No comments about British Cutlery: An Illustrated History of Design, Evolution and Use.

1 comments about Ancient History from Coins (Approaching the Ancient World).

1. The field of numismatics is one of the most specialized and isolated areas of historical scholarship, and as a result it is probably not used as much as it should be by historians. Coins have special problems associated with their interpretation, but this is true of every other kind of evidence we have (e.g., literary, epigraphic, archaeological). Christopher Howgego's book is intended to demystify the subject of ancient coins and narrow the unwelcome gap between numismatists and other kinds of historians. Howgego's approach is thematic and covers a 900-year period, and although he deals with a wide range of ancient civilizations, he does not intend for his study to be comprehensive. It differs from similar books in providing a useful summary of modern numismatic research and outlining the major problems of using coins as a historical source. Howgego's book is one of the most useful available on the subject of numismatics and ancient history.
   
   The book is divided into six chapters that address various themes and problems associated with coins. The first ("Money") outlines the history of coinage and asks why having a system of coinage mattered to ancient societies. Chapter 2 ("Minting") addresses the production of coins and why they were used. Chapters 3 and 4 ("Empires" and "Politics") form the core of the book, showing how coinage related to broader ideas such as imperialism, power, and politics. Several case studies are used to illustrate the variety of coin use by different societies while developing the convincing central thesis that coins related very strongly to these themes in each of them. The final two chapters ("Circulation" and "Crisis") are fairly technical studies of specifically economic issues such as the devaluation and debasement of coins, inflation, and the problems involved in determining the circulation of coins in antiquity.
   
   The overall structure of the book is generally well-defined and organized, though a concluding chapter would be useful in lessening the somewhat fragmentary presentation by summarizing the main ideas. The final two chapters in particular seem a bit out of place due to their more technical and statistical nature, but they might have been better tied into Howgego's main thesis with a general concluding section. Howgego's general presentation and thesis are admittedly difficult to criticize. He makes excellent use of other types of evidence against that of coins to show that no aspect of the surviving evidence should be considered in isolation. An immediately noticable aspect of his analysis, however, is the general weakness of the Greek side compared with the Roman, but there are possible explanations for this: Howgego is an expert on Roman coins in particular, and the evidence is fuller for Rome than for Greece. Still, this imbalance might have been avoided by allowing a Greek numismatic specialist to handle that part of the study to make it more complete and well-rounded. Still, his coverage of the Hellenistic kingdoms is much better than those in other general studies.
   
   Most of the problems of the book are relatively minor and relate to specific points of interpretation or choice of terms. For example, Howgego uses the term "laissez-faire" repeatedly; he might have used a more appropriate definition to make his point without exposing himself to the danger of misleading readers with a modern economic concept. This is a very real danger, particularly in economic studies, and because this book is intended to be an introduction to numismatics he should have avoided it. Many studies of the so-called "ancient economy" depend on modern concepts (most of which cannot be applied to the ancient world), and scholars should strive to discuss them in terms more appropriate to the eras in question.
   
   There is one area where I believe Howgego's analysis to be flawed. In Chapter 4 he writes, "the reduction in the numismatic repertoire [in the early 4th-century] was matched by a decline in sculptural reliefs and portraiture in general. Politics were now at court, there was no longer the same need to appeal to wider groups." The absence of greater quantities of portraiture and sculpture is not because there was no longer such a need to appeal to wider groups, but rather that such things were becoming increasingly expensive in the 3rd and 4th centuries, and money was not as readily available for use on these pieces of imperial propaganda as it once had been. It would be more accurate to say that the need to appeal to wider groups was still very much alive, particularly given the divide between the Christian and pagan aspects of late Roman society. This oversimplifies a very complicated issue, of course, but I think Howgego's analysis here is flawed nonetheless.
   
   Such reservations having been mentioned (and there are a few others), it must be emphasized that the good points of this book far outweigh the bad. In presenting the major problems involved in the study of coins and the current state of numismatic research in the more difficult areas, Howgego raises very interesting, important, and difficult questions. This is perhaps the best impact any such book can have, as it opens up new possibilities and avenues for future inquiry. The book raises questions related to economic history, politics, power, autonomy, and so on. Howgego's excellent use of comparative evidence is an example of one of the more profitable modern trends of historical inquiry used in the best way possible, and in doing so he shows that the study of coins is relevant to every period of ancient history. He addresses the political, military, and social realities that are too often left out of studies relating to economic matters, showing that many of these self-contained modern theories, although useful in their own ways, cannot work when the ambiguities and difficulties presented by the ancient world are applied to them. Howgego's approach differs from most of the standard works on ancient numismatics in that he deals with broader historical questions. This book takes the study of numismatics to the next level by refocusing attention on some of the more important considerations that have been left behind as the field of numismatics has grown increasingly specialized. Howgego succeeds admirably in what he sets out to achieve, and his book will likely become one of the most important general studies relating to ancient coins.

1 comments about Standard Companion to Non-American Carnival Glass: Identification & Value Guide.

1. A very good guide for a new collector. Eazy to read and good value.

1 comments about Fenton Basket Patterns: Innovation to Wisteria & Numbers (Schiffer Book for Collectors).

1. Very informative and wonderful pictures. This book has a section of various miniture baskets with great photos and descriptions. Fairly recent with a 2005 publication date. Recommend book for the Fenton Basket collector.

1 comments about Art Deco Ceramics (Shire Library).

1. This book is small but sweet!

   In Just 40 pages there must be about 100 photos, and all you need to know about the major designers, and also a few of the ones that are less well known. I was impressed. No flouncy language - no hyping Clarice Cliff - but the facts as you want them, and all set in the context of the social change of the period. Obvious that this author comes from a design history background rather than being a collector - stuff is put into context.

   Information provided on dating, and also a helpful list of collector club addresses.

   If you want to know about Clarice Cliff, Susie Cooper, Charlotte Rhead, Shelley, Keith Murray andmore then this is the colour guide for you.

   First rate!

No comments about Art Nouveau Domestic Metalwork, New Edition: From WurttembergIische Metallwaren Fabrik 1906.

No comments about Harlem: The Vision of Morgan and Marvin Smith.

1 comments about The Jumeau Doll.

1. Concise, accurate review of Jumeau history. Lovely photos, sharp in focus, great detail. (And big enough to really see!) Enjoyable browsing anytime.

1 comments about Chinese Seals: Carving Authority and Creating History (Arts of China).

1. This small book provides a good overview for the beginner in the field of Chinese Seals, in a field where there is nigh on nothing available to the English reader.
   The chapters are succinct and well written. Each chapter is also well illustrated in terms of seal imprints as well as typical seal designs.
   One of the more difficult areas for the non-Chinese speaking/reading collector is that of identifying the era from which one's seals come from - this book will not assist in that task but provides a pleasant and helpful introduction to an area many may well be tempted to delve into.

2 comments about Chinese Jade: Power and Delicacy in a Majestic Art (Arts of China).

1. Chinese jade: A picture is truly worth a thousand words. Here you have the thousand words--and not nearly enough pictures to show why the Chinese have revered this beautiful stone for thousands of years. The text itself is quite informative--especially when used to determine jade carvings of different periods. As a mini-textbook, it is very valuable. I truly wish I had enough collectible jades from these earlier periods so I could use this book to date them.



2. The paper and pictures of the book are quite nice. Unfortunately there is no enought material about jades. This book is not worth its price.