1 comments about Interpreting Art : Reflecting, Wondering, and Responding.

1. this book gives you a great detail on how to interpret art. I learned so much from it, and now, I feel like I can relate to all types of art. I never got tired of reading it, and I even loved the pictures being detailed and interpreted in there.

No comments about Inside the White Cube: The Ideology of the Gallery Space.

3 comments about Medieval Illuminators and Their Methods of Work.

1. Medieval Illuminators has been invaluable to my own studies and construction of illuminated manuscripts. The author presents a timeline of the history of illuminated manuscripts, their layout, methods of construction and their purpose, couched within a socio-cultural context of the eras in which the manuscripts were constructed. I found the large reproductions of key manuscripts extremely helpful in identifying the minute brush strokes of the white work, which is often difficult to discern in smaller reproductions. The enlargements also provided lovely details of designs and images that are not easily observed in non-enlarged reproductions. Lastly, I appreciated the author's discussion of the monastic book lending tradition for the purposes of copying manuscripts to expand a library's holdings on a particular subject and the inclusion of illustrations to demonstrate this practice. This is a must have for anyone pursuing the study of this literary and artistic tradition.



2. This book introduces the reader to the people and processes involved in the production of manuscripts, and is interesting as a resource for methods of book production as much as it is for the insight it gives into the lives of the very real people whose efforts and whose lives went into the production of books by hand. With more than enough information to interest the scholar, this book is at the same time extremely accesible to the average reader interested in the subject. I would reccomend this as a textbook and as a good read, but would suggest that a reader have a good guide, such as Michelle Brown's Understanding Illuminated Manuscripts on hand, in order to best understand every facet of the material being presented. The book is clear and well-written, but a deeper understanding of the finished product adds greatly to the value of reading about their creators. This is a book I am proud to have on my bookshelf, for its readability, its attractiveness, and its value as a source for interesting historical information.



3. whether you are interested in the typical lives, education, training, as well as social status of the people whose work became immortal or in the techniques and tools used to create the magnificent pages.. this is a well written and interesting read. beautiful photographs of works in various levels of completion, numerous countries, schools and eras combined with well researched documentation and critiques makes this book an excellent resource. focusing mainly on the creation of illumination and explaining the lives of those creating the page, covering multiple aspects of training, techniques and changing social status throughout the decades leads to an overall thorough understanding. you will walk away not only being able to understand the illuminated page, its signifigance and constructuion but also those who toiled to creatre it. whether an art history lover, in love with the illuminated page or interested in the lives of people who lived centuries ago this book is a wonderful addition to you personal library. i wish my art history books were this well written.

3 comments about 500 Self-Portraits.

1. Is an excellenty little book to carry with you to art class. has some famous artists as well assome more obscure so definetly a toll for those who want to learn more.



2. An interesting collection of self portraits commencing with Ni-Ankh-Ptah (c. 2350 BC) through to Maurizio Cattelan (1997). The selction provides an interesting chronology of how portraiture has changed over the years. I'm uncertain as to which edition the previous reader has, as my version has 10 self portraits by Rembrandt. I would have liked to have seen more portraits by recent artists as the variation in how to approach the modern portrait is extensive compared with say the 17th C. The reproductions are good and the quality of paper is also good. The introduction by Julian Bell is well written and could have even been expanded upon further. It provides an excellent overview of how portraiture and art in general have changed over the centuries. A worthy book to have on the shelf - lends itself to random browsing.



3. This work is based on an earlier collection of self- portraits made by the scholar Ludwig Goldscheider. It contains many of the great works in the self-portrait including six self- portraits by the artist whose signature is written most prominently on this type of work, Rembrandt.
   It is difficult to fault a work which has so many great paintings in it, but I do find a couple of problems with the volume. The introduction is small and inadequate and there is no explanatory text whatsoever. I also found disconcerting and unpleasant a number of the more recent paintings selected.
   I would also point, to what it seems to me, is an inherent inadequacy of a book of this kind. Rembrandt teaches us that the true - self- portrait of an artist is a long series of self- portaits, is a history and a life of the person. The single self- portrait made of one time can show a moment of a life, can represent a person as they would be represented, but cannot tell us the whole life.
   Six self- portraits of Rembrandt are not enough.

5 comments about Drawing: The Head (HT197).

1. ...for beginners & intermediates in ability. It's 32 pages taken from several of his original books- easily my favorite Loomis collection!
   
   In recent decades there have been 3 main teachers in learning to draw heads from memory. For cube-based construction we have George Bridgman. For ball/sphere-based construction we have Andrew Loomis. And for oval/ellipse-based construction, we have the famous teacher of the Dynamic Drawing series- comicbook artist Burne Hogarth. Many of today's Japanese animation & comicbook instructionals are using these very same principles, along with some of the teachings by the Famous Artists School. My current interest is in oval & cube-based construction, but it's Loomis' famous *ball/sphere-based* construction here that many people consider to be the BEST. All artists, from beginners to even professionals(!), could easily benefit in learning these 3 popular standards.
   In any case, this is a great work *in pencil* on heads of all kinds. All popular aspects of construction are covered: men, women, children, teens, elderly, fashion-models, proportions, rythmic lines, planes, anatomy, bone structure, simple lines & shapes, perspective, common actions, expressions, clear line drawings, and even full-blown tonal studies (whew!). That's a lot in just 32 pages. It's all done in a classic mid-20th century style, similar to Jack Hamm's excellent Drawing The Head And Figure. My favorite pages here are p.26, p.27, and p.30, because these are his clearest & most detailed pure line drawings- exceedingly great to copy & learn from. A tremendous help for anyone interested in learning to draw from memory- get this great book today!
   
   P.S. ...just so you know: this reviews page is shared by 2 Loomis books. The 1st is his slim & tall, 32-page Walter Foster paperback collection currently entitled Drawing: The Head (HT197). This HT197 guide was also known as Heads/2. My review is for this Walter Foster collection. The 2nd book this reviews page is linked to is Loomis' original hardcover called Drawing the Head and Hands; a full-blown book- more than 32 pages. At this writing, this 2nd book is out of print. The real reason these 2 books share these reviews is that the shorter, Walter Foster collection takes a few pages from several books, including pages from this full-blown Drawing the Head and Hands.
   As I understand it, Loomis actually *created* ball/sphere-based construction for heads, printed in Fun With A Pencil circa 1939- and I see no evidence to contradict this. And today it's one of the most popular methods around. His books being out of print confuses many! That's why I give this 5 stars: instead of slamming Walter Foster's publications for their lack of completeness, we should thank them for keeping Loomis' name alive(!). If it weren't for this Drawing: The Head collection, I might never have given his Figure Drawing For All It's Worth a chance. Now I have both- thank goodness!



2. I held Andrew Loomis's books in the highest esteem. Then walter foster came along and decided to cut cost by publishing every third page and discarding everything in between. Think this statement is absurd! Compare Andrew Loomis's books BEFORE and AFTER walter foster got his hands on them.



3. The human body is the hardest thing to sketch, and of its parts, the head and hands are most intimidating. Loomis found a way to bring these challenges into the realm of the achievable for amateurs, with a text that, while a bit old fashioned in style, feeds the drawing brain.
   As a bonus, Loomis'own pieces, particularly the finished sketches, are deeply satiafying to view. To be sure, the style is genre-past, but the evocation is sweet, recent, and wholly American. One can see in the sketched heads the tender, yearbook faces of our parents now aged or departed.



4. "Drawing Heads" by Andrew Loomis is a very thorough and comprehensive book that has amazingly been crammed into under 70 pages.

   There is no waste whatsoever in any of the pages. The illustrations are beautiful and it contains simplified, easy to understand approaches to drawing the head as well as basic anatomy and facial planes. Also contained are the proportions for small children, babies and teens.

   It would have to be the best book on drawing the head i have come across and is at a bargain price. It is a "must have" for anyone serious about learning how to draw the head.




5. I've owned this book for quite some time now,but the only thing is that it's a translated chinese version of it & the translatiton was done very badly.Still with the well drawn images,I was able to learn everything on drawing of the head & hands.It's a great book & everyone should at least flip over the book to see how faces should be drawn well.Sorry for those who wants this book,I'll never sell it away(May be after I've got the english version of it).

3 comments about Color and Composition for the Creative Quilter: Improve Any Quilt with Easy-to-Follow Lessons.

1. Learn some new ways iof looking at color ar expand what you think you know. Lovely ideas and great things to put into use.



2. I took a basic color and design class at a community college about a decade ago. We worked through similiar exercises to those in this book, but with paper, not with fabric as in this book. If you have wanted to take a basic color and design class at a college but don't have the time or resources, this is an excellent book. The only thing I like better about the college class is that you have a real person demanding your homework!



3. If you hated homework you won't like this book, but if you are willing to follow the instructions and trust the authors to lead you to new skills, you will come away from the lessons in this book with a better understanding of drawing and coloring ways to add to your personal style of making art quilts. I will do this and look forward to the experience!

5 comments about Firecrackers: The Art and History.

1. This is a good source book on firecrackers from China to the world. It was well organized with large pages of colorful photos in rare package labels. The chapters on the origin, evolution and manufacturing of firecrackers were concise and informative. Of significance was the chapter on Chinese celebrations. For more than a millennium, firecrackers have been there from weddings to dragon dances, from funerals to store openings (p.27). For the Chinese, firecracker is a must for festival tradition celebration especially to welcome the Chinese New Year (same as firing guns at New Year Eve).
   
   However, Chinese Christians celebrate Christmas with firecrackers (p.36) is a doubtful assertion as the authors failed to provide where, China or US. The same page said firecracker is celebration and sadness. To Chinese, firecrackers never are associated with sadness. It can mean scare off the evil spirit, negative chi and bad luck.
   
   It is a great book to read and enjoy the colorful labels and package with different themes, ranging from Chinese mythology and folklores to western tradition. The Chinese knows the American market well. The nude angel with wings (p.76) is a case in point; others included are battleship (p.121), Red Devil, thunder cloud, dinosaur, Robinson Crusoe, King Kong, cowboys, Indians, aquatic animals, astrospace and explosives (atomic bombs), bullfight, woman boxers, baseball, football, circus, auto race, military and Dixie boys. The un-named artists were impressive. Labels from Guatemala, Indonesia and India are included as well. Of special meaning were the two package labels related to WW II - four Chinese soldiers with weapons on hand, a firing tank, a Chinese flag and three double decked fighter planes heading East resisting Japanese aggression (p.100); a young Chinese soldier in green uniform, gun at back and bullet case belt with a raised right hand V finger sign, an obvious V- J Victory celebration (p.101).
   
   This book gave good information. However, the authors failed to mention that firecrackers and fireworks, the Chinese invention are intended celebration for prosperity, happiness, luck and peace as well. But once introduced to Europe, they were turned into weapon to wage war against Chinese as recorded in history 150 years ago under the free trade in China's favor excuse.
   
   Next time, when you light up a package for July 4 celebration, think about the excitement and joy this Chinese gift brings.



2. My husband was looking for a book on firecrackers and I tried the local book stores, i.e. Barnes and Nobles, Bookmart, Books a Million, but no luck. I browsed the internet and the reviews on firecracker reference materials were few and far between. Finally I came across this book on Amazon and took a chance it would please him.....he's quite picky about his reference library. This soft-cover book is GREAT! It is packed with beautiful, vibrant full color photos of the common labels all the way up to the very rare. The book layout is dotted with photos and the glossary is helpful to even the intermediate collector. The section "Interview with a Collector" gives a nice insightful look into the pursuit of fireworks labels. The history of firecrackers is also discussed, giving the collector a great back-story to the industry. No price guide, but that is fine with my husband, as it tends to date a book after a couple of years. This is an informative addition to the Hubby's library......he's happy and I'm glad.



3. Bright, colorful pages packed with color illustrations and photos chart the art and history of the firecracker, from their construction and advancement to the making of labels and items promoting them. Beautiful drawings pack an illustrated history which invites leisure browsers as much as researchers, and which is very highly recommended for general library collections.



4. This book shows great insite into the history of the firecracker and the intricate artwork involved with the packaging of them. The clarity of the illustrations are wonderful, its hard to believe some of the labels are as old as they are. I highly recommend this book to anyone who can remember the excitement of being able to "set off" these firecrackers on the 4th of July, without worrying about breaking the law. Those of you who were not as lucky to experience this thrill, will definitely find this book fun.



5. Excellent beautifully illustrated book well worth the money. The illustrations and layout are extremely well done. This is easy reading that covers some terrtory not well documented anywhere else (Vietnam.) Some historical inaccuracies especially in the history of the manufacture of "Chinese" crackers in the 20th century. Overall an excellent job! Highly reccomended to anyone who has an interest in the subject, or who just likes the imagery of the old labels.

No comments about Curiosity and Enlightenment: Collectors and Collections from the Sixteenth to Nineteenth Century.

2 comments about Art across Time Volume Two.

1. I didn't read much of this book. I ended up not needing it for school. I think it was ok for the little bit I read out of it. Sorry if I'm not much help.



2. I used this book in conjunction with my text book and it helped me to gain an even better understanding of Art. All of the exercises helped to strengthen my understanding of each chapter.This book helped me so much that I got an "A" for the semester in Art 114.

1 comments about The Madonna of the Future: Essays in a Pluralistic Art World.

1. This book is a collection of articles and essays, most of which must have been published in The Nation, for which Danto is an art critic. They cannot and will not reveal any structured and clearly defined approach of art. They are an impressionistic progress through Danto's own writings. But Danto ignores anything that does not go his way. He ignores Bosch who is the negation of his « beauty » definition of Renaissance art. He ignores all those who deal with « ugly » subjects, even Goya and his drawings about the horror of war and many other subjects. He ignores television and video art, directly on these media (there is one instance in this book of the use of video art in a museum presentation : that is not television and video art, that is the use of video and television technology within the museum). He even relegates video and television art in the « demotic » field, that is to say art for the people, and this approach, borrowed from Hegel, is absolutely condescendent towards the people : people can only suck on the television pacifier because they are not able to understand and enter the sphere of real art. Danto is an aristocrat, like all art critics. He thus ignores the audience of art, the people who are bombarded with artistic forms everyday in the supermarkets, in films, on TV, and in all kinds of mediatic channels. Danto is a typical university professor turned into an art critic and who advocates and illustrates the dominant vision that art is IN the artist, IN the official art circulating system, IN the critic's analysis of it. I dream of a real republic of arts, arts FOR the people, WITH the people and BY the people. Not a submission of artists to the « uneducated » people but a constant permanent intercourse (and this implies exchange, and personal - even sexually and emotionally motivated - connection) between the artists and the wide audience that is bombarded with artistic productions. When I read Danto I think of what Spiro Agnew said about « ephete intellectuals ». Agnew was not a very kosher and clean character but he definitely had one point here : what is important in art is the effect it has on the widest audience possible through the various media that use artistic concepts and constructs to be effective. What I am interested in is not the self-satisfied belly-button titillation of artists or art critics but the real effect art forms have on people in general through channels that Danto does not even know, because he is totally locked up in his artistic ghetto. It's a shame because some of his ideas are interesting, orginal and even explosive. But he does not even know about it.

   Dr Jacques COULARDEAU