3 comments about Of Men and Mountains.

1. Author: Douglas, William O. (William Orville), 1898-
   Title: Of men and mountains.
   Edition: [1st ed.]
   Publisher: New York, Harpers [1950]
   Edition Date: 1950
   Language: English
   Notes: Autobiographical.
   Physical Details: xiv, 333 p. maps (on lining papers) port. 22 cm.
   Subjects: Cascade Range.
   Wallowa Mountains (Or.)



2. An account of explorations within the tangled, rugged fastness of the Pacific Norhtwest, Of Men And Mountains is informal autobiography, deeply personal and revealing. A book of adventure and discovery, it is full of the excitement, the strength, and the exaltation that men have found in the wild.
   
   The narrative at times rises to those solitary moments when man "under conditions of grandeur that are startling can come to know both himself and God." At homelier levels it moves with authority and expertness through the accumulated lore by which man has found how to survive in the wilderness and to accommodate himself to it joyfully. But always the narrative is characterized by a freshness of observation, by a shrewd wit, and by a reverential humility that mark Justice Douglas as unmistakably of the company of Thoreau. -- from book's back cover



3. Living in Brazil, I can't remember exactly how I happened to find this book. The important aspect is that I found it, I read it and even some years later I still carry some passages in my mind, so I have to regard this book as a good one.

   It is a kind of autobiographical narrative of the youth of Mr. William O. Douglas, who later in life became a Supreme Court Judge in America.

   An interesting aspect, is that later I learned that as a Judge, Mr. Douglas would very often give shelter to the 5th. Amendment in his sentences, and by reading the book, we can sort of understand how his personality and his passion for freedom was formed many years before.

   It is a first person narrative of his early years as a child and later as young man, and we can clearly understand his respect for wildlife and independence in a human's being life.

   Recalling his early expeditions as a boy in nearby mountains, Mr. Douglas describes us the forests, rivers and rainbow-trouts of his youth. At a certain time I started to think there was too much information about trout-fishing, but we should always forgive and understand a man when he decides to tell us about his childhood. :)

   This book is not about the Supreme Court Judge, but on the contrary, it is about the poor boy who grew under the mountains and borrowed some of their magnificent dignity from them.

   I hope to read some of Mr. Douglas' Law writings one day, so I can finally understand the whole man and close this chapter. But this will still take some years, and until then, all I can say is that I have nice memories from this book. By the way, a pretty hard to find book.

5 comments about Grabtown Girl: Ava Gardner's North Carolina Childhood and Her Enduring Ties to Home.

1. "Grabtown Girl" is a love letter written by Doris Rollins Cannon to the legend of Ava Gardner and her North Carolina Tarheel roots. It is a wonderful read from start to finish.
   
   When I was a boy growing up in NC, (I was born in in 1960) I was always fascinated with the Hollywood MGM stars of the 40's and 50's. When I was about 12, I found out Ava came from Smithfield. I tried to find any photo, article or book on her I could find. At that time Ava, was living in London and not making very many motion pictures so I was eager to learn about her NC roots and how she got to Hollywood. I read all the old biographies that were in the library but they only briefly covered the NC years.
   
   I finally met her sister Myra that lived in Winston-Salem near me in 1981 and begin to hear some of the Gardner family stories. Myra would tell me how it would upset her how Hollywood would always get Ava's bio wrong and how MGM would embellish stories about her "dirt poor" background. Myra stated this upset her when they would write things about their parents that was not factual but she knew Hollywood would say anything about Ava for publicity right or wrong.
   
   But it was not until Mrs. Cannon took years and years of information, research, and interviews with the Gardner family and friends that this book was written to state the truth. It is a wonderful read not only for the " North Carolina native" but for anyone of any age that is interested in the story of Ava before, during and after all the stardom. Many of you have read the same old "Ava Gardner Hollywood/Madrid years" over and over. I know there is a new book out that just recycles a lot of the same gossip, romances, late nights, lovers, etc. So if you want something different, a factual account of Ava's life and her interactions with her family and friends, this is a wonderful experience. You will see that Ava was a true Tarheel throughout her life. The North Carolina state motto fit her perfectly! "Esse quam videri" To be, rather than to seem.



2. "Grabtown Girl" is a most candid tribute to Ava Gardner that focuses on her relationships with the people she knew and loved in her beloved North Carolina before and after she became a world-renown actress. It is interesting to discover the diversity of the people who had such a profound and everlasting impact on Ava's life, from her most cherished childhood friend in elementary school to a most trusted friend during her adolescent years who later became a prominent N.C. businessman.
   
   The author includes extraordinary, never before published photographs and letters. I appreciate how Ms. Cannon ingeniously captures the core of Ava's innermost being, her heart and soul, via authentic documentation. This is the stuff good books are made of.
   
   "Grabtown Girl": what a treasure, what a gift! This is, in fact, the "real deal" and that's what I call "priceless!" Once you begin reading "Grabtown Girl," you may find that you are unable to put it down until you read every single page from start to finish!



3. It's difficult to juxtapose a breathtakingly beautiful legendary movie goddess with a simple country childhood, so it's therefore hard to portray Ava Gardner in both worlds.

   I give the author credit for being very straightforward with the simple known facts about Ava's childhood and early life in North Carolina. She didn't indulge in wild speculation, nor did she attribute thoughts or qualities to Ava that coudn't be verified. Instead, she told the simple story of Ava's simple life, documented by interviews with Ava's childhood friends, some family members, and letters written by young Ava.

   This book portrays a rather sweet and simple childhood for Ava, not too many traumas (other than losing her beloved father at a young age). They were not dirt-poor hillbillies, which is the image that Ava sometimes invested herself with when it suited her purposes. Piedmont-area North Carolina is not hillbilly country.

   I would have liked the book to have had much more substance, and I was particularly interested in knowing more about the lives of her siblings, of which only the briefest of portraits were given in this book.




4. This biography is intensely researched and informative. The story is exactly what the title states, "Ava Gardner's North Carolina Childhood and Her Enduring Ties To Home". This biography puts most of its focus on Ava's childhood and how it shaped her attitudes toward her life and her fame. Although the last third of the book overviews her life as a star, if you are looking for a detailed account of Ava's Hollywood life, this is not the book for you. This is simply the story (told mainly through antecdotes and memories of family and friends) of a woman with strong roots who happened to become a movie star but who never forgot where she came from. The author introduces the reader to Ava's North Carolina family and friends and I love the fact that she tells the reader what happened to everyone mentioned in the book. I have a whole new respect and perspective for Ava Gardner. I was really struck by the fact that even though Ava became a big star, she never thought of herself as any better than anyone else and continued to be a loving and supportive friend, sister, and aunt. The book is short (about 130 pages, I read it in two nights, maybe took 3 hours total) and has some great pictures throughout. I highly recommend it!!!



5. It's a great book. Just great! 5 stars for the Author and the Book!

2 comments about A Taste of the Sweet Apple: A Memoir (Woodford Reserve Series for Kentucky Literature).

1. I have not read such a beautiful book since To Kill A Mockingbird and have not read descriptions of a southern family written as well, or better, since The Ponder Heart. Superb writing.



2. Jo Anna Holt-Watson is a truly wonderful "story teller." Seldom are readers treated to such captivating tales of childhood imagination, without a hint of false pride. In "A Taste of the Sweet Apple: Memoirs," the author is able to hold our attention by graphically producing a setting in rural central Kentucky, Woodford County, that calls on figments of all of the reader's senses: the farm sounds of the "skid" being pulled by the mule, the vision of the heavy mist over the Bluegrass at dawn, the smell of stables laden with manure, and, of course, the almost indescribable taste of chewing tobacco, when it is first surreptitiously wedged between cheek and gum by a seven year old girl.
   Ultimately, this is a heart warming story of a child's love. Almost too innocently written, Pee Wee Watson has a brilliant flair with words that will actually make you laugh out loud in one instant and become 'teary-eyed' in the next. Her 'Memoirs' of her life on the farm in the '40s recalls a tender relationship with 'the hired help,' whom she brazenly persuades the reader into loving as much as she assures that she probably really did. Her tender feelings toward these simplistic, but ardently faithful 'keepers,' is not wasted on wishy-washy endearments, but rather is skillfully woven into her story, as told in the first person by a genuine tom-boy and sometimes romantic, but always head-strong girl. This is a 'must read' for all who crave a clever yarn by an excellent spinner, ... from whom I predict, ... we will hear again.
   
   -- Thomas S. Markham, Lookout Mountain, GA -- A devotee of Southern literature

No comments about Meeting the Four O'Clock Train and Other Stories: Boyhood Recollections of Prescott, Arizona 1909-1927.

3 comments about Are You Happy?: A Childhood Remembered.

1. Emily Fox Gordon may well become known as The Great American Memoirist for ARE YOU HAPPY? A Childhood Remembered, and her previous memoir MOCKINGBIRD YEARS. To read these books is to spend welcome time in the warm and brilliant company of a deeply insightful writer.
   ARE YOU HAPPY? invites us into the compelling story of Gordon's childhood that is at once shockingly personal and universal. She reveals a psychic landcape, an event in our cultural consciousness, a deliciously discerning expose of family life, the fifties, parental love and failure. Her awareness of herself and the world is so evolved that the book unfolds as an exquisite map of individual consciousness, the "socialization" of that, and the brave refusal to limit one's imaginative life and primordial communion with the world.
   She writes so well that I read many of her sentences over and over to savor them, and in fact savored the entire book. Gordon has a true gift for writing of profound emotional conflict with empathic clarity. This is a book I value most of all for its wry introspection and moments of awareness that explode in revelation. It's not only about a childhood but the self in all its pain and luminosity.



2. This wonderful book tranforms incidents that we can all identify with into brilliantly captured observations about life. I am struck by the book's honesty and Ms. Gordon's ability to inject an aura of mystery and intrigue into the incidents she recalls with such lucidity. It's a great read, very moving in its simplicity and yet filled with Proustian overtones, giving the book its strength and power.



3. In the post-Frey era, it's refreshing to discover a memoir that
   reflects the ways in which memory really works. Are You Happy? delights with loose chronology and fleeting images, like the balloon glimpsed after the child has let go of the string. Yet the book is grounded by scrupulous attention to detail, with attending sounds, tastes, and fragrances that fully realize each hovering miniature. Here, one understands the author carefully scrutinized the past not to recite a history, but to evoke and describe a state of being, embracing the privilege, and one of the goals, of the memoirist: to make art of the past, as would a painter, or a musician improvising on a theme.
   Highly recommended.

4 comments about You Ain't Got No Easter Clothes: A Memoir.

1. I loved this book; it was moving and written with an elegant grace, despite its dark content. It's difficult to write about mental illness with humor and charm, but Laura Love succeeds here where many others have failed. Excellent.



2. I love a good memoir, and this book is among my favorites. The story of Laura Love and her sister Lisa is one I won't soon forget. Held hostage by a mentally unstable mother, the girls learn to tolerate a childhood of extreme poverty and insanity. The author has such a way with words, you feel as if you know her. With parts so emotionally overwhelming; I literally burst out into uncontrollable laughter, for lack of more appropriate emotions. A must read for all women or all races. A breathtaking glimpse into hell.



3. This book was like nothing I had read before. When I first picked it up I thought that I wouldn't be interested in it, however, once I started reading I couldn't stop. The things that happened to these little girls just breaks my heart and I had to know where their lives ended up.



4. I've always found Laura Love's music and song lyrics to be thoughtful and profound, so it was no surprise to find this was a shocking but gripping true story. Frankly, I couldn't stop reading until finished and wished she had written more.
   
   It's not a story for the fainthearted reader, because she tells all - warts and all. It's amazing that a woman could live through these experiences, yet end up with such a warm and compassionate sense of self! I also found it interesting to read about the times of Bobby Kennedy's assassination, the effects of race riots, and so many memories of the `60s and `70s from her perspective. Truly enjoyed the baby boomer nostalgia type memories. I would highly recommend this memoir!

2 comments about My Sky Blue Trades: Growing Up Counter in a Contrary Time.

1. A few themes run through these memoir-essays: rebellion against the father, books as an escape from life. Ok just two themes. The fifties and sixties (Birkerts was born in 1951) are what might be the most documented decades in the history of man. Its very difficult to write a memoir about this time that doesn't sound cliched.

   Birkerts parents were from Latvia and spoke Latvian in the Michigan family home. Ok thats new. But Sven who insisted on being called Peter was a rebel with a cause as a young man: he wanted to conform and be American. As he got older he traded in the desire to conform for a desire to be different and so he became a hippie and he did all the things hippies do: drug experiences, sex, travel, Woodstock. Though well written this kind of book is routine. Birkerts is strongest when he is talking about his grandparents but he is at his weakest when he is talking about the counterculture and his various girlfriends. Birkerts' first love is not women but books. When he is discussing a book all the lights come on in his head but when he is talking about a woman the room remains dim.

   Memoirs are reckonings and the person the writer is really attempting to reckon with is themselves. I get the feeling however that Birkerts has not quite gotten there yet. In this self-portrait the artist hides behind a series of 1950's and 1960's cliches; the experiences Birkert's describes just seem too generic. It is as if his mind is clouded with the popular view of 1950's-60's and he cannot see beyond that to form his own view of the times. Also there just isn't enough of his inner life in this book; no sense of intellectual evolution, no great awakenings to the world except in the most cliched kind of way, and no sense of love for his craft. In fact he doesn't really talk about his craft much. I was expecting some irony or some literary comment on the sameness of childhood and teen years. But no irony, no originality, just a generic MEMOIR.

   A few observations are precisely worded though the thoughts themselves do not sound particularly authentic. Birkerts is a careful reader and his essays are often thoroughly researched and he is excellent at giving an overview of an author's career but I don't thnk he has a particularly unique vision of life to offer. To offer something unique he needs to dig deeper into his experience than he chose to do here.




2. Having grown up in much the same time period and with much the same ethnic background (my family, too, came to the United States from Latvia during WW2), even in the same approximate area (lower Michigan), I picked up Birkerts' book (and, as chance would have it, I found it in the bookstore in Ann Arbor he describes as his place of employment) with immense curiosity. Just how similar would his experience be to mine? Initially, it was rather exhilirating to read this memoir that spoke of so much that I, too, knew so well, down to the ethnic bone. As I read of his discomforts and anxieties about learning a new language other than the one spoken in his home, his sense of being something of a misfit in both the Latvian and the American communities, I identified in most every detail. Ah, yes, this too I felt on my adolescent thin hide... Mine, I felt simultaneously as blessing and curse, as perhaps, in conclusion, did Birkerts.

   In later years, of course, Birkerts' experiences forked away very much from my own... but no matter. I didn't need to look into a mirror to sustain my interest. Indeed, that is the whole appeal of this book - it is not only for the multicultural reader. The writing is excellent, and my exhiliration at sharing in a similar experience soon veered to an exhiliration simply in reading a book so well written. Perhaps that is one of the blessings of being bilingual, this ability to approach a second language with greater awareness. Birkerts' use of language is vibrant and lush and frequently stunning. His insights and perspective on his work, his relationships, the inner workings of his developing self.... all are richly portrayed. No matter from what backgrounds we come, we all question ourselves and our life choices, we all struggle with similar demons at one time or another. Family dynamics are not so different, I'm sure, no matter what the ethnic background.

   Birkerts' `My Sky Blue Trades' is a valuable portrayal of the immigrant experience for more than one generation, but is also of value simply as a well written book.

2 comments about South to a Very Old Place.

1. If Langston Huges is the poet laureate of Jazz, then Albert Murray is its scribe. Murray's indelible style continues in this wonderful trip down South. Murray grew up in Mobile, Alabama, after high school he went to Tuskegee Institute then on to the military where he was the first black to become an officer in US Air Force history. After retiring from the Air Force Murray settled in New York City where he lives today. A number of years ago Murray's publisher suggested that he go home and write about the differences in Mobile before WWII and Mobile now. Murray takes the reader along with him on his trip through his own personal history with remarkable rhythm. There are any number of notable sequences including the first paragraph which destined to join the ranks of "Call me Ishmael" and "It was the best of times it was the worst of times..." Another striking point in the novel is when Murray checks into a celebrated hotel in his hometown and his bags are carried by a young white boy who calls him sir and mister. It is contrast against Murray's memories of this same hotel that he was not allowed to enter when he was a boy because he was black. The book also includes plenty of the rhythmic writing that has made Murray one of America's most cherished authors.



2. If Langston Huges is the poet laureate of Jazz, then Albert Murray is its scribe. Murray's indelible style continues in this wonderful trip down South. Murray grew up in Mobile, Alabama, after high school he went to Tuskegee Institute then on to the military where he was the first black to become an officer in US Air Force history. After retiring from the Air Force Murray settled in New York City where he lives today. A number of years ago Murray's publisher suggested that he go home and write about the differences in Mobile before WWII and Mobile now. Murray takes the reader along with him on his trip through his own personal history with remarkable rhythm. There are any number of notable sequences including the first paragraph which is destined to join the ranks of "Call me Ishmael" and "It was the best of times it was the worst of times..." Another striking point in the novel is when Murray checks into a celebrated hotel in his hometown and his bags are carried by a young white boy who calls him sir and mister. It is contrast against Murray's memories of this same hotel that he was not allowed to enter when he was a boy because he was black. The book also includes plenty of the rhythmic writing that has made Murray one of America's most cherished authors.

5 comments about The Growing Seasons: An American Boyhood Before the War.

1. I was hooked from line one of this book. Hynes' simple and direct style of writing quickly whisks you back 70-plus years and tells you -shows you - how it was. And it wasn't easy for Sam Hynes either, orphaned at an early age and moving from place to place, being farmed out and coping with a step-mother. But in spite of all this, you also get a sense of the fun of being a boy in the midwest during the depression. Kids don't always know when they're poor; they're too busy learning and experiencing things and trying to get the most out of every day. The sequel to The Growing Seasons is equally good: Flights of Passage. I wish Sam would continue his personal story and tell us what happened after he came home from the war. I do know from talking with him that he was back in the Marines during Korea. There's gotta be another great story in there somewhere. If you're from the midwest and love good storytelling, read this book. Hell, you don't have to be midwestern. It's just darn good writing. - Tim Bazzett, author of Soldier Boy: At Play in the ASA



2. First of all, this is a very enjoyable book. I wanted to read this because my Father grew up in the Midwest during this time frame in a similar city. While he did grow up under very different financial circumstances, I was interested in exploring the every day experiences that a young boy would live through.
   The book is excellently written and vividly tracks a boys life in a world few can ever understand if you did not live during the Depression Era of the '30's. This being said, the book left me with many questions.
   
   His brother Chuck is hardly mentioned at all. Why? Dr. Hynes does not really go into how well, or badly he did at school. That would have been interesting. What happend to the boy that ran the girl over with his car. His friends were not the kind of kids I would want my children hanging around with. It is amazing he did not do some time in reform school. I also would have liked to have known at the end, what happened to his Father and Stepmother as well as his Stepsisters.
   
   Anyway, it was fun to read and I surely learned more about this time than I ever did in History classes.
   
   I hope that you will enjoy it.



3. The now storied "Greatest Generation" did not come full-blown into glory. It evolved from childhood, and Samuel Hynes' gentle, understated and illuminating memoir, "The Growing Seasons," assists in our understanding of how the generation that fought and won World War II came to be. Fiercely independent, perpetually inquisitive and unabashedly self-conscious, Samuel Hynes comes of age in America's heartland during the Great Depression. His story, crafted with gentle humor and exquisite detail, gains transcendence and slowly emerges as a representation of millions of youngsters grappling with the age-old obligation of developing an identity, but doing so in an era of frayed innocence and material dispossession.

   Loss and impermanence permeate Hynes' childhood. His father stoically accepts the death of his wife, unemployment as a result of a contracting economy and his own inability to serve the nation he so deeply loves. This unspoken patriotism and sense of place nurture the young Hynes, who never overcomes the gaping wound of losing his mother to a premature death. Motherloss uproots the Hynes' family; the father swallows prejudice and remarries a Catholic and Samuel begins the process of healing and carrying on with life.

   While his father settles into his second family, Hynes spends a summer on a farm. The city boy discovers new cadences to life, a different pattern to work. Most importantly, Samuel gains a sense of his own past. "For one season I had been one, like my father...and all those other country people in our family." With solemn pride, Hynes announces, "I had been my ancestors." With this knowledge of self, Hynes is better able to comprehend the modernizing influences besetting his altered family in Minneapolis during the 1930s.

   There, he observes his father's deep ambivalence over labor violence. A Shell oil salesman, the father is a rock-ribbed Republican who extols the virtue of independence and responsibility. Yet, the father "despised the upper-class ways" of the elite. Samuel watches his father's despair increase. "Whoever won this war, something he believed in would lose. It was sad, losing like that, and I felt his sadness."

   Tempering Samuel's growing awareness of the world is his evolving relationship with his step-mother. Hynes respects, admires and even likes her -- her purposeful energy, her zeal for order, her enthusiasm for life and work -- but never loves her. Even his thirteen-year-old autobiography excludes mention of her, and when his father coerces Samuel to include her, Samuel does so with a "chilled heart." Frugal and despeate to keep her family afloat, his step-mother sells a forgotten but cherished model train set. Awash in the economic misery of the Great Depression, where even wanting something unneeded is considered unworthy, the sale reminds the still-growing Samuel of the transitory nature of life, that "anything could be taken."

   Yet, "The Growing Seasons" is far from grim. Warmth abounds in the memoir, ranging from an excused absence from school due to a housekeeper's inability to close her mouth to the supreme satisfaction to Hynes' deep satisfaction at being able to finally don long pants to school instead of the dreaded knickers. The evolution to adulthood, the absoption of what it means to be a man, the quiet knowledge of the necessity of standing alone -- these benchmarks of maturation -- bespeak a person truly in touch with his own personality and his own potential.

   As Hynes becomes a man, with his attendant alienation from public school and his fascination with sex, he carries with him the formative experiences of childhood. Chafing at his relative youth, longing to experience the formative fires of war, Hynes' restlessness symbolizes an American energy, a robust transformative power that rings true in this instructive and engaging memoir.




4. One of the keys to this charming book is how many BAD things Sam and his friends do, that prove to be so interesting to read about! His style is understated, self-effacing. Flat, almost, but in a good way, all the cards on the table. I spent four years in Iowa and at the time someone told me that the adjective for Midwesterners wasn't "innocent" or anything like that, but "uncomplicated." You're used to seeing everything around you, all the way to the horizon. So maybe you lack a layer of artifice.

   I'll illustrate. His mother dies when Sam is a young boy, and his father (a stern but wonderfully forgiving fellow) remarries. Sam never figures out what to call his stepmother, so he avoids the issue completely. Permanently! This is remarkable. My wife had the same problem vis-à-vis my parents. It was kind of comical and kind of embarrassing on all fronts, but she figured it out a few days into our first extended visit with them. Sam never manages, yet seems to think nothing of it. Apart from remarking on the fact, he just goes on with things. Some readers may find this lack of navel-gazing a flaw, but I kind of liked it. It's more neutral, one might say scientific, and draws you in to the story. You can interpret things for yourself. He may answer that question of mine in his other books, or he may not, but with his winning style I know it will be fine reading right through it and around it.

   Another example comes near the end, pages 241-242, springtime of Sam's senior year in high school, World War Two looming, when he ponders the nature of women, and convertible automobiles, and describes how a guy a year or two older reveals to him and his friends an important secret about women, and sex. I read this long passage to my wife, and Hynes's wonderful deadpan style had us convulsing in laughter.

   Hynes is my parents' generation (and J.D. Salinger's), so I read it through that prism. My father and I grew up in suburban New York, my mother in El Paso (but I think maybe this is a guys' book), whereas Hynes is from Minneapolis (with a memorable summer on a farm). But it all connects. The eternal summertime of youth.




5. This is a prequel to the author's great war memoir, Flights of Passage, which I read with much appreciation 23 May 2001. If you have not read that book, by all means read this one first, then read it. This book is an account of a not extraordinary boyhood, but it is told in a poignant, if a bit mocking, way. When I finished it, I found myself much impressed by the way he told the story. It maybe helped that Hynes is only a few years older than I am, and that his account of a single summer doing farm work in Minnesota was filled with things I remember from my youth on an Iowa farm. It was another world and a time now irretrievably past, and I think this is an elegantly told growing up story I enjoyed as much as I did Russell Baker's memorable classic (Growing Up, read 11 Apr 1986) and Jimmy Carter's An Hour Before Daylight (read 11 Mar 2001).

5 comments about Red Dirt: Growing Up Okie (Haymarket Series).

1. I could not put this book down. It is an engaging book. I read it for some background research on John Steinbeck and the Grapes of Wraths. If you have read Steinbeck's masterpiece you have to read Red Dirt. I think Roxanne's memoir completes the story of the Joads. The psyche of the "Okie" comes alive and the drive of Roxanne to break away and then come to terms with it is fascinating. I loved this book so much that I use it for the Ethnic studies classes that I teach. I believe that to understand different ethnic groups we all have to understand what makes White America tick. This book delivers a much-needed look at the class divide among white America and no matter how much the poor whites have been abused by their richer cousins they still stand by their side. Why? Because they are white. This was a great ride



2. This book was my introduction to Roxanne Dunbar Ortiz. I read it before I learned more about her and her career as an activist for the past 40 years. She reflects on her life from birth until her move to California. She grew up in rural Oklahoma during some of the worst years ever. These were the years that shaped her, the launching pad of her feminist, anti-family, pro-socialist, anti-war, ... efforts.
   
   The reader can learn a good bit about the Socialist movement in Oklahoma in the early 1900's, the Green Corn Rebellion and the patriotic surge that accompanied World War I.
   
   Roxanne's grandfather, one of the less 'disfunctional' family members was a Socialist and strongly pro-labor and imparted his views to her. She remembers him fondly. It appears that her abusive alcoholic mother influenced her ideas about the family and church. She had very little to say about her mother or father that is not negative. Considering these influences, the dire poverty of her early childhood, and her marriage 'up' the social ladder her views on things are not too surprising. Simple - yes, but undeniably true, at least in part. And that does not take away from her drive, talent and desire to make a positive change in the world.
   
   You can learn more about Roxanne at her website, reddirt.com.
   
   I think I will read Outlaw Woman, the next volume of her story.



3. ...
   The best of autobiographical works are those that convey, in the telling of one life story, larger truths than those we experience as individuals. To accomplish this feat with seeming effortlessness, as Roxanne Dunbar-Ortiz has done with Red Dirt, is to create not only a valuable historical record, but a literary work that is a pleasure to read. Employing the finest storytelling skills, Dunbar-Ortiz lovingly recollects her youth in Oklahoma and the family dynamics she experienced "growing up Okie" during the mid-20th-century. In the process, she touches upon a host of social issues--among them racism, sexism, and economic disparity--that have plagued the U.S. since its earliest days. Perhaps most importantly, she offers one resounding voice from among a vast population--namely, the white underclass--that consistently has been underrepresented in historical texts, and misrepresented in popular culture. Exploding the notion of 'poor white trash,' Dunbar-Ortiz offers three-dimensional alternative as she reconstructs through her personal memoir the history and struggles of the frontier settler class and its descendants. As we move into the next century, Red Dirt is a text of vital significance to our collective humanity



4. if you like books about the old way of living,you will love this book. it brings back memories of my childhood...



5. I grew up in central Oklahoma and can identify with many of the themes Ms. Dunbar-Ortiz writes about in Red Dirt. I think anyone who is on a journey of self-discovery or is attempting to reconcile his or her past will enjoy this book as much as I did. I rarely read literature about Oklahoma that makes me proud to be an "Okie" - this book does just that.