5 comments about Pulp Culture: The Art of Fiction Magazines.

1. The BEST collection of pulp genre ever. Who knows what evil lurks in the hearts of men? Is there a Doc Savage in the house? Can I get that Fu Manchu to go? how about some Lovecraft? I guess it all should have warped us, but it didn't, and all that we watch and read today has drawn strength from these wonderfully cheap reads. Totally sweet from design to content. Robinson knows his stuff and it all makes for a CHERISHED collectible book!



2. This is a fully revised edition of the first pictorial history of the pulp magazines to be published and the authors finally got it right. There is a complete index of magazine titles and the artists who painted their covers, the images have been rescanned to eliminate any "moire" patterns that may have degraded the paintings, and the most unusual cover ever published has now been included (a painting by John Held Jr., famous for his "sheiks and shebas" of the Jazz Age). The cover has been redesigned and features the image of a pirate far more fearsome than Johnny Depp. This is the book that started it all and the price is now more than right. --Frank M. Robinson (I'm one of the authors).



3. Hard-boiled Detectives, mysterious heroes, shadowy villains, evil oriental masterminds, and dames in distress...they are the stuff of the pulp magazines and the subject of this wonderful book by Frank Robinson which traces the history of pulp magazines and provides covers to hundreds of these great pulp magazines, so many lost in the antiquity of time...not to mention paper drives of the 1940's war years.
   
   Robinson begins by tracing the roots of the pulps back to the dime novels of the late 1800's. Argosy would premiere as the first true pulp back in 1896 and before long dozens of competitors would emerge such as Popular Magazine, All-Story Weekly, New Story and so many more. Street & Smith, long a major publisher of dime novels would convert their Nick Carter series into Detective Story Magazine in 1915. The pulps were born!
   
   Early on, adventure pulps were the most popular as they transported readers to strange and exotic lands in a time when few would ever leave their own state. It's where we first read the exploits of Tarzan, and heard the names of writers such as Burroughs, Mundy and Rohmer. Adventure magazine was among the most popular of those early days and they even had their own organization you could join called "The Legion" which would one day evolve into the American Legion. Adventure printed more than just fiction, they had many regular columns including "Wanted: Men & Adventurers" where real life mercenaries could advertise their skills for hire.
   
   In the 1930's, detective pulps became the most popular as there were literally dozens of detective pulps being published. Among the most prominent pulps of the day was Black Mask Magazine, started by prominent newspaperman and political commentator H.L. Mencken. But he considered the pulps so low-brow that he didn't want his name associated with them. Still, Blackmask was a breeding ground for some for some of the great mystery and detective writers ever to pen a story including Dashiell Hammett, Erle Stanley Gardner, Lester Dent, and Raymond Chandler.
   
   Robinson's narrative moves from one pulp genre to the next, with a short, but concise history of each. He examines the Western pulps and the interesting history of the man known as Max Brand. Brand was the most prolific pulp writer ever, appearing in 622 issues of Western Story magazine from 1920 - 1935. From there it's on to the hero pulps and the birth of the most famous pulp characters of all including "The Shadow", "Doc Savage", and "The Spider". The Shadow's covers were always among the most evocative and terrifying, especially those by the great George Rozen.
   
   But the genre that gave us the most outrageous and grisly covers of the pulp era belongs to the "shudder pulps". Bondage, torture, sadism, nudity...nothing was held back in covers for such pulps as "Terror Tales" and "Horror Stories". These pulps are some of the most sought after today by collectors.
   
   Romance, spicy adventures, sports, war...all of these get their just do in Pulp Culture but it's the sci-fi and fantasy section that will be a major appeal for many fans. It was here where some of the most famous and long-running pulps made their mark. Hugo Gernsback would usher in the age of Sci-fi pulps in 1926 with Amazing Stories. Soon there were dozens of competitors including Wonder Stories, Astounding Stories, and many more. And then there is perhaps the most famous, most collectible of all pulps, Weird Tales. Weird Tales would unleash the enormous talents of Robert E. Howard, H.P. Lovecraft, Robert Bloch, August Derleth, and countless others with stories that would endure, and continue to be reprinted, decades after their original publication. There are dozens of covers provided featuring the works of artists like Margaret Brundage and Virgil Finlay.
   
   Robinson closes his book by providing an appendix to a handful of pulp dealers and notes on pulp values. This book would be worth the $40 price tag alone JUST for the hundreds of stunning covers re-printed, but Robinson's concise history of pulps just adds to the luster of the book. Simply a magnificent book for any fan or collector of pulp magazines.
   
   Reviewed By Tim Janson



4. This book is a marvelous journey to a time that will not come back.Guided by two wonderful connoisseurs: writer ,pulp magazines scholar and collector Frank M. Robinson and Lawrence Davidson,"PULP CULTURE" was a beautiful gift that I bought(via Amazon.com ,from the NIGHT OWL CAFE Bookshop in North Hampton,NH) for myself.Reviewing this work for January magazine,David Middleton said:"For me it's mostly about covers.Those lurid,sensational covers." Well,for me it's about everything.I love the covers,of course(see the HANNES BOK painting for the November 1941 cover of WEIRD TALES),but I admire, too,the stories and writers.The adventure tales written by H.BEDFORD JONES and TALBOT MUNDY;the mystery and detective stories created by legends like DASHIELL HAMMETT and RAYMOND CHANDLER;the western yarns concocted by pulp giants like MAX BRAND and FRANK GRUBER.And the Magazines!It's titles!It's alluring titles:THE ARGOSY,THE ALL-STORY,BLACK MASK,DIME DETECTIVE MAGAZINE,ADVENTURE,THE BLUE BOOK,THE POPULAR MAGAZINE,WESTERN STORY,THE SHADOW MAGAZINE,G-8 AND HIS BATTLE ACES,TERROR TALES,HORROR STORIES,STRANGE STORIES,AMAZING STORIES,ASTOUNDING STORIES,FANTASTIC ADVENTURES,FAMOUS FANTASTIC MYSTERIES,THRILLING WONDER STORIES,PLANET STORIES and so on...I have a good envy of collectors like Frank M. Robinson who owns hundreds and hundreds of these shiny magazines with their garish covers,a happy guardian of these rare and precious popular art objects.
   The books published by Collectors Press are already much sought after for it's exquisite design and intrinsic quality."PULP CULTURE" is one of them.



5. I puchased this book for 50% off, and after reading it, I can say that even at full price, it would have been worth it. Page after page of bright clear reproductions of pulp covers, many almost full-page, with any extra space filled with smaller images. The book is divided into chapters based on subject matter: Westerns, Super Heroes, Sci-Fi, Horror, Gangsters, etc. The text is informative, but minimal - it provides just enough background on each chapter's subject and then lets the art speak for itself. Each cover is accompanied with information on the issue and artist, plus some informative personal commentary from the author. Plenty of top-notch artists are included, such as Wyeth, Baumhofer, etc. Don't buy this for an in-depth analysis of pulp magazines; the star here is definitely the art, and it delivers in spades.

No comments about A Voyage on the North Sea: Art in the Age of the Post-Medium Condition (Walter Neurath Memorial Lecture).

2 comments about Learning How to Scrimshaw.

1. I was somewhat disappointed in this book, it seemed a little sketchy. It was a little light on surface preparation and didn't say anything about actually inking the work. The author stated that this book, or more rightly a booklet, was based on class handouts and it showed it. Still, there is good information to be had if one knows almost nothing about the subject but it is bound to leave you feeling that you need to know more.



2. i took a one week class with ron at campbell folk school. he will make you a belivear in your ability to scrimshaw. i have since actually made $ from my new hobby.highly recomend.

4 comments about Best Works of Aubrey Beardsley (Dover Pictorial Archive Series).

1. This book is censored. Fine for a school library, but not true to the artists actual drawings.



2. 
   i was a bit dissapointed since i couldnt find the erotic illustrations from Lysistrata of Aristophanes.There are only details and expurgeted versions.



3. Big fan of this book. It's hard to believe he created so much in so little time. This book shows off a lot these works in good detail. I believe this is a must for anyone into art nouveau or Beardsley. Beardsley's use of large black spaces and intricate detail is highly evident in this book. I give it a 8.5 out of 10. Cheers, enjoy.



4. Inexpensive collection of Beardsley's black & white illustrations, mostly taken from other Beardsley books in the Dover catalogue. Some erotic penwork, but Aubrey's "obscene" art is quite tame by today's standards. Some of it even adorned the covers of magazines in his own time. Of course, the big value of this collection is that it's copyright free. You can use these illustrations in your crafts & collages or scan them for your websites. So, if you like that old decadent Nineties style (I mean 1890, not 1990), this book is one window you can peek through.

5 comments about The Fatal Bullet: The True Account of the Assassination, Lingering Pain, Death, and Burial of James A. Garfield, Twentieth President of the United States ... of Victorian Murder (Graphic Novels)).

1. Rick Geary's new book "The Fatal Bullet..." explores an important event in American history in an unusual yet effective manner.
   
   To summarize: the nation, which in recent times had dealt with the horrors of President Lincoln's assassination was once again shaken to its core the summer of 1881. On Saturday, July 2 in the near empty waiting room of a train depot, the twentieth U.S. President, Republican James Abraham Garfield was shot in the back. It would take a grueling two months before the President would succumb to his injury.
   
   The assassin, one Charles Guiteau was quickly apprehended. He announced that he bore no ill-will toward the President but that his death was a "political necessity." During his trial Guiteau defended himself proclaiming to be an agent of deity. He would go on to state that the President's physicians should bear the burden of his death. He reasoned this because of the fact that they had decided the wound the President had suffered was not, in fact fatal and that he would soon recover. Guiteau was convicted of the assassination by a jury and was executed by hanging on June 30, 1882.
   
   What sets Geary's book apart from other historical works is that it was written in a graphic novel. With illustration reminiscent of a comic book, Geary's book sets out to explore the Garfield assassination as well as to take a closer look at the events leading up to this significant point in the two men's lives.
   
   Geary examines certain similarities in both lives. Some of these included are in regards to their home regions, the fact that both were the youngest in their family, both considered clergy as a career and that both were drawn to the law and politics.
   
   Robert Frost wrote of two roads that diverged in the wood. This would certainly be applicable to the life paths taken by Garfield and Guiteau. While their lives bore some resemblances they each took different paths. Garfield had a "happy prosperous life" with a strong marriage and a "reputation for honesty, loyalty and fair dealing." Guiteau, on the other hand, took the "downward path" with a bitter and brief marriage and a reputation as a "cheat, charltan and hum-bug."
   
   Geary's book is very interesting and unique. To take a piece of history put it in comic form and stay true to the serious nature of the event is quite the feat. This book will appeal to those young adults and teens who may otherwise have little or no interest in history. Teachers would do well to include this book in their curriculum.



2. I'm a fan of this series. There are good entries and less good entries. I discovered them with the Jack the Ripper volume which I like to read at night before bedtime. There are two aspects of that book I wish Geary would return to. The first is that the crime is scandalous and unsolved (as is the Borden case), the second is that none of the victims was a president!
   
   This is really not about juicy, low Victorian murders which I would think is the appeal of a series with that title. Once a president is involved you're into assasinations, which to my mind are a different thing. Curling up with a book about an assasination in which the killer is known & villified for his failings, the victim lingers, and in which all the answers are found before you're done just doesn't hold the same appeal.
   
   People who are seeking history seem to like the book.



3. When I ordered this book, I thought it was a short textual history of the assasination of President James Garfield. It turns out that this book is in comic book format with the story being told by dialogue and cartoon illustrations. However, I really enjoyed the book and learned a lot about Garfield, his assasin, Charles Guiteau, and Garfield's slow death.

   Guiteau was basically a loser in life and had even served time in jail. He was constantly skipping out on creditors and and he showed signs of mental illness. He was dillusional and thought that Garfield would apppoint him to an ambassadorship. He literally stalked both Garfield and Secretary of State Blaine in an attempt to secure the appointment. When it was not forthcoming, he stalked Garfield (this was in the days before the secret service) until he had the opportunity to shoot the President.

   The wound caused a rupture in an artery but an aneurism sealed off the opening so he did not bleed to death. Garfield lingered for many weeks until the aneurism ultimately ruptured and Garfield died. The location of the bullet had not been located and the aneurism had gone untreated. Today, Garfield's condition would have almost certainly been diagnosed through an MRI and he may have survived delicate surgery which would have saved his life.

   In reading history, we generally get a line or two about Garfield being assasinated by a "disappointed office seeker." It was enjoyable to learn more about this event, particularly in such an unusual literary format.




4. As a history buff, and a fan of Rick Geary's, I knew I'd enjoy this book, but I had no idea how much! The book tells the paralell stories of President James A. Garfield and his stalker (and eventual assassin) Charles Giteau, an abysmal failure in every aspect of life; indeed, his ONLY success in life was the murder of President Garfield, and he almost botched that up, too. Garfield lingered for months after the attack, dying perhaps more as a result of medical incompetence than Giteau's efforts.
   Geary's wonderfully cartoony art is reminiscent of claymation; it gives a true illusion of depth and form. He is truly one of the underrated geniuses of the Comic art form. His meticulous research gives us many interesting facts, such as The President being allowed to walk around Washington D.C. unescorted (No Secret Service yet), Abraham Lincoln's son's association with Garfield, and too many others to count. Do yourself a favor- read the book!!



5. This entry in Rick Geary's series on Victorian murders examines the assassination of President James Garfield by Charles J. Guiteau, a megalomaniacal failure at preaching, the law, and almost everything else he had tried. The drawings are evocative of the time and place, and give a clear idea of the events. The lives of Garfield and Guiteau are traced, and Guiteau's mental illness is made quite clear; today, he would almost certainly be sharing a room with John Hinckley. I'd like to see this whole series reprinted: one of them is out of print and apparently unavailable.

1 comments about Alan Fletcher: Picturing and Poeting.

1. This book exudes unrefinement- with its exposed cover boards, doodles, and hand-made collages of graphics, photos and rubbish. This is not accidental, and will make perfect sense to artists of all stripes who want a good art book that isn't about technique and isn't a collection of beautifully rendered masterpieces. What makes this book so "good" is this lack of refinement itself, plus some words of guidance to make sense of it all. In his words, Alan's drawings show "a naivety not so easy to capture with a more calculated approach." And that is the better half of art- a blatant playfulness that defies conventions and labels. Losing this playfulness is no less devastating than losing technical proficiency.
   
   This is the lesson I learned. What will this book say to you?

1 comments about Magical Secrets About Aquatint: Spit Bite, Sugar Lift & Other Etched Tones Step-by-Step.

1. Specialized information. Beautiful color reproductions of artwork. Step-by-step instructions. Informative artist biographies. Very valuable dvd, detailing the entire processes. This book is a veritable handbook for aquatint! It contains a wealth of specific information which is written in a straight forward approach. There are many worthwhile insights into this process-heavy technique. Also, through the analysis of artists work, a window is opened into Crown Point Press's history, and into the very studio were artists make etchings. It is the third volume in a series dedicated to the intaglio printmaking processes. The appendix reveals how to print your plate, "The Crown Point Press Way," and you will be amazed at the difference in quality! This book is a perfect element to enhance every student's printmaking studies. An essential tool in any print shop. Excellent addition to an art bookstore or library. A distinguished hardcover book to add to a collector's shelf. (I also love the Sol LeWitt print on the cover!) Reasonably priced for the amount of information and detail provided. The book is worth the price alone--think of the dvd as a bonus!

3 comments about Minimalism: Art and Polemics in the Sixties.

1. A stunning and brilliant book, this is THE essential work on minimalism.



2. This book is already becoming the standard work on the etiology of the movement. Meyer combines a complete mastery of the period's theoretical issues with a sleuth's approach to its historical narrative. Essential.



3. This history of minimalist theory and thought is based on the contention that the question of what constitutes minimalism has remained unresolved since the 1960s. Chapters trace the movement, examine its major qualities, and considers the presence of minimalism as a debate or argument developed in response to works of others.

No comments about Look! Drawing the Line in Art (Look!).

2 comments about Destination Art.

1. Destination Art was purchased as a gift. It is exactly what I was looking for and was amazed that this topic/idea was available,



2. just browsed and bought this book. amazed it wasn't written long ago. too late, alas, for my friend, berta gardner, who always chose her trips this way. perhaps on the ultimate journey she's already found a copy. highly recommended.