3 comments about Maison--Christian Liaigre.

1. Everyone should have this on their coffee table. Superior design and broad range of ideas for all nationalities.



2. Christian Liagre is an artist beyond the usual confines of space filling. He always considers the architecture and site before anything else. And even though his work is immediately recognizable, he never repeats himself- there is nothing formulaic.
   
   Nothing ever screams money. The finishes, the light, the mix are always beautiful and comfortable.
   
   So while I got the book hoping to see a substansial review of his work, I was dissappointed in the chopiness and lack of ability to "see" the house and rooms shown. The designers work saves the book, because it is so complex and interesting. Poor choices in views and cutting off of vistas and lack of detail make the book fail.



3. Christian Liaigre. If the name is unfamiliar, the French designer's style-or at least a popularized version of it-is ubiquitous. His palette of warm browns, rich creams, and calmly varied neutrals is the color scheme of a thousand-and-one stylish hotel lobbies, and his sexy low-slung furnishings have been copied for mass consumption by furniture makers worldwide. Yet, if you think you know the man by the knock-offs, you've got another thought coming.
   
   Herbert Ypma's sumptuous MAISON: CHRISTIAN LIAIGRE is here to set the record straight. Weighing in at 256-pages, and featuring 550 color and black & white illustrations, the book quite eloquently makes a case for Liaigre as "possibly the most important-certainly the most copied-designer of our time."
   
   Author Ypma--he of Thames & Hudson's stylish Hip Hotel and World Design series--co-designed the lavish volume with frequent collaborator, Maggi Smith, and the book features the pair's now signature blend of breathtaking one- and two-page spreads of interiors and landscapes, punctuated by checkerboard layouts of myriad architectural details and textures.
   
   These design elements have never been employed more effectively as in this book, and they convey the quiet majestic sweep of a room or garden on one page, while focusing on the smallest of details on the next, all combining to present a vivid and comprehensive representation of each Liaigre's diverse residential projects.
   
   Ypma, a worldly and witty writer, as well as a sensitive and skilled photographer, is responsible for all of the shots documenting eight of Liaigre's recent domestic design projects featured herein. This lends the book a pictorial consistency rare in design literature, and affords the author/photographer opportunity to focus on the formal integrity and quiet constancy of Liaigre's design ethos, as well as its diversity and adaptability. After reading this book, you'll never again think of Liaigre as a "minimalist."
   
   The photos, layout and text quietly conspire to transport the reader from a sunny beach house in Galicia, to a picturesque Bavarian retreat in Tegnersee, to an unconventional pied-a-terre in the quintessentially bohemian Montparnasse district of Paris, as well as to other intriguingly beautiful rooms in other intriguingly beautiful places.
   
   The book is unconventional in many ways: it doesn't attempt a career-long survey of its subject's oeuvre, and neither does it focus on his celebrated commercial projects. It lists no honors, awards, timeline or bio. Moreover, it contains not a single photo of Liaigre. Yet, the book and its richly evocative photos and amusing and insightful text offer as sophisticated and sensitive a portrait as its subject could ever hope for.
   
   In a neat twist on Matisse's aesthetic of "luxe, calme, volupte," Ypma expresses the "luxe, calme, moderne" quality of the work of this quietest and most authoritative of contemporary designers.

5 comments about Pamphlet Architecture 27: Tooling (Pamphlet Architecture).

1. Aranda/Lasch provide a glimpse of what algorithmic techniques in architecture are capable of producing. Spiraling, packing, weaving, blending, cracking, flocking, and tiling are briefly defined, and their conceptual application in architecture is explored.
   
   Although interesting, the discussion is left at a highly conceptual level, and the book could benefit from more detailed exploration and explanation. A website promising programming code to accompany the techniques has yet to be developed (and 2 years from date of publication probably never will) and does not appear to require the purchase of the book in order to access if it ever does go online.
   
   A better discussion of algorithmic architecture can be found in Kostas Terzidis' Algorithmic Architecture, which not only shows better developed architectural projects but provides an analysis of code scripting.



2. This book looks at scripting from a conceptual point of view. I enjoyed its form and content. The examples of work were inspiring.
   
   Why do I give this 3 out of 5 stars? I feel slightly miss led. On page 94 the authors write "Scripts from tooling experiments are available at www.arandalasch.com/tooling". Yet the site doesn't exist! The authors have yet to create this accompanying site that could give more tangible insight into the nitty-gritty of scripting. I assume it won't happen as its been more than a year now since the book was published. Too bad, because there are really few books that get into the details of scripting without becoming "programming books". Aranda and Lasch could have been pioneers in this area as they seem to enjoy the hands-on aspects of making stuff. Instead, they have dropped the ball.
   
   The book is full of pseudocode which is fine if you already know how to program. But for DIY beginners like myself, its just not enough...



3. as an architect, i find this book fascinating. but it is not in any way limited to the practice of architecture. its relevance extends to all fields of design, and probably into fields of which i am not familiar. its a 'must have' in my opinion.



4. The book updates the latest trend and concept of architectural actions. I find it very useful tool to have.



5. This book provides a general idea about scripting and algorithmic design to those interested in this new medium of design in architecture. I personally have known the authors and they're experts in this field.

4 comments about Cottages on the Coast: Fair Harbors and Secret Shores.

1. I love to read and I love houses on the water. When I need to relax I grab this book. It has also given me some ideas to use in my own home to give it that cottage look. Very inspirational and easy to read.



2. Great source of architectural interior details and inspiration for small residential structures.



3. When I picked up this book I was surprised to find it so filled with a wonderful variety of cottages. Cottages on the Coast is a small and wonderful glimpse of styles around the coasts of the United States. A small "photo album" near the beginning shows early pictures of some of the cottages that are featured later and as those same cottages appear today. A great selection of cottage styles, representing different regions of the country, are fascinating with their accompanying stories. This is a book I will go back to over and over again, to look up something I remember, to find something new and to just plop down with it in my lap for pure beach imaginings. I love this book!



4. Wherever they are located, seaside dwellings share several common traits. These hearty homes are crafted from tried and true materials that age gracefully in the sea air and reflect local building traditions and styles. They balance the storms of winter with the peaceful days of summer and maximize beautiful views whatever the season.

   Cottages on the Coast presents an extensive variety of homes from sea to shining sea. Linda Leigh Paul selected more than 25 examples from Bainbridge Island, to Big Sur, from the Florida Keys, to Tybee Island, and north to Maine. You will be captivated by hundreds of beautiful photographs of vernacular exteriors and very personal interiors.

   Cottages on the Coast stands out because the interiors and exteriors exude a lot of personality, and they seem authentic and attainable. New England is well represented with houses in Maine, Martha's Vineyard, and Nantucket. The tranquil cover image, Treasure Cottage on Key West is truly a cottage at a mere 500 square feet. Treasure Cottage is filled with the owners carefully arranged antique collection, which does not clutter the small space but gives the home so much personality. Other examples, a modernist cottage designed by a Frank Lloyd Wright pupil in Carmel, complete with loads of natural light, and built-in furnishings. Or a cottage recently built on a private island in the Puget Sound, built on a solid rock foundation, with enormous interior beams to withstand the fiercest storms, decorated in a simple manner re-using found materials such as driftwood for a mantel and stair case railing.

   Cottages on the Coast will be a source of inspiration for readers who are considering rehabbing, designing, or decorating a seaside dwelling. Or if you are an avid armchair traveler Cottages on the Coast will fill you with travel ideas for your next coastal break.

5 comments about Not So Big Solutions for Your Home (Susanka).

1. This book will be invaluable for anyone looking to build/remodel their home. The author provides creative suggestions for rethinking how we live and ways to reconfigure existing space rather than construct extensive (and expensive) additions to our homes. Susanka admirably supports her ideas with background information, diagrams and case studies. Ultimately, however, few ideas in the book are applicable to anyone not planning a large scale construction project of some kind. If you're interested in what you can do with your existing small space, check out one of the author's other books instead.



2. I think every person who owns or is considering buying a home should read this book first. The concepts presented here will make you rethink the idea that you need more...bigger is NOT better. Utilizing space effectively and making a house your own with personalized touches are much more likely to make one more satisfied than buying bigger. While I have been investigating going smaller for a while now, this book really helped me to focus on the details of actually making that change work in real life. A must read for anyone feeling cramped in their spaces.



3. I now am a HUGE fan of Sara Susanka. I went to the library and read ALL her books. The pictures are very helpful if planning a remodel or building new. Finding an architect that is in-tune is a challenge, most are men and do not think this way.



4. Nice book of concepts. Albeit incomplete and some what frustrating.
   
   The Author presents concepts in text, images, sketches and floor plans.
   Problem is the floor plans and text lack any measurements to put the
   plans in perspective. There are no size minimums or guide lines.



5. This book is best read *before* one even selects the lot for their home, but it does contain a few good ideas for those who want to remodel.
   
   In the beginning, she talks about site selection and designing the house to take advantage of and to fit in with the site. She also talks about window placement and roof lines to make sure the outside of the house looks "right."
   
   The bulk of the book talks about things such as designing a mudroom, a mail-sorting place, where to place a tv - in other words, how to design real-life living spaces for real-life tasks and habits.
   
   The book also includes thoughts about details, both aesthetic and practical - varying ceiling heights, skylight considerations, where to place outlets and light switches, and window placement.
   
   The last part of the book talks about simple floor plan changes to existing homes, how to make an addition blend seamlessly into the exisiting struction, a smart solution on how to add a window seat, etc.
   
   Where the Not So Big House dealt with the concept of smart design, this book give more specific applications of smart design. If you're in the planning stages of home-building, I highly recommend this book.

5 comments about Learning from Las Vegas - Revised Edition: The Forgotten Symbolism of Architectural Form.

1. I admire and respect Robert Venturi and Denise Scott Brown for their great career and contribution to architecture, which has yet to be fully assessed. The depth of their thinking, the vigilant efforts to achieve their aesthetic vision, their desire to overcome modernist dogma, which had mutated into marginalized elite uncivic abstraction, falsely denying vibrant areas of life...how can one argue with the importance and value of such work?
   
   Let me try.
   
   To me, this book represents one of the most interesting turning points of an architectural career, very similar to Rem Koolhaas' essay on Bigness in S,M,L,XL.
   
   Both texts are attempting to give themselves an elite artist's alibi for co-opting the corporate machinery's unself-conscious production. Here, both artists (VRSB and OMA)attempt to escape into pop art, just like their friend Andy Warhol, thumbing his nose at the self important abstract expressionists.
   
   There's just one problem with this; they are architects, not just artists.
   And this places them in significantly different political territory. Architects build in the public sphere, and therefore have a powerful civic impact. They enable some political forces, and, by physical default, suppress others. If they were artists, their voice is a singular one, an unsponsored comment, to be entertained or dismissed. Architecture cannot be waved away.
   
   So, being architects, is 'Learning from Las Vegas' and 'Bigness' an elite artist's manifesto, or a cynical architect's effort to solicit clients from the bloated and most lucrative areas of commerce? The ambiguity is disturbing, because ultimately it has proven out not to matter what their intention. Both Venturi and Rem Koolhaas have been most useful tools for the most egregious excesses of our runaway imperial corporate world.
   
   And this is a sad legacy for two brilliant architectural careers. No matter what their aesthetic accomplishments in the way of rarified architectural thought, the more brutal reality is that architects seeking fame cannot also speak truth to power. This gravely undermines their civic responsibilities.
   I am reminded of William Morris' quote, a sad retrospective look at his career, saying that ultimately, his work "only served the swinish luxuries of the rich." A bitter realization for a socialist, one who chose to retreat into archaic craft, instead of trendy pop.
   
   Pop architecture is not a game. It is an insidious symptom of the polarization of wealth, a symptom that Venturi and Koolhaas cheerfully enable, both with their particular form of dissociating irony. They can play with it as a theory, but it has wrought disastrous consequences in the physical and political landscape. Same thing happened to Frank Gehry, another symptomatic starchitectural monster, who apparently doesn't need to theorize. Hard to say when the deal went down exactly. I just don't know.



2. this book is extremely condensed into a multitude of thumbnails or panoramas and text that never fails to reiterate its point. i mean, these two architects really understand the idea of symbols, suggestions, and sheds but after a dozen pages on one idea, you already get the point.
   
   the images are really helpful in exemplifying the amount of criticism for or against the city ("idea") of las vegas.



3. This is a quite unusual and offbeat treatise on architectural theory, as applied to the world's greatest architectural monstrosity - Las Vegas. This analysis from the early 1970s is obviously outdated because Las Vegas hadn't yet become the monument to megalomania and excess that it is today, but it was already well on its way. The authors analyze Vegas' unique usages of space, lighting, placement, transportation, and building design for the purposes of communication and promotion. Strange chapter titles give a clue to the left-field analysis in store, and the authors have a clear sense of irony, underhandedly implying that Vegas presents the worst in architecture while they appear to be praising its uniqueness. Unfortunately the narrative gets bogged down in dense professor-speak terminology like "Brazilianoid" and "neo-Constructivist megastructures," along with a general overload of obtuse theory. Add to that the poor-quality and under-elaborated illustrations and you have a book that sacrifices insight and readability in favor of pedantic attempts to impress the authors' colleagues. [~doomsdayer520~]



4. Read this book to learn what you shouldn't do as an architect!

   This book follows Venturi's "Complexity and Contradiction", where you can learn how cynically to use casement windows in housing for the elderly where the elderly will happily put their plastic flowers in the windows, but *you* secretly know these are not really hormal casement windows, since they are out of scale (like fascist architecture's lack of scale?).

   This book will tell you about ducks and decorated sheds, but it will tell you nothing about building spaces which nourish creative human community. Try Louis Kahn (e.g., John Lobell's lovely little book "Between Silence and Light"). My postmodernist teachers at Harvard said Kahn's writings were incomprehensible, which says more about them than about him.

   Read Lobell's book and learn why, e.g., a city might deserve to exist. Remember: Only *you* can get beyond postmodernism!




5. Robert Venturi's study of the Las Vegas signage phenomena and it's impact on "architecture" is brilliant in it's scope. While written almost twenty five years ago, this book gains more and more pertinence as we as a society progress further into a "reality" of symbols, reproductions and representations. These words and thoughts are basically essential to the understanding of any city anymore, not just Las Vegas. Where this book misses the mark though is in the execution, as shown in Venturi's work, of these ideas. The projects put forth seem to pale in comparison to the implications the text actually has. These notions of architecture are by far some of the most relevant and important in modern theory today, it is unfortunate that their full potential could not be realized in these projects.... but maybe that is for you and I to do.

5 comments about The Hawaiian House Now.

1. This book is beautifully produced, with a nice variety of types of homes presented.



2. I got this book so I could get some decorating ideas for my own house here in California. I found the book to be helpful in what I needed it for. It shows good interior design ideas for houses in Hawaii that could easily by used in other parts of the world. I love the Hawaiian styles and I am working on recreating them in my home.



3. This book transported me back to those years when I grew up in Hawaii and was exposed through friends and parties to so many of these kind of houses. I see Hawaii house decor being such an accumulation of all that is good about Hawaii - reflection of its spirit and early settlers and Hawaiian aspect. I live in New Zealand and decorate ALL my houses with a strong Hawaii/South Pacific/New Zealand flavor - this book has given me such inspiration for my next house. If you grew up in Hawaii or love the spirit of Hawaii this book is a must. I was thrilled when I received the book and as I am about to start a new adventure with a house I am going to incorporate so much of what I see and read in "The Hawaiian House Now" - It is not just a book with nice photos it is a book with some great information on all that is Hawaii.



4. I enjoyed this book very much. It was well written, well researched and contained a wealth of beautiful photographs. The author captured the beauty of simplicity. The Hawaiian House is a wonderful coffee table book.



5. Whether your style is contemporary, traditional, or eclectic this book has something for everyone. I've gone through it again and again, and each time I've seen something new or gotten an idea for something I can do in my own home.

5 comments about Massive Change.

1. http://www.amazon.com/gp/product/0714844012/ref=cm_cr_rev_prod_title
   A simple question: "what for?" should be ask for designers. What exactly a process of design means and how it works or could work in contemporary global civilisation? It help get a consciousness of designers role in modern world.



2. Excellent vision and unhappy scenarios are show us. How could we do this? It's time to change!
   
   Robson Quinello



3. An excellent look at the challenges and possible solutions facing the human race. My only complaint is that the book is a bit dated, but its perspective is future proof. The concept of the Institute without Boundaries is especially interesting.



4. Bruce Mau is more than a designer. He is a futurist who has swapped fatalism for idealism. His vision of the future is based on facts, but you feel his undertone of optimisim. Massive Change is an utterly interesting read from cover to cover. The structure of the book and the writing style makes it a great resource of information. Massive Change is a necessity for the bookshelf of every intellect and every dreamer.



5. Bruce Mau's previous book - "Life Style" - was a pivotal publication that had something very fundamental to say about the practice of design. The argument woven into this survey of Bruce Mau Design's portfolio derived its edginess from an underlying, existential dilemma. On the one hand, Mau wanted to do justice to design's capacity to give "style" to sprawling, viral "life" (originally a very Nietzschean concept, later taken up and politicised by Foucault and Deleuze). On the other hand, there was the fear for the domestication of his practice to the status of banal, lifeless purveyor of images and artefacts - global capitalism's lingua franca. This tension between subversion and acquiescence turned "Life Style" into a poignant testimony.
   
   Massive Change is, I am sorry to say, a much less compelling read. It takes its cue from Life Style's key idea - design is able to reformat the very principle of life - but dispels the darker, problematic side of the equation. Indeed, although Mau would like us to believe otherwise, the book's perspective is squarely utopian. In adopting as its motto theme "Now that we can do anything, what will we do?", it echoes the pragmatist voluntarism of the peer-to-peer movement. But the dissonances - P2P's paradoxical (symbiotic/parasitic) relationship with capitalism - have been filtered from the echo. What remains is the suave message that technological progress - shaped and harnessed by design - will be able to solve all our problems if we only want it to.
   
   So, although Massive Change promises to bring us a "wildly unexpected view of the future", it really doesn't reach beyond the intellectual horizon of, say, a special issue of Scientific American on "Key Technologies for the 21st Century". The material is conventionally organised in sections that review the state of the art in urban planning, transportation, energy, information, material sciences, military technologies, biotech etc. Only two chapters discuss governance issues ("market economies" and "wealth and politics"). The relatively meager substance comes from short interviews with a series of "experts" in the disciplines surveyed. The selection is very US-centric and contains quite a few usual suspects (Dean Kamen, Stewart Brand, Lawrence Lessig, Jaime Lerner, Hazel Henderson etc).
   
   By now we are also well acquainted with Mau's cinematic and fractured style in book design. "Massive Change" doesn't break any new ground compared to previous volumes (not only Life Style but also S,M,L,XL (with Rem Koolhaas) and the Zone series of books). What was once truly refreshing is becoming stale. By the way, the short interviews are printed on glaringly yellow pages, which I find positively ugly.
   
   All of this is disappointing. I can think of two explanations for the intellectual and stylistic flaccidity exhibited in this volume. First, we are missing the incisiveness and depth that Mau's sparring partner Sanford Kwinter brought to "Life Style" (In my opinion, Kwinter's three-page lead essay was worth the price of that book). I am not sure what happened between Mau and Kwinter, but the latter is almost completely absent from this volume.
   
   Then, although this is not be obvious at first sight, "Massive Change" is not really a Mau book. In fact, it has been largely put together by Jennifer Leonard, one of the students from the inaugural year of the Institute without Boundaries (a newly established postgraduate education programme whereby students spend a full year in the Mau studio). So, although Mau's name figures prominently on the cover, inside we learn that the Institute led the research, development, design and production of Massive Change.
   
   I can't recommend this volume. "Massive Change" is a missed opportunity.

3 comments about Houses of Los Angeles, 1920-1935 (Urban Domestic Architecture) (Urban Domestic Architecture).

1. I bought the book for my husband for Christmas. He loves it. He is a native of Pasadena, California and has always loved the houses of this era. The history of each home is well done as well as the photography. Would love to see more books like this one to even include smaller, post WWII housing. They all have a unique style.



2. As with all the books Acanthus Press puts out this one is fantastic. The images are crisp and beautifully executed and the text is well layed out and flows well. Los Angeles is graced with many elegant pre war mansions and this book showcases some of the best, although some of the houses picked are perplexing, and some omissions were shocking, like the Warner estate; but Greystone, Green Acres, and the Paley house are included and they are probably the most famous houses in L.A...I had wished to see more of Paul Williams work, I loved his California Regency houses, they are the very definition of the L.A. mansion, I guess his house for the Paley's will have to suffice. If you have an interest in Los Angeles, grand residental architecture, or just appreciate fine books, then I can't imagine you not loving this book. Yes, these books are expensive, but if any book is worth this amount of money, it's this one.



3. This volume completes the two volume set. It is a superb book showing the golden age if residential architecture in Los Angeles. Los Angeles was an emerging meca in paradise during those years and architect had free reign to design structures in any style that had ever existed, plus creating some new and bold styles of their own. These books are a must for all architects, interior designers, landscape designers, historians and anyone interested in architecture and life style.

5 comments about Outdoor Rooms: Designs for Porches, Terraces, Decks, Gazebos.

1. This book will set your imagination on fire and motivate you to turn your ordinary backyard into a mini-paradise. Lots of pictures to drool over, you will find yourself thumbing thru it again and again..



2. This is a great "thumb thur" book. It has really nice pictures of outdoor areas that are very "architectural".... Not helpful for the "average joe" looking for ideas to create your own backyard/outdoor patio/room.



3. If you need ideas on how to create outdoor spaces for entertaining - this book is for you. Dining, lounging, dining, lounging... Even different photos of the same patio have different place settings on the tables to give you dining ideas. After a while, I began looking for spaces where you could do something other than dine, or lounge. Overall, nice photos of nice outdoor spaces, but limited appeal.



4. When looking for fresh ideas and inspiration on how to create the prefect outdoor space you needn't look any further than this book. From a modern symmetrical porch to lush English gardens, it showcases a wide range of styles. With so much to choose from anyone can find something to suit their taste.

   Many of the outdoor rooms have pools. It is amazing how they manage to flawlessly integrate the pools into the environment without making them seem out of place or just thrown there. The magnificent outdoor spaces truly become a part of the home.

   I love the combination of styles and how they compliment one another. One room features the creamy white walls of Greece, a timber roof and hot Mexican colors in a cushioned seat. Large color photos tell the story with brief descriptions of each example.

   In the back there is a sampler of fine furnishing and accessories form a variety of different styles including historical, rustic, Mediterranean/island, and geometric. There is also a helpful directory of design professionals, photographers and product sources.




5. Or if you love browsing Swedish furniture catalogues, buy this book! Unfortunately, I'm not a big concrete & steel fan or heavily into Swedish furniture. It's a lovely book but if, like me, you're looking for garden inspiration or expecting visions that incorporate trees and plants, look elsewhere and save your money. The designs for outdoor rooms in this book left me cold. I gave it a reasonably good rating because I realize that readers who love modern architecture will probably enjoy it.

5 comments about Sensual Home.

1. I have owned this book for about 3 years now and it by far the most helpful home book I have ever owned. I think this is a book for people that are very aware of their five senses and want a home that is intimate, simple, nurturing and pleasurable. Crawford cover the five senses, examining how to enhance your home experience with fabrics, textures, smells, sights, sounds, tastes and sights. She focuses on using natural materials rather than chemical ones. Cotton, silk, cashmere, natural stone, aromatherapy, flowers, etc. are all discussed. There is a great directory towards the end on what businesses she recommends finding the best, natural materals discussed in the book. I also love that the cover of the book itself is textured. I always ome back to this book for guidance on what I really need in my home to make it a warm, intimate, senual, pared down and happy place.



2. i have many, many home decor books and this one by far and away is my most favorite and has the best philosophy. and the cover is fuzzy and pleasant to handle AND nice to look at.



3. And the text makes you think about things that you are probably never going to think about in today's madcap and rushed society, simple things like natural lighting, linen textures, plants for detoxifying your environment, etc. There is just one thing that frustrated me about this book. On pages 54 and 55 there is the most amazing sofa I have ever seen, but there is no mention of where it came from or how to get one like it. Some of the references are clearly European and cannot be found in the States. But the overall philosophy is simple- we are animals and we need to slow down and rediscover our sensual being. And once you have found this simple mindset, you will see ways to make it happen all around you.



4. I love this book. I found it on a small interior design store in Italy,and It was love at first sight.I judged it by it's cover(and thought the idea of the velvet cover was great) but when I read it I was transported by its contents.Its absolutly great! Everyone should have it!



5. This book teaches us how to feel calm and organized, how to embelish and refine our senses with the best home arrangements. I loved it!