No comments about Gewn Raverat: Friends, Family & Affections.

1 comments about A Charge to Keep: Life of Earl Gladstone Hunt, Jr..

1. The folks in Earl Gladstone Hunts early life helped shape this East Tennessee leviathan - a giant, a bridge builder, a preacher in the Methodist itinerant ministry - one who occupied the episcopal office for twenty-four years. He is also an educator - college president, and evangelist - President of the Foundation for Evangelism. Throughout his ministry his central theme was telling the message of Jesus Christ, His birth, life and teachings, sacrificial death and resurrection, to an anxious, disoriented world.

   In the "Bridge Builder" chapter, Hunt is likened to a bridge with tensile strength allowing traffic in both directions. The biographer relates a number of areas that seemed almost impossible to bridge. Yet with respect for those with whom he worked, he diplomatically built those bridges.

   While driving on icy roads, if one overcorrects in any direction, it could bring disaster. Bishop Hunt has steered with a strong, steady hand through many treacherous roads. Racism was addressed all across his tenure but he names the homosexual issue as the one that stimulated the most mail response. Hunger, the Bomb, disintegration of family life, drugs, poverty, housing, struggle for freedom, excesses of affluence, and he even addressed the process of episcopal elections. He considered the most important assignment of his career the task of working with a committee and preparing a statement that would reflect the needs of Wesleyan tradition in the contemporary world.

   His experience as a College President, his commitment to evangelism and his visibility within the church was providential for the Foundation for Evangelism. The chairs of evangelism in the seminaries will insure that his contribution will live in the lives of seminarians for decades to come.

   Dr. James Logan has done a masterful job of reporting on one of the heros in the faith. Bishop Hunt is not only tall on the outside - he is tall on the inside. Would that there were hundreds more like him!

No comments about The Story of Baden Powell the Wolf that never Sleeps.

4 comments about Daniel Defoe: The Life and Strange, Surprising Adventures.

1. The foreward is interesting and helps to put this biography in perspective. Richard West candidly indicates that he was much influenced by Paula R. Backscheider's Daniel Defore: His Life which is now out of print. I got the impression that this biography may be based on that book plus West's enjoyment reading Defoe. A biography can often provide an interesting window into a particular time and place. It's interesting reading about the Glorious Revolution and the reign of Queen Anne, but disconcerting to have so many quotes from classic history by Macaulay and Trevelyan. It feels like one is getting a narrow and somewhat dated version of the period. One does not get the full texture that only a historian who has read widely and deeply in particular period of history can provide. But we get a lot of Defoe's own words and West himself is a good story teller so if one is looking for an entertaining biography why quibble whether the setting is Macaulay's storybook England rather than the real thing (whatever that may be).



2. In Daniel Defoe: The Life And Strange, Surprising Adventures, biographer Richard West tells the story of Daniel Defoe, a maverick, a Puritan, and a dissenter without a constituency. Defoe was also a bankrupt who rubbed elbows with a king, a hack who never failed to pursue the truth. And the writer who produced such literary classics as Moll Flanders, Roxana, A Journal of the Plague Year, and Robinson Crusoe. Defoe's life was every bit as dramatic and unexpected as the protagonists of his famous novels. West has wonderfully and scrupulously recreated the remarkable personality and the colorful times that shaped and were shaped by this noted, fascinating, unique and historic literary figure.



3. West provides a very readable, unfussy biography, presenting a vivid and detailed portrait of Defoe's life and times. He falls short with his "analysis" of the novels, which amounts to little more than plot summary, but his insight into Defoe's character--as a man of high moral principle who occasionally succumbed to expediency--is priceless.



4. With the tools of a storyteller, Richard West takes his readers on a journey to the world of the enigmatic Daniel Defoe and the political machinations of Britain at the dawn of the 18th century. To any reader,even to one who has a limited understanding of British history, West paves a path among the intrigue of the Whigs and Tories, and has his reader follow the footsteps of Defoe into the Tower of London, the roads of Great Britain, and the gardens of rulers. With the ability to explain Defoe's mysterious background, West guides the reader toward an understanding of a man who has remained elusive for centuries. West offers the reader an explanation for the many masks that Defoe wore as writer, invester, spy and traveler. With the skill of a story-teller, West opens a world of historic fact even to the most reluctant non-fiction reader.

1 comments about Winston Churchill: His Life As a Painter.

1. I enjoyed reading this oversized book, I went through it like water! The book is well illustrated and gives a good sampling of his works (landscapes, still lifes & portraiture). It is an easy read, this book was not written for those in academia--its a very approachable book.
   The author, the daughter of Winston Churchill, Mary Soams, did a marvelous job of creating a lively narrative. She goes into the reasons why he began to paint, what his philosphy on painting was and how he learned (via a wide circle of artist friends). She also mentioned that he was accepting of using modern inventions (photos) to aid in his memory and composition of creating his paintings. She also included many humorous stories of her father.
   The book is very inspiring in that Churchill, who already had an extremely full life and who started late in life painting, was able to create such beautiful works of art. The book shows that he did have natural talent, BUT, that he also worked hard to build upon that talent and the book clearly shows this.
   The chapters are lavishly illustrated with his paintings, and many times the book describes the creation of the paintings that are in the book (and it includes the page number where you can find them). My only complaint is that in the last few chapters there are virtually no paintings and I wish I could have seen more of his later works, even though they may not have been up to the same artistic value of his earlier works.
   This was a fun and inspiring read, go out and buy this book.

4 comments about Beloved & Darling Child. Last Letters between Queen Victoria and her Eldest Daughter 1886-1901.

1. After Queen Victoria's death, her youngest daughter Beatrice (at Victoria's own request) edited all her journals and destroyed the originals. However, the letters between Victoria and her eldest daughter, Empress Frederick of Germany, were kept elsewhere and remained intact.

   This series provides an invaluable, candid look at Victoria's intimate feelings and private opinions. Forget the dour old monarch intoning "We are not amused"; here you encounter a mother sharing her thoughts, hopes, fears and opinions with her daughter.

   This book is a follow-up to the multi-volume series by Roger Fulford (Your Dear Letter, Dearest Mama, Dearest Child, etc). Fulford's work as an editor was superior in my opinion. If you are seriously interested in finding out what Queen Victoria and Vicky (Empress Frederick) were like as people, I'd recommend looking for the Roger Fulford series in a good library or through used booksellers.

   This book is still very enjoyable, and definitely worth reading for Victoriana buffs. But some may have difficulty keeping track of historical events and figures.




2. This is an excellent book, but not for the beginner. If you know very little about German or English history, this book might be confusing at times. For those with some background it is an absolutely delightful glimpse into the lives of two outstanding characters. A "must have" for fans of Queen Victoria or the Kaiserin Friedrich!



3. I loved reading these letters! Behind the cold royal facade are two very likeable women who truly understand each other. It is fun to see these two (a Queen and Crown Princess) relate to each other in the same way most mothers and daughters do. "Keep your back straight, brush your teeth, don't eat too much or laugh too loud"

   their desolation over the deaths of Albert, Victoria's beloved husband and Vicky's dad and of Alice, Vicky's sister, is so real and palpable.

   there are other books in this series, I've read them as well and they're delightful.




4. This last collection of the letters between Queen Victoria and her oldest daughter, the Empress Frederick, cannot help but be fascinating. Unfortunately, the editing and annotation cannot in any way compare to Roger Fulford's work on the previous volumes. The annotations are either in brackets (interrupting the flow of the page-- the Queen and her daughter were fond of nicknames and abbreviations, so a great deal of annotation is needed) or at the end of the book (necessitating flipping to the back of the book and figuring out the footnote number to read the clarifying information). While this book is not as easily readable as the previous volumes, the information it contains is just as interesting.

No comments about Richard III: A Source Book (Sutton History Paperbacks).

No comments about Christmas Evans: The Life and Times of the One-Eyed Preacher of Wales.

5 comments about Wilde Album: Public and Private Images of Oscar Wilde.

1. Mr. Oscar Wilde, the toast of all London for his successful plays revealing the immoral soft underbelly of the British aristocracy, received a slanderous calling card at his club from the Marquess of Queensberry, whose son Al was assisting Mr. Wilde in his investigations of the more corrupt and immoral and hypocritical aspects of those filthily wealthy imperialists.
   
   At Al's urgent request, Mr. Wilde filed suit for slander against Al's own father, serving as noted in this book in Mr. Wilde's own words, as the dice in a cruel and callous oedipal gamble between father and son. Mr. Wilde lost; the petit bourgeois father won and before the Crown brought charges against Mr. WIlde under a new immoral activities act, the father had Mr. Wilde's home ramsacked and auctioned, all of Mr. Wilde's treasured and expensive belongings, and those of his wife and two small sons, in order ostensibly to cover his own legal costs in defending himself against Mr. Wilde's charge of slander. The auction, staged as it was, brought only a very small percentage of its actual worth, yet destroyed all that the family owned.
   
   Mr. Wilde's grandson, in gathering this present album, mentions the fact of this destruction of his family heritage by alluding to the registry of six family albums which were sold and discarded beyond any recovery. Merlin mentions this fact cold, without further comment, but the skilled reader may read between the lines the deep and painful import of this action to Merlin personally. Thus this present effort grows immeasurably poignant and important.
   
   Though others praise the photographs here, it is the comprehensive and extensive and brilliant essay by Merlin here which makes this book as well. This book grows thereby essential for any reader of the English language, and for any reader of Irish resistance to English colonialist power, in particular that fatal power which was so coldly brought to bear against its most subtle and charming and astute and eloquent and Irish critic, greater even than GB Shaw, more subtle even than the great Mr. James Joyce.
   
   Never mind please my ramblings nor the effusiveness of other reviews which here appear upon this page. My one qualm regarding this book is that it is not BIG enough!
   
   Please see as well the excellent, if painfully abridged, production of An Ideal Husband in the BBC collection The Oscar Wilde Collection (The Importance of Being Earnest / The Picture of Dorian Gray / An Ideal Husband / Lady Windermere's Fan) if only to see younger and slimmer and in his prime he who would later play for them Sherlock Holmes. The Importance . . .in this collection is also tolerable if abridged and awkward; Lady Windermere's Fan begins slow with the mournful Lord, but grows inexorably to a heart wrenching finale without sentimentality.
   
   Read all of Mr. Wilde's published work (lacking of course the bulk his writings for Women's World, and lacking his original French text of Salome) in Complete Works of Oscar Wilde (Collins Classics). The original French text of Salome you may find at Salome: Drame en un acte (Collected Works of Oscar Wilde) in order to perform your own translation into English which will undoubtedly replace Al's. It is also available in a Spanish translation at Salome - Bajo El Monte and a fine selection of his short stories at El Fantasma de Canterville y Otros Cuentos (Serie Roja Alfaguara) (Serie Roja Alfaguara).
   
   Please read this book and know the extent of the destructive power of an offended British aristocracy, a destiny, as Merlin here indicates, as inexorable as any ancient Greek drama. Merlin's assessments of his grandfather's oeuvre are also excellent and right on, although too brief! Find further critical work by himself as well as by his father Vyvyan Holland, whose photographs as a small boy are so telling here.



2. What a Gem! If you are a fan of Oscar Wilde then this book is indispensable.
   My only gripe is that it is too small. A larger format would have shown off the many Napoleon Sarony photos (the largest collection in one publication) If the publisher and Mr Holland ever read this....I'd gladly shell out for a large format edition. Other than that, I'm quite too utterly ecstatic about the book.......WELL DONE!



3. This volume is more touching and insightful than most
   works about Oscar Wilde tend to be. It is filled with
   the narrative commentary of Wilde's grandson,
   Merlin Holland, who gives honest opinions as well
   as factual detail about the various stages of
   Oscar Wilde's life.
   The treasures, however, are the multitudes of
   photographs, memorabilia, and paintings that are
   included -- as well as drawings, satirical cartoons
   (mostly lampooning Oscar, both at Oxford and later
   in life), and wonderful notations under the items.
   The most interesting photographs, for me, are
   the ones which were done by Napoleon Sarony. They
   seem to touch a more thoughtful, poetic, dreamy
   Oscar, rather than the posing bon vivant or the
   deliberately provocative aesthete/decadent.
   The volume does well to have one of those photos
   on the cover, as well as having a different photo
   beside the title page. The grotesque photos,
   that almost make one cringe, though, are of
   Oscar in a skirted Greek national costume
   (with boots!) from April 1877; Oscar in a
   checkered suit and bowler hat at Oxford in
   1878, and Oscar at age 2 in a blue velvet
   dress, a daguerreotype which has been color
   tinted. The weirdest photos are of the
   "blond tiger/panther" Lord Alfred Douglas,
   would-be "friend" and lover of Oscar. His
   eyes look vacant, haunted, cold in most of
   the photos , except for the one on page 147,
   in which he looks touchingly sensitive and
   lonely...the caption below the picture says
   it all: "Douglas aged 23. 'Your slim gilt
   soul walks between passion and poetry. I know
   Hyacinthus, whom Apollo loved so madly, was you
   in Greek days,' Wilde wrote to him around that
   time."
   Truly a remarkable album of memories.



4. This is a sparkling gem for all fans of Oscar Wilde. It is a brilliant retelling of Oscar's life through pictures. Filled with everything from photographs of Wilde the aesthete to hilarious caricatures of him from Punch magazine to some of Wilde's own drawings and notes, this fabulous little book has it all. Many of the items I have not seen in any other volume. It goes wonderfully well coupled with Richard Ellman's gorgeous biography or it stands tall on its own. All and all, a marvelous book that I cannot possibly recommend highly enough.



5. Cutting to the chase, the real prize in this marvelous little book are the photographs. For once, we get something other than the usual lot that appear in books with a Wilde connection. Mr. Holland has achieved through his pictures (most seem to be from the family collection) something which most texts don't do..... a feel for the whole of Wilde the man. There is a human dimension to this slim volume that one does not find elsewhere. There are pictures of ancestors, parents, editorial cartoons, advertisements, all in relatively strict chronological order, from the child in a dress (as was customary for little boys in the period) to the student, the developing fop, the lampooned character, the ludicrous pairing with Bosie... who looks perpetually bored and thoroughly uninteresting... to the depressing denouement, death bed and funerary monuments.

   The text reveals nothing new but it is elegantly written. Both of Wilde's children were devoted to the memory of their father. It is evident that the grandson was raised in like manner.

   Of Wilde's two boys, Cyril died in WWI without issue. Mr. Holland is the grandson of the other, Vyvyan.

   If you are interested in the period, England and Ireland in late 19th century, Wilde, gay history, etc. buy this book. It is worth infinitely more than it costs.

No comments about Algernon Sidney and the Restoration Crisis, 1677-1683 (Cambridge Studies in Early Modern British History).