3 comments about The Life of Hon. William F. Cody: Known as Buffalo Bill, The Famous Hunter, Scout, and Guide.

1. Like several other biographies of this legendary Plainsman, Scout, Buffalo Hunter and Indian Fighter of the American Frontier, this book is comprised mostly of a reprint of William F. Cody's own Autobiography. What makes it a better source than many of the other reprints of Buffalo Bill Cody's fascinating 1879 acount of his early life and adventures until he reached the age of thirty-four, this volume includes an excellent foreword by another noted author and historian of the Wild West, Don Russell. His foreword makes this first complete reprinting of the original autobiography much more understandable and provides additional valuable insights into the man who coined the term "Wild West." Buffalo BIll was, without any doubt, what we often refer to as "The Real McCoy." While Cody could spin a good tale too, he was modest and humble about his own adventures. Later historians have mostly authenticated, with only minor corrections, his scary-thrilling, matter-of-fact and plain spoken recollections of his life and adventures.This is a very good read and hard to put down until the very end of the book.



2. Autobiographies are at the same time the best and the worst sources of life stories. You get the authentic voice, but that voice tells you only what it wants you to believe. Both these characteristics are particularly strong here because Cody's voice is such a distinctive one and because of his status as a supreme self-promoter. So this book will not give you the whole truth and nothing but the truth, but it will give you a real insight into the mind of a man who in many ways epitomizes the culture of the historic American West. Some of it may shock you; Cody describes how he shot a mule who had annoyed him by running away, and boasts of how he scalped his fallen enemies. Hardly the stuff of popular myth. If you want to know how the west was really won, then reading this book (some of it 'between the lines') will tell you much.



3. The Wild West was an even more heroic epoch than is commonly understood. While Buffalo Bill became a self-promoter, basic facts are clear: he was a superior plains guide and scout and Indian fighter. He really was the master hunter of buffalo from horseback. He was a Pony Express rider, with all that entailed. He was friends with Wild Bill, Custer, and other notables. He was awarded the Congressional Medal of Honor for bravery on the battlefield (though sadly it was removed many years later because of a bureaucratic technicality of how he had been employed by the Army, not because of any change in the evaluation of the heroic deeds.

   A most fascinating book. It gives one a different perspective to hear it from a participant.END

No comments about Daniel Boone: Wilderness Scout: The Life Story and True Adventures of the Great Hunter Long Knife Who First Blazed the Wilderness Trail through the Indian's Country to Kentucky.

5 comments about Empire: The Life, Legend and Madness of Howard Hughes.

1. This book answers the question, "How did he get to be that way?" It delves deeply into his relationship with his mother (and lack of one with his father) and follows him into adulthood. He seems a little eccentric but still within the normal range for most of his early life. He lived lavishly, but his demons caught up with him eventually. The pity is it didn't have to be that way.
   
   I read this book when it was on the Best Sellers list. Howard Hughes was the subject of one of my papers for a psychology class and this book was my main source.



2. The Life, Legend, and Madness offers an in-depth view into the secretive life of Howard Hughes. Unbiased in its writing, the book focuses on all of Hughes accomplishments and successes, as well as some of the darker aspects of his life. After reading this book, one can really see that Hughes is one of the few "larger than life" characters that ever lived.
   
   Hughes played an integral role in shaping this country, a role unknown to many of today's younger generations. Donald Barlett and James Steele do an amazing job detailing both his accomplishments and private life. Some of his endeavors are less obvious today than others, such as helping transform Las Vegas into the resort town we know today. Many people are unfamiliar with the Hughes Medical Institute or the creations from the Hughes Aircraft Company. Although the book does show his odd lifestyle behind the darkened windows and closed doors, it is fair in that it also accurately focuses on his important business dealings.
   
   The popular movie "The Aviator" seems to be scripted largely from the first half of this book. To fully appreciate the movie, I recommend reading this particular book first. Not only will it help clarify references that may slip by in the movie, but this book shows that Hughes was much more than a movie producer who flirted with Hollywood's divas of the day. He was a master engineer, expert businessman, and defender of Democracy (he furiously fought Communists). Innovative people like Hughes is what America is all about.



3. After reading other books on Howard Hughes, I thought this book would be a waste of my time since I'd "read everything else" but little did I know that this book went into such detail of his life, exposing in great detail specifics that other books briefly mentioned.



4. The story of Howard Hughes, told superbly in this classic bio, is simply magnetic. How else could you describe a tale that begins with young Howard Robard Hughes, Jr. being born into one of Texas's wealthiest oil families (his father's company, Hughes Tool Company, held a virtual monopoly on drill-bits for many years), moving to Califoria to become a movie mogul, pioneering aviation, heading TWA, and then slipping into degenerative obsessive madness that rendered him completely in the hands of his manipulative underlings. Thus in this book we confront both the young, energetic Hughes (romantically linked to both Jane Russell and Katharine Hepburn) and the old, sick hughes - a nudist who left his hair and fingernails uncut for years, chronicly addicted to codeine, flitting between vacuum-sealed hotel rooms in diffent countries (Bahamas, Nicaragua, Toronto, London, etc.), yet whose name continued to command terror and respect among presidents and governors.
   
   As I read this book, there were many Hughes habits that I found deeply endearing, even as the weird details mounted. How can you not like a guy who, in the pre-VCR era, decided to buy the local Nevada TV station, just so they'd play the movies he wanted? Who - upon installing his home entertainment system - had an obsessive-compulsive need to watch the epic 1968 thriller "Ice Station Zebra" over and over again? (It's a good movie, after all.) Who bought up half of the real estate of Nevada in a doomed expectation of a world gold shortage? Or who lent his name to the ocean-dredging vessel, Glomar Explorer, to aid the CIA's covert attempts to refloat a Soviet sub? And there was something genuinely visionary about the way he built his aircraft and electronics empires. Indeed, despite the piles of carefully-compiled evidence of financial disasters at TWA, RKO, Air West and Summa Corporation, somehow I want to believe that Hughes was not the bungling sicko that emerges from these pages, but so what if he was, the story remains magnificent.



5. Donald Bartlett and James Steel's book, "Empire: The Life, Legend, and Madness of Howard Hughes" is an excellent example of journalistic reporting converted into book form; the book is simply fascinating to read. The authors accomplish the gargantuan task of separating fact from fiction in the very complex life of Howard Hughes. "Empire" is impeccably researched and documented; It is a bona fide biography that reads more like fiction than real life-such was the world of Howard Hughes.
   
   "Empire" traces the rise and tragic fall of Howard Hughes; a man who wore many hats, he was an aviator, Hollywood movie producer, Las Vegas hotel/casino owner ... and a recluse. For one brief shining moment, Hughes was considered one of America's premier aviators, breaking flying records, but then falling out of grace with government and the aviation industry for breaking contract deadlines. In the long run, Howard Hughes would become a grand failure in the world of big business.
   
   Bartlett and Steel show the reader a man who had everything to live for, good looks, fame, fortune, power and prestige, but he was unable to triumph over his social and physical phobias that led to psychological, emotional, and physical illnesses and to his final descent into the dwellings of the insane. Hughes' deep mistrust of all people-even family, worked against him and led to his demise and the lose of his billion dollar empire by the very people whose job it was to safeguard him and his empire.
   
   By the time I finished reading "Empire: The Life, Legend, and Madness of Howard Hughes, I was much more accepting of my status as a non wealthy individual. Although Howard Hughes had everything a man could possibly wish for, he was underprivileged in peace of mind.... The authors do a superb job in separating fact from myth in the life of Howard Hughes. The book is worth reading.

No comments about Ice Man: The Remarkable Adventures of Antarctic Explorer Tom Crean.

1 comments about Tom Crean An Illustrated Life: Unsung Hero of the Scott & Shackleton Expeditions.

1. Tom Crean was an Irish hero of Antarctic exploration: one of only three men who returned alive from Scott's trek to the South Pole, and who saved one of his fellow survivors. A few years later he made another rescue attempt when with Ernest Shackleton. His adventures are captured in a visual biography that includes many photos from his expeditions and early life, making this a fine recommendation for general-interest libraries specializing in Irish biography as well as true-life stories of exploration and adventure.
   
   Diane C. Donovan
   California Bookwatch

No comments about Sea Cows, Shamans, and Scurvy: Alaska's First Naturalist: Georg Wilhelm Steller.

No comments about In The Footsteps Of Daniel Boone (In the Footsteps).

No comments about At the Far Reaches of Empire: The Life of Juan Francisco De La Bodega Y Quadra.

5 comments about The Highly Civilized Man: Richard Burton and the Victorian World.

1. A critical study of Sir Richard Burton. Most of his biographers, bowldered by the epic nature of their subject (understandably so, this is one remarkable guy), often smooth over some real contradictions in his thought, less than favorable interpretations, etc.. This author brings Richard under real scrutiny, examining his views on religion, sex, race, and his persona as a "explorer" or "impersonator"; Not much new info; just bringing to light what is usually in the background of most biographies. Perhaps a finer portrait emerges of the man- though its undeniable that some of his statements- esp about race were wildly contradicting. He tries to demonstrate how Victorian attitudes influenced who Burton was- which is obvious in a way, he knew what his countrymen would find shocking and played on it- thus building his persona as a man who flaunted social conventions, though of course in other respects- sexuality, his Stone Talk work- he didn't cater to anyone, - one thing I couldn't help noticing, and which Kennedy points out, though a compulsive, prolific author, and highly opinionated, Burton was not a particularly good writer.



2. Nineteenth century Western colonialism and imperialism including the Industrial revolution changed Western values and social perceptions and mores, but more so, our awareness of the world as a whole, in terms of defining ourselves against difference. The Victorian influence towards modernism is far greater than historians first realized. One of the most romantic and pivotal figures of the Victorian age was Sir Captain Richard Burton. In Kennedy's critical biographical overview of the man's life and thought, unlike most of the numerous biographies to date, attempts to represent and reinterpret Burton's life and thought in the context of the Victorian era. By doing this, he proposes, we come to understand this highly complex genius in terms of the historical values of the time.
   
   Kennedy outlines Burton's numerous accomplishments as a prolific writer, linguist, (twenty-five languages and many dialects) explorer, archaeologist, spy, amateur physician, translator, artist, poet, expert swordsman and sexologist. He wrote over twenty-five travel volumes containing his many adventures, and translated the Kumar Sutra and The Arabian Nights which is the most often read an quoted in present time. Similar to many of his contemporaries, his studies of Orientalism and African cultures were done in the spirit of difference, or the `other'. Kennedy's thesis is that Burton was a product of the Victorian age but an important precursor to modernism.
   
   As the 19th century has a virtual endless list of incredible men and women, according to Kennedy, what set Burton apart, was "...restless determination to extend the reach of his experience to ever more pockets of humanity and to draw insights from those increasingly varied encounters in order to advance the larger epistemological quest to understand, explain, and classify difference." (p.270) Burton's vast written work, his copious notes and observations reveals this holy quest, his unwavering pursuit of hidden knowledge and knowledge of the `other', strange cultures and bizarre religions until his death in 1895.
   
   The author devotes most of his analysis on Burton's works as a sexologist. Burton's many erotic translations, promoting his notion that Victorian repression of sexual matters and desire is tremendously unhealthy, paved the way for future sexologists to study the subject within a scientific framework. His controversial translations and writings also revealed a sexual hypocrisy that the Victorian age is infamously known for. Rather than study sex on moral grounds, Burton proposed a relativist position, attributing different climates around the world to certain sexual behaviours. We know this to be nonsense, however, including this premise, Burton achieved distance from the moral position, giving his subject a form of objectivity.
   
   Dane Kennedy's approach to Burton is a fresh perspective of the man. He was an individual that accomplished more in one lifetime than many, but he was a man of his times, attempting to define the identity of western culture during a period of vast change. Despite over one hundred years since his death, even a critical appraisal of his life and work, does not in any way lessen his accomplishment nor profound influence in the Romantic age towards modernism.
   
   A Highly Civilized man is a fresh and well-written account of an icon of the Romantic-Victorian age.



3. A thoughtful book which most of the time attaches its arguments firmly to sources, scrupulously researched. A little verbose at times, tending to fall prey to the current academic fashion of attaching a superfluity of labels (particularly those ending in -ist) to its subject. Certainly there's the intention to 'de-mythologize' Burton and expose him to some quite valid criticisms, as well as plaudits. Kennedy reminds us that J.L. Burckhardt, not Burton, was the first European to travel on the Hajj in disguise. He suggests that in Burton's day, such disguise would only really have been necessary to enter the holiest places; simply because Burton could have professed conversion to Islam. I'm uncomfortable on those occasions when Kennedy states speculation as fact, for example (p63): 'Burton saw an opportunity to tap into this rich vein of curiosity by undertaking the pilgrimage to Mecca and exposing the city and its Muslim faithful to the scrutiny of his Christian Countrymen'. And then, later: "It must be understood, however, that Burton's decision to undertake a hajj in an "Oriental" disguise was directed as much at a British audience as it was at the Muslims with whom he associated during the journey." Although the facts are suggestive that this may be true, no proof is given - that would be very hard to do.
   
   Kennedy concludes (p92) "There is little doubt that Burton too was attracted to impersonation precisely because it provided a way of transgressing against the codes and conventions that governed society, challenging the psychic shackles imposed by civilization." This conclusion could be a little superficial: we might also add that his daily dress of grotesque beard; eyes sometimes ringed with kohl; the brandishing of iron cane, pistol or navaja and his frequent adoption of a truly wicked and fearsome persona ("to shock"), could well have been a part of the same charade - whose ultimate purpose was to divert attention away from self. Did Burton suffer from some profound insecurity and a distaste for who he really was? Was he truly the "Sheep in wolf's clothing" that W.S. Blunt claims? The book had perhaps an opportunity to take this further.
   
   The point is raised that, far from hacking their way through virgin African forest - unexplored territory - as is the general impression (my own, anyway), Burton and Speke took advantage of well-trodden arteries which had been used for slave and ivory traffic by Arab traders for generations - affording themselves of the supply infrastructure and information sources already in place to tend these parties. Wielding what must surely be humour, Kennedy observes that Burton was faced with insurmountable difficulties in the use of disguise on his African expeditions.
   
   The subject of race and Burton's undeniable racism threads its way unceasingly through this book. Kennedy uses the word `troubling' numerous times when confronting it. He employs an early 21st century scrutiny to pass clear judgment on a latter 19th century culture - perhaps unconsciously setting relativism aside.
   
   In 1633, Galileo Galilei was forced to abjure and recant his prior assertion of "...having held and believed that the sun is the center of the world and immovable, and that the earth is not the center and moves." Although we are dumbfounded by this today, we shouldn't be. There are dogmas in place in 2006 which no historian or anthropologist dares to contradict - on pain of professional suicide and even jail in a few countries. These dogmas touch upon versions of history enforced by law and statements upon the subject of race that are officially held to be modern heresies. Thus when judging Burton by the measures of our day with regard to racial matters and, then, reversing the scrutiny and weighing this book's criticisms by my own unfashionable standards; I, as a reader, am forced to conclude that neither one of them has the right of it. I am hit on the nose by the consequences of relativism!
   
   Burton had good and bad to say about everybody - and an awful lot of the bad is directed at white Victorian society (which is nowhere labeled `racism'). The scientist in Burton (and he was a very good one I think) brought out his objectivity; the human being railed mightily and emotionally against slights, insults and injustices; some the consequence of his own misguided actions; some dead on target. I think Kennedy walks into the pitfall of early 21st century political correctness: time and again he is so troubled by negative remarks made concerning a particular race, yet seems to accept those that are positive without demur. In true critique, must we not take exception to all such generalizations? Burton made `hurtful' observations on colour and physiognomy which, I predict, in future times, will be done in the painless language of DNA base-pairs.
   
   Certainly Kennedy cites instances where Burton takes relativistic stands, such as (p155): "There is more of equality between the savage and the civilizee - the difference being one of quantity, not of quality - than the latter will admit. For every man is everywhere commensurate with man". Kennedy then asks "How can these remarks be reconciled with Burton's insistence on the innate inferiority of the African?" Having raised the idea that the contradictions could be ascribed to "an undisciplined and volatile mind", Kennedy points out that such a conclusion would cause us to:
   
   "... miss what may have been Burton's most intriguing contribution to Victorian conception of race. His understanding of race as a closed space defined by difference serves a double purpose: it supports the standard racists' contention that biology is destiny, but it also ventures the view that races have their own systems of beliefs and behaviour, each incommensurate with the other and implicitly standing against a universalist standard of values."
   
   Doesn't that take rather a lot of words to say (without any of the promised reconciliation) that Burton was inconsistent: giving the Victorians a fresh new viewpoint on race while at the same time reinforcing their old prejudices?
   
   The chapter entitled "The Sexologist" thoroughly covers a lot of well-trodden ground; over-trodden one might say. On homosexuality, Kennedy is of the opinion that Burton had probably actually indulged and cites a rather telling letter of Swinburn's in support, yet, knowing this was rather likely (even close to certain), so what? What more can be written about Burton? The answer is evident here: very little. This, by the way, is not a criticism of the book.
   
   The final chapter "The Afterlife" is for me one of the more interesting. Kennedy speculates on Burton's spiritual beliefs and brings out his agnosticism as well as his horror of annihilation at death. In "A Glance at the Passion Play" (I quote the full context which Kennedy doesn't), Burton says (p165), on Spiritualism, " it satisfies a real want, a crave which is to millions - a part only of our kind but numbering millions - the bread of moral life." He then offers a `Spiritualist's Decalogue' of which Kennedy quotes article VI "Death, physically considered, dissolves a certain organic unity; it is not, however, annihilation, but change."
   
   This was an astute selection by Kennedy and brings us closer to an understanding of Burton's spirituality.



4. When I first discovered that a new Burton biography by a professor of history was soon to be published I had high expectations. Upon receipt of Professor Kennedy's Burton biography titled The Highly Civilized Man, I started digesting his work. The asserted themes of the work included 1) placing Burton and his work in context with the larger issues and challenges of Victorian times, and 2) using Burton to better understand the nature of changes beginning to percolate socially due to the interaction of Victorian England with its colonial enterprises. Indeed, as far as I know, this approach is pioneering and insightful. As I continued reading to about page 90, I thought Professor Kennedy's effort was well done, and the book would be another jewel to adorn the crown of Burton research, along with the work of Mary Lovell. I am of the opinion Professor Kennedy succeeded in achieving both this stated objectives. From this standpoint, his book is a success.
   
   The observations of Burton as a harbinger bridging the transition from the Victorian Era to the Modern Era reflect the type of insights one expects from a biographer trained in the rigors of academic scholarship. I enjoyed the in depth academic analysis of Burton from the standpoint of concepts of relativism as applied to notions of cultural difference. Professor Kennedy has also highlighted the role played by Burton in the early development of anthropology as an academic discipline. Social/Cultural Anthropology's primary research methodology is called participant/observation. Certainly, this approach was an inherent part of Burton's nature, and the scope of his anthropological observations were derived by this research approach. I was also glad to see that Professor Kennedy gave particular attention to discussing Burton's Stone Talk and his Kasidah. The earlier biographies did not devote much attention to either of these important works.
   
   As long as Kennedy stayed focused on academic based scholarship he avoided the pitfalls that plagued the earlier biographies that predated Lovell's Rage to Live. Unfortunately, the book digressed into complicated histories that are not fully recounted. Yet, Professor Kennedy felt compelled to make several definitive conclusions sorely lacking the professional level of scholarship a professor should be required to meet. The outcome of Kennedy's failures is a setback in Burton scholarship. Given the effort to place Burton in context, the irony is that the book with notable examples omits necessary context to understand and evaluate some of the Professor's conclusion. For example, the recounted history of Burton firing over the head of a crowd of Greek Orthodox Christians fails to acknowledge that Burton resorted to this solution after trying less violent alternatives, and after he and fellow members of his party were injured by rocks thrown at them. The key point is that Burton used a hierarchy of options to confront unstable situations. This point also relates to the absurd conclusion that Richard and Isabel were role-playing in the desert, and that there is a hidden psychology to uncover. The decision to have Isabel act as Richard's son was an attempt to protect her from rape and death, and to give Richard an option before resorting to lethal force. The Burtons took their personal safety serious as illustrated by their habit of carrying two revolvers and three Bowie knives when traveling.
   
   
   
   Professor Kennedy has a mildly obsessive theme about people Burton did not know going into the desert for homosexual interludes that randomly pops up in the book. He includes a discussion of Burton and several earlier biographers who speculated about Burton's sexuality. But Kennedy failed to note those writers assumed Richard and Isabel had a loveless and sexless marriage, and they used outmoded, almost now quaint, modes of Freudian analysis. The illusion of the Burton's loveless marriage was gutted by the original sources brought to light by Ms. Lovell. Professor Kennedy fails to point out the deficiencies of Brodie and Mclynn concerning their analysis of Burton and sexuality. The deficiencies in The Highly Civilized Man about the question of Burton's sexual interests are too numerous to address in a short review nor are the issues he raised concerning Damascus, Crowley and others. Kennedy's treatment of Burton in Damascus is a travesty. Not once does the professor inform the reader that all segments of society in Damascus worked to bring Burton back from his recall. The Damascus treatment is lacking in necessary detail and skewered to the degree that the discussion should have been deleted form the book. It is also one of the examples where Kennedy included information that is extraneous to accomplishing his two professed themes.
   
   The book appears to have been written with segments produced using an academic analysis methodology with other portions written in an almost stream of consciousness with points lacking critical evaluation. Moreover, there are instances of contradiction. This leads one to conclude the work was not scrutinized properly before going to press. The Kasidah analysis includes a conclusion that Burton believed there is no God or afterlife, yet in the chapter titled the Afterlife, Kennedy indicates Burton may have concluded there is continuing life. In fact, towards the end of the Kasidah and towards the end of note 2, Burton makes it plain he has a positive view on a continuing future life. It is not a life however with the attributes of anyone's religious acculturation. The chapter on the afterlife in large part is one of the commendable aspects of this biography.
   
   All of the hallmarks of a work that will withstand the centuries are present in this work if only the good professor would later reissue it, and correct the many deficiencies and expand the themes of Burton as harbinger, Burton as catalyst, Burton as a pioneering mystic and Burton as scribe in the manner of Thoth, the Ancient Egyptian principle of wisdom.



5. One of the most remarkable men who ever lived was Captain Sir Richard Francis Burton. He was a poet, explorer, linguist, soldier, and translator, with remarkable accomplishments in each of these fields. The best biography of this astonishing and energetic man is still _The Devil Drives_ by Fawn Brodie, but in _The Highly Civilized Man: Richard Burton and the Victorian World_ (Harvard), Dane Kennedy has written something else. His book covers aspects of this multi-faceted man who was busy all his life making his own legend, but who is revealed here as "very much a man of his time, a product of nineteenth-century Britain and its imperial encounter with the world." Kennedy traces the sources of the intellect behind Burton's many efforts, even his famous physical feats such as his pilgrimage in disguise to Mecca or his role in finding the source of the Nile. Among other things, Burton was, as the chapter headings here classify him, an Orientalist, a relativist, a racist, and a sexologist, and Kennedy has taken a useful look at all these roles.
   
   The different chapters with their themes cover Burton's life in a more-or-less chronological way. Burton had a genius for languages and would eventually become fluent in perhaps a couple of dozen of them. His first foreign assignment was to the British East India Company, and although Burton sought glory in battle, his contribution was really to increase the knowledge of the land, the language, and the people. He took his capacity for imitation of other cultures to its most famous exercise in making the hajj in 1853. As Kennedy points out, there was no reason for any disguise; he could have simply have asserted his belief in Islam (a freethinker, he always did value the societal strengths of Islam, and he considered Christian missionaries to be on a misconceived quest) and joined the flood of foreigners in the pilgrimage. But this would not serve his purposes. A convert to Islam (no matter of what degree of sincerity, or how loosely attached to the Church of England) would be outcast from respectable society, preventing him from becoming a national hero and limiting sales of his great _Personal Narrative of a Pilgrimage to Al-Medinah and Meccah_. Burton's racism was a product of his time, and of his travels in Africa; he respected African cultures, even if he felt Negroes to be inferior and incapable of improvement. Kennedy makes the case that Burton had a relativist conception of culture, but such relativism did not encompass any struggle for improvement of political rights. Burton's value of other cultures included his view of their acceptance of sexuality, an acceptance he found lacking in his own country. Kennedy explains that with publication of his translations of the _Kama Sutra_, _The Perfumed Garden_, and especially _The Book of the Thousand Nights and a Night_, Burton intended to subvert his nation's "purity forces." While Burton wrote that the _Nights_ was not fit for women to read, he filled it with strong and independent female characters who exhibited the sort of sexual desire women were supposed to keep hidden. Burton wanted to change British sexual morality, and his views would have grated against the current "just say no" philosophy. "Shall we ever understand," he sighed, "that ignorance is not innocence?"
   
   Kennedy makes the case that not only was Burton remarkable in the many aspects of his efforts, he was eager to "advance the larger epistemological quest to understand, explain, and classify difference." He thus informed Victorian debates on race, religion, and sexuality, debates that are continuing into our own contentious times. Burton is a compelling character, and these essays on different features of his career and interests are filled with important insights about him and about the times of which he was a product.

No comments about Amelia Earhart (Women Who Dare).