No comments about Private Views: Inside the World's Greatest Homes (Architectural Digest).

5 comments about Underground Homes.

1. This may be a little book in pages,but it is definitely worth it. There are step by step procedures to follow for building an underground / earth berm home.It covers the pitfalls of inappropriate drainage and also Earth-roof designs. There are new techniques now for Earth-roof designs that would be well deserved reading. With energy costs so exorbitant one would think this type of building would stage a comeback.



2. The layman who wants an easy introduction to planning and building an earth-sheltered home typically has plenty of construction guides to choose from, but UNDERGROUND HOMES differs from most in offering all the basics, from site choice and waterproofing and insulation choices to handling problems unique to subterranean homes, such as determining the local water table and handling heating and cooling systems for different climates. The basics are all covered in easy language and diagrams.
   
   Diane C. Donovan
   California Bookwatch



3. Interested.

   Trying to be as fair as possible. The book is interesting to say the least. I would use it as a guide if I were building /and I, my wife and I might just do that. We have just retired and our retirement home will be either underground or a log cabin. her and my choice respectively, so both of us are looking into the possibilities. I will use your book as a reference. I have obtained a copy from a friend and will see how the progression goes from there. I will stay in touch.




4. This book is fairly old (1978; revised in 1980), and slim (only 107 pages of text). But there aren't too many books that cover underground homes, and this is a fair overview.

   If you're just starting to think about building a house, and want to consider the underground or earth-sheltered option, this book makes a decent starting point. You'll need to search out other materials if the idea strikes your fancy, though.

   Chapter titles:
   ---------------
   Introduction
   Lot or Land
   Structure

   Waterproofing
   Insulation
   Interior
   Natural Light
   Heating and Cooling Systems
   Exterior
   Standard Roofs: A Compromise Solution
   Building Sequence
   Conclusion
   Reference Material
   Index




5. Mr. Wampler's "Underground Homes" offers a good introduction to the drawing up and building of an underground home and I give it a pretty good rating, though from a carpenter's viewpoint I would like to have seen a few more detailed elevation drawings within the book to allow the reader to expand with one's own floor plan and draw up a full plan for at least a small underground home without buying a full set of blueprints, though it's necessary to have prints for full scale buildings, some homeowners may choose to add on an underground room or storm room also, and here is the perfect opportunity to offer some basic accepted methods of construction on elevations into plan form. He does cover the various problems which are unique to underground building and one should not approach this type of construction without due information and particular preparation.But, there are no actual home plans in this book.Chapters on waterproofing, insulation, lighting,heating and cooling, and more, will get the reader to thinking about all the options and wonderful security offered in an underground or earth-sheltered home.

4 comments about Your Green Home: A Guide to Planning a Healthy, Environmentally Friendly New Home (Mother Earth News Wiser Living Series).

1. I thought this was a good primer on the subject and got several helpful tips. While I already knew a lot of the material, nevertheless It inspired me to make some changes in my own home.
   
   I was also inspired by The House That Faux Built which showed how to give your home a facelift without ripping things out (and filling the landfills) It showed me how to paint and plaster over cabinets, tiles and floors for a complete update. the 2 books together made a big difference.



2. I am an interior designer and work for an architectural firm. Because of the information I have learned thru my education and professional experience, I found very little new information in this book. If you have no knowledge of green building practices, this book would be beneficial.



3. This book was a overview/introduction to building a green home. Should be a must read for builders and anyone planning on building a new home. Not all strategies will work for every situation, but there's lots here that would apply for any situation or budget.



4. The text is well-written and can appeal to a wide audience. It's simple enough to understand for those without a great deal of knowledge in sustainable design, yet interesting and usefull enough for the professional who's more trained in sustainability. The text covers sustainable homes in a logical order, first stressing the foundation concepts like siting, orientation, passive solar, and building envelope efficiency, BEFORE moving on to less critical (but more popular) topics such as green materials.
   
   I am a professor of Environmental Design and am currently building a passive solar, zero-energy home, and if I were to write a text that comprises the whole of the process and goals in sustainable home building, the format and breadth of topics would be similar to this book.
   
   One negative of the book is the absence of color images to illustrate some points. The simple line drawings get the point across, but photos might have a better impact - especailly in sections discussing more advanced systems such as renewable energy systems or rainwater catchment systems.

3 comments about Small Bungalows.

1. Found this book very interesting. There were pictures and plans of the houses featured. There were also explanations of features inside and outside the houses. Enjoyed reading this book. One of my favorites



2. I believe the value (value for money) to be good. I got some very neat ideas for the house we will be building from this very book. The setup of the book is high quality and the photography is awesome, the lay-out is clear and an easy read. I also need to state that some of the material has absolutely nothing to do with bungalow style interiors A (Kelly green computer room with sixty-ish style blue purple figures?)



3. This is the perfect book for me. I am a big fan of Arts & Crafts homes and I love to look at home plans. This book has both. The plans have all the details one looks for in a bungalow, plus a modern open floor plan. I want to build them all.
   
   Janice
   in the Sierra

4 comments about Strawbale Home Plans.

1. I keep this book around on my couch for all my friends to check out and i go back to it, daily, in searching for beautiful ideas for my soon to be breathable abode! The people in the book appear so serene and i know why! what glorious fotos and floorplans this book provided! great work!



2. This product is short on plans but I love it anyway. It provides one diagram, or layout for each ofmany sterling examples of this construction method,
   A good value for that strawbale builder who finds themself somewhere between a dream and the plan coming together...or just wondering where to get started making the dream a reality.



3. i was very impressed, this book is beautiful, the pictures, and floor plans inside give us so many ideas for the home we want to build in the future, i recommed it even if its a coffe table book.



4. I bought this book seeking inspiration, and I was not disappointed. Evident here is the continuing evolvement of strawbale house design and construction. In this book, you can see what can be done with strawbale. Included are comments and suggestions from the owner/builder of each house. For anyone considering building a strawbale structure, these comments would be especially useful. One owner/builder in the desert, for example, says rain gutters should have been installed when the house was first built, not added later on. Photo quality is very nice, and the overall layout and design of the book is quite good. The title of the book is a bit misleading, and I would have liked to see more in the way of actual plans (all you get is a floor plan), but overall this is a nice book, and offers much in the way of ideas.

No comments about Ten Canonical Buildings: 1950-2000.

2 comments about 50 Great Kitchens by Architects (By Architects).

1. I enjoyed the concept of the book however the level of detail was not what I would have wanted. I wish the pictures were a little bite larger so that you could see the connection details of the tile, wood, and metal.



2. This book presents fabulous photos of awe-inspiring kitchens based on modern architecture. The newest materials and looks are emphasized. What is also great is the functionality of many of them. The ones by CCS-architecture are particularly noteworthy because this firm specializes in modern restaurant design in San Francisco. This volume gave us some great ideas.

1 comments about Strange Details (Writing Architecture).

1. There is no better argument for the reexamination of "architectural language" than this excellent book by Michael Cadwell. Writing in a tradition stemming from Kenneth Frampton's "Studies in Tectonic Culture," this volume examines four buildings by canonic figures--Carlo Scarpa, Frank Lloyd Wright, Mies van der Rohe, and Louis Kahn.
   
   Cadwell writes that, in 1999, after being granted a fellowship at the American Academy in Rome, he hoped to study the work of Carlo Scarpa, in particular the Querini Stampalia Foundation in Venice, discussed at length in the first chapter. After studying and drawing Scarpa's meticulous details at length, Cadwell discovered that "The drawings refused to cooperate. No matter how I arranged the details on the walls, they resisted an order." From this resistance emerged this book, which does not discuss the clear, perfectly articulated theories of architecture (e.g. Le Corbusier and his contemporary rationalist disciples), but rather the materials of architecture that resist explanation, a thickness of material that expands beyond its physical depth.
   
   Cadwell performs this operation again and again, tying each architect's conceptual project to the physical, material nature of their buildings. Scarpa's details flow and dissolve like the water that runs through them, Wright's Jacobs house moves in and out of his idyllic, suburban vision of the broadacre city, and Mies's Farnsworth house is revealed not as a heroic mastery of nature, but as the epitome of humility, reinserting and immersing its occupant in the surrounding environment. Cadwell has the ability to make all of these apparent at a larger level, but always zooms in and out -- the details of architecture truly become the analogue for the world around it.
   
   Finally, Cadwell's book suggests an alternate path for contemporary practice (though it never does so explicitly, a tactic that I believe carries more weight than even a manifesto). The architects discussed here are concerned with the architectural object, the physical entity of architecture. Today's image-driven architectural culture is more invested in the rendering than the building itself, the concept over the detail, architecture as graphic design--flat, flashy, and fatuous. Cadwell's analyses point toward a reevaluation of the material nature of buildings, a position that will undoubtedly be disregarded by some as hopelessly atavistic, but a position that asserts architecture in its barest, most exposed state, as the physical negotiation of the myriad worldly forces surrounding it.

5 comments about Rendering in Pen and Ink: The Classic Book on Pen and Ink Techniques for Artists, Illustrators, Architects, and Designers (Practical Art Books).

1. Ink and pen was pretty much perfected around the turn of the century and the benefit of that expertise is captured quite well in this book. You still get the best and most expressive lines from a steel pen. This seems like a perfect book for a beginner or an experienced artist interested in all the nuances of the pen.
   My only real issue with the book is it seems to be focused heavily on architectural themes and technical issues and less on art. So I give it 4 stars.



2. This is the Bible.
   That's the long and short of it. To my knowledge, there is no other tutorial that is as complete and exhaustive as this 60 year old text on the then prominent art of pen and ink drawing. Arthur Guptill begins with a detailed exploration of the nature of pen and ink rendering as well as its limitations. Pen and ink is never intended to create photographic representations of the subject and so any comparison between the photograph and the ink rendering is fallacious. He then goes on to explain how the results of pen and ink are achieved. Some of the material will be superfluous to the artist who uses the Rapidograph pen because it illustrates the different techniques that are specific to the various flexibilities of the dip-pen nibs and how varying the pressure can produce different line effects. These techniques are the reasons I prefer the flex-tip nibs over the modern technical pen. (Or it could be that I'm just and old fashioned cuss.) Guptill stresses the importance of practicing pen-strokes much as a pianist must practice scales. Neither the instruments nor the lack of skill in the basic techniques should stand in the way of the artist in the midst of creating the picture. Practicing strokes is the surest way to freedom of expression when it counts most.
   Many methods of producing grey scale with the pen and one value of black ink are also presented exhaustively. When this book was written, newspapers relied less on photographs and more on the pen primarily because printing techniques had not been developed that could inexpensively reproduce on newsprint the subtle shading of a photograph. Only the most important stories warranted a print photo. Artists had to rely on pen techniques to suggest them. That, more than any other thing, makes this text invaluable, for even though we have mastered the art of photographic printing, yet there is a charm to the pen and ink rendering that will never be replaced. It is good to have a ready reference to how these effects are achieved.
   Also valuable are the principles of composition, light, shade and texture that are common to most art texts, but here these are presented with the specific ways they are achieved in monochrome ink and various pens. And, there are ample illustrations of works by the greatest illustrators of the time, showing how each one achieved results. Copying these artists is probably the most valuable experience an artists can get from a book.
   Much of the work, in fact, the majority, is in the area of architectural rendering, and it seems that architects may be the ones who will get the most use of this textbook, but illustrators are well represented too, and the techniques are the same for both.
   I have found this book essential in my own illustration work and recommend it highly to anyone in the graphic arts.



3. I bought this book to learn pen drawings but as this tome was written several years ago, it talks about a different set of instruments, principally a quill/or quill type pen. The uniqueness of this pen is that the width of the line varies with the pressure you put. These pens are now available only in specialty art stores. If you are planning to use the technical pen (available in a number of gages) a better and more apt alternative is The Technical Pen.
   
   This book however, still rates 3 stars from me because of the depth of material. Some of the illustrations are very, well illustrative :) and the overall coverage of material is comprehensive.



4. This book is essential. I am a pro illustrator and I still find myself cracking it open. Through out your career in art you will have a hand full of books that amaze you and keep teaching you. This is it.
   
   TJ Walkup



5. This book is all that the other reviewers say it is. The text is clear and informative, if dated... but the illustrations! The illustrations are worth the price of the book. Even just the basic exercise illustrations in the first part of the book are beautiful, and demonstrate what is possible with this medium.
   
   I have to admit, I'm a Rapidograph person (and if you are too, please see The Technical Pen in addition to this book) rather than a flexible nib person, but the lessons and examples in Guptill's book are priceless anyway.
   
   Highly recommended.

3 comments about Design for the Other 90%.

1. I was already familiar with the catalog, but needed additional copies. I was pleasantly surprised to find the Amazon selling price was even lower than at the venue. The catalog contains links and resources to follow-up on all the displayed items and their authors.
   
   The shipping time was relatively long, but express shipment outside the US would have been too expensive.



2. "Design for the Other 90%" was published for the exhibition of the same name at the Cooper-Hewitt National Design Museum at the Smithsonian. More like a review of an exhibition than a definitive text, the book is a nice brief review of some very interesting designs that are useful all over our planet. The book does not seem to be intended to teach you how to build, but rather to inspire you to think about building differently.
   
   The book contains a collection of inventions - most of them quite simple. Examples are a "pot-in-pot" cooler which uses evaporative cooling to keep food from spoiling, a portable water filter for drinking water, a communal solar-powered kitchen, a gravity-powered drip irrigation system, and small-scale photovoltaic lighting. There are many more interesting ideas within these pages.
   
   You won't learn the details of construction from this book, but you will be stimulated to think more broadly about designs that are useful for the majority of humans on our planet.



3. Excellent book. Besides many, many good ideas, the concept of Designing for the other 90% of the population is inspiring. If you've ever seen how people in developing nations live, you know how important and needed innovative ideas like these are.
   
   In the lines of "Poverty is our greatest common enemy", if people started designing products like these to help improve the lot of the rest of the world, the larger part of the world's problems would be solved.
   
   The only thing I'd like to see in this book is more good ideas..