1 comments about Cosmos & Hearth: A Cosmopolite's Viewpoint.

1. Tuan is one of the most insightful writers working in the area of place and space. All of his books are worth a read, and this one makes his thought even more relevant to the current political situation.

No comments about The Great Voyages of Zheng He: English/ Chinese.

4 comments about Charlie Two Shoes and the Marines of Love Company.

1. A fascinating and inspirational account of Tsui Chi Hsii's (Charlie Two Shoe's) long-suffering odyssey to come to the United States with his family. It turns out to be a lot more complicated story than you might expect and has the potential for being a Hell of a movie, with lots of opportunities for scenery chewing, but that probably won't happen. In fact there probably won't even be any paperback updating of the still unfinished story at time of publication because one of the coauthors, Michael Peterson, is now a convicted murderer whose other books are long out of print.
   
   Life is truly stranger than fiction.



2. My boyfriend bought me this book for Christmas, and I was thrilled. Not only am I a social studies teacher and a history buff, but I am priviledged enough to know Charlie Two Shoes. He owns a business in the town where I live and is always there with a smile and a friendly word. He autographed my book with the inscription "May God bless you and yours with health and joy." When I went by today to thank him for the inscription, he told me that there is a lot of history in this book that is not often told. While I have not yet finished the book, I have enjoyed what I have read so far. No matter what crimes have been committed by one of the authors, you should take the time to buy this book and read the interesting true life story of a truly wonderful man.



3. Charlie Two Shoes is a fascinating story of one man's friendship with a group of US Marines and his incredible perseverence in getting re-united with them. Peterson and Perlmutt tell the story through Charlie's eyes and those of his Marine pals. They give us an intriguing look at life behind the Bamboo Curtain. More amazing than Charlie's budding friendship -- he was around the Marines for about four years as a teenager -- is his enduring perseverance in keeping his dream of a reunion alive. The dream survived decades, including years in a Chinese prison and more under house arrest in his small village. After all that, his eventual reunion in the U.S. had drama of its own. One Marine buddy turned out to be more interested in his own fortunes than Charlie's,and Charlie's efforts to stay got mired as much in domestic politics as international. A good read by gifted writers.



4. Charlie Two Shoes and the Marines of Love Company is not only an inspiring story about friendships and loyalty, but also an excellent retelling of some little known American history. Set in Northern China starting at the end of World War II and continuing to recent times, the reader will learn about the atrocities visited upon the Chinese peasantry by the Japanese, the communist take over of China and America's futile efforts to stop it, the severe poverty and starvation the Chinese people endured, and the political repression and corruption that continued for years. Into the shadows of these desolate and hopeless conditions, the warmth and charity that the American Marines and missionaries brought with them to China and to a young boy, nick-named Charlie, shine brightly. The reader is invited on a journey through Charlie's life of joys and travails, but is pulled aside by the authors from time to time for some excellent and concise description of the historical context. Thus this true tale of friendship and suffering also enables the reader to also learn the larger story of the historical events which ultimately were its cause.

2 comments about Two Years in the Melting Pot.

1. As of you always heard people saying America is the melting pot, or a salad bowl, well this book tells the story of a Chinese man learn what it is to be and how hard it is to adapted to another culture. As the heart broken story start with him leaving his home of his family and children are waiting for him when he get back from his educational journey. Nearing half of his life away, he have leave home many times some times even long and much more dangerous then this journey to America but everyone still strong, but the story, the author have his way of describing the sadness of leaving his home and his family.
   Liu Zongren shown a lot of honesty in himself with other, and also the humor of how the author describe the ways that he adapted to the American ways with his many questions of the cultures he barely know and soon be leaving again. As the author dealing with cultures shock you will be drawn into the book and soon you will feel that you are dealing with the culture shock with the author also, the writing of Liu is very strong and it will attract you to the book as you read along.



2. Are you interested to know how a Chinese person experienced cultural shock in the US ? Then this book is a MUST. No book that I have read about the Chinese (and I have read many indeed) has touched me as profoundly as this precious glimpse into the personal feelings (rarely shared with Westerners) experienced by a gentle Chinese man during his two year stay in the Chicago area during the early 1980s. His English is excellant and his literary style very expressive and easy to read. His honesty and humor can not fail to touch the soul of the reader. I am deeply grateful to Mr. Liu for sharing his thoughts and experiences with us.

5 comments about Concubine's Children.

1. Received my order quickly, the book was is the advertised condition and I loved the book.



2. I couldn't wait to read this book after it arrived. But I was disappointed. Althought the topic was fascinating, the writing was not. I became bored and at times found it hard to follow which person was doing what. I had to re-read some paragraphs to make sure I knew which person I was reading about. If the writing had been better, it would have been a far more captivating book. Falling Leaves: The Memoir of an Unwanted Chinese Daughter was much better.



3. 
   THE BOOK WAS A VERY GOOD BUY....SERVICE WAS OUTSTANDING I RECD
   THE BOOK IN A HURRY. BOOK WAS IN GREAT CONDITION AND EVEN MY
   WIFE PICKED IT UP AND READ IT. THIS IS THE SECOND BOOK I
   PURCHASED FROM AMAZON. I WILL BUY AGAIN VERY SOON. KEEP UP
   THE GOOD WORK.



4. In this fascinating tale, Denise Chong deftly writes the story of her migrant Chinese family on two soils - Canadian soil, and Chinese soil. Her grandmother ("concubine" May-ying) moves to Canada following Chan Sam, her assigned husband. Times prove not to be so easy for the Chinese in "Gold Mountain". Their isolation and institutionalized exclusion from mainstream Canadian society stifled any progress. May-ying moves almost constantly from Nanaimo to Vancouver (the two Chinatowns) waitressing to support her husband, Hing (the third daughter and author's mother), and also the family left in China. Following relations in this book is key to understanding how the story unfolds.
   
   Denise Chong tells the story of May-ying's taut life in trying to fulfill the obligations of a Chinese wife in a polygamous setting. She also gives historical accounts (political and cultural) both at home and in China. When family and history are intertwined, both become inseperably tangible. I don't think that this book is an exploitation of Chinese culture as one reviewer pointed out. I think this book will be enlightening to many a reader with sparse knowledge and misconceptions about early Chinese migration to the New World.



5. For those of you who think polygamy works when it is culturally supported, this is the book that will give you a new viewpoint to consider.
   
   This book was written by the granddaugther of a concubine, a second wife taken while the first wife was still in the picture. Culture and practicality allowed and supported concubinage in China of the 1920s, yet this family suffered greatly for generations under the practice. It is the history of her grandparents' marriage, a second marriage. The grandfather took a concubine to be his wife in the New World while he worked to make a better living from his At Home family and to elevate his social status in his home community.
   
   The story tells of the struggles of being a "second family," of the depravation that had to go hand-in-hand with supporting two households, with the shame of having parents who were together for the convenience of sex and income, of the pain of being separated from siblings who were being raised by the first wife. It's about the descent from being a merely disfunctional family unit to being essentially an out-of-control single-parent household when the bonds of dependency and culture were broken by the stress of having two wives and two families.
   
   I couldn't put this book down once I started because it's like watching a train-wreck. I could anticpate the troubles and sorrows, as could the family involved, yet they were just as powerless as I to change things.

No comments about New York City's Chinese Community (Images of America: New York).

2 comments about Some of Us: Chinese Women Growing Up in the Mao Era.

1. I picked up this book from my local public library solely on the basis of its title, but I was very pleasantly surprised once I started reading it. This book is a collection of autobiographical essays written by Chinese-American women who are now teaching at universities in the United States. All of the essays examine the authors' experiences growing up in China during the Cultural Revolution from a feminist perspective. The introduction makes it clear that the authors were motivated by a desire to go beyond the standard (at least in the U.S. and Europe) version of the Cultural Revolution as a period of complete chaos, despair, and oppression. Instead, the authors write about the many ways they felt, often including senses of empowerment, freedom, and creativity.
   
   This book is quite straight-forward and does not require anything more than a general knowledge of modern Chinese history and maybe a tiny bit of familiarity with feminist theory (for the introduction).



2. The American market has been flooded with memoirs from the Mao era that present this time, especially the Cultural Revolution years, as a purely dark, depraved, and tragic age with nothing but victims and victimizers, inhumanity, cruelty, and sexual repression. The editors of this volume, in their probing introductory essay, have no quarrel with these individuals representing their tragic experiences through memoirs, but do take issue with the assumption that many Westerners (and in some cases the authors of these other memoirs) take for granted, that is, that these victim/victimizer memoirs speak for all Chinese women who grew up in this era. The authors of these nine chapter length memoirs grew up in big cities in China during the Mao era, and all have gone on to PhDs and American professorships. While they note that this makes themselves unrepresentative in a sense, they are representative in that the vast majority of urban women were never victims or victimizers during the Cultural Revolution. These authors have both good and bad memories, were both harmed and empowered by the state's official ideology, and experienced personal growth.

   One of the authors mentions that American friends act almost disappointed when she tells them she has no personal horror story to share. The editors mention a revealing anecdote from an American academic conference in 1999 titled "Memory and Cultural Revolution". During the Q&A session, someone said that their memory of the period did not coincide with the panel's wholly gloomy and tragic view, rather they recalled a high and youthful spirit, and that they were neither victim nor victimizer. The chair of the panel condescendingly dismissed this by saying that some Holocaust survivors are nostalgic for their camp days too. Thus, no more time needed to be wasted on such invalid memories, and the panel moved on with their discussion of politically correct memory. These authors simply want to add their experiences, and their astute and balanced analysis into the mix.

   All nine memoirs are high quality and raise our understanding of what it was like for an average girl/young woman in urban China in the 1960s-70s, and they raise important philosophical and sociological questions about gender. Many are moving while always avoiding pretentiousness. Moments of humor are common. Horror story memoirs are sadly true, but the other reality is people laughed, children played, parents and children argued and bonded, adults gossiped, youth aspired, friendships formed, people worked, students studied (usually), performers performed, farmers farmed, and ordinary people lived their lives. These memoirs, being full of rich, colorful details of family and neighborhood life, increase our knowledge of Chinese culture as well as the Cultural Revolution.

   Here is a brief description of each memoir. This by no means does them justice.

   Naihua Zhang -- "In a World Together Yet Apart: Urban and Rural Women Coming of Age in the Seventies" -- tells a moving story of life long bonds formed with 2 rural young women after being sent to the countryside.

   Wang Zheng -- "Call Me 'Qingnian' But Not 'Funu': A Maoist Youth in Retrospect" -- shares rich details of her happy childhood during the CR, then applies her scholarly expertise (women's studies) to her own life coming of age as a young woman in a time of empowering feminist ideology, yet continuing influence of older cultural assumptions about gender. Insights abound.

   Xiaomei Chen -- "From 'Lighthouse' to the Northeast Wilderness: Growing Up Among the Ordinary Stars" -- was the daughter of two elite theatre stars who were persecuted during the CR. She nevertheless had a "happy, even exhilarating childhood, though I was not spared growing pains", including a sent-down experience where she got to understand ordinary people in the countryside via work as a reporter.

   Bai Di -- "My Wandering Years in the Cultural Revolution: The Interplay of Political Discourse and Personal Articulation" -- Bai, who is from Harbin in northern China, discusses, among other things, how the CR impacted the parent-child dynamics of households in her neighborhood.

   Jiang Jin -- "Times Have Changed, Men and Women are the Same" -- was the daughter of Shanghai intellectuals, a red guard, a sent down youth, a university student, and now a historian in the US. Inspired by her parents, especially her liberated mother, and using their private library of classics, she aimed to "read 10,000 books, travel 10,000 miles [for true knowledge]", a Chinese expression.

   Lihua Wang -- "Gender Consciousness in My Teen Years" -- discusses her evolving perceptions and consciousness as a female worker (and later college) who ultimately realizes her aspiration of being an educated independent person who contributes to society while finding self-fulfillment.

   Xueping Zhong -- "Between 'Lixiang' and Childhood Dreams: Back from the Future to the Nearly Forgotten Yesteryears" -- from Shanghai, whose parents instilled in her a love of learning early on; her mother pushing her to model herself after great intellectuals in history, like the author of _Dream of the Red Mansion_, Cao Xueqin. She did in fact follow the CR trend of rebellion, studying hard for college while others were not. Throughout, the conflict and harmony between lixiang [ideals] and personal aspirations are discussed thoughtfully.

   Zhang Zhen -- "Production of Senses in and out of the 'Everlasting Auspicious Lane': Shanghai 1966-1976" -- a Cinema Studies scholar at NYU today, discusses her unique neighborhood, her childhood love of films and literature, her amateur performance experiences, and intellectual maturation.

   Yanmei Wei -- "'Congratulations, It's a Girl!' Gender and Identity in Mao's China" -- the only one of these memoirs of someone who grew up mostly in the post-Mao era, which makes for an interesting point of comparison with the others. Expectations of female behavior evolved, but with some continuities too.

5 comments about Daughter of the River: An Autobiography.

1. Hong Ying's autobiographical novel gives an in depth picture of `normal' life in China after World War II with its `hypocrite socialism' and its terrible famines.
   It is a story of a harsh struggle for survival: unabated hunger, nerve-racking promiscuity, lack of privacy, bitter loneliness, lies and denunciations.
   It is also a tale about growing up in a `strange' family, becoming an adult, discovering sexuality and about the search for one's own roots.
   
   This book shows poignantly the real and direct impact of governmental political and social decisions on people's daily life. It is not less than a `personal' historical sketch with a genuine human touch.
   
   This magisterial novel is bathed in a magical subdued atmosphere. It is written like most `Schubertian' music in a minor key-note.
   A must read, not only for Chinese scholars.



2. I found this book to be somewhat interesting for its time and place; the slums of Chongqing at the end of the Cultural Revoloution. The authors family situation is also somewhat interesting, but a bit too predictable. I also read one of the author's novels, that I picked up off the sale table in Hong Kong and found it also just okay.



3. I read this book to see if I could use it in a college class I teach on young women and coming of age. After reading the split reviews on amazon.com, I decided to read the book for myself.
   
   In short: I loved this book! It has a variety of issues that pertain to coming of age including the intersections between and among gender, race, culture, class, family, education, and politics.
   
   The book is categorized as "Autobiography" but it could easily be categorized as "Autobiography/Women's Studies" for the range of women's issues it covers.
   
   I will teach this book in the future. I would just advise my students, or any reader really, to pay attention to the dates as the book jumps around a lot and it helps to have a frame of reference (e.g. Hong Ying was born in 1962 so if she's talking about 1968 she is obviously 6 years old, but usually doesn't mention that fact) in which to view each segment of the story.
   
   Highly recommended. The end of the book made my heart soar.



4. I just had a hard time reading/understanding/finishing this book. I did finally finish it because I wanted to know the mystery behind the author's father, but in the end the whole book was disappointing. I guess it's a matter of the book's structure. The author jumps from one time setting to another so often, it gets totally confusing! Also she intertwines different stories of different family members and other people in her life, that it's easy to confuse the characters. Some of the language sounds awkward, the curse words seem...forced. Also after a while, the author's unceasing bitterness towards life tended to grate on my nerves.



5. Rarely have I been unable to finish a book, even when it's quite terrible. However, this book was unreadable to me.

   There is no rhyme or reason to this book. There's no linear progression. It's more of a "This happened when I was 5. This happened when I was 15. This happened when I was 12. This happened when I was 5." The book goes nowhere and there is no plot to follow.

   After reading the glowing reviews here on Amazon, I was very much looking forward to reading this book. However, after reading half of it, it's in a box in the closet...

No comments about Chinese in San Jose and the Santa Clara Valley (CA) (Images of America).

No comments about A Reader's Guide To Amy Tan's the Joy Luck Club (Multicultural Literature).