No comments about Spymaster: Dai Li and the Chinese Secret Service (A Philip E. Lilienthal Book in Asian Studies).

No comments about Chen Duxiu's Last Articles and Letters, 1937-1942 (Chinese Worlds (University of Hawaii)).

No comments about A Place of One's Own: Stories of Self in China, Taiwan, Hong Kong, and Singapore.

2 comments about White Tiger: An Autobiography of Yang Xianyi.

1. This is a great work on Chinese intellectuals. However, you have to have some background in Chinese history and culture to really get it. I admire the author and his works greatly.
   
   If you don't get it the first time, read it for a second time. Really, it is worth the time.



2. This book is marred by a cluttered prose and some careless editor work. The subject matter does have some interest. Yet, the treatment is far from ideal - there are places that the author lingers on for too long while on the other hand there's gaps in the narrative that should have been filled. The quality of research is mediocre.

5 comments about Feather in the Storm: A Childhood Lost in Chaos.

1. I loved this story. I hope Emily Wu writes more about her life and what led her to America. This was a beautiful story about how the cultural revolution in China robbed people of there childhoods and destroyed families. I intend to read more from this author.



2. Feather in the Storm is a heart-wrenching and deeply moving story of a childhood lost in the terrors of Communist China. The story opens as three-year-old Mao, as she is known by family and friends, meets her father for the first time - in a concentration camp. Moved from family to family and from city to village, little Mao finds herself striving to learn who she is and where she belongs. Fed by her starving grandmother and protected by her outcast parents, Mao attends school and performs her daily chores at home without complaint, maintaining her hope for a brighter future.
   
   Mao's father, a university professor who studied in America, has been labeled as an extreme rightist by the communist party in China. Cast out of the university apartments, Mao's family is sentenced to live in a tiny village so that they can "learn from the peasants," becoming better citizens. Here, Mao and her family live in a tiny mud house which melts away in storms, leaving the family exposed to the elements. Forced to leave home as a teenager after high school, Mao is sent to live in a remote village on the top of a mountain where she falls in love with a young man she is forbidden to marry.
   
   Throughout all of the trials and tribulations Mao faces growing up, and in every village and town she lives in, she is able to make friends and gain the respect of her teachers and neighbors. With an undaunted courage to survive, Mao teaches the reader that hope can be found no matter what the circumstances. Surrounded by death and destruction, Mao creates a life for herself and embraces those who struggle by her side.
   
   Author Emily Wu expertly captures the essence of what life was like during this tremulous age, and helps the reader experience the drama from a firsthand point-of-view.
   
   Armchair Interviews says: Stunning read.



3. Emily Wu and Larry Engelmann book "Feather in the Storm", an amazing openess of Emily Wu's life and history of China during the Cultural Revolution. The events that unfold carries the reader from youth to adulthood during a time of hardship and struggle which reminds us why hope and love is so neccessary and reasons to allow history to not repeat itself...



4. My wife and I met Emily Wu at SIUE while on her book tour. Her story was amazing, so we had to buy the book to get the details.
   
   It normally takes me about a year to read a book, but this one I devoured in a matter of days. The perspective of the book grows as she grows. In the beginning it is written as though you are only a couple feet tall - the details are in the words she hears, people's feet and the underside of cribs and tables. Later on she gets taller and you start to experience more of the people around her. But, like the limitations put on a pre-teen, she can only see so much and know so much, therefore her story is limited to just what she could see and understand. You feel as though you are a child right alongside her.
   
   Often I found myself trying to figure out what things meant (names of Mao's movements and doctrine), but that just muddled the story. At times you feel like more should be written about the backstory of the Red Guard, but if you think about the fact that she didn't know much about them at the time it leaves it all in that child-like perspective. She writes about what she saw and read and experienced as a child, especially her reactions to how it changed the people around her.
   
   The tempo is well-paced and manages to catch you off-guard. It covers issues like capping and de-capping, the invasion of the Red Guard at the Anhui University campus in Hefei, book burning, cleansing of the "Old" ways, living conditions, food, suicide, female infanticide, arranged marriage, bound feet, class struggles, child-on-child violence and much more.
   
   When you are finished, you will view your life through a new pair of glasses. You won't be able to go 5 feet without finding 100 things to be truly thankful for.



5. "Feather in the Storm" is a fantastic book. It is well written, and enthralling. I rarely get attached to a story, but I read it through cover to cover with only one break. I couldn't put it down. I am looking forward to the sequel! It is depressing but enlightening. People are really terrible to one another. There is a whole generation lost to the policies of Chairman Mao in the chaos. This comes to light in this true life story of Emily Wu's struggle to survive.

2 comments about Paper Shadows: A Memoir of a Past Lost and Found.

1. Now a respected professor and novelist in Canada, Wayson Choy was 57 years old in 1999 when he learned that he had been adopted. This memoir is a result of that discovery and, even though some family secrets do get discovered, by the end of this 342 page-book, he and the reader understand that much of his suppressed family history will never be completely uncovered.
   
   I did enjoy the story itself, however, which deals almost exclusively with his childhood years. Born in Vancouver in 1939, his memory of those early ears and his simple descriptions put me right into the young boy's mind.. He's the only child of hard-working Chinese immigrants in the land they refer to as Golden Mountain. Chinatown in those years was a world unto itself, and the young boy was loved and cherished by his parents as well as a large assortment of "uncles" whose own families were still back in China.
   
   Through his eyes we see the elaborate Chinese operas, which were transported to Canadian soil, and which his mother always enjoyed. We see his early encounters with English books and his strong will to learn to read. We see him go to a Canadian nursery school and learn about the Christian religion. We understand his Chinese roots and the many ghosts and spirits that are part of his Chinese culture. We meet his dog and have to laugh at the way this loving pet took over his life. Chinatown becomes real for the reader and so does the boy's obsession with cowboys and refusal to go to a traditional Chinese school. Most of the book was devoted to this very detailed portrait. Basically, this childhood was filled with love and little trauma.
   
   It was only in the last couple of chapters when we join him in his quest for his family secrets. This is written in the same simple style and delves deeper into the history of his family's experience in China as well as the new world. We'll never know most of the story. But we do get to share his growing-up years and learn about the forces that shaped his world.



2. In anticipation of the lunar new year, I picked up this book. The author had me under his spell by the second page. In his memoir of growing up in the 1940's, as the son of Chinese immigrants in Vancouver's Chinatown, the reader learns that Mr. Choy, while on a promotional book tour in 1995, received a call from a woman who says that she just saw his mother. But his Toisanese mother died nearly two decades earlier, he tells the mysterious caller. No, the caller replies, she means his `real mother.' And so the memoir and the mystery begin. In descriptive language that is hypnotic and nearly as haunting as a ghost filled home his family lived in, an extremely detailed portrait of his life as a young boy is drawn. In Part 1, his pre-school years are filled with family, Chinglish, mah-jong, lots of single "uncles" to take him for ice cream, nightly Chinese operas (his mother's version are a permanent barrier against pessimism), cowboy films, and his assertively willful tantrums. In Part 2, the author writes of his school years, English and Chinese lessons, stubbornness, truancy, confusion, helplessness, his pet dog, the humiliations his father endured at work, and the other concerns of children. In the last third of the book, Mr. Choy returns as an adult to the mystery of his and explores the hidden secrets of his family. Upon close reading, one learns about the stress of living as an Asian in North America during the War, a time when burials were only allowed in Asian-only cemeteries, when sick Asians were housed in the basement of the hospital, when Asians were offered payments to return to Asia if they promised never to return, and when men were not allowed to bring their families or wives over to the Gold Mountain from across the Pacific. On even closer reading, one can discern how different Chinese identities were crafted in North America by his grandfather, his parents, and finally himself in an in-between'ness third generation.

No comments about Surely You're Joking, Mr. Feynman: Adventures of a Curious Character (Chinese Edition).

No comments about FUSANG OR, THE DISCOVERY OF AMERICA: By Chinese Buddhist Priests in the Fifth Century.

No comments about Phoenix Harvest (My House Has Two Doors, Vol 2).

3 comments about Empires Beyond the Great Wall: The Heritage of Genghis Khan.

1. Although this catalog does not all of the best pieces from the exhibit (most notably absent are the yurts and archery equipment), it does have a good selection of maps ans supporting text for the items that are included. Broken down by time period rather than by object (which for the Nomads of Eurasia and Son of Heaven catalogs proved to be a more useful format) it is nonetheless valuable for its coverage of pieces that have not shown up in any other museum exhibit.



2. Thank you for such a wonderfully insightful, beautiful book! It has enhanced my knowledge tremendously of the time period, and is a wonderful addition to my library. I found it to be intelligently written, engaging to the reader, written with a great deal of passion and knowledge. I would recommend this book to anyone who has a love of the arts. Hopefully, the show this was based on might tour again in the future as I would love the opportunity to view these extraordinary pieces described in the book first hand. Thank you again.



3. Opens up an array of artworks known to few in the West (or the East, for that matter), since North-Asian tribal cultures have long been rather stigmatized. Lovingly photographed, with quite breathtaking color reproduction. Informative text. A truly exciting introduction to the arts and archaeological finds of the Asian steppes and "frontier" areas.