No comments about Inheriting the Trade: A Northern Family Confronts Its Legacy as the Largest Slave-TradingDynasty in U.S. History.

5 comments about Gonna Do Great Things: The Life of Sammy Davis, Jr..

1. This is an exceedingly well researched glimpse into the early, middle, and later life of the brilliant and God-gifted Sammy Davis Jr.- each period of his genius life very well explored. From birth onwards, SD went through stuff we never dreamed, and did stuff we never knew, but this book gives the whole story, warts and all. A very good read, full of fascinating insights and some tasty dish too. As a longtime Hollywood journalist myself (who had many interactions with Sammy) I found quite a few minor errors (Fishgall called Michael Cole of Mod Squad "Peter Cole",) but most people won't notice these, and will really enjoy this thorough look inside a truly amazing life. Congrats to the author!
   
   Barbara Sternig, Hollywood



2. I personally have not read any other book written around the life of Sammy Davis Jr. I was interested after all this time, for I heard so much surrounding such a well known and honored Entertainer. Reading this story at times I found to be tedious and boring, too many descriptors of movies, the theatre and surroundings in the environment of which Sammy Davis Jr. lived. The best part of this story in the last few chapters which captures the essence of ones personal life, unfortunately it surrounds the deterioration of a magnificient man. The story is well written and leads you to believe that the author has researched and thoroughly done his homework. I must say that I am very surprised at the lifestyle that Sammy Davis Jr lead and I feel for his loved ones, because this story of how he was and how he treated his family, his wives, is really terrible and they had to see and want something deeply to have stayed involved and connected to Sammy Davis Jr. I guess also that you have to understand the drugs and addiction and need for stardom to really understand how Altovise, May, his children and his close friends really dealt with him. Truthfully by the count of what this author has documented the only ones who truly benefitted from Sammy Davis Jr. legacy is the World who wanted to be entertained. Those who went to the theatre, to Vegas shows. His wives were just pawns and lived their lives through his status (never getting much from him) and his children, well I am surprised they refer to him as daddy, 'cause it seems as if he was just Sammy in their lives. Truthfully this book is really a very sad story of a man that was... did he really every love his family, it seems as if his only love was the Stage. I think that the author could have written less and got the point across....maybe his aim was to also get you to read the Autobiography, but it also seems like the author capture the essence of all the other material that has been written on this entertainer. I rated it a 3 for interest only, and there were probably 4 good chapters in this book. Authors writing ability I give him 2 thumbs up for research and documentation, footnotes etc... Content and interest to the avid reader, less descriptors and explanation of other characters. I felt at some points in the book that it was more about Frank Sinatra and others then Sammy Davis Jr.



3. i was a fan before i m a bigger fan now. excellent pacing beautifully written and really tells the story of a truly remarkable man i very easliy could have read this in one sitting but i savored every page. highly recommended



4. 
   
   This is the only biography I've read about Sammy Davis Jr.I am retired and though born about 10 years after him,it seems to me he was around forever.This biography jives exactly with how I saw his career over the years.The one great enlightenment I got from this book was the personal details;which obviously were new to me,and I suppose would be to anyone who reads it.Every page presented something new and in a very readible style.
   Davis did so much and interacted with so many people over so long a period that the author had a huge task to cover it all in such a short biography;I feel what he has done is a supurb job to say the least.
   The author makes you feel like you are traveling right along side as Davis pursues his life and career;what more can one ask for in a biogrphy?
   If you enjoyed Sammy,you'll surely enjoy this book.



5. . . .you'll enjoy this one as well. I wasn't sure I could take another Sammy Davis, Jr. biography so soon after Will Haygood's recent (and excellent) biography, but the brisk pacing and clear writing drew me in. Fishgall sticks to the major events in Sammy's life and doesn't go overboard with the historical background, but a clear picture of the man and his time emerges. I felt an inordinate amount of attention was paid to Sammy's later years and television appearances, but I appreciated learning more about his children and his third marriage. If you can only read one, read "In Black and White." If you're still interested, read Sammy's own books, and include this strong, fair biography.

2 comments about A Matter of Law: A Memoir of Struggle in the Cause of Equal Rights.

1. Judge Robert Carter gives a blow by blow account of the legal fronts of the civil rights struggle: the personalities involved, the infighting among them, the battles won, lost, and nearly neglected. Brown v. Board is well-told elsewhere, while other struggles receive overdue attention (e.g., the battle for the NAACP to preserve its member lists from scrutiny by officials striving to break the organization's back).
   
   Carter perceives himself as the uncharismatic technocrat of the struggle, an unheralded leader in a fight who was unceremoniously jettisoned from its core despite his impressive contributions.
   Accordingly, his account is that of a dutiful documentarian, rather than a labor of love, and the writing suffers for a dearth of passion.



2. When reading about the history of the NAACP's and the Legal Defense Fund's struggle for human rights, we tend to hear more about Thurgood Marshall and not enough about Robert Carter, who was a integral part of the fight. After many years, Robert Carter has shared his perspective with us.
   
   Tales from Carter's childhood and schooling are simply stated. Given the discrimination and hardship with which he grew up, these tales are more aptly labeled, "simply understated. His accomplishments through adversity are clearly laudable, but we don't get all the detail we would hope for. He does discuss a falling out between Marshall and him, and he also discusses grabs for power as Thurgood left. However, we don't get this level of detail on the cases.
   
   Regardless of the level of detail, this is a very informative read. I would recommend that anyone wanting to know more about our continuing struggle with civil rights should read this book.

No comments about African-American Firsts: Famous, Little-Known and Unsung Triumphs of Blacks in America.

1 comments about Bricktop.

1. I bought the book for a friend Yve Evans thet was playing Bricktop in a stage play. It was very helpful. Yve enjoyed the book and it helped her better understand the woman she was playing.....

5 comments about A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr..

1. This set of Dr. King's sermons/speeches is a dream come true. To hear his powerful words coming from his own mouth is so inspirational. I'm really glad I purchased these. Arthur Dunklin, Ph.D.



2. It's hard to believe Martin Luther King was 39 when he died. His eloquence can be heard in his famous speeches but the fullness of who he was, his spiritual depth, can only be heard in his sermons. These CDs are inspiring and profoundly moving. He is one of the greatest American preachers of all time and the greatest in the twentieth century.



3. I have had A Knock at Midnight in book and cassette tape form for many years, and at least twice a year I listen to them. The sermons are timeless, and make clear that we were in the presence of greatness when Dr. King was alive. Listening to this CD truly is inspirational. I have given them as gifts for years, and always receive heartfelt thanks.



4. What a blessing to listen to these sermons of my brother in Christ Dr. King. Never throughout my life did I hear these. Why?
   
   America, wake up!!! You are a great nation, because of the freedom bestowed upon us by none other than Jesus, the Messiah (Christ).
   
   And those people, brought here as slaves (believe me I've heard it ad nauseam going through school, but just listen), have helped make us a great nation!
   
   Now listen - we are ALL slaves - every one of us. To who? To ourselves!
   
   If you think I'm a religious zealot - absolutely, freakin' not. I am a former slave, that's all. No more, no less. Saved by the blood of the Lamb. And now filled with the love of His Spirit, and loving my fellow man, regardless of color or background.
   
   I look forward to meeting you in heaven Dr. King!
   
   (Let's pray for Dr. King's constituents, that they would come to know the Lord, and love all, black and white, and gain God's strength as Dr. King did.... and keep loving one another, faults and all - 'cause we know we all got faults, but our hearts should be turned towards perfection! Thank you Jesus, King of kings and Lord of lords!!!)



5. The sermon series is awesome!!! Each sermon has an introduction that gives the listener valuable tidbits about the sermon. You can feel the effect of MLK's powerful oration abilities. All of the sermons are still relevant today and anyone who has a pulse can benefit from listening to the set.

2 comments about Tuskegee Airman Fighter Pilot: A Story of an Original Tuskegee Pilot Lt. Col. Hiram E. Mann.

1. The reader shall find a very thorough, detailed and thought provoking piece. Lt. Col. Mann has paved the way for individuals like myself to have had unlimited opportunity in the military, and unlimited opportunity to pursue my dreams of aviation both in and out of the military. I am proud to share with those that read this review, that I am a veteran of the United States Air Force, Licensed Commercial Pilot and Flight Instructor. A heart felt thanks to you Lt.Col. Mann, and your fellow Tuskegee Airmen. Thank you Dr. Coggins for your lifelong commitment towards our education. A PHI...



2. This riveting book on Lt. Col. Mann's life provides a clear sense of personal achievements and the military battles that he and fellow pilots experienced during World War II. The epistle are a source of hope for overcoming prejudice and discrimination. A must read for all...

5 comments about Composition in Black and White: The Life of Philippa Schuyler.

1. I had a newspaper cut out of the picture that is on the cover of this book for years. It is faded and delicate but I never rid myself of it because I found the beautiful face that was on it so enchanting. All I knew was that this girl was called Philippa. I thought she was Indian or an old Bollywood star. Then I saw the photo again but on the cover of a biography in a bookshop called Foyles in London.
   
   Composition in Black and White: Life of Philippa Schuyler by Kathryn M. Talalay is a very well written and comprehensively researched biography about a child prodigy. The opening chapters are compelling and written with such confidence that it suggests that this biography is going to be a classic. Unfortunatly the subject matter lets Talalay down as the middle section of the book demonstrates because it is simply an extended list of her engagements and travels. That said the book sparks back into to life in the later chapters as the mature Philippa is explored. I would like to have known when she had her first real sexual encounter, as this would have put the later exploration into her sex life into context.
   
   There are some questions that are left unresolved which I supposed adds too the mystery of this difficult character. Also as Philippa grows she becomes more selfish and self-centred. Less sympathetic. Her world really does revolve around her and only her even if she is in a war-zone. My personal view is that in latter life she became something of a Machiavellian sexual predator. I can't see how she can be labelled a humanitarian. Her main concerns were solely for herself. She had an abortion simply because the baby came from a Blackman. Yes she was brave, talented and beautiful yet she was also cruel, stupid and brutal. Someone who had too much emotion baggage to be around for long.
   
   Where is Philippa's music now? Was it really any good? Are there any recordings of it?
   
   I can find none available. Maybe that speaks for itself.



2. Richard Powers puts Philippa Schuyler (1931-1967) to the centre of his novel "The time of our singing". Halle Berry (this time as a producer instead of as an actress) wants to film her life ["Composition in Black and White"] and has found Alicia Keys as a principal actor -- also a coloured pianist and an admirer of Philippa Schuyler by whom Alicia feels deeply inspired. These two current marginal notes should already unlock us to read this book written by Kathryn Talalay about Philippa Schuyler. If one has started to explore the facts of this extraordinary biography, then one quite surely will be tied up of what this exemplarily strong woman experienced: At the beginning of her life she was, aged 11, on tour as a "child prodigy" celebrated on concert stages in about 80 countries -- also America needs his Mozarts (at first the present U.S. Foreign Secretary Condoleezza Rice was on this track, too, before she still discovered more essential). Philippa Schuyler (got adult) changed her name because of the racialist injustices , which made the USA particularly to the axis of the bad in the Mccarthy era -- for children from mixing marriages absolutely also. Philippa Schuyler tried to award a South American Spanish touch to herself with the pseudonym Felipa Monterro. (Jennifer Lopez today is an example, too, that this sort of identity absolutely gets more acceptance than a clear origin from a black American ghetto. ) Philippa Schuyler started with a second life as a (very successful) journalist, getting more awake for political discussions. She, an "American Sheroe" -- she died at the age of 35 years... at a report refund over Vietnam during a helicopter crash in 1967.



3. This book is PACKED with details. The author really did her homework on this book. The author takes you on a journey beginning with the lives of her parents, Phillipa crossing the world on adventures and finally ending in pure tragedy. Phillipa was a very gifted child pianist. She grew up in New York as a multi-racial child. Her mother was a white southern heiress, her father was a talented black journalist. The two fell in love in a time where inter-racial couples were worse than taboo.
   
   Phillipa traveled the world performing for royalty. Sometimes at dilapidated venues in fourth world counties. Although some times were rough for Phillipa (when she was older) she continued touring to get away from her demanding mother.
   
   The book is packed with dates, locations, pictures and names. You can tell that the author, Kathryn Talalay, put a lot of effort into this book to give you the full picture of this girl's life. This is the reason why I gave it 3 stars and not 4 or 5. From reading so much info the book kind of lost its momentum.
   
   NOTE: Be on the look out for the motion picture of "Composition in Black and White" staring Alicia Keys as Phillipa.



4. I loved this book and couldn't put it down. Very well written and researched. Philippa Schulyer was a fascinating woman! I highly recommend this book.



5. As a social historian and african-american writer I enthralled when I read the NY Times Book Review of Kathryn Talalay's bio of phillippa Schuyler. Schuyler made her mark as a musical child prodigy and later, as an adult, a celebrated composer-pianist. Schuyler's life as an international performer in one sense mirrors that of another but more recognized "tragic mulatoo", Dorthy Dandridge. And her last career as a grounbreaking war correspondent in South Vietnam is particularly entriguing. Overall, Talalay's book is marvelous but the high brow and sordid realities of Schuyler's life are especially deserving of a major made-for-cable TV treatment. Similiarly to what recently afforded Dandridge. That way Talalay's thought provoking examination of Schuyler's achievements could be made accessible to a greater number of african-americans and others alike.

5 comments about My Son Jimi.

1. Al Hendrix shares his entire relationship with Jimi from birth to death in this book. He writes a lot about Jimi's childhood, Jimi's mother, Al's brothers and parents, etc. He talks about Jimi's visits home and how everyone would then come over and the house would be full. He talks verbatim about the conversations he had with Jimi during these visits to Seattle: whether Jimi was involved with drugs, Jimi saying that he was going to get married, how much Jimi liked to come home to get away from everything. He describes the Seattle concerts in 1969 and 1970. There are a lot of great photos of Jimi with June, Al and Janie during these visits home. Then Al explains what happened to Jimi's possessions and estate after his death and the subsequent posthumous recordings. This is a very informative book and I learned a lot about Jimi and Jimi's family.



2. Don't expect to find out a lot about what Jimi thought while he was growing up. It appears that he, like fellow dreamer Bix Beiderbecke, grew up in families that were incapable of understanding the genius in their midst. It is a fascinating read though. One begins to grasp the grinding poverty, familial insecurity, and multiculturalism that shaped James Marshall Hendrix. It is fascinating to explore the human vessels that the universe decides to pour its greatest talent into.
   Jimi Henrix was also a very talented songwriter and artist. His penmanship was beautiful. This book shows you the roots of a very sad little boy that mysteriously flowered into one of the most gifted musicians of all time. It makes it doubly sad that he never made it to a secure base in life from which he could look back and give his own perspective on his meteoric career that continues to reverberate with each passing generation.
   After this book I suggest 'Room Full of Mirrors' by Charles Cross for the rest of the known story.



3. I know it's wrong to criticise the dead, but this book is very much written through bright rosey red coloured spectacles. Al was getting on in years when he collaborated on this book and I suspect a lot of it was very much taken from one-to-one chats between Al and his 'ghost writer'; but unfortunately the book appears to have been very much influenced by the step -daughter from hell (and not a blood relative of Jimi)....one Janie Hendrix. Therefore, although Al's early memories of Jimi as a child and early adolescent are interesting and have some value, his assertions that Leon was not his child and how much Jimi was fond of his 'little sister Janie' devalue the rest of the book. Even if Leon was not Al's child, he was Lucille's son and that makes him Jimi's blood half-brother....which is a damn site closer to Jimi than Janie will ever be (he only met Janie on a couple of occasions)...........I suspect that Janie poisoned Al's mind at the time that this book was written with one thing in mind...Al's will and inheritance and the control of Jimi's music...which all spells one word......GREED. Unfortunately her scheming paid off, as Al effectively disowned Leon and gifted more or less evrything to Janie (including the rights to Jimi's music).
   
   Finally, I am sure Al loved Jimi in his own way and I am sure Jimi had some affection for Al, but it is all overplayed in this book and Jimi told a lot of people that Al beat him quite badly when he was growing up and Kathy Etchingham in particular recalls a number of occasions when Al was not exactly a loving father..........however times were very hard for Al and Jimi (and Leon) and it is unfair to be too hard on Al in the early days....and to some degree in later life when I suspect he was slightly senile and therefore very susceptible to Janie's worm tonguery.



4. when sharon lawrence called al hendrix to plead with him to not make jimi's funeral a spectacle, Mr. Hendrix's first response to her was. do you know how much money he had?
   
   This man was only ever interested in his son as a meal ticket and even 29 years later here he is tryig to make money off his dead genius son. all i can say is shame on you al hendrix!
   
   JOHN HOVING



5. For years, while reading conflicting opinions by numerous authors of all things Jimi, it seemed natural to wonder what Jimi's dad would have had to say about it. Fortunately, rather than sit back and wonder about it, Jas Obrecht worked with Al Hendrix to get the story told. Of all people, Jimi's father surely had an important story to tell, from a vital perspective - that being the family anchor throughout most of Jimi's often scattered childhood.

   "My Son Jimi" is a tender yet objective look into the life of a uniquely gifted soul. The childhood personality traits that Al reveals sync well with what we know of the adult Jimi. With so much known about nearly every breath of his life once he became famous, it's refreshing to hear so many stories and details of Jimi's early days and the events that influenced his view of the world. Al's memory was obviously sharp, as evidenced by the depth of chronological details and his ability to wrap the up-close human perspective into those details. For example, in describing the lean years when money was tight, Al was forced to move from place to place and chase employment opportunities. Al closes the history loop by describing the impact these events had on young Jimi. Likewise, the descriptions of home life when Jimi's mother Lucille was living elsewhere, often with other men, are treated with respect to all, allowing as much dignity to be preserved as possible, even in very undignified circumstances. These touches add a healthy coating of reality and personality that can never be touched upon by an author merely reporting a historical perspective.

   I found Al's descriptions of Jimi's music illuminating and intriguing. Obviously, Al was proud of his son's accomplishments, but was still able to hear the music for what it was, with open ears. I believe that his need to be honest and realistic was a key component leading to the success of Experience Hendrix once the family had acquired the Hendrix legacy. Look at it this way - for decades, Alan Douglas had been the caretaker of Jimi's music and although I don't think he was deserving of all of the hateful criticism he received, I do believe he was a puppet in the machine that turned its head away from Jimi's clearly stated intentions of where his music was headed. Al listened to Jimi, for example Jimi's eagerness to work with and appreciation of Eddie Kramer and Al then brought Eddie into the fold to help move the music in the right direction. This was no mistake - it was action motivated by love.

   Al's prose is not particularly colorful, nor embellished - instead he speaks economically, to the point and from the heart. This may lead some to criticize this book unfairly, but I believe that the content, honesty and perspective Al has brought forth make My Son Jimi essential reading for those interested in learning the true story of Jimi Hendrix.

5 comments about Where the Body Meets Memory: An Odyssey of Race, Sexuality and Identity.

1. Although the first half of the book is really boring, the second half makes up for the slow and banal start. The first half focuses on Japanese-American tribulations during the Pearl Harbor era, which through composition and writing style, certainly not topic, is a miserable read. The book doesn't begin to redeem itself until the author goes into his own personal struggles of sexual identity, which is great because most books that I've encountered in Asian-American issues usually goes into differences in food, domestic tribulations, or are too scholastic to enjoy on a personal level. On this point I felt it was a great read despite the first half. Though in hind sight, the first half seems integral for the continuity of which the book is based on; how history and experiences leave a residue of meaning that dissolves into reoccurring memories; these memories that keep coming back to shape our lives-these traces of identities. In this aspect it was hard for me to rate this book, which I struggled between a 3 or 4 star rating. I will say however, that it is a definite must read for any one who is familiar with Asian-American issues. Thank you David Mura for having the balls to write this book; it was worth the whole production despite the criticisms.



2. David Mura's book, as the subtitle suggests, spans some fairly heavy issues. For more than a few readers in my Asian American Literature class, this book was a little too explicit, but for anyone in search of a frank and personal account of the sansei experience, this may be it. Mura discusses the problems he inherits through his inculcation of the model minority myth, and the mantra on which he was raised: "Act like everybody else and you will BE like everybody else." The book charts Mura's dawning consciousness of his racial identity, as well as his deep addiction to promiscuity and pornography--an addiction that Mura identifies as stemming from the standards of white beauty trained in him since boyhood. His discussion of what pornography does to the male psyche are particularly interesting, and his assessment of his addiction in terms of his racial identity is not one that I have heard anywhere else.

   The book certainly met with criticism from those who would rather emphasize race unity for the fact that by the end, Mura seems to distill every aspect of his life and his identity into a race issue. However, it was equally applauded in my class for the same issues. The explicit nature of the book seemed as much a pro as a con in discussion as well. Whatever the case, this is book that sparked a great deal of controversy at my university, and generated a great deal of conversation. If you are interested in the Asian American experience, this is certainly worth the read. You will have opinions about this book, I can guarantee you that, and no matter what they are, you will find plenty of people willing to argue them with you.




3. I'm an American of Korean descent (2nd generation), born and raised in the Deep South. I bought this book two years ago, based on Mura's reputation and a sense that this book would speak to my emerging consciousness as an Asian American male. It sat on my shelf for 2 years until last week, and now I can see why. This is a painful read.

   Other reviewers have branded this book as "self absorbed" and "tedious," which to me are the characteristics of the journey towards wholeness and healing. Read it if you are Asian or love someone who is.




4. Sometimes I felt that this book did not have much relevance to me. Then Mura really foes into discussing the struggles of Asian-Americans today. Problems of fitting in, and sexual stereotypes. His description of the Asian male being this country's eunuch really hit home. He put words to very deep, very vague feelings that I have carried and that a lot of asians growing up in this society probably have as well.



5. Mr. Mura leaves much to be desired with this literary piece. At times extremely frustrating, at others poignant, Mura's vision of the world might be judged simply as lacking in any type of insight into the world that surrounds him, but incredibly intuitive at describing issues arising out of his personal emotions and relations. There is danger here, pedantic rants at the treatment of Japanese-Americans in American history and contemporary culture are presented without mention of the xenophobia and the abuse of other Asian nationalities by the "home" archipelago. And yet the occassional awareness of the absurdity of his formed cosmology saves Mr. Mura's work, the descent from the fictional renderings of the internment camps that his forefathers endured to the sexual frustration of a spoiled, egotistical privileged Asian-American from the Chicago suburbs who found love in the cornfields of Grinnell, make this a story of a relatively interesting person who has not/ will not make much of a mark on the world. While I disagree profusely with Mr. Mura's commentary on racial dynamics in middle America, I read the book from cover to cover and feel little remorse for the time spent. It is rare that Asian-American Grinnell alumnists get a chance to gain this much access into the life of a fellow student; it is unfortunate that this is our one opportunity.