5 comments about Slave: My True Story.

1. Slave is an alarmingly true story about the modern day slave trade. I could not put this book down. My heart was pounding towards the end as Mende was attempting to escape. I recommend this book to anyone who is willing to have thier eyes opened to the very disturbing fact the there are people profiting from throwing children into a lifetime of Slavery and even more disturbing is the fact that there are families that will buy and "own" slaves.



2. The content of the book is a deeply moving story of a taugh girl who didn't lose her hope to be a free person. The most of the people in our world are not aware of a crude fact that slavery exists in 21 century. The highest toll pay children and women.



3. This is one of the best books I have read in a long time. I would recommend it to anyone who likes to ready true stories from someone's life.



4. I am was in shock throughout this entire book. I could not believe that this actually happen in the 21st century. Mende told her story so descriptively. I could not stop reading it. Excellent memoir.



5. Parts of this book were too graphic for me. I can't believe what women in some parts of the world have to endure. I couldn't finish it.

5 comments about Angel Unaware: A Touching Story of Love and Loss.

1. This book is wonderful. It so beautifully written from the POV of little Robin giving an account to God of her brief life on earth. If there is a disabled child that has touched your life, you need to read this book. Dale Evans Rogers has written a masterpiece which will benefit the lives of many. Thank goodness God sent Robin into their lives!



2. My Aunt gave me this book to read when I was in grade school. I am now 42 years old and I still remember this book as being one of the most profound stories I have ever read. I have recommended this book often, I have never forgotten it.
   Such a touching reminder for all of us that life is divine and should never be taken for granted.



3. Until I real Dale Evans' account of her daughter's life, I didn't realize anyone felt the way I do. We lost our 2 1/2 year old daughter this year. She had "special needs," some similar to those of Robin in the book. We always felt that God gave us our daughter and she was our own angel here on earth. This book is a wonderful story of the love between a family, their God, and their special angel. I highly recommend it to any parent or family who have lost a child with a disability.



4. I read this book when I was in 4th or 5th grade. The story of Robin Rogers has stuck with me for 35 years. While I have forgotten the details, I remember the essential message. All children are gifts from God, especially the ones that aren't everyone's idea of perfect.



5. This little book is a heartwarming love story and a heart wrenching tear jerker all rolled into one. Dale Evans Rogers shares the tale of little Robin, her Down Syndrome daughter who died at a very young age. The story is told from Robin's point of view, as if she is sitting on her heavenly father's knee relating what happened "down there." The heartache of a mother's loss, and the hope of a child's eternity are entwined in an unforgettable tale. I highly recommend this book to any one who has lost a young child, or has had to deal with special needs like Down Syndrome. Be sure to have a tissue box handy.

5 comments about Warriors Don't Cry: A Searing Memoir of the Battle to Integrate Little Rock's Central High.

1. The story of Melba Patillo Bates' struggles as a part of the "Little Rock Nine" to integrate Central High School serves as a haunting reminder to the American public, especially the South, which sometimes turns a blind eye to its unpleasant past. In the book, Warriors Don't Cry, Patillo relies on her own personal first-person narrative to tell the tale of the years 1954-1960, even including entries from her own diary that her grandmother purchased for her at the age of twelve.
   The action of her story begins with the day of the Brown v. Board of Education decision, which also happens to be the first time violence affects Melba. Her class is dismissed early out of fear of violence, and on her way home, Melba is attacked by a white man. She later writes in her diary some of the most powerful words in the novel, "I have to keep up with what the Supreme Court Justices are doing. That way I can stay home on the day the Justices vote decisions that make white men want to rape me."
   Unfortunately this is only the beginning of a tale of violence that causes the reader to be desperate to find one decent white character in the tale. Simply reading the novel makes the reader to wish that the setting was some far away country like Afghanistan, where they could write this injustice away as some other society's doing.
   Although the bulk of the plot follows Melba during her first hideous year at Central High School, in which she is attacked with fists, glass and acid, much of her story surrounds the family that supported her through the year of 1957. Melba's relationship with her grandmother, India, is a central focus of the novel. Grandmother India supports the fifteen year old Melba through her troubles, but also teaches her how to be a warrior in the face of the adversity from people who truly would rather see her dead than attend school with their children. This advice is written with the rawness of Beals' revealing something so obviously meaningful in her life.
   Beals' work is significant because it forces us to come to terms with what some of us may want to forget, some never knew, and something we all just wish never happened the way it did. Beals refuses to hold back for the sake of making the reader comfortable and refuses to settle for any story but the occasionally repulsive truth of our country's history.



2. Warrior's Don't Cry is about a young girl faced with challenges larger than life. At the age of 15, she is chosen to be one of the 9 students to integrate Central High in Little Rock Arkansas. It is the true story of Melba and her 8 African American classmates as they face all of the challenges of being placed in the all white classrooms of Central High.
   The book starts off with Melba's first day at school. We all know how stressful it is to start our first day in High School. These 9 students were never able to have a successful first day because of the hundreds of angry people surrounding the school, yelling "2-4-6-8 We don't want to integrate!" Elizabeth Eckford, one of the Little Rock Nine, takes the bus to school. As she gets off of the bus, she is faced with an angry white mob. She tries to circumvent them but they move along with her, creating a human barricade preventing her from going to school. This was during the times when people were hung from a noose by angry white mobs. Throughout the ordeal, Elizabeth keeps her head up and tries to get away. Melba and her mom concoct a plan to distract the hundreds of people and create an escape route for Elizabeth. Finally, she escapes and returns home safely.
   
   Don't let the non-fiction genre intimidate you. This book is full of all the drama of a teenagers' life. This true story shows us how scary and difficult it was to be the only black students in a gigantic school. Every chapter gives you a look to the obstacles the Little Rock Nine had to face. On Melba's first day of school, she is called out of her name on numerous occasions. Even her teachers encourage her classmates' racist behavior. Students yell the N word at her in the middle of class and the unnamed teacher ignores it and just kept on teaching. During P.E., Melba is tripped and falls to the ground. A group of her own classmates attack her and kick her while she is down. Her clothes are in tatters and she is slightly bruised.
   
   Melba's school experience is far from a normal, boring one. After her first days of school, the state militia is called in to mediate the transition. Each one of the Little Rock Nine are assigned a state militiaman to guard them and escort them from class to class during the day. This might seem to ameliorate the situation, but we know that it's not the solution when Melba is choked during a school pep rally.
   What would you do if your classmates were out to hurt you and your teachers and principal and vice-principal could not properly protect you? Would you give up or would you keep trekking on? Read Warrior's Don't Cry to find out how Melba fares out in the end.
   
   



3. Excellent book. So hard to read though - people can be horrible. I hope we have come a long way since this.



4. I read Warriors Don't Cry for school, and when I began reading it, I knew I would enjoy it. Yes, I enjoyed it, but it is actually very terrifying to read. Everything that Beals writes is based on fact, and it is very terrifying to imagine that this is what she and the other young black students faced when segregating into an all-white school.
   
   This is a must-read, and is a well-written, terrifying look into the world before blacks and whites could be as one in a school. It's a must read!



5. Title: Warriors Don't Cry
   Author: Melba Pattillo Beals
   Summary: Warriors Don't Cry is a book about a young African American girl named Melba integrating into an all white high school. It describes her journey through segregation and the hard times that Melba and her family had to go through. She enters Central High with 8 other African American students, not knowing the physical and mental abuse that they were about to endure. Melba sticks through it and fights like a warrior to make it though an entire year.
   We enjoyed reading about all the exciting events that happened to Melba , and the 9 other African Americans. It was really interesting learning about integration and knowing it was all a true story made it even more impacting. Having it written by her was empowering because she was there to witness these events. We wished that some of the more exciting events were described more in detail because it would have made the book more suspenseful to see what would happen next. If you want to learn about historical event we would recommend this book to you. Its not the kinda of book that you get a good laugh out of or a good unrealistic story.

5 comments about Dough: A Memoir.

1. Right from the first page, Zachter captures the reader with the improbable phone call from his uncle's broker. From then on, the story weaves easily between decades and focus, from Zachter, his uncles and parents, to the Store and the East Village of New York City. It's a sad, poignant, puzzling but warmly told tale of how some things we don't want to change do, whereas other things, which desperately need to change, sadly never do. But the best thing to come out of this was that it gave Zachter a chance to write and to share the story with the rest of us.



2. 
   While I found this book to be relatively enjoyable, it wasn't nearly as interesting as I thought it would be. The descriptions of the neighborhood and the bakery were of interest, as was the modest ways of the uncles who were from the old world and lived accordingly. However, I have known several older individuals in my life with the same tendencies and never thought their stories were worth telling. They simply grew up in a different time and had different ways of dealing with the issue of money. Even my grandmother walked three miles to pay a bill rather than pay for a stamp. Interesting, but not particularly compelling.



3. This slim book was very well-written, and a nice, quick read. I enjoyed the author's descriptions of the New York City neighborhood where he grew up, and of the Jewish bakery that his uncle's ran. I found it amazing how the author's mother's loyalty to her family ran so deep that she gave up a promising teaching career to spend decades working at her brothers' bakery without pay. I don't know that many people in today's world would be willing to make such a deep sacrifice, even for family.



4. Waste not, want not. It's more than a cliché but truly an inbred way of living for immigrant Jewish families who have experienced the emotional desecration that comes with abject poverty. Such was the case with Mort Zachter, a CPA and a lawyer, who found out in 1994 that his two workaholic uncles, both confirmed bachelors, had saved a million dollars each and placed it all in money market accounts. Never to call attention to themselves, they lived their lives as paupers wearing worn suits and taking advantage of free clinics. Zachter's shocking revelation is the starting point of his warm and shrewdly observant memoir about a generation who hoarded what they earned to the point of obsessive compulsion and made sure their children understood the value of a dollar. All the while, the uncles carried forth the tradition of a bakery established by the author's Russian-immigrant, maternal grandparents in 1926 in Manhattan's Lower East Side.
   
   The author brings his Uncles Harry and Joe to vivid life as a study in contrasts. Lacking the business education his older brother had, Uncle Joe astutely sums up their relationship - "He's the boss, and I'm the horse". When both eventually passed away, Zachter went through the inevitable stages upon his monetary discovery - grief, elation, resentment, and finally a stronger appreciation of his family along with a greater sense of personal humility. The resentment is understandable given that he, his wife Nurit, and their two adopted children struggled financially as he earned his degrees and scrimped to make mortgage payments and repay school loans. The author has a painterly style in describing his childhood as he focuses on the details with imaginative fervor and shows how emotionally resonant his family bonds became in living by the Principles of Kahruth. It's a charmingly reflective work that goes well beyond the confines of the family bakery.



5. I may have gone into this book with a bit too much anticipation, in hopes of juicy family secrets, lies, twists and turns, but in the end I was let down. Every time I picked up the book I was expecting an ascend towards a climax, but it never seemed to come. Despite the reference of money in the title, the author seems to use it simply to tell the story of a run-of-the-mill Jewish-American family, money or none.
   But it was the simpleness of the family, the quirkiness of the characters and the peak inside Jewish daily traditions that kept my interest. It was an easy read, but not something I would pass on to a friend.

5 comments about Garlic and Sapphires: The Secret Life of a Critic in Disguise.

1. Ruth Reichl is excellent at writing about food. She really captures tastes in poetic language.



2. I read this book for our book club and thoroughly enjoyed it. It was meant to be somewhat lighter than some things we'd been reading lately and it was that; but it was also enlightening about ourselves and how we treat others. The recipes are wonderful! I've highlighted the recipe index so I can turn right to them!



3. I was very disappointed in this audio CD book. First of all, something about this book seems very self-indulgent. For example, CD1 goes on endlessly about how the author doesn't really want this top job, but of course, she interviews and ends up with it. It seems very disingenous. Second, stories from a job of eating out at mostly very fancy restaurants seems pretty irrelevant in 2008, when most people are struggling to pay their monthly bills and save for retirement. Listening for 20 minutes to someone describe perfect buckwheat noodles is rather tiresome. Third, and perhaps most importantly, the publisher has chosen a reader who is very dramatic and overly inflects each and every voice. She mimics a 4 year old child, a portly Yankee editor, old Jewish men, the author, a haughty, constipated sounding friend (Claudia),Italian waiters, etc. I guess some listeners might enjoy this, but it personally drove me bonkers. A matter of personal preference, I guess. Be careful you can handle this type of a narration before you opt for the audiobook.



4. I loved this engaging memoir by the New York Times food critic. I particularly enjoy Reichl's egalitarian view of fine dining (everyone should have the same great experience, famous or not). As a lover of good food and fine dining, I found this to be a very entertaining read.



5. During the 1990s, Ruth Reichel was the restaurant critic for the New York Times. When she began the job, she realized that a majority of the restaurants she would be reviewing knew what she looked like and were on the lookout for her. Therefore, she created a number of disguises for herself using clothing, wigs, and makeup. I highly recommend this book for an enlightening look at how Ruth's costumes changed the way people treated her as well as the effect on Ruth herself.
   
   I found it intriguing how Ruth took on other personalities almost without trying to. When she dressed as her mother she found herself ordering the foods her mother liked, and criticizing and returning foods to the kitchen as her mother would. My favorite character was Brenda. She wore a long and oddly scruffy carrot red wig that made her look rumpled and sleepy as if she had just climbed out of bed. She wore bright colored clothing, large colorful eyeglasses, and lipstick painted on bigger than her own lips. The way people treated her was different and wonderful. They smiled at her and talked to her. They wanted to spend time with her. They wished her well. Ruth states "Brenda was my best self, the person I've always wanted to be. She was generous and funny, optimistic and smart. She was kind. I hoped that finding the Brenda inside me would not always require a wig." See the end of this review for Ruth's comments during an interview about wearing disguises.
   
   I also loved Ruth's artistic and sensual descriptions of food. Personally, I am not into food and I cook as little as possible. So I was surprised that I was entertained with her eating experiences and her knowledge of food. Some examples follow.
   
   P 86 regarding oysters. She said "You can't eat these. They've been out of the water too long. See how dry it is? An oyster should have abundant liquid in the shell. See how dull it is? When an oyster first comes out of the water, it is shiny, luminescent. It looks like this moonstone. But the longer an oyster is out of the water, the duller it becomes. This, as you can see, has no shine at all."
   
   P 60 regarding a japanese noodle restaurant: "It takes a magician to make soba. They are made of buckwheat, which has no gluten. That means that getting them to hold together is an act of will."
   
   More than once during this book I thought about truth being stranger than fiction. For example, Mr. Shapiro purchased a dinner with the author through a charity fundraising auction. He bragged to her that he always insisted on being the last person out of the restaurant. Her dinner with him lasted six hours. He was a jerk in other ways as well. My first reaction was disbelief that someone like him even existed. Another item that surprised me was about a man who would not give any money to his wife but allowed her to purchase as much clothing as she liked. Therefore, she frequently purchased two of each article of clothing and would give the second item to a consignment resale shop.
   
   There is an interview with the author at the end of the audiobook, which does not appear in my paper version of the book. In that interview, the author discusses several topics, one of which follows. I've done some editing for length and clarity.
   
   "When I first started wearing disguises, I thought it was about being anonymous and that it was all about the job, but as time went on I began to see that it's very hard to pretend to be someone and not be that person. People react to what you look like and you yourself begin reacting to how people react to you. I found being in disguise was a way of connecting with myself in a way that I hadn't anticipated. It was also a way of seeing how important (pause). You know, we always say don't judge a book by its cover and it's only the surface, but the truth is that it is more than surface deep. I started thinking how important clothes are and the way that when you're a little girl you make these choices about what you're going to look like and how important it is every time you cut your hair. You're making these decisions and thinking about what it is that people are going to think of you. The surface that we present to the world is very conscious, even when we think its not. We're always thinking about who we are in the world. Our clothing choices and our hair choices and our makeup choices are all saying to the world this is how I want you to see me, and the world really does see you as the way that you present yourself."
   
   Setting: 1990s New York area. Copyright: 2005. Genre: nonfiction, biography, food.

4 comments about What the Stones Remember: A Life Rediscovered.

1. DEPRESSING BUT HOPEFUL BOOK ABOUT RECOVERY FROM DRUG AND ALCOLHOL ADDICTION AND RETURN TO NORMAL, SOBER LIFE.



2. As a 60 year old male recovering from my own life of addiction, I was somewhat resentful when I first read the reviews for this wonderful book -"how dare someone write my life's story!" was my first thought. Having read the book, however, I am glad that Patrick Lane took the time to write such a moving and poignant story. His skills as a poet echo throughout every chapter of the book. The peace he finds in his garden stands in total contrast to the chaos he put himself through for forty five years. As a member of a 12 Step fellowship who followed almost the exact same path (minus the gardening skills), I have told all the other men in my program that this book will help them find a piece of themselves - and ultimately peace for themselves. Lane's book will be a cornerstone for the foundation I am building in my own recovery.



3. This memoir by one of Canada's best-known poets follows Patrick Lane's first year of recovery from a lifetime of alcoholism, a recovery that unfolds almost entirely in his Vancouver Island garden. The narrative weaves between his present-tense garden and the struggle and brutality that was Lane's past. His poetic voice permeates his storytelling, compelling us to see how the honesty and enchantment of the natural world can save us from our nightmares, our addictions, our terrible losses - if only we will let it.
   
   Originally published a year and a half ago in Canada as There Is a Season: A Memoir in a Garden, the book won the 2005 BC Award for Canadian nonfiction. It is not at all disingenuous for Lane to re-release his memoir under a new title - What the Stones Remember - as there really are two stories folded into the one book. This new title summons the story of Lane's turbulent past as a wayward child, an absentee father, a fledgling poet, a failed husband, a triumphant writer, and ultimately a recovering addict. We follow him deep into his personal history and come to understand, along with him, that it is a miracle he is still alive. This story is rich with personal intrigue, gossip, sentimentality and curiosity. I think it's rare that we look even into our own lives so intimately.
   
   The second story is the simple unfolding of the seasons in his suburban garden, and it mirrors Lane's journey of recovery and self-redemption. His garden is his sanctuary and the midwife of his rebirth as a sane and sober person. He delves into the ecology of his garden with the same studied depth as he digs through his personal history. The carefully documented hours of observation are underscored by a book knowledge of plant and animal classification, behaviour and habitat.
   
   This being said, Lane is first and foremost a poet, and his garden ramblings are never dry or dense. How can they be when he periodically unearths old vodka bottles in the woodpile or under a bush? Or when he stops to watch a hermit thrush dance and mourn beside its dead mate? Or sees his mother, long decades dead, kneeling in the corner under the plum tree?
   
   What the Stones Remember contains equal parts beauty and horror. Patrick Lane describes a past that many people would be inclined to leave buried in the furrows of time. But in bringing forth the dead, the wounded, the lost, this poet carves a path of healing and new life.



4. I can't believe I'm the first reviewer to take a stab at WHAT THE STONES REMEMBER, A LIFE REDISCOVERED. Everyone I know is reading this book! It's especially good for people who are just undergoing recovery, those who will recognize and nod with wonder at the pain Lane describes at just waking up and experiencing the little things, the color of your bedroom walls, the feel of the cotton pillowcase under your cheek, as if for the first time, without the sheltering batting of cocaine or alcohol. He thinks of the American poet Weldon Kees who, fueled by despair and drink jumped off the Golden Gate Bridge in the early 1950s, and of Kees' famous zen riddle, "Whatever it is that a wound remembers/ After the healing ends."
   
   Lane finds the courage to remember the years before he fell into heavy drinking, and what a dreary lot of memories he dredges up! Okay, there were some happy moments too--a sensuous description of lovemaking at age 16 with the girl who would become his first wife--but mostly he grew up in Canada, a misbegotten part of the world with more casual brutality, sexual violence, and abuse against childred than you will find in Ghana or Sierra Leone. For pocket money he sold himself to pedophiles, for a quarter here or a dollar there, allowing them to buy him forbidden ice cream sundaes in depressing town dessert joints. At another time he watches from between parked cars as three white men brutally rape and torture a native Indian woman. For Lane, youth is an unusual place, marked by the absence of his dad during World War II and by the remarkably hard-earned wisdom of a lovely mother, with a caustic wit which, who knows, might have contributed to Lane's own dexterity with words.
   
   I don't like his poetry very much, and it's a shame that he feels he has to quote from it in this book, but as a memoirist he really shines. After getting out of the treatment clinic, he goes to work on his garden, like Candide, but even there memories of different things that happened to him sometimes leap up and assault his senses so that he'd do anything to have just one drink! And sometimes he finds bottles of vodka hidden around the house, and garden too. Malcolm Lowry probably said just as well and earlier to boot everything that Patrick Lane has to say about the sadnesses of Western Canada, the glittering allure of drink, and the repentance of women's arms, but Lowry (author of UNDER THE VOLCANO and one of Lane's literary heroes) has been gone a longtime, the victim of his own alcoholism, and Lane lives on, triumphantly speaking of a new marriage to another of Canada's notable literary figures, a woman who he calls "Lorna" here. Maybe her real name is Lorna too, but in any case you get the idea he's trying to protect the innocent and to lacerate only himself and his people.
   
   I predict a long future for this book if only more people knew about it besides people in recovery.

5 comments about A Passion for the Impossible.

1. I just finished reading this book and was so impressed with the astonishing results this woman achieved because of her total surrender to God's plans. An accomplished young artist from an upper class Victorian family, she left the comforts of England and went into Algeria, a country inhabitated by Arabs who were mostly Muslim. It was a slow but steady start, because of language problems, government interference (because of suspicions about missionaries motives), and just the differences in the different ways of thinking and lifestyles of the Algerian people.
   
   Lilias spent several decades of her life doing the "basics" in securing the beginnings of a life long ministry among a people hungry for deep spiritual lessons, but finding ways to do this required much patience, thought and forgiveness. And on top of all this, she is dealing with a new language, both spoken and written.
   
   The majority of this book is taken from Lilias's copius journals, letters and writings where she kept records of what she was involved in day by day.
   
   I learned a lot about what the foreign missionary effort entails, and especially when you're the first to go into an area with some brand new ideas where life is so different. But she won them over slowly with her love. As time went on, she had much help from other women and men who worked with her in this cause.
   
   The last couple of decades her health was not good, but she just kept on plugging away, even writing from her bed the last two years.
   She wrote some beautiful booklets that have profound lessons of faith and obedience in them. "Parables of the Cross" and "Parables of the Christ Life" are just two of them.
   
   She gleaned such meaningful lessons from nature, things that the ordinary person would hardly think of. She could see great lessons from a grain of wheat, a peach, a bee, etc. She looked deeply into the whys and wherefores of the lessons that nature has to teach us.
   
   Lilias really had a heart for these people and she felt that God gave her that heart and she was to do what she could as well as she could for as long as she could. She was true to that effort.
   
   One thing I wished this book had was a map of the area that showed all the little towns and outposts that were mentioned in the book, and were developed over many years and many travels.
   This book is a good read, even though you are dealing with some new words and another way of thinking. You will learn a lot and wish you had known this woman who was totally devoted to God.



2. As the premier art critic in Victorian England, John Ruskin was the arbiter of taste. In 1883 he revealed a hard-to-believe prejudice: "For a long time I used to say . . . that except in a graceful and minor way, women could not draw or paint." Ruskin then discounted this view, based on his reaction to the art of a young woman named Lilias Trotter: "I'm beginning lately to bow myself to the much more delightful conviction that no one else can" draw or paint.

   In a 1960s book, RUSKIN TODAY, Sir Kenneth Clark mentioned Trotter as someone lost to history. But Clark hadn't turned over every leaf, as has biographer Miriam Rockness, who discovered Trotter through bequeathed volumes of her out-of-print illustrated books.

   A bright, talented daughter of a prominent stockbroker in London, Lilias Trotter (1853-1928) was comfortable in the company of privilege. At age 21 she was among guests, including George MacDonald and Bishop Wilberforce, invited to a religious retreat, the forerunner of the Keswick Conferences.

   Spiritually stirred by this and the preaching of Dwight Moody, Lilias grew discontent with the in-vogue "charity from a distance." For more than 10 years in London, she devotedly worked to help establish a hostel for working women, the forerunner of the YWCA.

   During this time, while on vacation in Venice, her meddling mother asked Ruskin to look at Lilias's watercolor paintings --- a request that led to art lessons, weekend invitations, and extended conversations and correspondence between the Miss and the Master, who claimed she could be the greatest painter of her generation if she would "give herself up to art." To the dismay of many, Lilias turned her back on Ruskin's challenge: "I cannot give myself to painting in the way he means and continue still to 'seek first the Kingdom of God.' "

   When Lilias was 35, this whole-spirited commitment dramatically "called" her to mission work in northern Africa. With two female colleagues --- none knowing Arabic, none robust enough to pass physicals required by established mission boards --- she sailed for Algeria, where she lived a life of saintly proportions until her death, at age 75.

   Two-thirds of Rockness's biography delves into the Algerian years. Learning Arabic was the first of many challenges: Muslim resistance to a Christian message, French resistance to British interlopers, male resistance to a female witness. And yet under Trotter's leadership, the original missionary band and later recruits translated portions of scripture, distributed literature, befriended women and children, opened cafés for men, and hosted summer camps for nomadic families.

   There are no imagined conversations in this book; there's no mistaking it for a novel. This is history, relying largely on journals, with some analysis and helpful foreshadowing. Ever aware of Lilias the artist, Rockness faithfully describes the palette of the desert so well that it's hard to distinguish Lilias the missionary from Lilias the artist.

   In time Lilias envisioned a "new approach to Arab literature": writings that would speak to Algerians, instead of what Trotter called the "hitherto translated stories of Jacks & Bobs whose surroundings are as foreign to children of the east as their names" and finding an affordable means of color printing, so as to attract people who delighted in color. To meet these goals, Lilias wrote and illustrated nature parables that may soon be back in print, thanks to Rockness's persistence.

   Some of the biography's most interesting material comes toward the end. In her last decade, Trotter won the respect of a group of Sufi (male) mystics. "The artist in her responded to the artist in the Sufis," notes Rockness. "Yet she never lost her spiritual focus." Confined to bed in the last two years, she wrote THE WAY OF THE SEVENFOLD SECRET, explaining to them seven "I Am" claims of Jesus --- as she managed what had become an extensive mission outreach.

   Trotter's printed word and art can indeed inspire a new generation. But only those who knew her can appreciate "perhaps her most palpable legacy": her love. As an obituary noted, "No wonder that Catholics and Jews and Moslems, as well as Protestants, are mourning her loss, for love, in the end, wins love."

   --- Reviewed by Evelyn Bence




3. There are few things that inspire me more than a true story of a child of God who is faithful in the face of success and apparent failure. I see the reality of this woman's walk with God to be the challenge and encouragement. The accounts of her passion, travels, and encounters challenge my perspective on missions. I don't believe I had a real grasp on missions until I read this book. The quotations of her own journals and other writings bring a special feeling of knowing Lilias by the end of the book. This is a book I highly encourage all believers to read.



4. I am a voracious reader of non-fiction (particularly Christian non-fiction), but out of thousands of books I have read, this biography captivated me like no other. Perhaps because I am a writer and artist, I could identify with Lilias and her passions. Ultimately, however, this is a story of adventure, sacrifice, surrender and uncompromising dedication to Jesus Christ, all set against the exotic backdrop of Algeria. I can't wait to meet Lilias in heaven and tell her how she inspired me. Of course, I also look forward to meeting the authors someday because they brought Lilias to life. The narrative is as lovely as Lilias' art!



5. This book does indeed weave a challenging and interesting tale of a pioneeer missionary, who for the sake of the gospel left a comfortable and gracious victorian life for a life of sacrifice in the northern deserts of Africa, among Muslim tribemen.It is carefully crafted and includes some prints of Lilias' own artwork, which from what can be seen, is lovely.I wish a book could be devoted to more prints and more about Lilias' travels!

5 comments about The Reluctant Tuscan: How I Discovered My Inner Italian.

1. I originally bought this book at a retail store to give me something to preoccupy myself while waiting for my husband at the doctor's office. It turned out to be wonderfully entertaining. I couldn't stop laughing at all the antics and descriptions. This book went from originally to be "disposable" to my favorite. Any others as good as this?



2. The book came as promised, in excellent condition and in a timely manner. Would recommend this seller.



3. Pure Hollywood Drivel.
   I kept waiting for the canned laughter, and I kept reading because I couldn't believe someone would give me this book to read.As they say,"You can take the boy out of Hollywood,but you can't take the Hollywood out of the boy".
   If he billed it as a fictional work, well even then not worth a read.
   I wasted 2 hours of my time so you don't have to waste yours.
   LVG



4. "The Reluctant Tuscan" left me - whelmed. The book recounts the period of time when the writer moved to a rural town in Tuscany and undertakes renovating a dilapidated farm house, mostly to appease his wife, who has bought the property without consulting him. Hilarity ensues.
   
   At least, that's what Mr. Doran wants to you think. There were some amusing bits but none that made me laugh out loud. Stereotypes and caricatures of Italians abound and there are multiple references to the Germans and WWII. Maybe it's a generational thing, but I found these annoying. He does sometimes manage to write in a natural voice that is amusing and inviting and those passages are very nice. Unfortunately they were few and far betweeen. He also has a bad habit of throwing in little asides and quips that obviously call for a laugh-track. I found these drew me out of the narrative and only served to reinforce the idea that Mr. Doran is highly invested in his identity as a sitcom writer.
   
   Late in the book, Mr. Doran makes the comment that in Hollywood, one is constantly auditioning. And I realized that's what he was doing throughout the book - auditioning. Auditioning for the reader's approval, for the reader's laughter, anxiously hoping for a reaction of some kind. Which is a shame as I think he may be a good writer, but he seems to not be able to trust his own writing to speak to the reader. Maybe living in Tuscany will help with that.



5. It's very seldom that I laugh out loud while reading, and I would recommend THE RELUCTANT TUSCAN very highly. It was refreshing to read this well written, humorous, and emotional book that turned what could have been just-another-book-about-Tuscany into a totally new insight into living in Italy. I felt like I knew the villagers through his illustrative character descriptions, and experienced his emotions--humiliations and triumphs--with a tear or a giggle. I hope Mr. Duran continues writing about his life.

5 comments about Waiting for Daisy: A Tale of Two Continents, Three Religions, Five Infertility Doctors, an Oscar, an Atomic Bomb, a Rom.

1. This was a great book. I could not put it down. I could relate to so much of what the author talked about, although my own journey to get pregnant was easy in comparison to all the author endured. An amazing story, told with a sense of humor and a lot of honesty.. I loved this book!



2. Struggling with infertility is an alienating experience. Orenstein shares her real life journey with us and may provide hope to those of us who have become lost on our own path. I recommend this book my infertile sisters coping with the painful reality of their diagnosis.



3. Peggy Orenstein's articulate prose is as "gorgeous" as her mucous:-). (She was frequently told by medical people that her cervical mucous was "gorgeous".) In this wry, intensely personal, beautifully told tale, she presents us with a cautionary tale of modern life that can be summed up as "Don't put off having children." I began to feel somewhat constrained as I turned the pages of her compelling story, thinking I had judged her too harshly in my review of her book "Flux"(available on my profile page, page 36 of reviews, dated December 6, 2000). In this current book, she writes briefly of her upbringing in a Conservative Jewish family, and of how she felt her mother's life was severely limited, strictly contained by old ideas of a woman's role. (I was born into a much freer, exuberant Scandinavian family full of educated, high achieving women who were also wise enough to know (1) they wanted children and (2) the time to have them was when they were young.)



4. I struggled with this book. How could someone go through all the procedures, expense, marital strife, and anxiety and NOT still be certain that they wanted to be a parent? Her descriptions of the escalating nature of infertility treatments were fascinating, but they could not overcome her descriptions regarding her ambivalence toward parenthood. I think her husband is a saint. I wonder what the people in Hiroshima think?



5. I'm in my 30's, but I'm not planning to have kids. I happened to have a chance to borrow this book, and I'm glad I did. Orenstein's writing style was so honest and engaging, I'm going to seek out more of her work.
   
   As others have noted, Orenstein shares everything about her fertility journey - especially the bad and the ugly. It was very brave of her, and I imagine it will be very useful to people trying to conceive. I found it refreshing to read about her ambivalence towards wanting children at all, and even now, towards how she arrived at parenthood at last and how it has affected her life. I particularly enjoyed the chapter about her Orthodox Jewish friend who had 15 children. That was a slice of life I wouldn't have gotten to learn about otherwise.
   
   As an adopted person (from outside the US, as it happens,) I was not offended by her reluctance to adopt, as some other readers were. The decision to adopt is very personal, and I thought Orenstein's misgivings were perfectly natural. Besides, they did try to adopt a little boy in the end, but one petty bureaucrat made it impossible for them to bring him home. After five years of trying to become parents, one couldn't blame Orenstein and her husband for cutting their losses at that point.
   
   I would recommend this book to anyone, whether they were trying to become parents or not.

No comments about The Long Shadow of Coach Paul "Bear" Bryant.