5 comments about Holy Terrors: Gargoyles on Medieval Buildings.

1. Almost every tourist who has ever climbed to the top of the North Tower of Notre-Dame de Paris has taken a photo of his or her companion leaning over the balustrade between two gargoyles (technically 'chimeras'), and surveying the streets below. It's the ultimate gargoyle photo-op. I'm surprised this author was able to photograph the gargoyles without a tourist leaning between them. I was only slightly disappointed to learn from this book that much of the stonework on this tower is nineteenth-century restoration by Eugène Viollet-le-Duc, "started in 1845 to repair damage done to the cathedral during the Revolution." However, he did attempt to use molds of the originals.
   
   Basically gargoyles are waterspouts, but to me they are proof that medieval stonemasons had a lively sense of humor--which they might have inherited from the Etruscans or the Egyptians, who also used animal-shaped stone waterspouts. Strictly speaking, gargoyles that do not spout water are known as 'grotesques' or 'chimeras.'
   
   It surprised me to learn that gargoyles used to be brightly colored--oranges, reds, and greens were favored--and sometimes gilded. The author believes that "gargoyles may be survivals of pagan beliefs...incorporated into church decorations for superstitious reasons." I've read many a horror story based on this assumption, most notably "The Cambridge Beast" and "The Sheelagh-na-gig" by Mary Ann Allen.
   
   Encounters between gargoyles and people are unique to the Cathedral of Saint John in Den Bosch, the Netherlands: "As a monstrous creature leaps out from the top of the buttress, the people cringe in terror, each one leaning back in an attempt to escape the attack of their horrible assailant." Americans tend to make pets of gargoyles, but that was not their original purpose. After all, midair is the reputed realm of demons (Ephesians 2:2).
   
   Some of the gargoyles pictured in this book are laughing at us. A carved gargoyle-monk of the Old Cathedral of Saint-Etienne in Toul, France appears to be emptying the contents of a barrel onto his unsuspecting colleagues below. "Some [gargoyles] are so appealing that it is hard to imagine they were intended to be regarded as anything other than good creatures. Indeed, the gargoyles of Notre-Dame in Paris are even said to keep watch for drowning victims in the Seine."
   
   This book is an enchanting collection of photographs, legends, and travelogue. If you ever intend to go gargoyle-hunting in Europe, make certain a copy of "Holy Terrors" is stored in your carry-on.



2. ...I got the two books Holy Terror's and American Gargolyes... it was a great deal. The book is loaded with pictures of gargoyles from across america and desrcibes what type of gargoyle and where it is located in america. The photographs are beautiful and descriptive through out the book. If you gargoyles get the two books for the price of one. Highly Recommended!!!!



3. This book is one of the best books I got from [amazon.com]. I got the two books Holy Terror's and American Gargolyes... it was a great deal. The book is loaded with pictures of gargoyles from across america and desrcibes what type of gargoyle and where it is located in america. The photographs are beautiful and descriptive through out the book. If you gargoyles get the two books for the price of one. Highly Recommended!!!!



4. "Holy Terrors" is that rarest of books, one that is of genuine value to adults curious about art and architecture, but also very much capable of holding the interest of children. My five-year-old son loves the pictures--especially the "Hairy human with animal head" that adorns the cathedral in Burgos, Spain. We also both appreciate the excellent selection of medieval illustrations, such as Schongauer's "Temptation of Saint Anthony." Skimming through "Holy Terrors" is a fun way to introduce kids to one of the cultural treasures of Europe.



5. After searching several times for a book that gives the true meaning behind what gargoyles are, and where to find them, it has been found. This book combines a great number of detailed pictures with excellent writing. Way to go Janetta Benton!!!!

5 comments about The Bungalow: America's Arts and Crafts Home.

1. Great source of inspiration for anyone who is considering doing any sort of architectural project, either interior or exterior, with and Arts and Crafts feeling.



2. I give this book three stars for the beautiful pictures, but I'm disappointed and am going to turn around and sell it. The introductory chapter on the arts & crafts movement and what exactly is considered a bungalow are quite good. It was the misleading title and the narrow focus of the rest of the book I was disappointed with. A more accurate title for this book would be "The Bungalow: Central California's Arts & Crafts Home"
   
   I just bought a 1915 craftsman-style home in superb condition, in an area filled with bungalows and arts & crafts homes. I wanted a book to show me what sort of house elements, furnishings and fixtures were authentic to the time it was built. It was clear from the Amazon listing for this book (table of contents : "The Craftsman style: variations on the classic bungalow" and "Related arts and crafts homes") that this book didn't limit itself narrowly to bungalows either.
   
   Unfortunately, the book turned out to be extremely narrow and provincial in a way I never expected from either the table of contents or the Amazon reader reviews. This is not really a book about "America's Arts & Crafts Home." Over three-quarters of the pictures are from either the San Francisco Bay area or the Los Angeles area. There is not a single contemporary picture taken outside of California.
   
   197 pictures total in the book
   
   San Francisco Bay area: 90 pictures
   . San Francisco
   . Oakland
   . Berkeley
   . San Jose
   . Alameda
   . Marin County
   . San Leandro
   . Piedmont
   . etc..
   
   Los Angeles area: 64 pictures
   . Pasadena (30)
   . Altadena
   . Los Angeles
   . Flintridge
   . Alhambra
   . etc.
   
   San Diego: 10 pictures
   
   inland California: 16 pictures
   . Mariposa
   . Sacramento
   . Modesto
   . Chico
   
   1905-1927 drawings and plans and drawings from other parts of U.S.: 8 pictures
   . Morgan Woodwork Company, Oshkosh Wisconsin (3)
   . "The Home", Chicago Illinois (3)
   . Brown, Stickley (2)
   
   Contemporary pictures of bungalows and arts & crafts homes outside California: ZERO.
   
   In very small print at the end of the acknowledgements the author writes "The search goes on to find candidates for a bungalow book with a national scope. Please send snapshots and information about worthy bungalows in your area to Douglas Keister, 5826 Fremont Street, Oakland California 94608."
   
   The title and book description is misleading and if the author wanted to find candidates outside California he obviously didn't try very hard.
   
   - A disappointed reviewer from Morgan/Stickley Bros./ Frank Lloyd Wright country



3. I found The Bungalow; America's Arts & Crafts Home by Paul Duchscherer & Douglas Keister to be extremely helpful with my remodel. I tagged pages with the ideas that I wanted to convey to my designer and architect. The pictures are beautiful and really assisted in developing the plans and overall look in the remodel of my bungalow style house. Very inspiring.



4. This is a great book with wonderful color photographs! Check out his other two books in the series, as well as photographer Douglas Keisters's "Bungalows on CD-ROM".



5. This an outstanding book for anyone interested in the familiar and well loved style of architecture known as the bungalow. All color photos show the gamut of this genre ranging from basic to elaborate. Both interior and exterior shots detail this rich archetictural art form. An inspiration to anyone interested in maintaining, restoring or recreating one of America's favorite homestyles.

5 comments about Empire State Building: The Making of a Landmark.

1. Well, they didn't, but it's a classic anyway.
   
   This is a terrific book for anyone who wants to learn how great projects are visualized, actualized, and pressed through extremely challenging environmental circumstances. It's a source of inspiration for the dreamers and the practical alike.
   
   If you want to read about architecture and engineering, you get only a small dose here. It's more about the capitalization, visioning and building. But that story is magnetic and wonderful.
   
   Only thing they left out: that it was to this (then half-empty) building that Annhaeuser-Busch delivered the "first" case of legal beer to Al Smith at the end of Prohibition. Smith, the "wet" and the eternal optimist, exemplifies what this building was conceived to be: a vibrant and living testimony to the human spirit.
   
   So, it stands to reason that it survives now as New York's essential symbol.



2. This book is a must read for anyone interested in not only the Empire State Building, but in New York City history of the late 1920s and early 1930s. Who would think that a building completed in 1931 at 1250 feet high would still be the tallest building in NYC in 2007 (of course, we can't forget the tragic loss of the taller WTC Towers). This book covers the quick construction of the ESB, but also covers the politics and history behind the building's location (the Waldorf-Astoria Hotel used to be at the corner of 5th Ave and 34th Street) and the people involved. This is an interesting book about an exciting time where anything seemed possible in one of the world's greatest cities.



3. From the outset, the Empire State Building seemed to have had everything going against it. Although conceived during the 1920s boom years, most of the construction went on during the earliest years of the Depression, thereby putting the idea of high occupancy in the severest doubt. Its location wasn't ideal either. It was three miles north of the Wall Street district and a mile south of the center of the midtown business center. And it was ten blocks south of Grand Central Station and three avenues east of old Pennsylvania Station. The idea of mooring dirigibles was quickly scrapped after failed attempts. And sure enough, although the Empire State Building did get built, the tenants did not come. King Kong did, but he didn't pay rent.

   John Tauranac describes all this and more in his exhaustive book, THE EMPIRE STATE BUILDING: THE MAKING OF A LANDMARK. Written in an engaging style, Tauranac's book is as elegant and interesting as the subject itself, while his wit is as colorful as the characters surrounding the Empire State Building's creation. The book covers the idea for the building, Raskob's and Smith's supervision, the monumental task of the construction workers, and, most importantly, the survival of the building to become THE emblem of America's cultural and economic reach while become THE identifying symbol of New York City. The generous amount of photographs add to the understanding and enjoyment of the book. Highly recommended.




4. This is an excellent work that details the history of the Empire State Building. I was a bit surprised to find how much the author managed to pack into my paperback. Everything from skyscraper height restrictions to land leases and modern restructuring of ownership for tax purposes (and all the "interesting" stuff in between). If you buy this book and you're not from New York, do yourself a favor and get a map of the area. So you can follow along in the early chapters.



5. I bought this book shortly after a trip to NYC in 2000, and found it to be an excellent history of one of the Big Apple's architectural jewels, the Empire State Building. It is full of intrigue, history, great anecdotes and one-of-a-kind photographs. If you're a visitor to Manhattan or a local resident, you owe it to yourself to read this book.

4 comments about Splendors of Islam: Architecture, Decoration and Design.

1. This is a thorough and scholarly exploration of a fascinating subject - the world of Islamic Design. The work covers all the main areas of the field, from al Andalus to India. The text is clearly written, yet scholarly in its approach, while still being accessible to the amateur. The excellent photographs serve to illustrate this magnificint work well.



2. The 325 photographs in this book--all in color--merit every superlative reviewers have given them. But the text itself is in need of a good editor, for parts are repetitive. (See my content summary for specifics.) Furthermore, the last section is often so grandiloquent that I, a seasoned English teacher who is also well read in the field of Islamic architecture, had to work to decipher it. So why did I pay $40 for a used copy of this book (sans dust jacket)? Quite simply because none of the many other books I examined taught me nearly as much about the decoration and design of Islamic architecture. Granted, for example, one can look at a structure and see that its bricks create patterns, but to learn in detail how this was done is fascinating.
   
   For those unable to find a copy to preview, what follows is a more specific summary of its contents.
   SECTION 1--which focuses on the variations in Islamic architecture in one part of the world--devotes 8 to 10 pages of photographs and clearly written text to each of the following: the Dome of the Rock, the Alhambra, the Taj Mahal, and Persia's Shah Mosque. Eight pages of smaller photographs of other significant monuments from the Arab lands, Turkey, India, Iran and Central Asia follow.
   
   SECTION 2: After a lengthy chapter which goes into great detail about the history of the use of brick, stucco, mosaics and ceramics as decorative techniques, separate chapters are devoted to each of the materials. New in each is the detail about how the material is created; repetitive is much of the information about how it is used as architectural decoration. Although no text explains them, additional photographs illustrate the use of bronze, wood and painted wood as decorative devices.
   
   SECTION 3 focuses on the decorative use of mathematically defined forms--e.g. stars, hexagons--vegetation, calligraphy and even occasionally the human figure.
   
   SECTION 4 looks at how the elements in Sections 2 and 3 combine to create surfaces that resemble textiles. Specifically discussed are a) the division of flat surfaces into panels and bands, b) the multi-layering of textures and c) the use of repetition to create geometric designs. (Here, too, is repetition of information in previous sections.) The use of ornamentation to disguise supporting forms and embellish supported ones is also discussed in this section.
   
   NOTE: For those who are interested in more of an overview of Islamic architecture in general, I'd highly recommend Treasures of Islam: Artistic Glories of the Muslim World.



3. If you are someone who is involved in arhitect or interior decoration, this book is a must to guide you in creating something splendor from the Islamic culture, and it's a good refrence on a cofee table top.



4. Islam expanded quickly within a few centuries, embracing a wide area and altering the political and cultural heritage of the entire region. Splendors of Islam examines the visual effects of Islam, considering the structures in contrast with other architectural traditions and examining the role given to various decorative choices and styles. Four different approaches to Islam architecture provide an exceptionally well-rounded view, with color photo examples packing an oversized coverage.

2 comments about Jean Prouve, 1901-1984: The Dynamics of Creation (Basic Architecture Series).

1. very good introduction to Prouvre's work.
   
   This book is really just an overview of his career but it is very well laid out and informative. I think that the conciseness of the book is a real advantage. That said I really want to find out more.



2. This is the twentieth volume in the German Publishing Company Taschen's Basic Architecture Series. In previous volumes, Taschen has done an excellent job of summing up the careers of most the world's greatest modernist architects. It is fitting that after the first round of iconic masters, (Mies, Corbusier, Wright, Gropius) that Taschen has now moved on to other important modernist architects and designers.
   
   In most surveys of modern architecture, Jean Prouve's buildings are not prominently featured. He did not design the iconic buildings with which other great architects are usually closely identified. Today, Jean Prouve is probably best known for his furniture designs. However, Prouve contributed to the modernist agenda in other ways. As a designer, he produced some of the first modular metal buildings. Most of the metal buildings we see today are the grandchildren of the designs he first originated in the 1930's. However, his single greatest accomplishment is as one of the inventors of curtain walls. We may not be aware of them but they are all around us.
   
   Jean Prouve's work is not an easily accesible as some of the other great architects and designers of the period. Nevertheless, he was a powerful, inovative figure whose vision helped shaped the modern world. At a ten dollars a volume, this book is another Taschen success.

5 comments about American Art Deco: Modernistic Architecture and Regionalism.

1. This book is all I'd hoped it to be! A great selection of structures and fine images to wow the imagination. If you love Art Deco this is a fine piece to own.



2. This is quite simply a fantastic book, the images ara crisp and well presented and the text is easy to navigate. Every major Art Deco building in American is chronicled and presented in its best light. It is such a relief that so many of these great buildings have survived, unlike many other architectural styles, Art Deco has always had a huge throng of admirors, people who loved the style and fought very hard to help preserve it. Everytime I set foot in one of these great buildings, like the Louisiana State Capitol or Radio City Music Hall or the Chrysler Building I am reminded of the shear artistry that went into these buildings and am disappointed at the austere, crass styles that have followed. I highly recommend this wonderful book, frankly it is the best I have seen on American Art Deco.



3. For many, a trip to downtown is a visit to something and for something. It is seldom seen as a time of reflection, to see the "what and why" of the great boundaries of concrete, glass and steel. Even our great structures specifically designed to create a feeling of wonder or awe appear to be less a creation for humans than a mere sidelight of structural shrugs, a busy nod to a slight deviation in the casting of the concrete, and, "This won't cost too much more to add this, this *thing* to the design, will it?"
   It didn't always work this way.
   This is a completely beautiful book. Criticisms are few and far between and are of the "Why didn't she make this a bigger book" variety. This is a big book.
   Art Deco was, and is, one of the highest achievements of architecture ever - ever! One look at the Niagara - Mohawk building should convince just about anyone. This book is a required review of the remaining Art Deco buildings with the most integrity.
   I only wish that there was more in the way of, say, South Miami Art Deco and more southern works extant but that is the point: You come away from this book looking for the momentous in your own city or area. when you find a (usually restored) specimen, you simply must stop and gawk for great periods of time.
   What a great book!



4. This is the finest book presently available on American Art Deco Architecture, in my opinion. Beautifully photographed and printed in Italy (288 oversize pages in full color), it's a must have if you have an interest in Art Deco and/or Architecture.
   
   All the finest American examples are here, the Niagara Mohawk Power Corporation Building in Syracuse, the Chrysler Building in New York, the Louisiana State Capitol in Baton Rouge, and the Eastern Columbia, Wiltern Theatre/Pellissier and Bullocks Wilshire Buildings in Los Angeles, just to name a few. Most of the buildings are photographed from the outside as well as inside, with numerous detail photographs of doors and moldings.
   
   Carla Breeze is an architectural photographer by trade and she does a superb job with this book, I especially like the fact that perspective control has been used in the photographs (all the vertical lines are parallel) which makes for a much more pleasing look. The sleek and modernistic style of Art Deco, popular during the 1920's and 1930's, has yet to be matched, in my opinion, and Ms. Breeze captures the essence of it skillfully.



5. Architectural photographer Carla Breeze has focussed her camera on the best seventy-five Art Deco buildings across the Nation and produced a glorious book of color photos that perfectly captures the style. I really liked this book because she concentrates on the architectural detail of each building (with 450 photos) and in many cases, when this detail is on the outside, it is just not viewable from the ground.
   
   The introduction has an interesting eighteen-page photo section dealing with materials: metal, concrete, terra cotta, mosaic, glass, wood and stone. I found this very useful when looking at the images. Each building starts on the spread (though some have more pages) with a street address and some background text and captions for the photos. The elegant layout does not interfere with the wonderful buildings (a tip of the hat to book designer Robert Wiser). Could anyone do anything to improve the photo of the stunning Niagara Mohawk Power headquarters in Syracuse on page seventy-three.
   
   To complement this lovely book have a look at Rediscovering Art Deco USA: A Nationwide Tour of Architectural Delights by Barbara Capitman, Michael Kinerk and Dennis Wilhelm, a methodical nationwide survey, though it concentrates on commercial buildings rather than houses. If you are Deco spotting on the road leave a space in the glove compartment for David Gebhard's excellent The National Trust Guide to Art Deco in America (Preservation Press) if it's not in this book then most likely it's not worth looking at.
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.

5 comments about New Directions in Tropical Asian Architecture.

1. This book was given to me as a birthday gift from my mother-in-law. I absolutely love this book. There are many beautiful photos. There are places and subjects that I never knew had so much beauty. Because I am already a huge fan of art and architecture, it was fun to learn about the many influences to Filipino style. I liked it so much that I had to buy a copy for my father (Born in Las Pinas - Metro Manila, Philippines)



2. I'm an Architectural Designer that lives/works in Jamaica and Bermuda and I'm also a fan of modern/contemporary architecture. I own a number of books on the subject, but few tend to address basic climatic issues that we in the Tropics face (and rightly so, since they are about projects north of the tropics). I've just received the book from my freight forwarder and had a chance to browse thru it. It really looks interesting and certainly provides inspiration for projects that can be successfully executed in our hot, humid climate.
   The inclusion of architectural drawings (Plans, Sections, Elevations) is also welcome - too many books on Architecture neglect this very important point. I think this may be the telling factor for deciding whether this is to be another one of my coffee-table books, or a serious informative reference for ideas and inspiration. For now, I'm leaning to the latter.



3. This book is a great book for young Filipino Americans who need some inspiration. As a Filipino American growing up in USA, I never really felt any connection with the Philippines. I was brought up by knowing only the stereotypes that sometimes make a Filipino American want to shy with embarrassment. Stereotypes are everywhere within any culture. By reading this book and flipping through the pages, I saw that Philippines is a beautiful place. Everyone needs take a look at this book. It's a great eye opener for Filipino Americans who have problems accepting their own skin.



4. I bought this book for myself. It's a true treasure trove of visual treats. Have you wanted to know how the homes of the rich and/or famous in the Philippines look? The variety of materials available for buidling and furnishing homes in the Philippines is astounding--rich woods, a wide spectrum of fabric, ethnic carvings and woven work. Linger over the detailed photographs in this book! Now I know what to get for my sisters and in-laws for Christmas!



5. Finally, a book on Traditional and Contemporary Philippine Interior Design by a reputable author/photographer. It will give the reader a good sense of Native Interiors to Traditional influences of Spanish-Colonial Interior Design and Architecture. Very superb photographs. Beautiful renderrings in the Furniture Dictionary.

No comments about More Bars & Restaurants (Architectural Interiors).

1 comments about Thomas Jefferson's Monticello: An Intimate Portrait.

1. Photographer Robert Lautman has taken and assembled a remarkable set of photographs depicting scenes which a visitor would see upon touring the wonder that is called Monticello. Near the beginning of this book are two architectural drawings showing the first floor room layouts. Numbers appear on these drawings and they indicate the approximate camera positions for each black and white photographic plate.This is an outstanding photo-tour of Jefferson's custom built mansion. I would have given it a 10 rating had it not been for a few little features and omissions which detracted from the work. The major distraction centered on an obviously retouched photograph showing the surrounding hills as seen from Monticello. The photographer, in an attempt to show what the view might have looked like for Jefferson, had to manipulate the photograph to remove or minimize modern distractions such as houses, roads and other man-made edifices. While the intent to recapture a lost vision is a good one the execution wanting. It would have been nice to see more than one photograph of the second floor rooms.

5 comments about Frank Lloyd Wright Interactive Portfolio.

1. As an Architect student, I love this book. I show all my friends how a real great mind works. Wright is my favorite architect, so when I was this it was a given ofr me to buy it. I highly suggest checking your local book store first, because I bought this EXACT one for 13 dollars.



2. Un buon libro in cui è racchiuso l'essenziale. Molto curato e fuori dal comune per la ricchezza di particolari. Un'ottima idea regalo per chi vuole avvicinarsi alle opere di Frank Lloyd Wright.



3. This is clearly a labor of love. The solid box the book fits into is very cool. Keeps the book with about 9 clear sleeves with insert papers from gettin' smushed. A few nice big photos. Plenty a text. Other good smaller photos. And a cd of Wright speaking. It's nice to finally have some drawings to hold and unfold. I'm not sure all 18 or so of them are what I would have chosen. One in particular is pretty basic. But the mile high tower is 3 folded tall. And there's maybe 6 letters he sent out, modern letter writers might not recognize them with their notations and corrections because since computers we don't need to make such written corrections but in his day that's all they had. I'd easily have taken more and bigger drawings than any of the letters. As it is most of the drawings are 3 or 4 foldouts, very nice. Definitely worth the lower used price available on amazon.com. I think you do have to be a fan though to appreciate it. I'd love to see more books made this way, expanding the notion of what a book is or can be.



4. This is a unique book, nothing else like it around. A great coffee table book or a gift for anyone interested in architecture or the works of Frank Lloyd Wright.
   Highly recommended.



5. A must-have for FLW fans. Can be found remaindered for less but this price is decent. Make sure its in good shape. Well-made, written & produced, worth every penny.