1 comments about Rosemary Beach.

1. This book offers an attractive photographic portrait of Rosemary Beach Florida, a Duany Plater-Zybeck (DPZ) designed community. This beautifully executed tome shows the charm and character that can be achieved in a new community when the principles of good urban design are followed.
   
   For anyone who decries the fact that they are no new porches being created on streets where kids can walk to neighborhood schools, this book is proof positive that you just aren't buying property from developers who have a proper view of the potential of new construction and good planning.

2 comments about Taylor's Weekend Gardening Guide to Topiaries and Espaliers: Plus Other Designs for Shaping Plants (Taylor's Weekend Gardening Guides).

1. This is a great beginner's book on how to create topiaries & espaliers. The book is in full color with lots of photos. Instructions are clear and easy to follow. In each section appropriate plant types are discussed.

   First, frameless topiaries are described. Designs included are lollipop, poodle, spiral, & corkscrew trees. The book then shows how to make empty frame topiaries. Included are circles, hoops and spirals.

   Then it shows you how to make a moss-filled bunny. Following this method you can make almost any shape imaginable. Several kinds of espalier shapes, and how to make them are then show.

   Finally, knots, mazes, pleaching, pollarding & coppicing are covered. Proper tools and shaping hedges are explained as well. Be aware that most plants used are for warmer climates (zone 6 or above).




2. This is the first negative review I've written, and I feel badly about it. I was so anticipating the arrival of this book.

   The instructions, which I was eager to get, were only the most general, basic things I already knew even though I'm a raw beginner. I was particularly interested in espalier and pleached allee directions and was hoping for a book with lot of focus on these. A couple of short articles available on the Net were much more informative and illustrated each step very clearly.

   The list of recommended plant materials was limited. With a little research on the Internet, I obtained a much more extensive list suited to my area.

   The photos were the best part, although they could have been improved, too.

   The most positive statement I can make is that the price was most reasonable, and perhaps that is why this book was so lightweight, more for browsing than using for instruction.

   I'm ordering another book from Amazon, hoping for better instructions--and hopefully, I'll be able to write a glowing review!

2 comments about Living In New England.

1. What a wonderful book! Both the prose and photos are terrific. The authors have truly captured the essence of New England and country life. As a new owner of one of the 25 profiled homes, I can honestly say (o.k., I am a little biased) that this is a book worth buying. SRS



2. I was browsing among the impoverished English-language section in a local bookstore and this immediately caught my eye with both title and jacket photo. I grew up and went to college in New England and it will always be called home-thus the nostalgia. This lovely and evocative book combines photography that you can drink in (and be transported by) with a very readable text...I find very often in "coffee-table" photo books the accompanying text is either boring or excessively esoteric. This is neither. Dos Santos' impeccable technical skill is obvious, although there is a slight bias toward a stereotypical New England simple-and-spartan ethic as far as subject choice goes. Overlook it and give this book a once-through. You won't regret it.

4 comments about The Process of Creating Life: Nature of Order, Book 2: An Essay on the Art of Building and the Nature of the Universe (The Nature of Order).

1. I first discovered Christopher Alexander's book "A Pattern Language" about eight years ago and it has been a treasured companion on my bedside table ever since. I would highly recommend it as an excellent introduction to the framework of design concepts proposed by Alexander in subsequent books.
   
   I decided to start with Book 2 in the "Nature of Order" series as one Amazon reviewer described it as the most "practical" of the four. I can best describe my overall reactions as excitement regarding the implications of Alexander's ideas, and disappointment that the text is so dense and repetitive that I fear that only the most committed of readers will persevere. I don't mean to dissuade other readers at all, but merely to warn you that Alexander's motto seems to be "why use one word when you can use ten, and then repeat yourself ten times." I believe a rigorous editing of the book would render it far more digestible without losing any of its inspirational magic.
   
   Alexander provides philosophical, logical and practical examples of concepts of wholeness and flow in design and how these lead to "living" end products, whether these products are buildings, interiors, works of art or simple household objects. I am currently using these ideas to renovate my home and I can now see why some rooms "work" and others don't and what I can do to improve them. There are many photos of "living design" scattered through the book, to reinforce the concepts. In addition, you don't need to be independently wealthy to apply the ideas - you just need to be willing to think about how you like to live, recognise what feels comfortable and "right" in your environment and experiment with small changes to see how they affect the "feel" of a room or space.
   
   I can strongly recommend this book for any fans of "A Pattern Language", but read it slowly and you will see how it provides a strong conceptual framework for using the patterns described in his previous book. I have just ordered Book 1 in the series and will gradually work my way through the remaining books - I may resort to using a highlighter pen to make it easier to re-read and absorb the ideas. (I recently heard an interview with Alexander which was produced by a Canadian radio station - luckily he speaks succinctly and presents very well in conversation).



2. One can make a strong case for Alexander's Nature of Order as one of the greatest advances in the entire history of aesthetics. Book 1 treats the expression of Life in art in its static form. Book 2 examines the dynamic process of life creation, in real life and in architecture. I can't do better than second what Professor Salingaros says below. He is a major figure in architectural aesthetics himself -- google him on the web and you will see.
   
   In this volume, as in the others, Alexander presents his principles and gives examples both positive and negative, richly illustrated with hundreds of pictures, many in color. His examples are both historical, such as the evolution of St. Mark's Square in Venice over a period of a thousand years, and drawn from his own building experience, showing how he has gone about designing and building a structure in a way that maximizes its life.
   
   Yes, it costs $75, but considering its aesthetic gravity and its 636 pages and all the illustrations, this is a bargain. I bought all four and am still benefitting by rereading them.



3. I originally only intended to read book one of this series because they are so expensive; however, after reading the first, and becoming interested in Alexander's ideas, I have committed to the entire series. There is a lot of food for thought in these books, from the idea that there is actually a universal consensus on what is beautiful when one looks at things on a fundamental level, to the concepts that we spend too much time in this society on ornamentation and rule making to the exclusion of building things that actually enhance life. Book 2 in this series goes in depth into the concept that things can only be built to enhance life and be truly beautiful and useful if they are built in a sequence of appropriate steps. Alexander is changing the way that I look at the world. This is not a book for someone who just wants to know how to decorate a pretty house.



4. Review by Nikos A. Salingaros.

   PART A. REVIEW FOR ARCHITECTS.

   Contemporary architecture is increasingly grounded in science and mathematics. Architectural discourse has shifted radically from the sometimes disorienting Derridean deconstruction, to engaging scientific terms such as fractals, chaos, complexity, nonlinearity, and evolving systems. That's where the architectural action is -- at least for cutting-edge architects and thinkers -- and every practicing architect and student needs to become conversant with these terms and know what they mean. Unfortunately, the vast majority of architecture faculty are unprepared to explain them to students, not having had a scientific education themselves.

   Here is an architecture book by an architect/scientist, just in time to help architects in the new millennium. Alexander discusses many of the scientific terms arising in cutting-edge architecture, and explains them to those who don't have scientific training or advanced mathematical knowledge. We find discussions of the evolution of forms; the importance of process in design; iteration; genetic algorithms; sequences of transformations; different levels of scale (i.e. fractals); etc. They are explained here by an architect who is also a scientist, because he wants to change the way architects think and build. Alexander is not merely popularizing other scientists' results and making them accessible to architects: he is in fact presenting new and original scientific work that ties many of these concepts together in a way that will be useful to architects.

   Alexander spends many of the 636 pages of this book talking about PROCESS. He describes the sequence of steps leading to a built form, and how each step depends on all previous steps. Alexander distinguishes between good and bad sequences of steps, where the latter are marked by some disruptive discontinuity, and which, as a result, cannot lead to coherent form. It follows that the method of design taught in architecture schools for decades -- "conceive an interesting image in your mind, then impose it onto the environment" -- is wrong. ALEXANDER ARGUES THAT COHERENCE CAN NEVER BE ACHIEVED EXCEPT BY THE SEQUENCE METHOD. Don't forget this is the Alexander who wrote "A Pattern Language", an equally revolutionary book. Therefore, every architect, especially those whose own design methodology clashes with Alexander's ideas, is well advised to become aware of what he says instead of simply dismissing him offhand.

   The present volume is the second of four. I believe that, with some effort, it can be read independently from the first volume (not that I am suggesting this, but merely to encourage people to plunge into Volume 2 immediately). This is the one of the four volumes that is most likely to appeal to those who are already interested in and actively working in applying the New Sciences to architecture. I therefore urge innovative architects and architecture students to read this book. In my opinion, it should enlighten everyone's conception of the design process, and help to initiate a reexamination in one's mind of how new ideas for structures and buildings are generated. This book might well influence in a major way how buildings of the future are designed and built, hence how they will look. No-one who thinks deeply and conscientiously about design today should pass it by.

   PART B. REVIEW FOR SCIENTISTS.

   Alexander is famous in the architectural world, yet he trained in Physics and Mathematics in Cambridge, and was part of the group of scientists who developed systems theory along with Herbert Simon. He has been investigating the interaction between science and architecture all of his life, and the four-volume work "The Nature of Order" contains the results of his researches. Volume 2, in particular, contains the most science. It may surprise many professional scientists that Alexander has managed to conceive of new results by applying architecture to science, surely a development that is as unexpected as it is novel.

   This book contains interesting scientific insights. For example, already by page 42, Alexander proposes a radical rethinking of the standard Neo-Darwinian synthesis. He suggests that, based on a broad range of examples, evolving form in any context is driven just as much by intrinsic long-range forces having to do with geometrical configurations, as by the usual random Darwinian selection process. He thus takes suggestions by Stuart Kauffman and Brian Goodwin and develops them into a proto-theory of morphogenesis. It is not complete, and Alexander knows that, but I believe that the evolutionary biology community will get very excited about this idea. He supports his arguments by using phenomenology, and providing a theoretical basis wherever he can. I believe we are going to see a lot of activity, as ideas from this book inspire other authors to try to prove or disprove them. All of that is healthy, and will eventually establish Alexander as a contributor to scientific thinking.

   My own favorite part is the discussion of how generative sequences break symmetry: instead of producing identical components (i.e., windows, houses, office blocks, apartments), the same generative process gives rise to similar types of complex objects that are individualized and thus distinct. This helps us to understand natural complexity, where adaptation does indeed produce diversity within the same typology. The underlying problem is how to correlate the different scales in a complex system, hitherto unsolved in any discipline. Therefore, this discussion is of great interest to computer scientists, who are grappling with modularization in software so as to handle the increasing complexity of code.

   I am a scientist, and I have profited from Alexander's efforts to understand very deep problems in complexity. The price to pay is having to read through all the architectural examples (which may or may not be of interest to many scientists). Alexander is like a moth circling around fascinating problems. Even when he does not give a solution, his circling in fact identifies the problem, and by approaching it, he gives nontrivial hints towards its eventual solution. And, don't forget that it's the architectural stuff that's going to inspire architects to build a more beautiful world for the rest of us.

No comments about Domesticity at War.

2 comments about Antiques in Italian Interiors Volume 1.

1. Absolutely stunning photographs. A gorgeous compilation of flawless homes.



2. This has to be one of the most beautiful collection of photographs compiled under one binding.
   Absolutly worth adding to any serious library. Get lost within its lush images.

1 comments about Robert Irwin Getty Garden.

1. I felt that this book is not only a beautiful book on art and gardens to own, but qualifies as an "Everyday Reference" for our Architecture office. The photographs by Becky Cohen, 2000 Alfred Eisenstaedt Award winner, were reason enough to give this gorgeous book as gifts to friends as well as other Associates in Architecture, Landscape Architecture and Interior Design. The images she took relay the purposefulness and soulfulness of the design of the gardens, which in turn, connects and inspires the Designer in their own field, whatever it might be. As a reference book to Designers, the book surpasses it's own purpose to show the incredible Getty Gardens and to view the dialogue between Weschler and Irwin, which at times, I'm sorry to say, can be dull and stupid sounding. However, the compositions and textures of the photographs are just too stunning to harbor that opinion of the dialogue for very long. In the book, you feel you might realize that Cohen's immensely thoughtful compositions of the garden photographs are a better art itself than of the artistic gardens. Again and again, with every page, they follow one after the other to reveal a new thought, not just about gardens or a particular spectacular plant or flower, but about how you see them. It inspires a desire to see them for yourself, as she does, to open an intimate experience with nature. Each image impresses that the two dimensional beauty you see in front of you might be part trickery. The "real" gardens couldn't have that much beauty! But, of course, when you visit the gardens, they do. Cohen is merely brilliant at capturing it. As you find the last of the images at the end of the book, it reminds me of the wonder you feel when you see anything beautful for the first time, it sort of makes you hold your breath and makes your heart skip a bit.

No comments about Handbook for Health Care Ethics Committees.

1 comments about Children's Fashions 1900-1950 As Pictured in Sears Catalogs.

1. I've truly enjoyed this book as I'm in the process of writing my own novel and needed a good source for period clothing. This book gave me some great ideas on how styles were designed for one of America's most famous catalogs, Sears. Also has great pictures of hats/bonnets. What's even more fun is how much stylish clothing cost in those days! A definite recommendation!

1 comments about China's New Dawn: An Architectural Transformation.

1. It was here quick and in great condition.
   
   Very reasonably priced.