5 comments about Vestiges of Grandeur: Plantations of Louisiana's River Road.

1. I searched for hours for a coffee table book for a Christmas gift for a close friend who lives in TN but is from New Orleans. She told me she stayed up all night looking at it. When I gave it to her, she pointed out everything from local businesses to personal landmarks. More importantly, the pictures reflected a pre-Katrina city. They captured sites that she remembered but that don't look that way anymore. I would recommend this book for anyone whose heart is in New Orleans.



2. This is a gorgeous book full of information and amazing photos of some of the most prominent plantations that are on River Road between New Orleans and Baton Rouge. Some of the most amazing photos were from plantations that have all but been destroyed. I'd be really interested to see an updated version as some of these homes have been completely transformed since these photos were taken. Most noteably would be Houmas House and Laura which both in this book are nothing like their now restored selves. Regardless, this book is an excellent addition to anyone's plantation library or coffee table!



3. I was born and raised on the River Road. I have grown up and almost all of the wonders in this book. Nothing comes close to the accuracy and beauty captured in these photos. I would HIGHLY reccomend this book to anyone that would want to know or learn about the grand homes along the Mississippi and South Louisiana. This book is second to none in my rating. A MUST HAVE and a MUST OWN for EVERYONE!



4. This is a fantastic coffe table book. This book is all about the pictures, with interesting text to accompany each image. Pictures are loveley, colour and large. If you are considering buying a copy without the dustjacket- go for it, as the cover image is on the underneath as well.
   A great addition to any bookshelf or coffee table, my family have all had a look!



5. I am fascinated with New Orleans and the River Road area and it's history .This has to be one of the best publications about this subject. Sexton seems to capture so much of it's history in the pages of this book, more so than any other author has. The photography is also wonderful and straight forward. I recommend it to any one who wants to learn more about southern Louisiana plantations.

No comments about Outdoor Kitchens & Fireplaces.

5 comments about The Keepers of Light: A History and Working Guide to Early Photographic Processes.

1. This book is the primary source of knowledge for those who are new to alternative photographic processes. It is a must read for those who wish to know the history of photography, and who wish to dive into alternative processes. It gives a brief history of each process, and then practical knowledge to aid the reader in accomplishing each process. I would recommend this book to all my colleagues and friends interested in photography.



2. . . . And it looks it. I can't tell you how many times I've referred to this book. It is one of the most - if not the most - useful book for nonsilver photographic processes I've ever had and I have quite a collection of this type of book.
   
   I don't think you can go wrong owning a copy of this volume.



3. This is a great book it help me gain notion on the history of photography and alo show me ways to do photography the old way



4. Well, after asking endless questions to some of the "so called" self-acclaimed "experts" in the field of wet plate photography; Crawford's book was a breath of fresh air. I only wish that I could have come across this book early in my search. Instead I had to wade through BBS systems with adults who like to dress up and play "war" (i.e., the Civil War). With this book you will be able to bypass all of the fruitless searches you will have if you ask present day practitioners, who do not want to share the process (or are more likely unknowledgeable themselves). Save yourself the problems, efforts and misinformation. Buy this book!



5. I lost my first copy and just bought another. Learn the history and the how-to's of several non-silver printmaking methods. If you're interested in these processes, this book will give you an excellent overview and get you started on making your own prints.

2 comments about The Sea Ranch.

1. Go north of San Francisco along the coast for a hundred miles or so. Buy 4,000 acres of timber and grazing land. You'll find that you have quite a setting for a housing development. Add rules that say how the house must fit into the land and the scenery and you have quite a housing development in quite a setting. Beginning in 1963 this is just what happened. And over the resulting 40 years quite a stunning set of houses has been built there.
   
   This book is a photographic and descriptive journey though several of these houses, each of which were designed to fit into that exact landscape. It's also the story of the building of this "super development." The story is told with 200 color illustrations, 170 black and white spread over some 304 pages.
   
   Each of the houses described suit their place. This is not to say that they are alike, but that they all just seem to fit. It would be a spectacular place to live.



2. Essays by Donald Canty and Lawrence Halprin accompany beautiful black and white and color shots of California's architectural wonders of the coast which comprise the exclusive Sea Ranch community of homes. Ecologically inspired planning and innovative architectural dreams and designs went into the formation of the California's Sea Ranch community, which sprawls across several thousand acres of land. This could easily have been a picture presentation alone, but the fine house-by-house considerations of design, plan, and history makes it much more, and The Sea Ranch will be revered by architectural reference collections in art libraries.

5 comments about The Landscape of Man: Shaping the Environment from Prehistory to the Present Day.

1. My professor introduced this book to us when I took a History of Landscape Architecture course in University of Southern California in Los Angeles. It was only available in hard cover at that time and was very expensive ($98.00). I did not buy the hard cover version and waited many years later and bought the soft cover version at a great price. It has many powerful images to illustrate the gardens and architecture in many different cultures. It'll show you how brilliant human beings can be.
   
   What is a "Landscape of Man"?
   
   "To qualify as a `landscape of man,' an environment must be deliberately shaped at a specific time." "Art is a continuous process..." Sir Geoffrey Jellicoe and his wife Susan wrote, "All design therefore derives from impressions of the past, conscious or subconscious, and in the modern collective landscape, from historic gardens and parks and silhouettes which were created for totally different social reasons..."
   
   "The Landscape of Man: Shaping the Environment from Prehistory to the Present Day" includes 28 sections and they are separated into two parts, Part One is "From Prehistory to the end of the Seventeenth Century." It covers landscape from pre-history to 1700 AD and includes 17 sections covering Origins, the Central Civilization (Western Asia to the Muslim Conquest, Islam in Western Asia, the Western Expansion of Islam: Spain, the Eastern Expansion of Islam: Mughul India), the Eastern Civilization (Ancient India, China, Japan, Pre-Columbian America) and the Western Civilization (Egypt, Greece, the Roman Empire, the Middle Ages in Europe, Italy: the Renaissance, France: Sixteenth and Seventeenth Centuries, Spain, Germany, England, the Netherlands: Sixteenth and Seventeenth Centuries). The text for each section follows a standard format of Environment, Social History, Philosophy, Expression, Architecture and Landscape. Case studies have striking black-and-white photos, paintings and plans and a brief description.
   
   Part Two of the book is "The Evolution of Modern Landscape." It covers landscape from 1700 AD to present and includes 11 sections covering the Eighteenth Century (Western Classicism, the Chinese School, the English School), the Nineteenth Century (the European Mainland, the British Isles, the United States of America), and the Twentieth Century (Europe, The Americas, the Western Hemisphere: the New World, the Eastern Hemisphere: the Old World), and Worlds Trends in Landscape Design. The text follows a standard format of Environment, History, Social, Economics, Philosophy and Expression for each Century and then a standard format of the Home, Landscape, Comments and case studies for each section.
   
   "The Landscape of Man: Shaping the Environment from Prehistory to the Present Day" has 408 pages, 746 illustrations and 6 maps. It is a great book for architects, landscape architects and urban planners!



2. The book is great, easy to understand and great images.



3. Beautiful gardens and parks don't simply settle themselves on a site. They are planned, developed and planted by caring human beings. Those of us who are amateur gardeners and landscapers are influenced by the great public gardens and parks of the world. And the public gardens and parks didn't just appear out of thin air. All of what we find beautiful was influenced by something older or from somewhere else. And this wonderful book takes us back in time and on the highways and byways to times and places where man first came upon natural sites and imagined the possibility of recreating at least the impression of what his eye beheld.
   
   This beautiful volume with its fine black and white photographs and drawings makes everything seem simple. It takes us down two main roads, the formal and informal. What could be more basic? Yet over half a century or more of shaping the land around half a dozen houses and reading dozens of books, some very useful and beautiful, I do not recall seeing an explanation of how these two main roads came to be trod. But in The Landscape of Man, it is all here from the beginning, from the time when farmers gathered on the banks of the Tigris and the Euphrates gazed upon the fields spreading before them and other such early independent beginnings.
   
   We are the descendants of those who sought beauty and consolation in gardens large and small in the great civilizations of the past. Each of these, over great time frames, came to influence and cross pollinate with one another. And the Jellicoes trace all of these rivulets and streams from their headwaters down to the well established gardens of the world to which we are heirs. The writing is simple and direct, the photos illuminate their points, and their site drawings are clear and useful.
   
   This is a book for gardeners to enjoy over the winter so that they may dream about how they might shape their little spaces and understand a little more of the shoulders on which we all stand as we place our first trees and shrubs in the bare ground before us. It is a great book, and I recommend it not just for professionals but for those whose gardens lie far in the future. It is the best book I have ever come across in explaining the history and possibilities of landscaping.
   
   I have owned my copy for years. Hundreds of sentences are highlighted and notes fill the margins. I should have reviewed this fine work many years ago.



4. This book as a classic. It is not only for those who want to study our changing perceptions of our landscape and our moves to define it over the past few millennia, but also to architects who build 'buildings'. This tome takes us through man's history, and outlines our aesthetic evolution with our landscape as a changing canvas that represent our different social conditions. A must-have if you are a student, an architect, or just a person who wants to see how we became what we are!



5. The original edition, hardcover with beautiful dust jacket, was printed in 1975 in England. It is one of my favorite all-time photo books, since in includes shots of Borobudur, the Ziggurat, the Red Fort in Delhi, Angkor Wat, Ctesiphon in Iraq - lots of photos hard to find even on the net. History all the way to the opera house in Sydney. A most fascinating book. Large: 9 1/4 x 11 3/4, 383 pages, a sound minimal text with each plate numbered and easily referenced - to me this is one of the great books. Everyone who has travelled, or who wants to travel, will enjoy this tremendously. (Many of the areas shown are difficult and often dangerous to visit, now.) Try it. You'll like it.

2 comments about Treehouses: Living a Dream.

1. I bought some books on tree houses cause I want to build one. This was no help. Nice pictures (and ideas, maybe), tough.
   If you want to look pictures and dream, buy the book. Otherwise don't.



2. There are an awful lot of 'pretty house' books out there. Some of them offering quite unusual house designs. But nothing I've ever seen compares with the designs in this book. ==I've seen houses built on poles because they are located in a flood plain. Of course the Swiss Family Robinson and the Ewoks of StarWars fame lived in tree houses. I had one as a kid, and when my daughter came along, she had one (she could pull up the ladder and keep her brother out).
   
   In this book however professional architects from all over Europe, Tasmania, and the U.S have been used to design houses that live up in trees. The houses are mostly not the entire living structure but are offices, retreats, studios, and some of the most exciting entertainment areas imaginable. The results are unbelievably striking.
   
   The integration of the advanced design with the natural look of the trees gives a feeling of working together that I wouldn't have expected. This is true if the tree house is ultra modern, traditional, or some that I guess I'd just call unconventional. A surprising book.

No comments about Proceed and Be Bold: Rural Studio After Samuel Mockbee.

5 comments about Patkau Architects.

1. I have met her through my school days in MA. As a guest critic, she was a great mentor and great designer herself. She even showed up to give an unscheduled private review sessions with one or two of us before she was heading back to Canada the next day and, I was impressed and much thankful for her passion and care for the education.
   
   The book itself does not cover all of her professional works as an architect or as a professor but it was good enough to introduce her name out as it is somehow difficult finding her name or works out internationally.
   
   If you are a student looking for a consistent yet tectonic architect, this book is a good introduction to what a passionate $ insightful architect produces over the time. I hope to see more of her great works in the future.



2. With plenty of large format pictures, this book helps to capture the detail for which the Patkau's are famous. And an essay by Kenneth Frampton doesn't hurt. This is my complaint about most Monologues: not enough process/methodology information. As an architect, I am more interested in HOW they solve particular design problems, than just the beautiful end product. But overall, this book is better than the their first [depth of analysis and range of products].



3. Patkau has been my favorite not only because of its formal language which is undoubtedly influenced by Aalto and 90' Morphosis, but also of its rigorous examination of every line, angle, corner, fenestration, texture, etc. all of which best exemplified by Seabird island school and Strawberry vale school. While the latter is arguably overdone, both of them masterfully guide circulation and elevate genius loci with precisely positioned (figural) elements, a method also seen in Haus Tugendhat by Mies.
   
   Unlike tectonic poetry pursued by Todd William & Billie Tsien that often comes down to the choice of fastener type for a detail, Patkau approaches tectonics in a hierarchical order that operates at the design level like structural articulation, material palette, and construction system. That said, one can certainly appreciate surprises like, say, steel plate canopy in Barnes house, or imaginary deleted gutter in Gleneagles Community Centre that allows rain strolling down the roof into landscape.
   
   However, Patkau seems to (intentionally?) deviate from its established site-specific approach when it comes to larger scale projects. Case in the point: Grande Bibliotheque du Quebec. Here Patkau chose to neglect civic and contextual challenge/opportunity with a homogeneous, if not abstract, plan and construction that resulted in an introverted and hard edged building (perhaps the climate or they spend too much on the channel glass skin?). Conversely, Bolles-Wilson successfully answers to challenges of greater magnitude with a complex yet poetic weaving of highly differentiated space and tectonics in the splendid Munster City Library project.
   
   Hence the title.... If you are interested in an earlier yet already mature Patkau, I would recommend "Patkau Architects: Selected Projects 1983-1993", a nicely edited monograph featuring additional projects and illustration, such as original scheme for Canadian Clay and Glass Gallery design competition.



4. A must for architects interested in challenging their approach to contemporary forms in architecture. A wonderful expression of the models involved in the designing process, a must for the contemporary architect.



5. Based on Frampton, PA's architecture can be divided more or less chronologically into two groups.
   
   First group are the buildings that emphasize the combination of earthwork
   and roofwork. This group holds the indigenous spirit of the specific
   place, telling the story of totem and genius loci expressed in the
   irregularity of forms. On the other hand, second group are the projects,
   built more recently in an urban setting, that speaks and advocates the
   modern approach of universal values manifested in the form of orthogonal
   approach.
   
   Chronologically different in attitudes, all the projects have same
   attitude towards the poetics of construction. Its organic forms expressed
   in wood, its attention to the details and play of light, and its almost
   mythical symbolism to site aligns to the approaches of Aalto, Scarpa, and
   Fehn. (Per Frampton)
   
   Personally, three projects were favored: Barns House (`93), Canadian Clay
   and Glass Gallery (`92), and Grande Bibliotheque du Quebec ('05).
   
   Barns House and Canadian Clay and Glass Gallery is an interplay of
   lightness and heaviness. Almost bird's wing-like roof is paired with
   smooth hard concrete floor. Likewise, light wooden fenestrations
   ungravitate the presence of cmu wall. The anchoring of floor and walls
   really emphasize the freedom towards the sky and forest.
   
   One of the most current built projects, Grande Bibliotheque du Quebec,
   illustrates PA's future potentials. More advanced and innovative in its
   use of materials, but still, basics are same. Structural concrete is in
   striking contrast to the light veil systems. This winning scheme of
   international competition proved that PA's architecture does not bind
   itself to the rural site with single-story program.
   
   Less oriented in theory and abstraction, the projects provide ample
   pleasure of making and specificity of architecture.

3 comments about The Architecture of the City (Oppositions Books).

1. It is a fundamental piece of work on the theoretical study of architecture and cities. The topic that Rossi documents and discusses is far from being concluded, which demonstrates the relevance of this publication edited for the first time about 40 years ago.
   
   I'd recommend this lecture to those involved in the formal study of architecture and urbanism, who might be looking for a solid theoretical basis towards the definition of a "urban science", or simply as a reference to understand the new "urban artifacts" ("urban facts" would be a more accurate translation in my opinion) that occur in our days cities.
   
   As it has been mentioned, this is an excellent book, although I-would-not recommend it as a first approach to the subject. The topics are treated more with academic rigor than practical value, this might be disappointing to anyone who only wants a simple, easy-to-read book about cities and their construction.



2. The practical work of Aldo Rossi is known to may, and has attracted a great number of followers for its common-sensical approach to architecture, at a time (the 60's) when Modern architecture ran out of steam and fell into a vacuous "play of forms" without sense nor content. Yet the theoretical foundation of the Rossian work remains fairly unknown, and it is distilled into 2 works: the paradigmatic "Architecture of the City", which was a serious attempt to readdress the role of architecture in the urban context [something ignored by most Modernists]; and the "Scientific Autobiography" which is a witty essay of a great architect's discovery and experience of architecture and life... This work,the "Architecture of the City", is definitely the more scholarly of the 2 books translated into English, and despite some of its contestable aspects [the romanticization of the Mietskaserne in Berlin for instance], it still presents itself as one of the key documents on urban thought in the twentieth century, along with Corbusier's "Urbanisme" and Koolhaas's "Delirious New York". Definitely recommended for students of Architecture and Urbanism...



3. i liked it and would recommend it to a friends family

3 comments about The Illustrations from the Works of Andreas Vesalius of Brussels.

1. This book is one that every single medical student or history enthusiast must own. It gives particularly accurate insight on the life and work of one of the most brilliant and important medical geniuses of the "rebirth". With unsurpassed detail and beautiful arrangement, anatomy has not been represented in such an incredible and accurate way, given the context and the times in which Andreas Vesalius developed his research (dissection was outlawed and Galenus' theories on anatomy, which were based on animal anatomy, were considered dogma) and the extremely poor conditions and knowledge of the human body up until that point in time. Like all great scientists and researchers, Vesalius' recognition came after his death, but it is still a great way to honor him to get to know a little about his life and work, which this book does in such a fine way. The quality of the paper in which it was printed lets the reader get the whole picture and because of it's oppasity you can enjoy all the details as if you were looking at the original work. The price is also quite a bargain, which, needless to say, is a fair trait in itself. As a personal note, when I first read and saw some of the paintings within Vesalius' "De Humani Corporis Fabrica", that was the moment when I realized my destiny was in the medical profession; and years later I can see it was not a bad choice at all.



2. I first heard about Andreas Vesalius when I read about his work in BODY OF KNOWLEDGE. His drawings have been the basis for THE ATLAS OF HUMAN ANATOMY and GRANT'S DISSECTOR and other reference books used in Anatomy classes at medical schools throughout the country.

   What makes his work incredible is to think the fascinating illustrations of the human anatomy were researched and drawn by Vesalius in 1543. His book has been called "one of the most noble and magnificent volumes in the history of printing" and "one of the greatest treasures of Western Civilization". More incredible is the manner in which he performed the dissections and the relative accuracy of the drawings which have survived to this day.

   The introduction gives an absorbing and enlightening account of Vesalius' life in the first half of the 16th century. The book is for the curious and those interested in anatomy, art, graphic arts and printing. You will read and look in awe and wonder about the history and progress of medicine and science.




3. Andreus Vesalius, whom I speculate was a student of Da Vinci, shows the body in all sorts of poses, while in each page you see the body "drips" off its skin and muscles all the way down to the bones. Some masterful work and imagination employed here! Just marvelous! Taken from his monumental work De Humani Corporis Fabrica, which is still used today in the medical fields. Also included are plates from his Epitome of the De Humani Corporis Fabrica and Tabulae Sex. Essentially this is only the illustrations, but it also includes a lengthy introduction as well as excerps from the original text. Highly reccomended to the art student and medical student for this indispensible reference. Also a great book just to appreciate some amazing art. Some of my favorite plates are of the nervous sytem in which it is a full body posed standing upright. I imagine how Andreas created this, and also realized how well he must have known the body's anatomy in order to attempt such a feat. Awesome!