2 comments about Finding Form: Towards an Architecture of the Minimal.

1. This book takes a closer look at the forms in nature, and deriving architectural design from it.

   It is a valuable book for designers who wish to stimulate their creativity through visual inspiration, drawn from nature.

   Be inspired by the the source of designers' products.. not their final product...

   ON THE SURFACE OF THINGS by Whitesides and Frankel, is another book with extraordinary images; though it doesn't refer to architecture and design, it is very inspirational.




2. This is a beautiful book. Beautiful not in the sense of our usual architectural books that show you Mr. or Ms. Who-and-Who just made another billion dollar project that has a golden ball on top. This book belongs to another category.

   This is a book that gets you thinking.

   In a way summarized Frei Otto's life-long quest of looking in mother nature for inspirations. The images are stunning. And you do not see them in architectural books. But why do we go only to Corbu or Wright or Calatrava for inspirations while leaving out the world?

   Architects are always looking for ways to get out of the box. In terms of inspirations, I think it doesn't get too much better than this.

No comments about Constantinople: Istanbul's Historical Heritage.

5 comments about MiMo: Miami Modern Revealed.

1. There's a school of thought, so to speak, about Miami that holds that no matter what it does it will be tacky in the end. Having grown up there, I sort of agree. This charming book, with smart illustrations, doesn't at all make one reconsider such a view, rather puts it in the mountains out of molehills category. Its pointless to think of the architectural spasms pictured therein as having artistic merit or not. I testify that I actually purchased this volume at the National Gallery of Art in Washington DC, where it was displayed showing the South Pacific Motel on page eighty-eight. Stopped dead in my tracks in by the sight of this book in the NGA bookstore in what is arguably not only Washington DC's greatest museum but perhaps the world's. Having grown up in the Morningside Neighborhood of Miami which is right off Biscayne Boulevard, I know a thing or two about not only the South Pacific Motel and but also the others. It's to this book's credit that it manages not to convey the character of these places, which from the priveleged world of Mornignside houses, so close yet so far away, always seemed nothing but completely sleazy. An Artforum online review of Art Basel referred
   quite naively and stupidly to the idea of Miami in scare quotes.This makes no sense to anyone who knows Miami
   because Miami has exquisitely beautiful houses, full of the best taste, which rely on the same stylistic tropes
   as those buildings of the worst taste many of which are featured and cleverly described in the text. Miami in scare quotes --"Miami" -- would seem to fit this book if anything at all. The too-clever will see in all this an easy point about the erasure of standards, the triumph of kitsch and so on. Miami will always have poles between the classy places like the Rubell Collection and CasaLin , and the pseudo-classy like the the new concert hall they put up on Biscayne, a place that deserves scare quotes if there ever was one, This book makes clear that some of the architectural elements were borrowed from Las Vegas. Doesn't that lend credence
   to the idea that these distinctions are fatuous when applied to such places. Washington DC is known for its John Russell Pope buildings, Miami for its Morris Lapidus creations. Doesn't that say it all? Lapidus' famous stairway to nowhere at the Fountainbleu is perhaps the best representation of all this. You can make distinctions, ascend or descend on the stairway of taste, but this stairway does not get you any higher than you've been before.



2. As an architecture student in Miami, I absolutely love this book. It's extremely useful to help understand some of the SoBe culture and architectural history. A great reference!



3. Less weighty than I had hoped, and because of its chatty style much more difficult to read than I had hoped (don't people employ editors any more?) But the ideas are interesting and engagingly presented.
   
   This could have been a really good book.



4. America's mid-century modern architecture spans three decades of the post World War II period, from the Atomic Age through the Space Age. An architecture that mainly revolved around the seriousness of the International Style, its theories peaked in 1958 with the New York City Seagram Building, a glass-covered, steel skeleton-framed skyscraper. Mies van der Rohe's "less is more" principle became the guiding light for a large majority of American architects in the mid-twentieth century.
   
   In response to the perceived dogma and humorlessness of the International Style, a Popular Modernism began to take hold in Southern Florida. An "Architecture of Joy" was born, which of course was decried as frivolous and crass by the architectural establishment. In Miami Beach, resort architecture was already well underway, and its vacation state of mind easily stepped into this style. It was uniquely American, futuristic, and fun, full of audacious angles and lines, pastel colors, synthetic materials, cheese-hole and accordion folded walls, stainless steel, boomerangs and stairways to nowhere.
   
   Popular Modernism is known by various names, including Populuxe (popular and deluxe) and Googie. In Miami and Miami Beach, it is called "MiMo," an abbreviation of Miami Modern.
   
   This is a wonderful book that covers its subject well. Its not so large that it becomes uncomfortable to read while sitting in an easy chair but still large enough to deserve it's place on the living room table. The layout is exceptional and reflects the playfulness of the subject without becoming a confusing mishmash. The font is a bit uncommon but lends itself to the spirit of the endeavor. The text by Eric Nash and Randall Robinson is crisp and informative. Oh, and the photos are a great!
   
   Once in a while an architecture book comes along to show us how it's done and this book is one.



5. 
   Excellent survey of MiMo architecture, past and present. Valuable resource for those with an interest and user-friendly enough for the coffee table.

1 comments about Castles and Cottages: River Retreats of the Thousand Islands.

1. One of the most outrageously beautiful places on Planet Earth is the Thousand Island Region that straddles the U.S. and Canadian border along the northern edge of New York State. This book helps to show why the wealthy in the late 19th century flocked there. The homes and the "cottages" are sumptuous, as is the terrain. This book is no substitute for the real thing, but it sure does bring back lovely memories of a wonderful place.

1 comments about Frank Lloyd Wrights House on Kentuck Knob.

1. Don Hoffman's book gives and accurate description of how this magnificent home came into being from its inception to completion. It discusses how the sketches evolved due to the environmental considerations of the landscape showing how Kentuck Knob was build to coordinate the house and the hill upon which it was built into one organic structure.

   It explains Wright's architectural philosophy as to why he makes the decisions he did when building this house.

   Visually the book itself is elegantly designed with excellent photographs giving a true feel for the nature of the house and providing some insignt to the wise, artistically minded people whom conceived of and lived in Kentuck Knob so happily and with such a great respect for the environment which the house occupies.

   As a child I spent a great deal of time in this house, being close family friends with the original owners, so I would know if there were any inconsistancies with the book and reality and find it most accurately written.

   This would be a great gift for anyone interested in architecture, environmnetalism or whom is a particular fan of Frank Llyod Wright's architecture. Also it is so beautifully done that it would just be a pretty coffee table book to keep for yourself or for in a guest room.

5 comments about Art and Architecture in Medieval France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries (Icon Editions).

1. Stoddard's text, culled mainly from early to mid-20th century monographs, is a highly readable and well-illustrated account of some of the major Gothic edifices of France but it should be treated with caution. Most of the scholarship is hopelessly out of date (and much of it already was when he wrote it) and he is too uncritical of the grand theorising of Simson & Panofsky et al. If it is to be used, it should be read in conjunction with Paul Crossley's footnotes to Frankl. I teach French Gothic architecture at undergraduate level and I always advise my students to steer clear of Stoddard. Suitable for a keen amateur but not for art history majors.



2. Stoddard's book, written in the very early 1970's, remains a highly informative and generally comprehensive introduction to French Gothic architecture. In spite of its age, it can be easily recommended to any person with a more than passing interest in the subject due to its extensive detail and coverage. At nearly 400 pages in relatively small print, this book may take some time and effort to complete, but it is simply one of the best single-volume treatments of the topic in print today. As implied by the title, the book does not focus solely on architectural forms, but also includes extensive descriptions of the art forms (sculptures, stained glass, manuscripts, and other church art forms), and so each historical section finds individual treatment of cathedral and church designs throughout the gothic period as well as the art forms that adorned these structures. The book is thoroughly illustrated with over 400 black-and-white photos and drawings.
   
   The book is divided into periods by chronological order: Romanesque France, Early Gothic of the 12th Century, High Gothic of the Early 13th Century, From Rayonnant to Flamboyant, and a final section on The Treasuries of Monasteries and Cathedrals. Each section starts with a historical background piece and a map listing the primary sites to be discussed before the main content of the text is presented, giving a good foundation to place that content into the proper historical and geographical context. Once establishing the forms (and shortcomings) of Romanesque architectural design, we are chronologically introduced to the aims and goals of the emerging Gothic style, and this lofty style begins to make sense to us, not only as a stylistic form, but a series of specific reactions to "deficiencies" in the Romanesque form. In fact, one of the strengths of Stoddard's approach is that the reader moves through this entire period in relatively strict chronological form, and it is not all that difficult of a task to visualize the chronology of the specific Gothic construction projects as they are undertaken across the Ile-de-France from the 12th through the 13th centuries. Supplemental drawings highlight specific architectural designs, and numerous floor plans help the reader visualize the similarities and differences between specific buildings.
   
   Art and Architecture in Medieval France is not only highly detailed, it is immensely enjoyable to read. If there are any shortcomings in the book at all, it is that the text is somewhat small, and one finds that "reach" to the reading glasses occurring on a regular basis. It would also have been nice to find this text with color photos on glossy paper. But to be honest, such a change would significantly increase the price of the volume, and the true value in this text lies not in the photos (which are good enough to visualize the discussion) but in Stoddard's research and written presentation, which is solid, informative, and often thought-provoking. If you are looking for a single-volume introduction to Gothic art and architecture, and have more than a passing interest in doing so, this book remains one of the best choices you could make to do so. Supplement it with any of the lavishly illustrated full-color photo coffee table books to get a better sense of the visual format of these buildings and art forms, and better yet, use it as research for making your own visits to the Gothic cathedrals of northern and central France.



3. I've now slogged through four books on Middle Age church architecture and this one is by far the best. The book is written clearly and not unnecessarily burdened with "professor-speak." At the same time, it provided more information, and more interesting information, than the other three books combined.

   A couple of cautions: the book focuses on Gothic architecture; Romanesque architecture is discussed more as an introduction to Gothic architecture. And it doesn't have a glossary, which is a downside for readers not familiar with architectural terms.




4. I have used _Monastery and Cathedral_ as a teaching text and as a guidebook. It's worth lugging through France, even by train: photos are b/w but well chosen & informative, and follow the text well. Stoddard gives good contextual background and is clear in his description and explication of the most important medieval churches in France. Could do more with sculpture and symbolism: the main focus is architecture. But his section on treasures, manuscripts & stained glass is a good start. I'm about to use it as a text for an on-site summer course: it's a tried and true old friend.



5. Professor Stoddard's opus Art and Architecture in Medieval France : Medieval Architecture, Sculpture, Stained Glass, Manuscripts, the Art of the Church Treasuries is still a viable and valuable work to study for any student of the Gothic era. The information provided allowed me to understand the cathedrals of France clearly and was an indispensible aid when I was lucky enough to visit several of the cathedrals addressed. While not a "light" read, Dr. Stoddard is the standard for the era. I envy any student of his, those lucky gargoyles!!!

2 comments about The American Airport.

1. For those who love airports and airplanes, this is a wonderful book to have. Simple, well-written, but unpretentious, it is loaded with lots of good period photographs and illustrations that cover the historical development of airports and the growth and transformations of the passenger airline industry in the United States. It would have been great if it were not limited to airports in this country, but had also included the develoment of airports all over the world. My suggestion to the author is to try just that: a second book devoted to international airports around the world and the development of the international airline system, particularly in Europe and Latin America, and, of course, including some of the exciting and ultra modern airports built in recent years accross the globe, especially in the Middle East and Asia. I'll be first in line to buy such a book! If you are an airport and airline enthusiast like me, I am sure you will very much enjoy The American Airport.



2. From the first days of aviation--biplanes using dirt fields for landing and takeoff--to the modern state-of-the-art airports like the new one built in Denver--this book takes you on a historical and pictoral journey across the history of the American airport.

   To most travelers, all airports are alike other than the variety of restaurants and shops contained within; most people never stop to look at the amazing architectural details of many of today's American airports. From the art deco style of Regan National's updated terminals to the Native-American inspired "tents" of Denver International to LAX's futuristic Theme Building, this book gives a great overview of the distinctive styles and the functionality of our airports today.

1 comments about New York Deco (Deluxe Edition).

1. The lovely Rockefeller Center rightly kicks of this photographic Deco tour of New York. The exteriors of the six buildings have delights everywhere, for all to see, too.
   
   The book though is very generalised and probably aimed at the tourist market because it has no contents, index or bibliography. What it does have are plenty of close-ups of the detail work that seems to adorn so many Manhattan buildings, frequently way above street level so that these gems are mostly missed. There is a super shot of one of the Chrysler eagles on pages 148-9, or the ornamental metalwork of a lightning bolt and a bird on the General Electric Tower, page fifty-one.
   
   The one hundred and thirty eight photos are all in color and each has an informative caption. Between the photos text pages contain thoughts on Big Apple by a variety of writers and historical personalities, which again suggest the title is really a keepsake aimed at the visitor.
   
   A similar photo book by Carla Breeze New York Deco, though lacking in so many close-ups takes a more guide book approach with copy and photos covering commercial, residential, entertainment, public and religious buildings plus an index and bibliography. If your curiosity goes further David Garrard Lowe's fascinating Art Deco New York, sums it all up within a serious historical perspective.
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.

No comments about The Campus Guide: Harvard University (The Campus Guide).

2 comments about The Architecture of Jefferson Country: Charlottesville and Albemarle County, Virginia.

1. This book is a must for anyone interested in Albemarle County, Charlottesville, Fluvanna County and Thomas Jefferson.
   
   With superior research and almost 50 years of knowledge, Ed Lay lays out a lasting foundation for anyone wanting to learn more about our extraordinary part of America.
   
   Pictures and text help to describe his thoughts and the architecture.
   
   Buy this book!
   
   Toby Beavers
   Fine Virginia Farms & Estates
   http://www.Charlottesville-Area-Real-Estate.com



2. Beautifully written and thoroughly researched, this book offers a glimpse into the history of the architecture of Charlottesville and Albemarle County, Virginia. Additionally, the reader can learn of the fascinating personalities who have lived and worked within the walls of these works of art. It is a lifetime endeavor and a real treat for the local, the traveller, the Jefferson enthusiast and the historian.