3 comments about Mediterranean Design.

1. I felt that I did not get my money's worth with this. I wanted to see more pictures of Mediterranean design located in the Mediterranean not the USA



2. More countries line the Mediterranean than any other body of water, and MEDITERRANEAN DESIGN thus reaches into the cultures of Spain, Italy, Greece, France and others to incorporate a wide range of architectural styles. When it transplants to the U.S. and blends with local needs here, it can be truly astonishing, as MEDITERRANEAN DESIGN teaches in a survey of Mediterranean living spaces both at home and abroad. Full page color photos of home interiors accompany detailed historical notes and descriptions which include period changes and trends. A gorgeous, inspirational survey.
   
   Diane C. Donovan
   California Bookwatch



3. "The stonework is hand chiseled and laid in an organized pattern, with wide chinking and wooden accents. Wood-framed windows deep-set in very thick walls purposely shade the rooms from the hot Mediterranean sun yet swing open easily to direct the sea breeze throughout." ~ pg. 108, Stone Casitas
   
   Luxurious designs are displayed in all their glory throughout this beautiful collection of inspired ideas. From the incredible spa-like pools in creative shapes (including stars) to the sapphire blue tiles in a Moroccan-style bathroom, the pictures are breathtaking. Dreamy outdoor settings filled with sunflowers and fountains look like scenes from a novel you would want to live in and the terrace with a tented roof garden is so romantic!
   
   Sunlit walls surround an outdoor seating area and sheer orange curtains allows light to filter into a room with ancient walls. Light plays with color and texture throughout the book and makes this fascinating.
   
   Villa Rockledge has an enviable reading room with a cozy chair upholstered in a crimson fabric that is mirrored in the carpet, but with less complexity. The room seems especially comforting and may give you some ideas for your own reading room/library.
   
   The walls of the rooms throughout are almost as interesting as the furnishings. In one room a lime-washed pumpkin walls glows in the light of candles, a chandelier and a fireplace. An outdoor room seems to glow with hints of lavender blue as sunlight filters in onto the stone pillars and tiled floor. The stonework in the Ada Hotel in Turkey is fascinating and create the feeling that you are living inside a castle.
   
   Every page of this book is a masterpiece! It is rare to feel such longing to dissolve into the pages of a book and to wander through intoxicatingly designed rooms, covered verandas and courtyards. The aquamarine seating area that matches the color of the water in a pool is a must-see. You can truly imagine spending much more time outside with such beauty. Unlike many architecture books of exclusive homes, this one showcases a few hotels you could actually visit!
   
   ~The Rebecca Review

1 comments about Outdoor Living Idea Book (Taunton Home Idea Books).

1. This is a wonderful book for all styles of outdoor living. The photography is absolutely excellent. It makes a great gift.

5 comments about Basilica: The Splendor and the Scandal: Building St. Peter's.

1. As long as you don't approach the book expecting a definitive summary of 150 years of church history, it's an entertaining and fascinating read. I enjoyed the personal portraits of the characters in the book. It's the first book I read in Kindle, and I suspect I might have enjoyed the printed diagrams of the basilica more than the digital version, which I found difficult to read and impossible to enlarge.



2. This book was more than I had hoped for, and it made a very easy read. I couldn't put it down and hated for it to end. I will buy more books from this author.



3. I am disappointed in this book. The author's scattershot presentation of a subject that should be fascinating leaves this reader longing for either a scholarly approach or a personal one. This book tries to mix the two.



4. This book might better be termed an "epic" as opposed to a mere history, since it is a kind of saga in architecture that is as action packed as any in the history of art. First of all there is the cast of characters: Pope Julius II, Michaelangelo, Agostino Chigi (banker to the pope) Raphael, Bramante, Leo X, Paul III, Sixtus V, Paul V, Urban VIII, and finally Bernini. Any tale that packs in these powerful personalities is bound to frought with conflict and conflict there is. What is perhaps the most interesting thing about this book is just how the idea of what St Peters would become changed over time depending upon a variety of factors, mainly human ones. Scotti is not able to show us just the splender and scandal, but the changes in design that caused St Peter's to be one of the most expensive buildings ever to construct.
   
   The expense associated with the building was met by the sale of indulgences which as most people know led to the Protestant Reformation. It is rare that a building can change history before it is even built, but it happened and Scotti lays it all out for the reader in a very becoming manner.
   
   While this book does not shed any new light on the building of St Peters and many of the events have been recounted elsewhere, I do not think that the entire story has ever been presented in a more entertaining manner. Scotti knows how to tell a story and tell it well. If you are planning a trip to Rome or have been to Rome, this book will be an eye-opener.



5. This is a chatty, informative and thoroughly researched book about the construction of St. Peter's Basilica. It gives a wonderful insight into the lives of the popes, the artists and the architects of the largest church in the world. I learned a lot and it was a great read.

5 comments about The Measure of Man and Woman: Human Factors in Design.

1. I'm studying furniture design and this book will be extremely helpful for me. It gives tons and tons of measurements throughout the human life span. All kinds of positions, arrangements, etc. There is section on every age, even infants and elderly. It's also just an interesting thing to read, regardless of being an awesome reference book. I loved reading about how different abilities/capacities develop at certain ages. This way you can know when humans are able to do what. This can help better understand human's needs, in a physical and spatial sense.
   
   Great book, just get it.



2. I found a handful of pages out of this book useful for space planning. Not worth fifty bucks unless you are designing equipment and products.



3. There's minimal reading in this book, which is nice since it's good for reference. The reading that it does have is very simple with bulleted paragraphs full of information that you can't get from looking at the diagrams.
   Great diagrams for industrial design students (I got this for one of my classes), gives you the measurements, reach, sight and motion range, pretty much any numeric info you need to know for the 1 percentile, 99 percentile, and 50 percentile man/woman.
   Also has nice chart of child development w/descriptions of what the ave. child can do at each age, as well as diagrams for the elderly (and in wheelchair). This book is essential if you are going for product design or interior design.



4. This was purchased to be a reference book for human sizes and I am very happy with it.



5. This book arrived in good condition from the sender and before time. The book inself is very interesting and will serve its purpose.

No comments about Freehand Sketching: An Introduction.

2 comments about The Rustic Home.

1. I liked this book (I actually bought it for my mother, and she absolutely loves it). I prefer one of Kyloe's other books--Cabins and Camps, but this one was pretty good. If you're not a multi-gazillionaire, you can't think of actually building any of the homes in this book, but it might give you some good ideas. For myself, as I said, I found more ideas I liked in Cabins and Camps.



2. Yet another gorgous rustic book written and photographed by no other than the expert of all things rustic- Ralph Kylloe.
   I own all his books and RAN as fast as my legs would carry me to pick up his latest new book-"The Rustic Home". It is another great addition to my ever growing collection of his finest books ever. If you love anything rustic and decorate in this theme, or even if you don't, but love to flip thru the gorgous pages and dream of living in each and every one of these fantastic homes with a good hot cup of coffee in hand, then again this one is for you. I cannot tell you how often I pick up one of his beautiful books and gaze and dream of owning a home such is found on these pages. I gain new ideas and insight each time i re-open them up! Drives my husband crazy with all the remodel ideas I keep coming up with to create hopefully something similiar to what is found on the pages of all of Kylloes books, only in a smaller scale. I did find a few of the homes in this book outright "funky" if for a better word- like "Montana Lalu", "The Cape" and "The Rookery" ones that maybe I personally would have not included, but that is only my opinion. I do understand where Kylloe is coming from in including these to show that rustic varies depending on each and everyones different interpretation. To me these homes left me somewhat cold- compared to the others with their captivating rustic appeals reminesant to lodges and cozy cabins -some even towering giants so large its hard to fathom even cleaning homes of this size and scale, but none the less absolutely breath-taking!!!
   Thumbs up Kylloe- I would be happy to own just one! But for now we will keep plugging away painstakingly ever changing our home into one of these greats and hopefully some day maybe ours can be featured in one of your magnifient books as well!!

2 comments about The Decoration of Houses.

1. Amidst today's seemingly endless supply of domestic guides and treatises on interior decoration, Edith Wharton might be surprised that her The Decoration of Houses (co-authored with architect Ogden Codman, Jr.) would still be as relevant and necessary as it is a century after its first publication. Long before "simplicity" and "classic" became catchwords for branding, Wharton took a public stand against the bland, trite excesses of Victorian décor in America. Favoring the considered, informed and complex processes of design rooted in architectural principles, her graceful humility was matched only by her assertive plea against the contemporary dominance of thoughtless, conspicuous consumption visible in New York society. As she determinately decreed: "According to the creed of the modern manufacturer, you have only to combine certain `good' to obtain a certain style."
   
   Often associated with the frivolity connected to historical descriptions of femininity, this volume might be a surprise for those who prefer to view Wharton as a New York literary powerhouse. While her 40 books in 40 years (many of which were devoted to travels through European residences and gardens) are a testament to the force of her pen, it's the themes of beauty, pleasure, societal indulgence, cultural education and cosmopolitanism in America's modernity that make her analysis, and eventual ruling on the importance of design and space, a necessary extension of her literary thought. As she aptly begins her historical and aesthetic analysis, "Rooms may be decorated in two ways: by a superficial application of ornament totally dependent of structure, or by means of those architectural features which are part of the organism of every house, inside as well as out." And it's through these sixteen chapters that reflect on everything from the front door to the dining room to bric-a-brac that she offers readers a glimpse at the historic function of furnishings, as well as her claims about taste, beauty and the impact of residential design.
   
   The Italian, French and British capacity for decorating in accord with the Grecian edict of "wise moderation," so admired by Wharton, is illustrated by black and white plates. The illustrations also reveal that the author's penchant for "classic" beauty wasn't about recreating kitschy historic facades or stoic sparseness. Rather, a considered pleasure seems to be her goal as she concludes, "There is no absolute perfection, there is no communicable ideal; but much that is empiric, much that is confused and extravagant, will give way before the application of principles based on common sense and regulated by the laws of harmony and proportion." True to her appreciation for sincerity in the application of decorative principles, readers can see the realization of her rules if they visit the Mount, a 113-acre Lenox estate designed by Wharton in 1902.
   
   Recreated by Rizzoli using photographs of the original 1897 pressing, the only change made by the publishers in this edition is the use of the original interior dust jacket as the model for the printed design that now covers the book. But I don't think Wharton would mind, as she truly believed that design was about the external reflection and illumination of what's on the inside.



2. The "Decoration of Houses" allows a comparison of styles from antique to modern, with variations for each time period. I own it, but gave it to my daughter too, since she does set design in New York. The only one tht is better, is one that is out of print. My father used as a decorator in Boston.

1 comments about Retaining Walls: A Building Guide and Design Gallery.

1. This book contains technical information about how to build a retaining wall, as well as dozens of inspiring photos that will give you idea after idea for your retaining wall. This is probably the only book you'll need if you're thinking about building a retaining wall.

5 comments about American Country Houses of the Gilded Age (Sheldon's "Artistic Country-Seats").

1. The author of this book refers to country homes of the Gilded Age as "Country Seats" (or "country cottages"). By the author's definition, these were homes of, "grandiose size and scale with imposing facades complemented by manicured gardens and with large and impressive reception rooms, halls, parlors, dining rooms, and other public spaces."
   
   George Sheldon published a book around 1887 documenting this surge in architectural creativity (expressed via country seats) and called his book :"ARTISTIC COUNTRY SEATS".
   
   Therefore, this book in review, called, AMERICAN COUNTRY HOUSES OF THE GILDEN AGE, (by Arnold Lewis) was written to show the homes photographed in the Sheldon book, and to update the information provided by Sheldon, so that we can better understand what the Architects and structures' owners were trying to express.
   
   For a long time, I have been interested in seeing what the opulent homes of the Gilded Age must have looked like, especialy those that were avaialable before they were all torn down or destroyed by vandals, fire, etc.
   
   Since I was not too familiar with "country seats" I wanted to find a good book on this specific topic. Well, by buying this book by Arnold Lewis I think I was able to get a better feel for these "country seats" of the wealthy (aka: "country cottages" of the rich).
   
   
   The "country cottages" owned by the wealthy class shown in this Lewis book, are mostly from 1880 to around 1889. Also included in this book are a few selected Casinos from the same period. Reason for the Casinos being included in the Lewis book is probably because the same famous Architects that designed some of the opulent private cottages also designed Casinos located in vacations spots visited by the wealthy class. In addition, some of the Casinos bear a striking resemblance to the styles of the country seats shown in this Lewis book.
   
   Anyhow, when reading this book, I would advise that the reader reads the INTRODUCTION throughly because it explains the role that Sheldon had, in describing each structure. In other words, before jumping right in (as many of us often do) and looking at all the photos, I would recommend reading the entire INTRODUCTION, because it puts the photos in complete perspective.
   
   For instance: The author of this book has researched the Sheldon photos (and reviews) and then re-vamped the descriptions so that they are more understandable to a reader from our Era.
   
   The photos are large and the reader can see all the details so clearly. In fact, it's amazing that photos taken in the 1880's can be so clear!
   
   The black and white photos, have an almost sepia tone to them, making them even more enjoyable to admire. Each structure's photo has a clear explanation of the Architect of the structure, and also a brief description of the date of production and a background of the actual owners, and also, when the structure was finalized.
   
   The photos include a reproduction (in black and white) of the "blueprint" of the first floor of each structure.
   
   As other commentators have pointed out, the book does not show "blueprints" of the second or third floors, however, the author does attempt to describe the upper floors within the photos' description.
   
   Each Architectural style is described in detail in the INTRODUCTION. However, if you are a novice as to specific Architectural styles of the past, then I would recommend becoming briefly acquainted with Architectural styles (and the elementary Architectural vocabulary) before attempting to fully understand the structures` actual styles. For example, to a novice, a structure that looks like a "snow white castle" may be misunderstood, unless the reader has a brief knowledge & understanding of why the early Victorian and/or Queen Anne homes were designed with so many gables and filligrees and turrets.
   
   I should also mention that this book's INTRODUCTION mentions the COST of each home, specifically at the time of the home's finish. So, I think that the readers will find this fact also very interesting, especially when comparing each home to each other (eg: why did some homes cost $6,000, while others cost $200,000.00?).
   
   Also included in the INTRODUCTION are descriptions of where each home was once located (by State), and also which Architectural firm designed each home.



2. This book is richly illustrated with black & white photos of historic houses in the United States. For the person interested in houses from the gilded age, this book provides clear photographs with a minimum of text that can be studied in detail. The photos, more often than not, set the house in its surroundings, however photos of gardens and landscape architecture is minimal. This book is ideal for someone looking for ideas to incorporate into their own plans for home-building, as well as for students and professionals seeking a good photographic reference to the gilded age that covers houses in many regions of the country.



3. The homes shown and described in this book are wonders of a world gone by, and sadly many of them have fallen to the wreakers ball. Thankfully, this book has saved the images, basic floor plans and stories of these magnificent homes. This book is a nice addition to any Victorian lovers library.



4. "American Country Houses of the Gilded Age" reprints 100 photographs from "Artistic Country-Seats," a book originally published in 1886-87 with commentary by George William Sheldon. This new version of the collection replaces Sheldon's original comments with those of Arnold Lewis. But the real "stars" of the book are the 93 houses and four casinos portrayed in the excellent black-and white photos.

   These houses represent some of the most stunning mansions of the late 19th century. Most of these buildings were built in the northeastern United States. Each plate is accompanied by both Lewis' comments and by a first floor plan.

   The houses themselves represent many of the popular styles of the era: Tudor, "Shingle," Queen Anne, Chateauesque, Richardsonian Romanesque, Colonial Revival, and Exotic Revival. The crisp photography captures a wealth of beautiful details: covered verandas, stone arches, classical pillars, towers, pinnacles, parapets, half-timbering, castellations, fanciful dormers, and intricate decorative flourishes.

   The only disappointing aspect to the book is the fact that only the first floor plans are included. Plans for the other floors would have increased the book's value as a record of social history. Nevertheless, the detailed first floor plans do offer fascinating insights into the lives of the wealthy families of the "Gilded Age." You can imagine yourself wandering through the billiard room or music room of your favorite mansion! If you are fascinated by American home architecture, or if you simply want a taste of this opulent era, you will love this book.




5. This book let's readers see how the wealthiest people in America lived back in the late 1800's. The floor plans are, although small, completely readable. I do wish the author would have included the floor plans for the second, third, etc. floors. Great photographs and good desrciptions of the homes.

5 comments about Oscar Niemeyer: Houses.

1. This has to be one of the worst books I have ever bought. I was expecting inspirational works - what I got was some trashy looking houses.
   Maybe they are better when seeing them live, but this book does not inspire me to go seek them out. Out of the numerous houses/flat in the book I could say that only 2 or so were inspirational - the rest trash.



2. Detailed images to show Niemeyer's thoughts on living. Choronological spectrum of his works and constant re interpretation of his own architecture.



3. I saw some of his work in real, but the pictures of those that I didn't see are awesome! Houses designed by a communist, for the capitalists... But we don't care



4. This is a marvelous edition of a particular unknown facet of Oscar Niemeyer (Houses). He is a Brazilian architect that built an international reputation because of public spaces solutions. This book offers a detailed timeline view of private houses projected by him.



5. Niemeyer's houses are like modern art deco, they exude elegance and elan. This book does a fine job of captureing what makes his work so special, through the crisp images and interesting text. I was familiar with Niemeyer's public work, which frankly I not a huge fan of, but not his house designs, which I must say I appreciate much more than his civic work, I mean Brasilia is a mess, an urban "1984" nightmare, but his houses are much more serene and elegant. Nice book, highly recommended to anyone with a love for architecture.