1 comments about Mingus/Mingus: Two Memoirs.

1. Janet Coleman and Al Young were University of Michigan English graduate students when they met Charles MINGUS in the late 1950's. In this slim volume, each writes separate but intertwined memoirs about their relationship as friend, editor, and fan with the great bassist/composer/bandleader. Their memories are fond, warm, personal, and humorous; their affection and something like awe are evident throughout the book.

   This was the period of such Mingus works as "Pithecanthropus Erectus" and "Ah Um." Both Coleman and Young followed Mingus to New York City, where at clubs like the Bohemia, Mingus' "Jazz Workshops" (people pay to hear us practice), musicians such as Jacki Byard, Dannie Richmond, Jimmy Knepper, Jackie McLean followed Mingus' spontaneously combusting arrangements. We get a glimpse of Mingus the musician, the writer, and general connoisseur of life. As Coleman puts it, I knew Mingus during "his Shotgun, Bicycle, Camera, Witchcraft, Cuban Cigar, and Juice Bar periods, and was familiar with his Afro, Egyptian, English banker, Abercrombie and Fitch, Sanford and Son, and ski bunny costumes. I ate his chicken and dumplings, kidneys and brandy, popcorn and garlic . . . " There are several good clues to the puzzle of Mingus' autobiography "Beneath the Underdog," a work which Coleman, among others, helped edit. I recommend reading "Mingus/Mingus" before tackling his Joycean autobiography.

   We also see the political Mingus, rightly protesting the treatment of black musicians, as well as racism and militarism generally. After all, this is the genius who wrote such pieces as "Oh, Lord, Don't Let Them Drop That Atomic Bomb on Me (with the great line, "don't drop it, bebop it"), "Remember Rockefeller at Attica," and the great "Fables of Faubus," which courageously lambasted the segregationist governor. Cole's memoir is perhaps the more literary of the two (Coleman is a writer), and gives us a very personal view of Mingus' profound effect. Coleman may have been the closer friend and she offers some rarely heard and often humorous anecdotes. Both Coleman and Young knew Mingus for more than 20 years, and the book is rich with material recalling Mingus and the social and creative forces of the period: For example, Mingus played Genghis Kahn in a "psychedelic Western" written by Coleman's husband and filmed at Timothy Leary's ranch. Mingus criticizes Leary's approach: "You can't improvise on nothin', man. You gotta improvise on something." The book is filled with Mingus' humor and anger and appetites; his idealism and his realism. A titan of a man and at times, a study in contrasts, Mingus the subject is as compelling as the music he composed. (No index, but you get Mingus' recipe for eggnog!) Highly recommended, I just wish there were more to read! Highly recommended for fans of Mingus, jazz and the sociopolitical climate of the era.

5 comments about The Undiscovered Paul Robeson , An Artist's Journey, 1898-1939.

1. For those of us who knew only that this great and gifted Renaissance man had fallen out of political favor of a paranoid United States, this is a great opportunity to see who he really was. Written by his son, this first volume study of Paul Robeson's life is replete with photographs, diary entries, and correspondence of the type only a family member might have. Paul Robeson Jr. spent a good part of his formative years away from his famous parents, and his view of their sometimes strained marriage, held together primarily by their preoccupation with Robeson's career, is remarkably detatched. This is an excellent snapshot of an era when the life of a black artist was complicated by American racism, and the tremendous intellect of a thoughtful genius who had his own views of the world could be stifled by an America unwilling to open its mind.
   A must read for anyone wishing to understand this aspect of African America in the 20th century. I look forward eagerly to the second volume.



2. What an outstanding book about a dazzling man that can only bring pride to every American, joy to anyone hearing him sing, and praise knowing his full life story.

   The book finally shows that Paul Robeson is an icon far beyond his time. He could have lived just the good life based on his talents in academics, entertainment and sports. Robeson earning a comfortable life of opulence with his talents his first 40 years only to give it away to stand up to the injustices he saw in America and the world. He practice when you are given much in life you must give back even more and he did losing much for his show of valance.

   If you ever heard the English words of the Soviet Anthem sung by Robeson, you understand the meaning of justice in life. It must be remembered that this was when Russia along with Ghandi in India were opposing Nazi Germany in Spain, Fascist Italy in Ethiopia and Colonialism in Africa and Asia.

   Robeson was for equality, fairness and civility. They opposed Fascism, Colonialism and Racism just like many came to do in the West, but at a much later date. Robeson never accepted the atrocities of Stalin and indeed never met him. In fact, many of Robeson's friends in Russia were actually purged and murdered by Stalin.

   Consequently, by becoming the most popular singer in Russia in 1930's and supporter of Russia against Hitler in the 1940's actually branded you an archenemy of America in the 1950's. A terrible sad situation but very true. In the end, this yeoman of ability and audacity was wrongly put on many blacklists that forced his legend into the entertainment and political dump heap of oblivion.

   Later there is no doubt that the courageous deeds of Paul Robeson only spawn the acts of Dr. Martin Luther King. These same people led the changes in America that were required so opportiunbities for all replaced the discrimination of the many. The same thing can be said to have happen in Russia when Stalinist's policies were finally exposed for the treachery and exploitation to enslave minds instead of freeing them. The book proclaims the costs of calling real heroes traitors for seeking to oppose the power of such tyranny.

   Paul Robeson is to be admire as much as any person in America. He is my favorite singer and after reading this book you will see few men could equal his talent and even fewer his grit. I highly recommend this book and hope it in made into a movie.




3. I highly recommend "The Undiscovered Paul Robeson" because it provides insightful information for both those readers who know a lot about Paul Robeson and those who do not. One of the most significant figures of the 20th century, this book paints a definitive picture of the key influences of his formative years. Born in 1898, he was raised by his minister father (who was an escaped slave)in the African-American church culture. The book shows how he became a football star,and an internationally famous concert singer and actor who dedicated his art to the struggles of his people for full equality. The book is particularly interesting because it uses Paul Robeson's own words as culled from his diaries, correspondence, and personal conversations with his son and other intimates, and from his wife's diaries. Paul Robeson legacy is important for us to know about. He helped to change the racial stereotype prevalent in the first half of the 20th century by presenting a dignified male image on stage and off; he was the first artist to legitimize spirituals as significant concert material; and he always reflected the dual image of an African-American rooted in his own culture who simultaneously believed in the oneness of the human spirit worldwide. More Americans need to know more about Paul Robeson!



4. I found The Undiscovered Paul Robeson is educational to those who don't understand the way the world use to be. The information provided by his son Paul Robeson Jr was right on point looking back into history. I've learned alot about how the entertainment business can work for you and then against you in a matter of speaking. Reading this book taught me how to forget what people say about you and to acheive to your highest goal ever. I found it enlightening, somewhat humorous at times and a must read book for our African-Americans worldwide. I highly recommend this book to learn about our African-American Heritage.



5. Undiscovered Paul Robeson provides a biography of artist Robeson from 1898-1939, providing a fuller view of not just the man's contributions, but his psyche and family life. Other titles have focused on his role as actor, singer, activist: this probes his youth, his initial resistance to politics, his associates. A revealing biography, Undiscovered Paul Robeson is very highly recommended for Robeson fans.

No comments about Outside the Magic Circle: The Autobiography of Virginia Foster Durr.

5 comments about Somerset Homecoming: Recovering a Lost Heritage.

1. Dorothy Spruill Redford accomplished so much for so many people when she went in search of her family history. This book illustrates how a person who was not formally trained in genealogy can develop the skills along the way to research their family history. The movie Roots is inspiring, but many African Americans give up after they run into the usual road block most of us encounter because of our families slave history or connections to Native peoples. Reading Ms. Redford's story gives one a sense of the kinds of road blocks she encountered, and how she overcame them. Ms. Redford has given me ideas about new approaches to my research, and I have also realized that my family may have a connection to Somerset plantation.



2. Spruill-Redford's book paints a beautifully accurate picture of North Eastern North Carolina. Her dedication to discovering the truth about her ancestors is admirable and thorough. The only caveat is Spruill-Redford's sweeping statements about the history of Somerset. She is inclined to believe that the reason behind all of the Collins' actions is to further their control over their slaves. Their conscious effort to keep families together, in example, is just one more way for the Collins' men to keep their slaves from running away. While this may have been, even probably was, the case, presenting that opinion as a definite is bad historical practice. Several examples of similar conclusions could be cited. The book must be understood as one woman's journey to uncover the lives of a people whose story desperately needed to be told, but not as an inherently fair historical document. Bias marred an otherwise admirable venture. It is reasonable to expect a reader, however, to pick up on these statements and analyze them accordingly. Somerset Homecoming is nonetheless a must-read, especially for locals.



3. In this book, Dorothy Redford shows the power of tenacity and courage. She had a dream--to uncover the past, to discover the story of her enslaved ancestors--and she sacrificed and toiled until she found out the truth, bit by bit. The inspiration is that she did not stop there. Now she lives that dream by educating others, both by her book and at the plantation where she is executive director, about the reality of slavery life. I recommend this book highly to anyone who admires or hopes to immulate someone who has realized a dream.



4. I read this the first time because it was a new genealogy book at my local library. More than just an engaging story about a woman's search for a heritage to pass down to her daughter, it also qualifies itself as the best "How To" on African-American Genealogy, because in the course of telling her story, Ms. Redford explains how she found her information. I recommend it all the time to friends researching African American family history.



5. I thought this was an excellent history of not only plantation slavery in America, but also the dedication of an individual to find out their heritage.

3 comments about A Nation within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics.

1. Woodard writes about the relationship of black power, black cultural arts, and the black nationalist movement with LeRoi Jones, later Amiri Baraka, one of its main supporters. ... He concludes that Black America requires an ideological and political arsenal of both nationalism and Marxism. But at no time can the emphasis be purely Marxist or nationalist without doing damage to the black community. In other words, sectarianism is the enemy of black liberation and the fight for equality. This is a must read for all interested in politics and race in the U.S. Recommended for undergraduates, graduate students, and faculty. -- P. Barton-Kriese, Indiana University East, Choice July/August 1999



2. Professor Peniel Joseph writes that, "Historian Komozi Woodard's `A Nation Within A Nation' ... stands out as the most important book to be written about the Black Power Movement. `A Nation Within A Nation' is really several books rolled into one. First, it is a well-researched and painstakingly detailed case study of the dramatic consequences of Black Power politics on [the] racial and political dynamics of Newark, New Jersey during the late 1960s and early 1970s. Second, it is a political biography that underscores the significance of Amiri Baraka to the Black Power Movement's rise and eventual decline in American politics. Third, the book explores the transformation of black cultural nationalism during the Black Power era and Baraka's pivotal role in contemporizing black nationalism as an expressive political and cultural vehicle. Finally, it's a study of the divese and complex matrix that produced black political thought and practice during the period; a historical interrogation of the national and international implications of radical anti-colonial discourses that undergirded Black Power politics."



3. According to Publishers Weekly, "Woodard examines the role of poet Amiri Baraka's `cultural politics' on Black Power and black nationalism in the 1960s. After a brief overview of the evolution of black nationalism since slavery, he focuses on activities in Northeastern urban centers (Baraka's milieus were Newark, NJ, and, to a lesser extent, New York City). Taking issue with scholars who see cultural nationalism as self-destructive, Woodard finds it "fundamental to the endurance of the Black Revolt from the 1960s into the 1970s." California Senator Tom Hayden, says: "The fascinating story of a struggle that nearly succeeded in creating self-determination in the urban ghetto" And, in Professor Robin D.G. Kelley's assessment, the book "will be one of the most important studies of black urban politics and culture in the postwar period." As far as Professor Michael B. Katz is concerned, it "breaks new ground and revises standard interpretations of the era. I am particularly impressed with the way he has connected political mobilization to movements in the arts, literature, and intellectual life, on the one hand, and to the restructuring of American life, on the other. It's a hardheaded, unflinching analysis, and he tells it well and with great feeling." Finally, Professor John Dittmer found it "Balanced and moving." "It should be required reading ... for all citizens who care about the problems of race and class in urban America. ... quite simply, one of the most important books we have on the black urban experience in the twentieth century ... by one of the leading scholars of the African American experience in this country." The book concludes that there have been five distinct phases in the history of black nationality formation in the U.S. The first phase was the ethnogenesis of African Americans during slavery; that established the social and cultural foundations of Black America. The second was the black nationalism that flowered before the Civil War among free Blacks in the urban North. A third phase resulted from the failure of the Civil War and Reconstruction to guarantee full citizenship for African Americans; under racial oppression and Jim Crow segregation, a subject nation developed in the Black Belt areas of the South. The most vivid example of that phase of nationality formation was the great Kansas Exodus. The fourth phase of black nationality formation resulted from the Great Migration of perhaps 1.5 million African Americans and from the development of large, compact, black concentrations in the ghettos of America; the flowering of that nationalism is seen in the Garvey Movement of the 1920s. And finally, a fifth stage of nationality formation ensued from the migration of 4 million Black Americans form the South between 1940 and 1970 and the development of dozens of "second ghettos," that generated hundreds of urban uprisings during the 1960s; that sense of modern nationality was heralded by the Black Power movement and the politics of Black cultural nationalism.

No comments about From Spirituals to Symphonies: African-American Women Composers and Their Music.

1 comments about Black Radical: The Education of an American Revolutionary, 1946-1968.

1. An excellent look at the history of the revolutionary movement. Experiencing the discrimination in the military during wwII, he came home a changed person. Committed to ending injustice, he joined the movement to end lynching and segregation. An excellent book

4 comments about Straight, No Chaser: The Life And Genius Of Thelonious Monk.

1. This was an excellent and detailed account of Monk's life. It helped me to understand the man and his music.



2. Attention T.Monk fans! This book has lots of info on Monk. It is written in a very interesting way. Much of the info is from personal interviews, which means that there are many interesting and funny facts and stories. There are some great photographs of Monk with other jazz pioneers such as Charlie Parker, Dizzy Gillespie etc. It also has a sessionography, index, list of compositions, and videography. A must read.



3. This book has gotten unjustified bad press. The author accurately captures the "real" T. Monk. She traces Monk's development and commitment to jazz over his career. The author had access to Monk's family (e.g., Toot his drummer son), friends, supporters, and the musicians that knew him. What I particularly like about the book was her treatment of Monk's mysterious pathology. Monk was a very strange guy. Various psychiatrists discounted him being schizophrenic and bipolar. The concensus was that he chemically ruined his brain over the years. He also cultivated an image of eccentricity. During the last six years of his life, he got up, put on a suit and tie (he was always sartorially snappy) and then laid in bed all day. This is a very good book and provided an insightful picture of this eccentric musical genius.



4. Leslie Gourse and her team have done a book of merit, an investigation of true achievements, but one that lacks passion, and previous knowledge about the central theme: the life and music of Thelonious Monk. Nevertheless, this book is as close as one can get to the personal life of the high priest of bebop, but not to his musical perspectives. The author misses her point absolutly in avoiding a serious treatment of the music of one of the true geniuses of american music.

5 comments about With Ossie and Ruby: In This Life Together.

1. Good read for anyone that wants to see what can keep a marriage together for a few decades. Also, great perspective on why they are both of historical significance and should be more praised as icons.



2. I love Ossie and Ruby. Their story is inspirational. They are true survivors. I loved hearing them tell their story in their own words. It was funny, touching and at times heart wrenching what they went through. They are true icons of not only African American history, but American history.



3. I am so glad I read Ruby Dee's biography on the internet or I would have never known that she and her (late) husband, Ossie Davis, had written memoirs together, recounting their 50(+) year relationship. This book is a combination of genuinely warm and humorous passages, as well as insightful, deeply profound and moving chapters. They literally have a dialogue together, at some points of the book, even gently (and not so gently) correcting each other on stories and minute details that the other omitted.
   
   Not only is this book wonderful from an historic point of view (it delves into the Civil Rights Movement and Dee's and Davis' role in that, as well as their experiences with racism, discrimination and the struggle to succeed in their craft, as actors of color--particularly African-American actors), but we also get a sense of how these two great individuals came to be the amazing actors/writers/producers/directors that we know today. While Dee always knew she was going to be on stage, Davis was initially going to become a playwright (though, fate had different plans). Together, they had children, grandchildren, and multitudes of life adventures (with plenty of bumps and u-turns along the way). Some may be surprised (and shocked) by the fact that Ruby Dee and Ossie Davis had an open marriage, when their jobs took them on the road and away from each other. Surprisingly, this brought them closer together. This was unexpected, to me, and it was intriguing to read their take on that (controversial) marriage choice that they made mutually.
   
   I really reccomend this book, and I think more people should know about it. These people are legends in their craft, and they are not only wonderful actors, but very talented writers. I look forward to reading Ruby Dee's "My One Good Nerve" from which she adapted a touring show by the same name, in 1996.



4. Legendary husband and wife actors Ossie Davis and Ruby Dee tell, with much seriousness, whimsy and candor, their respective humble beginnings, their ultimate meeting and romance in the theater, and the struggles they faced as actors, as well as African-Americans in a time of civil and political change. Though they both sought success on the stage and screen, they were also influential in achieving rights for actors, as well as African-American during the Civil Rights Movement.
   
   The pair mingled with the powerful on the Broadway stage (Howard da Silva, Lorraine Hansbury, etc.), rising stars of the movies (Sidney Poitier, Marlon Brando, John Cassavettes, Richard Widmark, to cite a few), and political powerhouses like Paul Robeson, Malcolm X, and Martin Luther King, Jr. Never afraid to voice their political views, the pair even became "persons of interest" during the Communist "witch hunts" of the fifties.
   
   Davis and Dee also reveal interesting tidbits about their married life. Speaking of their "open marriage" is quite a surprise but as one reads on, it is discovered that "infidelity" was not something that was not the norm, just an understanding that should something occur outside the bonds of marriage, it would be honestly admitted.
   
   The book's format allows each of the actors to reveal his/her take on common events in their lives. Both come across as truly unique yet complimentary and complementary of the other.
   
   An informative appendix at the book's end provides the reader with all the theatrical, television, and stage productions, along with audio performances, made by them individually or together. Of course, it is incomplete, considering that that book was published six years ago, and both have had additional performances to add to their lengthy career.
   
   Even though Ossie has since passed on, this reminiscence is a fitting tribute to him, as well as homage to both their marriage and their talents as thespians.



5. I just had the pleasure of reading this marvelous book. This book is done with class and shows celebrities do not have to write memoirs that are full of trash. I have always loved Ossie Davis and Ruby Dee. I have always said people who have been married for many years usually have had many ups and downs in their relationships. It just goes to show if you have faith and are not willing to give up easily you can have a relationship of longevity and is an inspiration to others. An excellent book. They may have made mistakes but in the end they are truly role models. My heart and prayers go out to Ruby Dee in the loss of her lover, friend and colleauge Ossie Davies. Ossie Davis and Ruby together were a class act and they have written a celebrity memoir with class.

2 comments about Black Comedians on Black Comedy: How African-Americans Taught Us to Laugh.

1. there is nothing like Black Comedians. I mean without Humor in this Country a Brother would truly be hopeless. through the struggle&all the Ism that went down back in the day&that still is happening now. laughter has always been the Best Medicine&it always hits the spot ten fold. this Book is tight. Interviews,etc... a Fantastic Book. very soulful&RIGHT ON!!



2. This book goes through the history of how black comedy became what we know it as today. Eddie Murphy, Sinbad, Cedric the Entertainer, Chris Rock, Damon Wayans...these are all successful black comedians that are common names around US households today. This book tells the stories of those that came before them. This book has wonderful quotes as well as short biographies of various comedians. It's a great read and I highly suggest this book to anyone who finds many of todays African-American comedians funny!