No comments about Italian Villas and Their Gardens: The Original 1904 Edition.

5 comments about Concrete at Home.

1. In CONCRETE AT HOME, concrete designer Fu-Tung Chen does just this, sharing with his readers the many creative uses he's found for concrete over the years. Floors, walls, countertops, sinks, fireplaces - Chen covers them all, with a decided flair for the fanciful.
   
   I approached CONCRETE AT HOME as a first-time homeowner who was toying with the idea of ripping out all of my home's flooring and staining the concrete slab underneath. And, I should specify, hiring a pro to do so, since I'm not the DIY type (at least not when it comes to the single largest investment of my life). It was with this newbie curiosity that I devoured CONCRETE AT HOME.
   
   Though I found CONCRETE AT HOME to be somewhat helpful and very enjoyable, it didn't totally quench my thirst for all that is concrete. Chen can't quite seem to decide on an intended audience in CONCRETE AT HOME; while he aims to explain the basics of concrete to average Janes like myself, he also includes advanced instructions for professionals. As a result, the book has a kind of schizophrenic quality. Although Chen does take the time to explain some of the fundamentals, it's not as complete or in-depth enough to qualify CONCRETE AT HOME as a Concrete 101 text. On the flip side, I imagine that concrete professionals will be equally dissatisfied with the brief instructions Chen includes for complicated concrete projects - such as working with forms and building walls (!). In trying to please everyone, I suspect Chen's resulting treatise will fall short of everyone's expectations.
   
   Even so, CONCRETE AT HOME is a must-read for those interested in concrete and its applications. It may be a bit spotty in coverage, but it's by far one of the most interesting, engaging, and inspiring concrete books I've yet to come across.
   
   Now I can't wait to get started on those floors!



2. I love this book- i own it as well as his original concrete counter top book and both work well as a team- this is a great book with interesting ideas and enough pictures and commentary to allow a DIYer to figure it out and turn out a successful product.



3. This book has given me an insight into what is available out there in the concrete world. Good book for the beginner trying to make concrete into an art piece.



4. WOW! Rare is the book that fulfills a professional carpenter's point of view and sound principles of design at the same time. Anyone who wants to know more about concrete formwork and designing owe it to themselves to buy this book. As for me I will watch for the next book by Fu-Tung Cheng as I expect it to yet again be a high caliber publication.



5. Very diverse examples of finished / polished concrete. Also includes some basic how-to projects.

5 comments about Informal.

1. This is one of the most important book about informal architecture.
   It is about how idea becomes possible reality. Instead of accept the way it is, it playfully explores the other way of merging engineering & architecture.



2. i bought it as a gift, based on information in the New York Times. don't know how it was received.



3. Informal is an extraordinary work. I guess the reason why it's so shocking is that the content of the book is not like those static structural forms or solutions that we see in structural class. The case studies that Balmond brings to the table are very recent and genuine by star architects. I guess I was shocked by the fact that all these architects are not structurally oriented architects such as Foster/ Piano/ Calatrava/ Hopkins. Rather, they are theoretically approaching architects such as Koolhaas/ Liebskind; or, tectonically approaching architects such as Siza. I never thought projects by them had anything to do with structural or mathmatical innovation. Reading Informal, one can easily detect where the originality lie in each project. Sometimes it's in the irregularity of geometry or sometimes it's in mathmatical mystery. Balmond contends that they are all in mother nature. Unlike a formal structural engineering (e.g. Peter Rice) Balmond's originality comes from the informal networks. In High-tech, the ingenuity of structural entity was condensed into joinery. Informal networks is much more diverse and complex than that. It is against the conventional formal structural idea of hierarchy/center/symmetry. Balmond argues, formal approach is defining a problem in a "fixed" or "contained" manner; hence, leading to a same old idea of solution/ detailing. In Informal, Balmond redefines it in a more active/dynamic geometry, to bring about unexpected realities. Sometimes through structural innovation and sometimes through special surface treatment, Balmond promoted and realized the ideas of star architects. Overall, he has freed architecture from the "Cartesian Cage".



4. It was quite interesting to get a look at the somewhat unusual engineering process of Cecil Balmond.

   And to discover his inputs behind some famous building, from Koolhas, Libeskind to Siza.

   The book is quite easy to read and don`t think you are going to get a structural crash course from Balmond (I must admit, I was bit disapointed of not finding that) but you do get the kind of passionate and heartily discussions you would get if you had the chance of drinking down a few drinks with Balmond and ending up with his famous sketches he drew on the bar's napkins.

   Expect a book with graphics and layout of Koolhas' SMLXL / Big fonts, dual-tone pictures.

   GOod read, good essay, not for someone looking for glossy pictures




5. Cecil Balmond is passionate and inspirational. When working with him, you know there is something amazing happening. I had the pleasure of having him as a studio instructor at Yale University, School of Architecture. Cecil believes in the possibilities of architecture and engineering working together in ways that enhance and grace both fields. This book brings his insight and passions together. I highly recommend it to engineers and architects alike.

5 comments about How to Build Treehouses, Huts and Forts.

1. Have not got the chance to use it but it help me realize the difference between building with studs and live trees. It stress safety which is always good.



2. As a person who lived in a treehouse for 3 years, and was looking for a basic how-to book for a friend, I was disappointed--this is how-to down to how to buy 2x4s and pull nails. Not good for a skilled (or even somewhat skilled) adult, but this book is EXACTLY the sort of thing I would have wanted as a kid: all the basics, lots of advice, and would have been great for a mom- and/or dad-and-me project.



3. This book is extremely awesome and has a special section on stuff to build like snowforts, catapults, and cannons. The forts are really awesome. Great buy.



4. Great book if you want to build a treehouse or fort with your son (or sons) or if you just want to build one for your son (or sons) so he can have fun. Love this book and I HIGHLY recommend it.



5. Please don't buy this book unless you are comfortable reading vague plans and are an experienced carpenter. For all the other "Weekenders" like me who appreciate step-by-step instruction with diagrams/pictures, detailed information on techniques for their projects, discussion regarding suitable materials and tips on finishing the project (i.e. painting, etc.) PLEASE choose a book more suited to your skill level. ... I sense impending doom if I attempt to build his cover playhouse which, by the way, seems rather small at only 6'x6'. I think I will join the ranks and order Norm Abrams plans and video as well. DONT BUY THIS BOOK

4 comments about Cottages on the Coast: Fair Harbors and Secret Shores.

1. I love to read and I love houses on the water. When I need to relax I grab this book. It has also given me some ideas to use in my own home to give it that cottage look. Very inspirational and easy to read.



2. Great source of architectural interior details and inspiration for small residential structures.



3. When I picked up this book I was surprised to find it so filled with a wonderful variety of cottages. Cottages on the Coast is a small and wonderful glimpse of styles around the coasts of the United States. A small "photo album" near the beginning shows early pictures of some of the cottages that are featured later and as those same cottages appear today. A great selection of cottage styles, representing different regions of the country, are fascinating with their accompanying stories. This is a book I will go back to over and over again, to look up something I remember, to find something new and to just plop down with it in my lap for pure beach imaginings. I love this book!



4. Wherever they are located, seaside dwellings share several common traits. These hearty homes are crafted from tried and true materials that age gracefully in the sea air and reflect local building traditions and styles. They balance the storms of winter with the peaceful days of summer and maximize beautiful views whatever the season.

   Cottages on the Coast presents an extensive variety of homes from sea to shining sea. Linda Leigh Paul selected more than 25 examples from Bainbridge Island, to Big Sur, from the Florida Keys, to Tybee Island, and north to Maine. You will be captivated by hundreds of beautiful photographs of vernacular exteriors and very personal interiors.

   Cottages on the Coast stands out because the interiors and exteriors exude a lot of personality, and they seem authentic and attainable. New England is well represented with houses in Maine, Martha's Vineyard, and Nantucket. The tranquil cover image, Treasure Cottage on Key West is truly a cottage at a mere 500 square feet. Treasure Cottage is filled with the owners carefully arranged antique collection, which does not clutter the small space but gives the home so much personality. Other examples, a modernist cottage designed by a Frank Lloyd Wright pupil in Carmel, complete with loads of natural light, and built-in furnishings. Or a cottage recently built on a private island in the Puget Sound, built on a solid rock foundation, with enormous interior beams to withstand the fiercest storms, decorated in a simple manner re-using found materials such as driftwood for a mantel and stair case railing.

   Cottages on the Coast will be a source of inspiration for readers who are considering rehabbing, designing, or decorating a seaside dwelling. Or if you are an avid armchair traveler Cottages on the Coast will fill you with travel ideas for your next coastal break.

5 comments about Learning from Las Vegas - Revised Edition: The Forgotten Symbolism of Architectural Form.

1. I admire and respect Robert Venturi and Denise Scott Brown for their great career and contribution to architecture, which has yet to be fully assessed. The depth of their thinking, the vigilant efforts to achieve their aesthetic vision, their desire to overcome modernist dogma, which had mutated into marginalized elite uncivic abstraction, falsely denying vibrant areas of life...how can one argue with the importance and value of such work?
   
   Let me try.
   
   To me, this book represents one of the most interesting turning points of an architectural career, very similar to Rem Koolhaas' essay on Bigness in S,M,L,XL.
   
   Both texts are attempting to give themselves an elite artist's alibi for co-opting the corporate machinery's unself-conscious production. Here, both artists (VRSB and OMA)attempt to escape into pop art, just like their friend Andy Warhol, thumbing his nose at the self important abstract expressionists.
   
   There's just one problem with this; they are architects, not just artists.
   And this places them in significantly different political territory. Architects build in the public sphere, and therefore have a powerful civic impact. They enable some political forces, and, by physical default, suppress others. If they were artists, their voice is a singular one, an unsponsored comment, to be entertained or dismissed. Architecture cannot be waved away.
   
   So, being architects, is 'Learning from Las Vegas' and 'Bigness' an elite artist's manifesto, or a cynical architect's effort to solicit clients from the bloated and most lucrative areas of commerce? The ambiguity is disturbing, because ultimately it has proven out not to matter what their intention. Both Venturi and Rem Koolhaas have been most useful tools for the most egregious excesses of our runaway imperial corporate world.
   
   And this is a sad legacy for two brilliant architectural careers. No matter what their aesthetic accomplishments in the way of rarified architectural thought, the more brutal reality is that architects seeking fame cannot also speak truth to power. This gravely undermines their civic responsibilities.
   I am reminded of William Morris' quote, a sad retrospective look at his career, saying that ultimately, his work "only served the swinish luxuries of the rich." A bitter realization for a socialist, one who chose to retreat into archaic craft, instead of trendy pop.
   
   Pop architecture is not a game. It is an insidious symptom of the polarization of wealth, a symptom that Venturi and Koolhaas cheerfully enable, both with their particular form of dissociating irony. They can play with it as a theory, but it has wrought disastrous consequences in the physical and political landscape. Same thing happened to Frank Gehry, another symptomatic starchitectural monster, who apparently doesn't need to theorize. Hard to say when the deal went down exactly. I just don't know.



2. this book is extremely condensed into a multitude of thumbnails or panoramas and text that never fails to reiterate its point. i mean, these two architects really understand the idea of symbols, suggestions, and sheds but after a dozen pages on one idea, you already get the point.
   
   the images are really helpful in exemplifying the amount of criticism for or against the city ("idea") of las vegas.



3. This is a quite unusual and offbeat treatise on architectural theory, as applied to the world's greatest architectural monstrosity - Las Vegas. This analysis from the early 1970s is obviously outdated because Las Vegas hadn't yet become the monument to megalomania and excess that it is today, but it was already well on its way. The authors analyze Vegas' unique usages of space, lighting, placement, transportation, and building design for the purposes of communication and promotion. Strange chapter titles give a clue to the left-field analysis in store, and the authors have a clear sense of irony, underhandedly implying that Vegas presents the worst in architecture while they appear to be praising its uniqueness. Unfortunately the narrative gets bogged down in dense professor-speak terminology like "Brazilianoid" and "neo-Constructivist megastructures," along with a general overload of obtuse theory. Add to that the poor-quality and under-elaborated illustrations and you have a book that sacrifices insight and readability in favor of pedantic attempts to impress the authors' colleagues. [~doomsdayer520~]



4. Read this book to learn what you shouldn't do as an architect!

   This book follows Venturi's "Complexity and Contradiction", where you can learn how cynically to use casement windows in housing for the elderly where the elderly will happily put their plastic flowers in the windows, but *you* secretly know these are not really hormal casement windows, since they are out of scale (like fascist architecture's lack of scale?).

   This book will tell you about ducks and decorated sheds, but it will tell you nothing about building spaces which nourish creative human community. Try Louis Kahn (e.g., John Lobell's lovely little book "Between Silence and Light"). My postmodernist teachers at Harvard said Kahn's writings were incomprehensible, which says more about them than about him.

   Read Lobell's book and learn why, e.g., a city might deserve to exist. Remember: Only *you* can get beyond postmodernism!




5. Robert Venturi's study of the Las Vegas signage phenomena and it's impact on "architecture" is brilliant in it's scope. While written almost twenty five years ago, this book gains more and more pertinence as we as a society progress further into a "reality" of symbols, reproductions and representations. These words and thoughts are basically essential to the understanding of any city anymore, not just Las Vegas. Where this book misses the mark though is in the execution, as shown in Venturi's work, of these ideas. The projects put forth seem to pale in comparison to the implications the text actually has. These notions of architecture are by far some of the most relevant and important in modern theory today, it is unfortunate that their full potential could not be realized in these projects.... but maybe that is for you and I to do.

5 comments about The Hawaiian House Now.

1. This book is beautifully produced, with a nice variety of types of homes presented.



2. I got this book so I could get some decorating ideas for my own house here in California. I found the book to be helpful in what I needed it for. It shows good interior design ideas for houses in Hawaii that could easily by used in other parts of the world. I love the Hawaiian styles and I am working on recreating them in my home.



3. This book transported me back to those years when I grew up in Hawaii and was exposed through friends and parties to so many of these kind of houses. I see Hawaii house decor being such an accumulation of all that is good about Hawaii - reflection of its spirit and early settlers and Hawaiian aspect. I live in New Zealand and decorate ALL my houses with a strong Hawaii/South Pacific/New Zealand flavor - this book has given me such inspiration for my next house. If you grew up in Hawaii or love the spirit of Hawaii this book is a must. I was thrilled when I received the book and as I am about to start a new adventure with a house I am going to incorporate so much of what I see and read in "The Hawaiian House Now" - It is not just a book with nice photos it is a book with some great information on all that is Hawaii.



4. I enjoyed this book very much. It was well written, well researched and contained a wealth of beautiful photographs. The author captured the beauty of simplicity. The Hawaiian House is a wonderful coffee table book.



5. Whether your style is contemporary, traditional, or eclectic this book has something for everyone. I've gone through it again and again, and each time I've seen something new or gotten an idea for something I can do in my own home.

3 comments about Houses of Los Angeles, 1920-1935 (Urban Domestic Architecture) (Urban Domestic Architecture).

1. I bought the book for my husband for Christmas. He loves it. He is a native of Pasadena, California and has always loved the houses of this era. The history of each home is well done as well as the photography. Would love to see more books like this one to even include smaller, post WWII housing. They all have a unique style.



2. As with all the books Acanthus Press puts out this one is fantastic. The images are crisp and beautifully executed and the text is well layed out and flows well. Los Angeles is graced with many elegant pre war mansions and this book showcases some of the best, although some of the houses picked are perplexing, and some omissions were shocking, like the Warner estate; but Greystone, Green Acres, and the Paley house are included and they are probably the most famous houses in L.A...I had wished to see more of Paul Williams work, I loved his California Regency houses, they are the very definition of the L.A. mansion, I guess his house for the Paley's will have to suffice. If you have an interest in Los Angeles, grand residental architecture, or just appreciate fine books, then I can't imagine you not loving this book. Yes, these books are expensive, but if any book is worth this amount of money, it's this one.



3. This volume completes the two volume set. It is a superb book showing the golden age if residential architecture in Los Angeles. Los Angeles was an emerging meca in paradise during those years and architect had free reign to design structures in any style that had ever existed, plus creating some new and bold styles of their own. These books are a must for all architects, interior designers, landscape designers, historians and anyone interested in architecture and life style.

3 comments about Rustic Revisited: Innovative Design for Cabin, Camp, and Lodge.

1. Many design ideas can be obtained from this book if you are remodeling or building a cabin.



2. This book portrays a vast amount of information on lodge-camp- and cabin style.
   
   Ann O'Leary identifies the historical as well as specific decorating details necessary to achieve these fabulous lodge and camp looks. This is a very in-depth, extensively well researched and beautifully written book! Well done!



3. What a great book! I bought it to give as a gift and ended up keeping it for myself. It's filled with beautiful photos of rustic style in all its forms: including Adirondack camps, lake houses in Wisconsin, Western lodges and Southern cottages just to name a few. I got many good ideas from it, and will be buying more copies to give to friends. I highly recommend it.

5 comments about Compact Houses: Architecture for the Environment.

1. This is basically just a coffee table book - plenty of nice pictures but light on substance. If you want detailed (even semi detailed) information on compact design, space saving ideas and the like than look elsewhere.



2. As a member of the Small House Society I love this book. The houses are small and to the point without all the clutter some small houses tend to have. And as the title says its Compact Houses: Architecture for the Environment. And in an era of McMansions its so refreshing to see small homes that use small lots to make the best use of the land and provide for the most open and airy feeling home. Or for those who like myself love the idea of a 500-800 square foot home in an open field that is environmentally sound but also simple and minimalist this is a great book.



3. I enjoyed the wide variety of projects presented. I'm a visual person, so thought there could have been more photos per home to orientate oneself with the accompanying floor plans.
   
   Overall, I return to this book (amongst others of its genre in my collection) because of the celebration of small project design.
   
   This is not for those who dislike modern, minimilistic elevations.



4. Empty square boxes; cold and modern. The flat roofs would never work in the northern climate.



5. I review a lot of architecture books, and this one more than most makes me want to go out and build a new house. The subject of the book is small houses. It consists of pictures and the story of some fifty houses, all of which are less than 1,300 square feet. Many of them are much less than 1,300 feet, indeed down into the 300-400 square foot size.
   
   I live in a small house -- 900 square feet or so -- that's about a hundred years old. But compared to the layout, the beauty the simplicity of design, mine's a dump. I'm getting the urge to go visit a realtor friend. One thing about these houses is that many of them are on what would be considered hard to build on lots. And such lots tend to be cheap. There's a new architect in town that's fresh out of school and may have more originality than the older guys. Maybe if I give her this book, with a few houses marked. Hmmmmm!
   
   One thing I didn't like, most of the bed rooms are on the second floor. I was in a house once that had a fire. The amount of smoke generated in just a minute or two was incredible. I don't want a bed room upstairs, if necessary I want to be able to close the door to keep the smoke out and get out through a wondow or emergency door.
   
   Other than that, this is a great idea book. The pictures are beautiful. There's not as much detail as I would like, but adding detail would have to mean either fewer houses or bigger book, so I guess it's a nice balance.