical details are very general, and it is difficult, based only on this book, to differentiate between the stylistic differences between the various schools. Likewise, the critical evaluations are generally rather vague, and though the book attempts to describe the artists as major and minor, it often does little more than repeat the general wisdom without clearly explaining why an artist is held in such high or low esteem. As far as coverage, the work slants heavily toward 18th century artists and prints, which is a perfectly acceptable bias, but a new collector might be disappointed to find that many of the artists and prints discussed in length are actually generally unobtainable in good condition for those who are not either affiliated with museums or super wealthy. A more serious quibble with the work is that some of the prints (not the majority however) chosen to illustrate examples of the various artists' work are rather idiosyncratically chosen and not terribly representative.

   Overall, this isn't a bad place to start for the beginner. There are much better introductions to the medium, but few at this price. The plates, though the majority are in black and white, are easy to see, and the reader gets a fairly serviceable historical overview. One caution however: though the paper is thick, glossy, and generally high quality, the binding is a little flimsy. If you are hard on books, this might not be the one for you.




2. I was shocked upon opening this book to find that the one example provided of a "shunga" print (p. 88) had been censored. In discussing Utamaro's prints, the text reads, "...a large part of his work is devoted to this type of subject matter, and it has often been said, with some justice, that he is probably the greatest master of this genre in the entire history of the Japanese print (Plate 36)" Plate 36 then has a large black bar running across the print from left to right, blocking out about 25%, and leaving heads and feet. The caption reads, "Lovers. Shunga, shown here partially masked. About 1790. Ronin Gallery, New York." I find it difficult to trust the judgement of someone who advocates studying an art form "partially masked". If someone is not able to honestly address these prints, s/he may avoid them, but I can`t recommend a critic who feels that s/he has the right to deface them.

1 comments about Childhood Years: A Memoir (Japanese Modern Writer's Series).

1. Tanizaki's memoirs are more for the Japanese. They discuss profusely Kabuki theatre performances or great Kabuki interpreters, as well as Japanese eating habits or geographical changes in old Tokyo.
   
   But on the other hand, they show how a writer finds inspiration and characters for his books in his daily life encounters.
   His memoirs are also a tribute to his mother ('so strong is the influence of one's mother in early childhood') or some of his school teachers, who left deep and enduring marks on young Tanizaki.
   They also give indirectly a more global portrait of Japan in the late 19th and the beginning 20th century: poverty (people give away their children), geishas and pederasty.
   
   This book shows also the sometimes unsurmountable translation difficulties. After giving a book excerpt Tanizaki remarks: 'In such passages the most important is the combination of Japanese and Sino-Japanese sounds...'
   
   A book for the Tanizaki aficionados.

No comments about Shadows on the Screen: Tanizaki Jun'ichiro on Cinema and "Oriental" Aesthetics (Michigan Monograph Series in Japanese Studies) (Michigan Monograph Series in Japanese Studies).

4 comments about No Uncle Sam: The Forgotten of Bataan.

1. This was an amazing book written in a very unique way. My favorite part about how the book was written is how he focused on the positives on what got him through this terrible experience, but still getting the point across of how horrific this event was in American history. All of you history buffs and novices alike out there NEED to read this book. Keep up the good work Mr. Bilek, great job!



2. An amazing story told by a POW who lived the horror and survived to tell us his experiences. We must not forget what these men of war endured, how they coped and what kept them going. The detail and the clarity of this book puts the reader right there beside Bilek through 3 plus years of hell. You won't go away unaffected.



3. Once I started this book, I couldn't put it down. Bilek tells the untold story of thousands who endured horrible treatment, starvation, and enslavement in Japanese prison camps during WWII along with him. This is a real story about real people, and should be read by every American who enjoys the daily freedoms and simple pleasures we have here in the USA.



4. This book is a real page turner to the point that you want to keep reading the book until it is finished. It is hard to imagine the horrific conditions the pows were put through by the Japanese. Mr.Bileks story transforms you back to 1942 like it was yesterday and the war was underway. I can't believe that one person could survive the illness and the tourture that Mr. Bilek was put through. The story is amazing in a sense that everything was just fine and then in a flash everything was gone from water to freedom. I could not put this book down because I wanted to know what was going to happen next.
   I was very impressed with Mr.Bileks memory on his details of his surroundings. The book No Uncle Sam receives a thumbs up in my view as a very good story and I cannot wait until this story becomes a movie.