1 comments about Julius Shulman, Modernism Rediscovered.

1. A fittingly huge tribute to the man who captured Modernism in western America and especially in California. I thought the beauty of these three large books (check out the weight and dimensions in the Product Details section) was the way they are organized: historically using Shulman's own job reference numbers. Obviously there is not going to be a photo of every commission because a lot of his time was spent on what he calls 'bread and butter work'. So book 1 starts with #0003 in 1939 with Gregory Ain's Scheyer residence in LA and book 3 ends in 1981 with #5976 Augustin Hernandez's studio in Mexico City. Although Shulman is working again, with German photographer Juergen Nogai, the contents of the three books are based on the 250,000 negatives he presented to the Getty Research Institute upon retiring in 2004.
   
   I get the impression looking through the pages that there maybe more interior photos than exteriors but what a visual treat these interiors are. In photo after photo, there is a sense of spaciousness so typical of most modernist houses and many of the shots show how rooms extend into other living areas.
   
   The interiors from the Forties to the late Seventies also yield a fascinating opportunity to study the furniture and fittings the owners thought would work well in a modern home. Owing to the large page size some of these domestic interior photos are twenty-three inches wide on a spread so the detail is amazing. Another interesting point about a Shulman photo is the addition of people in his work. Apparently frowned upon at the time by architects but he took the view that it was an opportunity to reduce the purity (and possibly elitism) of Modernism in a domestic setting.
   
   Among all the great home photos commercial work covers corporate headquarters of large companies, schools, research facilities, banks, retail units and restaurants. The same sense of space and depth comes across in these images and I think you'll come to the same conclusion as I did about Shulman's photography: that he always managed to frame his compositions to captured the spatial essence of a building.
   
   The production of the three books is exemplary as you would expect from Taschen. The hundreds of photos are printed on quality paper with a 200dpi screen and presented in an elegant but simple layout. Each featured commission has between one and six photos with a short piece of background copy. All of this is a wonderful tribute to a remarkable architectural photographer. I know I'll be enjoying these three books for a long, long time.
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.

5 comments about Shelter.

1. I saw this book at my brother's house and immediately knew I had to buy it for my husband. It is a high quality reprint of an older book and has that "60's" feel. Much excellent info and lots of great pictures. Very eclectic. We got it specifically for the info on Geodesic Dome houses but there's plenty more for shelter freaks.



2. I bought this book when I was fourteen years old and it blew my tiny little mind! Now that I've lived a bunch of years in the design field, and I take it off the shelf, tattered from three decades of intense study, it still blows my (now even tinier) mind. Mr. Kahn has done us all a great service with this book that goes beyond architecture to higher values and has a spirit that leads by example. Sure it's got some crazy hippy parts, do with that what you will. But a deep devotion to what you make and why; it's all here. I'm thankful for this inspiring work.



3. Throughout the 1960s and `70s, hundreds of unwashed, longhaired youth from around the world descended on the open foothills around Placitas, New Mexico, and established multiple communal hippie settlements. These youth had read of the Placitas scene in national magazines and counterculture books, or heard about it from other hippies; they were idealistic types from all around the world, and they came to the area to try to raise their own food, escape The Man, indulge in free love and mind-altering drugs, and live communally in tents, geodesic domes, adobe shacks, and experimental homes they built themselves out of plastic and scrap metal.
   This book, "Shelter" documents their bizarre housing experiments in wild detail. It also documents curvaceous mud homes in Africa, riverside huts in Yugoslavia, thatched huts in Ireland, homes in busses, homes in caves, dome homes, homes made of car parts, homes carved into mountainsides, homes made of hay, tipis, barns, gypsy tents, and more.
   If there's a strange kind of housing, you'll probably find it in here, and you'll probably be inspired by it.
   "Building this house was more of like feeling where you went as you started working with it, you know, the material and just playing it from there," said one Placitas hippie interviewed in this book. "...It's like three dimensional sculpturing, you know, we just got into building a house out here that's like jewelry. ...OK, let me put it this way, the inspiration like as we move along through it, like I found it in [Stanley Kubrick's film] 2001, where the dude had finally split out of the satellite and was heading towards Jupiter, just as he was coming in, what they had done was they had used different types of film, infrared for one, and just taken a plane and flown over Grand Canyon at a high speed, low, what is created you know, is in some respects synonymous to what the house is, you know, and certainly our cell structure in our body is synonymous with that...."
   As you can probably tell, this is not "Better Homes and Gardens" or even "MTV Cribs." It's "Shelter," and it's a trip.



4. I studied architecture in Australia and dragged my feet through the course. That is until a mate suggested I check out this book.
   It liberated me.
   
   Here was a bunch of common folk who met one of the most basic needs of all humanity - shelter.
   
   So much of what we encounter in our 'western' enlightened age is alien and regulated. The materials that we commonly use in buildings & infrastruture is devoid of any life or connection with the earth. They are not in or close to their natural state. And even if they are, there is so much regulation and stipulation on how we are to use them.
   
   But this book gives you hope, a chance to dream. It shows buildings as art forms, useful & practical but completely expressive of the owners they serve. They are not bound by regulations and conventions. This is craftsmanship not industrialisation. They are made from from natural unrefined materials which in essence connects us to the earth, which we all belong to. From dust we came, to dust we will all return. The beauty of nature is your own home.
   
   This book is filled with ideas and ways in which people have often 'escaped' from the life draining cities to a more peacuful and harmonious way of life. It's superb photo's, hand illustrations and even the way the book is laid out are a freedom in itself. This is one book you will not regret owning and will always find pleasure returning again and again to.



5. Now I don't know if I want to live in a tree, a yurt, or on a converted vehicle. This makes my 'normal' house seem quite ordinary. Drat!

5 comments about The Soul of a Tree: A Master Woodworkers Reflections.

1. i'm an electrician, but i really like wood... george nakashima on the other hand loved wood... his views make his work even more valuable and amazing...



2. Able to tug at you in so many ways. A privilege to be able to buy his product.



3. Alot of philosphy, mostly biographical, has a few quotes that stick:
   "Man has the audacity to try to improve the tree...."
   
   This is a MUST read for a woodworker.



4. Like the books of James Krenov, "The Soul of a Tree" is as much a book about philosophy as it is about wood. And it's a good philosophy: slow down, take your time, play with the wood, and enjoy it. The book is really about the soul of Nakashima. He outlines some of his own personal history and how he developed his ideas about craft. There's not really much on technique here - you can certainly find better books for that - but you won't find many more inspiring.
   
   On a personal note I had a lady call me years ago to fix up `some old furniture' she and her husband had bought years ago (in the `50's I believe.) Seems when they were young college professors they found this young oriental guy down the road who made furniture in his garage. When I looked at the furniture I told her that her young oriental friend had become quite famous and showed her this book. She was flabbergasted. What she wanted me to do was to nail up some chairs that had worked loose over time. I refused, of course, and explained to her that these were valuable pieces that should be cared for properly. I also encouraged her to contact Nakashima's Conoid Studio (if it still existed) to let them catalogue the pieces. Even after years of use by a family with kids living in the sticks the pieces were obviously crafted with meticulous care and held up surprisingly well. It was a real joy to bring them back to daily use.



5. The author omit needless wood and carve great pieces of furniture. It is like zen on wood. You will not regret the money you spent on this title.

1 comments about Old & New: Combining Past and Present In Contemporary Homes.

1. This was an awesome buy. It gave me lots of ideas for decorating my aspiring eclectic home.

5 comments about Tips & Traps When Building Your Home.

1. This is not the book to teach you all details of how to actually construct your home, but it's extremely useful to help you understand the process and get things started. Excellent "tips" and "traps"!!!



2. If you are looking for a really thorough book, this isn't it, but many of the tips are very helpful. Read it with a highlighter and just mark the good stuff and then refer back. I bought this along with Woodson's "Build Your Dream Home for Less" and found that the two together were a great pair. Woodson's is very thorough and takes you through step by step, and Irwin's had a lot of additional tips that Woodson's didn't. Irwin tends not to define many of the "trade" terms he uses and for people who aren't handy, it's frustrating. On the other hand, Woodson does define most terms so if you read both, you're in pretty good shape. This book is not the be-all, end-all book but definitely worth buying - it should save you some money if you are general contracting your home.



3. If you're new to building homes, this is a good book to get you started.



4. This is a very good book that is easy to read. Now, there were some things that I disagree with, as well as other "expert" developers, but overall the tips and traps were right on. So, this is a book that you should read if you are building a hime, but also read at least one other good book. Because of some of those things that were too specific (i.e., not mentioning other reasonable options), I nearly gave it four stars. However, it is worth reading and normally would warrant the five stars.



5. This book was the first book I read on building. It has also been very informative and simple to understand.

   If you are beggining in building this is the perfect book for you.

   The Author really knows what he is talking about. Unlike some other books out there written buy someone who has never done it....

2 comments about Modern Cabin.

1. This pictorial review is very well done. The pictures are clear. In combination with architectural floor plan drawings and explanatory text they give one an excellent understanding of the space, circulation, features and finishes. Included is an extensive variety of contemporary styles from the small to grand, retreats to dwellings, eco friendly to luxurious, thought provoking to simply variations on a theme. If the reader is keen on more than just an out building this is a good read, a coffee table must to stimulate conversation or simply a way to spend vicarious time in another place.



2. Each of the 23 "modern cabins" included in this book is unique, beautifully designed and crafted for the specific site upon which it is built.
   The photography is spectacular and turning pages elicited many "ohs" and "ahs"!
   Kudos to Ms. Kodis!

3 comments about Deck Designs: Plus Pergolas, Railings, Planters, Benches.

1. If it hadn't been for this little gem of a book, I'd have ended up with exactly what I thought a deck was: a 10x30' rectangle on stilts outside my back door.

   Thanks to the inspiring designs outlined here, I was able to upgrade my $4K do-it-yourself deck with some snazzy details and useful layouts with little additional work and expense. Please do yourself the favor of flipping thru the pages of a book like this - if for nothing else than to see how it can be done by the best designers and builders.

   No, just like me you will never be able to afford the hand-sanded grade A redwood beauties that are featured on a couple of these spreads - materials alone would run into six figures. But you will be able to steal the design of the railing, or perhaps the notion of a split level or a nifty little nook for a bench or some other detail from the top end decks. There's enough closeups and sketches of the design to run with a concept that you find appealing, and the narrative will help you think thru the elements of your design that might open up new possibilities.

   After reading it from cover to cover a couple of times I shared the book and my comments on post-its with the contractor I had hired to help me complete my project, and it inspired him to come up with some ideas of his own, as well as better understand where I wanted to go with the project.




2. I almost made the mistake of letting the contractors design my deck. They came up with a big boring rectangle. Thank goodness I bought this book first! It is packed with many wonderful ideas, including photos and tips to making a deck interesting and functional. It covers layout, railing design, and yard and use considerations. It is a very small investment for a big project, I suggest that anyone building a deck take a look at this book before proceeding.



3. Deck Designs packs in a wealth of deck design ideas and patterns, featuring designer's unique approaches and their tips on how the deck feature was achieved. Color photos of patterns and decks supplement information on design considerations and details on construction techniques for the homeowner who wants to create his own custom deck.

5 comments about How to Read a Church: A Guide to Symbols and Images in Churches and Cathedrals.

1. Well written and organized. I learned a lot. Potential buyers should know that the focus of this book is on Anglican and Catholic churches. I'd recommend it very highly.



2. Bought this to prepare for a trip to Italy, hoping to better understand what I was seeing in all those historic churches. This book, however, is centered on churches as places of Christian worship. To quote from the introduction: "Admiring a church for its beauty or history alone is like admiring a Monet for the frame". This is the author's principle theme. As an example, one chapter is devoted to the life of Jesus. In it, he elaborates on 29 different stages of Christ's life that you might see as an image in a church, from the Nativity to The Incredulity of Thomas. Other chapters include The Virgin Mary, Saints, and The Old Testament. The book does provide the needed visual clues to understand what one is seeing, e.g. pictures of St. Lawrence are of a young man with an iron grid and a money bag. However, the piety of the author is the both the book's strength and weakness. Those of the Christian faith may find this a wonderful read. Those of other faiths or none at all may be constantly irritated (as I was) by his writing technique, which treats the Bible as a source of eye-witness history. If you are looking for dispassionate discussion of church imagery, look elsewhere.



3. This book would be a useful guide for the American churchgoer who is curious about the signs and symbols he sees around him. In an encyclopedia-like format, Taylor describes the chi-rho, the attributes of the more popular saints, and similar visual messages of Christianity.
   
   It is not in-depth or particularly scholarly. For example, the entry for the columbine (flower, not high school) gives one meaning for that flower's symbolism, but does not go into older meanings that appear in medieval art. OK for most uses, but not as a reference for art history students.
   
   There are also odd mistakes that an editor should have prevented. For example, throughout the book Taylor uses the word "unshaven" to mean "beardless". I don't know about him, but when I don't shave, I am bearded.



4. This is a well-written, religiously neutral excursion of the visual symbols and elements of the Christian church, more or less as it exists today and leaning somewhat to the Anglican church. It is not a history of Christian church architecture or symbols through the ages though the author seems to be fairly conversant with the relevant art history. It is no more or less than a brief description of what is behind what you'd see in an English church, with accounts of the lives of Jesus, Mary, Joseph, Peter and all the rest, in case you know absolutely nothing.
   
   The charming churches the author is most familiar with are relics, and efforts like this one that may in some way preserve them are good. They, the churches of the past, are as much like America's mega-churches as flowers are like asphalt. I don't know if they have mega-churches in Europe. I don't think so. They, the mega-churches, help us envision the utter banality of the age to come. And what a long way we have traveled since Chartres.
   
   The author is studiously non-evangelistic, which is good, but one feels the absence of faith in or hope for anything beyond the obvious. It is really a rather light-hearted anatomy of Christian churches, lacking soul. If there's no hope of meaningfulness, no hope that these places may convey the possibility of a real inner life, it all seems rather hollow.



5. Ever wonder why some saints in paintings and sculpture have square haloes? Why columns have foliate capitals? And what are all those hand signals? Richard Taylor explains in How to Read a Church, written not as a scholastic thesis but as a general guide for lay persons. The basic layout of churches, the number and placement of stained glass windows, the grouping of figures and how to identify who's who - all of this can be helpful in figuring out what the builders and decorative artists were trying to convey to those viewing and appreciating the results of their labors. The book works as a resource, and does not have to be read from cover to cover. Individual chapters, such as that on styles of crosses, can be read separately and perused at leisure. Nice resource.

5 comments about The Farmhouse: New Inspiration for the Classic American Home.

1. I am a Manhattan city dweller struck by childhood nostalgia about what it is like to live on the country side. For types like me, interested in farm-house inspired modern architecture, this book offers a great visual feast. If you are looking for real farm houses, however, look elsewhere.



2. Written by an architect for the layperson, Jean Rehkamp Larson makes you feel the elbow room of the farmhouse and surrounding countryside without being too technical. Showing several house styles from historical to contemporary, Larson teaches us what characteristics make the American farmhouse a house style that is as ingrained in our minds as baseball and apple pie.



3. This book is a valuable resource as my husband and I plan our "farmhouse" that we intend to build next year beginning in February. It gives examples of restorations, new construction built to look like the old classical farmhouses across the midwest, and amazing interiors. I love the shaded boxes of information, emphasizing the importance of features such as shape, the color white, porches, etc. It is a lesson book for those wanting a basic education on how to talk farmhouses. We bought three books, and this one is far superior to the others.



4. One of over $1,000 worth of books I ordered prior to starting our remodel, The Farmhouse is above and beyond the best book I bought for our tastes, and is the primary resource I have given to our architect. No country shabby chic here -- the style is spare, warm, and elegant. Great photos and text. This book will save us thousands by beautifully getting across our ideas for our new Boulder, Colorado home. Those who like this book would also like Jeremiah Eck's The Distinctive Home.



5. An informative book with good examples and photos.

1 comments about The Complete Guide to Masonry & Stonework: Includes Decorative Concrete Treatments (Black & Decker Complete Guide).

1. This book is great because it has pictures for each step of the projects and includes a few fun concrete projects if you're up for it.