5 comments about New York's Fabulous Luxury Apartments: with Original Floor Plans from the Dakota, River House, Olympic Tower and Other Great Buildings.

1. If you live in New York City, this is a great book to see what the building "insides" look like. Although I don't live there, I still enjoyed seeing the floor plans and getting a very brief descriptive of each building. Just a fun book to look at and imagine yourself living in one of the more grand one-floor coops or condos. Fun to dream! The only downside is that some of the floor plans were so small that I needed a magnifying glass to identify the room layout.



2. Originally published under the title 'Apartments for the Affluent,' this book is aimed at a very narrow audience indeed. Alpern takes us through 75 luxury Manhattan apartment houses in chronological order, from 1869 to 1974. Each building has a full-page b&w photograph, a diagram of a typical floor plan, and a quarter-page-or-so description. Alpern explains the reasoning behind the various room arrangements, and how that reasoning evolved over the years. I enjoyed this book immensely, but it's not for everyone. If you ever walked by an older high-rise apartment building and wondered how the rooms were arranged and why, this slender volume will fascinate you. Otherwise, you may prefer a book that's a more general survey of the topic (including some by the same author).



3. Finally I got a hold of this book! Great floor plans; but as usual, I would have liked more interior pics (hardly any).



4. This book provides excellent descriptions and floor plans of many of New York's finest apartments. It proved to be a great guide book on a recent trip to the city.



5. This book is a must have for any fan of architecture. A glimps into some of the most amazing buildings, complete with floorplans! My personal favorites: The Langham, 1107 Fifth Ave, 960 Fifth Ave, 625 Park Ave, River House and my ultimate favorite, the late great 410 Park Ave. I am so glad I discovered this book.

5 comments about The New Urbanism: Toward an Architecture of Community.

1. I grew up in what new urbanists would probably call a paradise. It was a real community in which neighbours were really neighbours. People did sit on their verandahs and converse with their neighbours on the street. There was an understanding that one could borrow things if the owner wasn't using them. It was considered polite to tell the owner if he was there but if he was away one could just borrow the thing and tell him when he came home if one was still using it. In short it was everything new urbanism wants. This was in a moderately large city in Canada.

   There were two things wrong with this paradise:

   a) it was not about verandahs, facing the street etc. It was about control and conformity. The neighbourhood protected itself by frowning on unexpected behavior. There was an expected range of interests and an expected range of activity. If someone went out of this range, one could expect social sanctions unfailingly. The dark side of Jacobs 'eyes-on-the-street' is Foucault's 'gaze.' The neighbourhood worked as an exercise in power. The verandahs and street life were instruments of that power. Heaven help anyone who had non-standard interests.

   b) the neighbourhood was unsustaining. With the growth of the personal rights ethos, the ability of the neighbourhood to control its inhabitants fell away. No longer could the neighbourhood fathers take action to control petty teenage misbehaviour. Instead personal rights and social policy took these controls away from the neighbourhood and gave them to government agencies. As a result the neighbourhood is now perhaps not unsafe but definitely uncomfortable. No one leaves tools or equipment out now in case a neighbour needs to borrow it. Everything is locked up. The doors are firmly closed and neighbours now complain to the police instead of discussing thier joint problems.

   New urbanism seems to miss this point. Neighbourhoods are about local power. For some people this produces a comfortable paradise. For those slightly different it creates a jail of conformity. Some people thrive in it. Some peole will be stifled. Neighboourhoods are an exercise in hopefully beneficent control. Architecture does not create this control. It can destroy it certainly and make it impossible but it cannot create it.




2. I have only had the book a day and already it has given me great pleasure and joy. I love the fantastic pictures and diagrams. The computer digitalizations on a few existing towns today and what they could be like were truely fasinating. I couldn't help not liking the indepth descriptions of numourous cities, towns, and villages from around the country and canada as well. This book had colorful photos and diagrams, this book to me is pure genus!



3. A very good appraisal of design examples of new communities with also a consistent theoretical approach to New Urbanism concepts. This is a necessary reading to those that want to be updated with the best design practices of integrated urban spaces.



4. The basic principles presented in this book are the stuff that dreams are made of. I have shared the ideas presented in this book with many of my friends and they all want to live in communities such as this. We've been strip-malled, mega-malled and automobilized to near-death. New Urbanism as presented here is like a million breaths of fresh air.

   It is best to read the basic principles presented in the front of the book first. It may look like dry reading at first but as you get into it, your interest will be piqued at first, then grabbed, and you won't want to put it down till you've read it all. Having read this part you will be armed with the knowledge that, to date, no development or developer has had the guts to follow the principles completely. All of the projects presented include some elements of New Urbanism but none of them have it right. One of the other customer reviewers of this book, Ken Wing, missed this entirely. Hey Ken, there is no people in the Seaside pictures because they want the reader to see the architecture! Those who don't get it, or are afraid of change, tend to trivialze New Urbanism and mis-represent it.

   Once you have read this book, you, like myself will want to immediately pack up and move to a New Urbanist community. Better ones are coming out of the ground each year and I hope to see one near me real soon.




5. This is a good book about bad ideas which-because of their influence-simply must be read. The problems with New Urbanism stem from five implicit premises it shares with other approaches to city planning. Consider them in turn.

   1. The same design approach is appropriate for both cities and suburbs.

   Peter Calethorpe claims the application of urban design principles "regardless of location: in suburbs and new growth areas as well as within the city" is a "simple but unique contribution of this movement." City planning, however, has often applied suburban principles-such as buildings as islands in a sea of grass-in both cities and suburbs. New and old share the underlying belief that the design problem of cities and suburbs is similar. Yet 40 years ago, Jane Jacobs showed us that cities were places where people had to feel safe amidst strangers, which fundamentally distinguished them from suburbs and small towns. The result when premise meets reality is laughable.

   For example, the chapter on the upscale, private golf community of Windsor, FL devotes four full pages to the castle-like entrance building where visitors must pass a security checkpoint. Perimeter walls form an important design element of South Brentwood Village, CA. The text and captions don't mention them, but they show clearly in the illustrations. Unless New Urbanism's model is the medieval walled city, it is hard to see these as urban.

   2. Community is primarily a matter of buildings and their arrangement.

   Those who have not received years of professional training easily fall into the trap that community has to do with people. Planners know better. Community is about buildings and the spaces they enclose. The planners' view is most apparent in the illustrations they choose. Seaside, FL's chapter is typical. Seaside requires front porches, because they supposedly encourage sociability. Seaside's front porches appear in 17 photos. Exactly one porch is in use. Of the six photos showing Seaside's public pavilions and gazebos, but one is in use. The photo of the pedestrian-friendly sand walkway is empty. The planners are proud of their porches, pavilions, paths and gazebos. They constitute "community." Who needs people?

   3. Appearance is more important than functionality.

   Planners design and evaluate with primary reference to aesthetic standards. The design must work at some level, but that limits rather than drives what the planner does.

   For example, the proposed conference center entrance in Montreal is a grand staircase, but it is hard to imagine anyone using it except joggers seeking a challenging exercise regimen. A large stair is also proposed for a park in Communications Hill, CA, not to get up and down, but to "terminate the view from a nearby street."

   The plan for part of Brooklyn, NY, shows a seven block length of Atlantic Avenue taken up by five buildings with nearly identical facades, three one-block long, and two two-blocks long, blocking two cross streets. The centerpiece of this stretch? A two-block-long parking garage. Does anyone really believe vibrant street life could exist here?

   4. Inside the boundary, plan. Outside, ignore or conquer.

   A convention of the planning field concerns how the area surrounding that planned for is portrayed in plans and renderings. Of course, the planner's work is always shown in living color and full detail. Two basic approaches are followed in showing surroundings. In one, surroundings are simply left out, as if the planned area were a space station, or the sole settlement on a virgin continent. In the second, surroundings appear in monochromatic outline, making the viewer aware there is a context, but giving little information about it. Whether this convention is cause, effect, or coincidence, what is clear is that it strongly parallels planners' values and thought process.

   This premise can be seen in action in what is perhaps the worst single design feature in the book. A "major goal" for the Clinton area of New York City was preservation of the few remaining low-rise buildings, including a corner gas station. To the planner, this meant the gas station was "outside" the planning area. Not content with surrounding it with an eight-story building taking the rest of the block along both street frontages, the planner proposed building a canopy on air rights over the gas station, thus engulfing it, amoeba style. Such bizarre design makes sense only when one starts from the planner's premise that what is outside the plan is at best something to be ignored, and at worst an obstacle to be overcome.

   5. Give planners complete control. They know best.

   The desire of planners for complete control is evident from the opening essays, where the wants and ideas of "businesses and public officials" are referred to as "hurdles," and the changes a planner makes to incorporate others' ideas are called "accommodations" and "compromises." Examples of building codes to limit architects and builders to the planners' vision grace several chapters. The pinnacle of control is achieved in Mashpee Commons, MA, where the developer retained ownership of streets to avoid zoning setback requirements.

   The premise that we would all be better off if we would just do what the planners want stems from their deep seated belief that they know best. I hope it is apparent by now that this hubris has no basis in ability or performance.

   As horrifying as these five premises are, it hasn't stopped New Urbanist planners from getting plenty of work, and in many cases getting their plans built. For suburban developers trying to create a simulacrum of pre-WWII, small-town America ala Disneyland's Main Street, the New Urbanism is probably harmless. For cities, the stakes are considerably higher. Cities have already suffered immensely at the hands of planners, and in their current state can hardly afford another round of arrogant ignorance. New Urbanist planners have already been to work on New York, Los Angeles, and Montreal. Read this book before they come to a city near you.

5 comments about Lake|Flato: Buildings & Landscapes.

1. The pictures, layout, descriptions and forward (by Glenn Murcutt) are all fantastic, I love this firm! Great book



2. Great book for every architect that likes contemporary architecture that is warm, inviting, and sensitive to the site



3. Although I appreciate the architecture, I am very inspired by the site work included in their projects. The tight connections between indoors and out, and the sustainable approach to the site interventions - whether planting, hardscape, structures - all inspire my work. Great book!



4. A remarkable volume on much more than architecture. The works of Lake Flato teach us that mankind can grace the environment when so many are bent on destroying it.



5. This book chronicles the work of the 2004 AIA Firm of the Year. It displays some the best work of a firm that has won numerous awards for a body of outstanding work that include some of the best examples of venecular architecture built in recent years. The forward by Pritzker Price Laureate Glenn Murcutt explains the reason this firm's work is so relevant. The introduction by Thomas Fisher provides insight into work that stands out for its clarity of meaning and use of sustainable materials. The photography and layout are equal to the high quality of the projects presented. Overall an outstanding book that is well written and photographed, capturing the work of an outstanding architectural fitm that has a lot to teach any practicing or even interested in architecture.

5 comments about Elements of Design: Rowena Reed Kostellow and the Structure of Visual Relationships.

1. It was very fast to get the product and I experience a very good seller!



2. To truly get the most out of this book, you need one of Rowena's dwindling number of students still left at Pratt teaching to stand over your shoulder. The exercises in this book can all produce amazing results in terms of beautiful abstract relationships but to "know" what is right or wrong with an object using this visual language really takes someone showing you what is wrong with a transition or how this proportion is too similar to that one or how this spacial relationship is not quite right. In the end, you need to know what is wrong in order to really be able to see what is right and it takes someone to show these things to you over and over again. The book is an excellent companion and record of Rowena's interesting and effective exercises, but it's difficult to use as a guide for someone not dialogging with one of her former students and even that is challenging because each one delivers her gospel of 3D a little differently.



3. This book is a nice window into a professional display of techniques and exercises that garner superior forms and shapes. I bought this book for an industrial design class, it was not mandatory, but completley necessary and helpful. i highly recommend it.



4. This is a technical book that is an attempt to teach what RRK developed over a lifetime obsession with visual compositions. She did one thing, over and over, refining it over a long and productive career at Pratt, in Brooklyn. As such, I believe that it would best be used in the classroom, rather than as a simple read for those who want to understand modern design. Being ignorent about issues in studio design - really doing it, rather than observing it like I do - I got a lot out of it. But I will need to refer to it and read through many more times to truly absorb the exercises. For what it is, the book is a masterpiece as an exercise in visual thinking and the method left its imprint on many of the greatest American designers from before WWII to the 1980s.

   Recommended, but for designers rather than design critics.




5. I agree with one of the reviewers in that the rules presented in this text should not be applied loosely and expected to produce "a beautiful design". As far as industrial design goes it still is not even so great. HOWEVER what it does teach is basic 3-dimensional design. There are lessons in here that anyone who works in a 3-d medium (interior, industrial, fashion, sculpture, etc) should be fluent in. I did the exercises and it has allowed me to get such a tighter grasp on my work and understand all the subtle effects I can produce in it. It is also invaluable to me as a reference guide. Study this book in order to help develop your sense of 3 dimensional structure and compositions but not as a base for design education (only because design incorporates much more than "beauty").

5 comments about Bauhaus 1919-1933 (Taschen 25).

1. If you want a comprehensive historical information as well as tons of full color photos of all sorts of Bauhaus inspired works -from architecture to practical objects - this is the book you should have. Open it and read a single article, think about it and close the book. Or browse through the photos and marvel at the teapots, the furniture, the architectural style.
   
   You can savor this one slowly (and I think you should) rather than trying to read it through all at once. If you do that, you'll start to get a sense of the Bauhaus style and how it fits into the particular period when it came into being - and how it grew and evolved from there.



2. While this book offers an excellent collection of images related to the Bauhaus, it traces the history and the development of the Bauhaus comprehensively as well.
   This book, alongwith Eva Forgacs' Bauhaus Idea and Bauhaus Politics can give you a general idea about what the institution was all about.
   
   Its an amazing read.



3. You can know lots of new details. It helps you to study not only design but art itself.



4. This book has great studies. Lots of new details for me are in it. It helps you to study design and art histry.



5. Bauhaus was one of the most important movements in design-history.
   Magdalena Drosta describes the ideas, the people, the work and the spirit of the Bauhaus. The best thing: It is never boring. The book does not only concentrate on the art taught at the Bauahaus but also describes its political problems.
   A lot of excellent pictures in a good priniting quality (especially in relation to the price) make this a book, you always like to look at.

5 comments about The Small Adobe House.

1. This is a great additional to our book collection and is a must have for anyone who is designing their house with the "Santa Fe" look. The pictures are just wonderful!



2. This is a beautiful book. It is an excellent addition to my library of Adobe house books. I will be building an adobe house in the next couple of years and this book is a great reference.



3. Great book showing some fantastic homes. Lots of great ideas for when I move west and get an adobe. If you have an interest in this type and style home this is a good book to have in your library.



4. In comparison to other books available about adobe houses, the content of this book offers little range and depth. Other choices were less superficial.



5. Robert Reck's photography is beautiful (as always). It was a wonderful surprise to see MY OWN Santa Fe work in the book!

   The book gives a great feel for the beauty of the Adobe Home and the time tested vernacular of the details.

5 comments about Cuban Elegance.

1. This is a beautiful book with gorgeous photos of Cuban architecture and furniture of the Cuba I left behind many, many years ago. I gave it to all of my siblings for Christmas and it was an instant hit! Its ovely pictures bring both smiles and tears. A must for those of us who want to keep a collection of what once was our life in Cuba before our exile.



2. Cuban Elegance is a great book, has wonderful photography and dipicts the elegant decore of Cuba and its architecture as well.



3. THIS IS IS SUCH A BEAUTIFUL BOOK. THE PICTURES ARE BEAUTIFUL, THE TEXT REGARDING EACH ONE IS VERY CLEAR. IT HAS A GOOD FLOW AND MAY I DARE SAY IT IS A SEXY BOOK? IF THERE IS SUCH A THING. I WOULD RECOMMEND EVERYONE AND ANYONE TO GET IT. WHEATHER YOU'RE CUBAN OR NOT.
   
   IT HELPS POINT OUT ALL THE BEATY THAT ONCE USED TO BE AS WELL AS THE ONE LEFT NOW AMIDST ALL THE DECAY AND ABANDONEMENT CURRENTLY AFFECTING THE ISLAND COUNTRY. I LOVED IT.



4. I recently bought this book and despite that I had never being in Cuba before this is better than the real thing. Cuba was one the biggest economies in the region and such growth gave the possibility to create one of the most selected elites in the Caribbean islands. That prestige and class is all what you can find in this book full of excellent pictures. The reading of the book is pleasant, accurate and, full of details. I was amaze by the work around Cuban furniture which reflects the passion of the author in the topic. It's worth 5 out 5 starts with any doubts.



5. This is a great coffee table book of good quality. The colour photographs are excellent, accompanied by descriptive text. I bought it out of a sense of curiosity of how the more affluent Cubans might live. Unfortunately, as it turns out, I don't generally share their taste in design or dark furniture, but don't let that put you off an excellent and informative book.

5 comments about Allergy-Free Gardening: The Revolutionary Guide to Healthy Landscaping.

1. The concept is great, and I'm glad I have the book. But it was quite difficult to use because of the need to keep flipping back and forth. This should ideally be presented as a searchable CD, or even better, as an online database with a membership fee. That would also allow for more pictures, which would help greatly in identifying plants.



2. As someone who has a history of allergies to almost everything, this book truly has become the Bible of allergies for me. In my opinion, this really is the best book ever written in regards to allergies. Tom Ogren outlines the allergy potential for every plant you've ever heard of, and a few you probably haven't heard of. When we moved into our new Southern California home a couple of years ago, we used this as a bible for landscaping -- if the book gave it a good pollen rating, we planted it. If it was a high pollen rating, we didn't plant it. The result? My allergies are better now than they have been at any time in my life, and this book has played a huge part in that! Even if you're not allergic to plants, get this book if you do any landscaping -- if everyone would follow his suggestions, there's no question we'd reduce the amount of allergic reactions by a huge amount. I can't say enough good about this book!!



3. I have owned this book for several years now and couldn't do without it. I do a good deal of gardening and before I buy any new plants at the nursery, I consult Allergy Free Grdening. My allergist suggested I buy this book, and I am very glad that I did. AFG helps me pick out trees, shrubs, vines, & flowers that will not cause allergies. It is very easy to use, interesting, useful, and surprisingly, kind of fun to read. There is also a good deal of solid advice on how to grow different kinds of plants.
   Several of my friends also own this book and we all find it terribly useful. If you have allergies or asthma, or if you have a husband, daughter, son, or good friend who does, this is the book to own. It would also make a wonderful present for your favorite doctor, especially so if he/she is an allergist. I highly recommend Allergy-Free Gardening.



4. Allergy-Free Gardening really did change the way I look at plants. I have a background in both horticulture and botany and yet there was so much new material that I learned from this book that I was frankly, amazed. I knew a bit about plant sex, but in retrospect, very little.
   In Thomas Ogren's eyes all plants are not created equally--or at least they certainly are not equally of value to us. In the past I planted and never gave much thought to whether or not something would be causing me rashes, allergies or other plant-triggered illnesses. I look at trees, shrubs, vines, flowers, lawns different now though. I use this book to find the best plants, the ones that will be attractive and useful in my garden and that will be healthy choices for me and my family.
   I like the way Allergy-Free Gardening is set up. Everything is easy to find, easy to understand, easy to use. This author has a real talent for taking the very complicated and putting it all into easily understood layperson terms. His writing is fluent, personal, interesting. You have the feeling he cares deeply about what he does. I haven't read his newest book yet, Safe Sex in the Garden, but I have two friends who have and they thought it was excellent. I've ordered a copy of it also. But, if you garden or you are concerned about your health, I expect you will enjoy this book. I also find that I use it over and over as a general gardening reference book, since it is full of good, solid, down to earth horticultural advice. This is one of the best gardening books I own, and certainly the best thing written on allergies, asthma, and avoiding pollen.



5. I just finished reading and reviewing Safe Sex in the Garden, the newest book by Thomas Leo
   Ogren. I had already bought and read (several times) Allergy-Free Gardening. I am becomming a real fan of this author, who I would say knows more about health and horticulture than any other writer I've ever read.
   Seriously, Ogren is that rare find, an original thinker who can write well. In both of his books the
   text moves right along. It is almost like reading a good novel, except that as you read it,
   you are learning so many remarkable, often quite incredible new things.
   I have a friend who heard this author speak, at the Huntington Museum and arboretum, and
   she told me that he is a fantastic speaker too. But that doesn't surprise me at all.
   In Allergy-Free Gardening you will see what has happened in modern landscapng, where
   tidy plants (male) are so much favored over pollen-free plants (female). There is a huge
   section in the book where many thousands of garden and landscape plants are discussed, and
   each one is given an easy to understand allergy (1-10) ranking. Everyone I know who owns this book has put it to use, making their own yards allergy-free. I count this book as probably the most useful
   gardening book I own, and find that I refer to it over and over, and not just on health matters
   either. The culture of plants, how to grow them best, all this is well covered.
   I just can't recommend this book too highly. I wish that every single gardener, landscaper, allergist, doctor,
   and horticulture teacher owned a copy. The city arborists need to read this book too, since
   so often they are the ones who are planting all those allegenic, male, pollen producing street trees.
   This is a good one (as is the super intersting Safe Sex in the Garden) and if you have a
   garden and care about your own health, you'll simply love reading it.

1 comments about Thomas Hope: Regency Designer.

1. This is a truly excellent addition to the rather small literature on Thomas Hope. Every facet of his career and talents from Interior design,collecting and travel, furniture design, drawing and writing is discussed, as is his -and his family's - history. The catalogue section presents the history and significance of items designed and owned by him and his family. A worthwhile purchase for anyone interested in interior design, collecting or simply the lives of extraordinary individuals.

5 comments about Adobe Houses for Today: Flexible Plans for Your Adobe Home.

1. this book was very informative, and had mulitple plans with all kinds of potential additions. great book for someone looking for a book that can give them concrete ideas for building an adobe house.



2. I agree with other reviewers that one of the most important features of this book is that in the 12 example plans presented, you can economically plan and build the Basic smaller version of 850 to 1000 sq. ft. and when the need arises, add on to the design. If any design meets your needs, you can purchase a working blueprint for $25 including postage and also included at no extra cost for the more technically minded, are a CD-ROM of a CAD version of the chosen working drawing that you can alter making this one of the most complete and convenient packages I have had the pleasure to use.
   
   The one reviewer who said, "If you are looking for old traditional Adobe home plans this is not what you are looking for." was correct. But, if you are looking for a modern adobe home with passive solar traits that is well thought out and will lead you step-by-step, this is the book/package for you. Covers both traditional "flat roofs" and "gabled roofs".



3. Adobe Houses for Today is a concise discussion of building with adobe. All the house plans are well thought out and enable a core house to be built first. While living in the core house, you can build on additional rooms without making structural changes to the core house. The homes appeal to a variety of builders from southwest flat roof styles to homes with gable roofs. Excellent resource.



4. This is a terrific book to get started thinking about the adobe home you want to build, especially if you're planning on building "green." The floor plans and accompanying CAD generated images are practical and straightforward. The text covers the basics of adobe home building, including the advantages and disadvantages the owner may want to consider first. If you're considering building a modest adobe home, this book is an excellent place to begin. Working blueprints of the floor plans are available for a minimal cost as well should the owner decide to adopt one as is.



5. If you are looking for old traditional Adobe home plans this is not what you are looking for. Other than, this is a very interesting book, very useful in where to get things done.