5 comments about The Timeless Way of Building.

1. The book was in fantastic condition. I received it very quickly as well. And so far has been a fantastic read. thank you!!



2. We are in the process of designing a home. This book was recommended as being good food for thought in planning a future home. It is not an easy read but well worth the effort. It,along with another from the same author,is required reading for college students in architecture. This book establishes the "language" for describing all the elements inside and outside buildings, neighborhoods, towns, etc. "A Pattern Language" is the sequel which explains in great detail how to apply this language. I would recommend both to anyone who is planning a future home - especially a custom-built home.



3. In many ways, The Timeless Way of Building remains the best book by Alexander, as it is easily accessible to all readers and provides a wonderful, thought provoking look into building traditions. Alexander searches for examples of a more humane architecture that took its proportions from the nature of building materials and the context in which these structures were built. The book is evocatively illustrated with black and white photos and thumbnail sketches. It has a look and feel like that of the Everyman's Library edition of Tao Te Ching, and in a similar way represents the building blocks of architecture through an insightful series of meditations on place. Alexander built on this series with A Pattern Language and The Oregon Experiment, and has since come out with a new series of books on The Nature of Order, but for many this is all you need to appreciate the sense of balance and order Christopher Alexander finds necessary in the built environment.



4. He is a very whimsical writer. Take time to browse through the 'Search Inside' to see if you really need this long introduction. For content you can actually work with, check out his other book: A Pattern Language: Towns, Buildings, Construction (Center for Environmental Structure Series).



5. One of the most intriguing books I have ever read, The Timeless Way of Building is one part complexity theory, one part architectural and city-planning theory, and one part spiritual treatise. It makes a great contribution to any class on Aesthetics, and resonates with people far and wide. I wish this book were in every library in America.

5 comments about Materials for Design.

1. It is really a nice book. The definitions for each material are clearly represented. The case studies are up to date. I like the demonstration of all of the details.



2. I highly recommend this book. I am an architecture student, and I have found this book to be interesting, useful, and full of great projects. The book does a nice job of talking about the history, uses, strengths, and weaknesses of building materials. The book is organized by material with building projects that utilize those particular materials in an innovating and interesting way. The photos are great and the detail drawings are very nice to see as well.



3. I absolutely agree with the two previous reviews-- it is a seamless combination of technical info and aesthetics. The book was recommended in my Masters of Architecture program by the Construction-I professor and since then it has been circulating widely in the design studios. It is a great resource for material detailing AND design inspiration. Wa-hoo-wa, Victoria Bell, great job.



4. Architecture is an interesting mix of enginnering and art. All too often one of these is emphasized too much at the expense of the other. If too much art is emphasized, it is easy to design structures that cannot be built with the materials being specified.
   
   This book is an attempt to bring the two together. It is broken down into five sections: Glass, concrete, wood, metals, and Plastics. In each category there is some description of the material itself, its history, and some generalized design characteristics. Then there is a set of descriptions of buildings built using that material. Each building is deacribed in some detail, photographed from several views and in most cases contain some line drawings of particular points of construction being used.
   
   Obviously this is an idea book that can be used in the early phase of design when the broad concepts are being discussed. The designs in the book stretche the normal thoughts in design with the particualr materials. It is far more interesting than most as it also stretches shat can be done with these materials.



5. If you've seen beautiful design and wanted to know how it was actually made, this is the book to show you. The case studies are the best of recent work and each has clear concepts, many color shots and ALSO clear construction drawings and details which are impossible to find. Some books only tease with images but not explanations, and technical manuals miss the beauty of design altogether. This book brings the two together. I don't know why this approach was not taken before, but it's what I've been looking for.

5 comments about The Eyes of the Skin: Architecture and the Senses.

1. I shouldn't really be so harsh because I was starting to forget about it has been so long. To be honest your service has been pretty good up till now but this time its a joke I been searching around the neighbourhood and no one has heard of it, I have email and ask if you know where it is and you said it was sent. I have paid for it so I should have it.
   
   Please I do understand this can happen occassionally, but please rectify this ASAP
   
   Thanks, otherwise this is a possitive review...



2. During my 15 years of architectural education and some years of practice (both as architect and as 'explainer' of architecture) I have not yet encountered a book on architecture which has changed my view on architecture so dramatically.
   
   Juhani Pallasmaa's book makes an excelent argument for retrieving in architecture that which seems to have been lost for a long time: the lived intelligence of the bodilly senses. In his book Pallasmaa gives an overview of the development of the occularcentrism which is dominating architecture (and pretty much every cultural aspect) in the Western world for centuries and goes on to show how this leads to an impoverment of the architectural experience (and with that the impoverment of our daily lifes).
   
   The mix of theory, practice and convincing examples (ranging from architecture, art, cinema to literature and poetry together with the size (80 pages) makes the book easily readable, even for the less theoretical inclined reader. My advice: read it!
   
   For those of you who are as impressed with this book as I am: there's another book by Pallasmaa with the title 'Encounters'(published by Rakennustieto Oy Rati, June 2005). This book features a collection of essay's which were written by the author over the last 20 years. This book is also about the phenomenology of architecture but, due to its size (app. 350 pages), gives a broader overview of the thinking and writing of Juhani Pallasmaa. It seems it is not available at Amazon but I hope they will put is on there list soon!



3. In five years of Architectural Design, I am hard-pressed to find a book that has made such an impact on my thinking and overall awareness of architecture. This is truly a must-read for any architecture student, and is extremely interesting for those non-architects out there. I highly encourage the investment.



4. Now back in print and updated into a second edition, this little book is a masterpiece on the differences between what we see in a set of architectural plans compared with what we sense when we walk into a building.
   
   When we actually walk into a building, we are sensing the building with all of our senses. The smell of the still drying paint, the echo's from unexpected sources and more now have an impact that wasn't there in the plans.
   
   This book consists of two essays:
   
   The first surveys the historical development of the eye-centric orientation of our Western culture that began with the Greeks.
   
   The second begins to lay out a way towards a multi-sensory approach to architecture that forms a sense of belonging and integration.



5. As a student in architecture I would recommend this book to any person involved in any way of design. Not only buildings, because architecture also includes every aspect of the designing of space. This can therefore include industrial design, automotive design, etc. The book dicusses the interaction between people and spaces(buildings) using the human senses as medium - the way we see, feel, hear and experience a space. It is a fresh and captivating book and it is a real pitty that it is out of print.

5 comments about Experiencing Architecture, 2nd Edition.

1. Experiencing Architecture, 2nd Edition
   In spite of it's age the book is still like a bible for people interested in architecture and used a lot in education. The language is not too complicated, its not too technical and there are a lot of simple but good illustrations.



2. I like this book very much, while reading, you feel like being on the place that is described and feel the architectural sensation.



3. Yes, it's a must-have, yes u read it more than once and yes it is just the book for any architect or designer or anyone interested in the field..
   This book introduces you to architecture...it's really enlightening especially to those who think that architecture is putting a couple of bricks together to come up with a building, `cause architecture is more than that, it's more or less like a way of living...
   So that's why i highly recommend this book to 1st year students or those who are about to pursue a future in architecture..
   but still this book is great for seniors and architects in general...
   the only think n this book that needs adjustment is the display or the presentation...i know it shouldn't matter as long as the book is good...but just as a way to make the books more appealing especially for those who don't like reading all that much... but if you r the kind of person who doesn't mind that u'll enjoy the book all the same.. I really think this book should b taught in any architecture class



4. this is a classic book on how to deal with architecture.
   it is not a graphic game, instead architecture is an experience.
   to understand it means experiencing it with our senses.
   thats i have learned from this book.



5. I am interested in architecture as a hobby, and as a potential career at some point in the future, so the perspective I had when reading this book was that of an informed amateur. I can't praise this little book enough. In its pages are the best explanations and analyses of contrasts, textures, shapes, and colors that I have seen in one single, condensed location.

   Originally published in Denmark in 1959, and therefore lacking some of the more contemporary and postmodern design trends, this is an invaluable analysis of primarily European design through the mid twentieth century. This book is profusely illustrated with black and white photographs (most of which were taken by Rasmussen himself) and a fair number of drawings, all of which greatly assist the reader with his understanding of the material.

   Specific buildings mentioned are too numerous to list, but the run the gamut from St. Peter's basilica in Rome, to the haunting and sinister Palazzetto Zuccari (also in Rome), to the ultramodern Johnson Wax Company building in Racine, Wisconsin by Frank Lloyd Wright, and the very modern study in open spaces found in the Copenhagen Police Headquarters (one of my personal favorites.)

   This would be a useful guide to architects, and is the single best introduction to historical architectural style that I have yet found. Anyone with even a passing interest in architectural design or history would love this book.

5 comments about Interior Design Course: Principles, Practices, and Techniques for the Aspiring Designer (Quarto Book).

1. This book contains nothing that I expected based on the description. I should have read the other reviews before purchasing. I can't even use it as a coffee table book. To be fair, I don't know how good this book is because it had very little to do with what the description provided. Perhaps a seasoned professional might find it of interest.



2. no problems with my purchase. I received it promptly and in the condition stated. Great doing business with you!



3. This book is not what I expected at all... I its nothing of interest... I think I have learned more about that in a wonderful spanish magazine "El Mueble" the thing is that I cant find it here in the States...



4. DON"T WASTE YOUR MONEY,book gives very limited information and covers useless information Don't buy it



5. I love this book! It's been helpful in understanding what level of thought goes into each step of the design process, including how to approach different design scenarios! As a student, I totally recommend it to other students and those who are just curious!
   [...]

5 comments about Portfolio Design, Third Edition.

1. It's curious that this book is touted as "the bible of portfolio design." Although it passes as an intro, it's value drops off the face of the Earth afterwards.
   
   What "Portfolio Design" is, is a reproduction of outdated portfolios and examples of templates you can find in any page making tool. It lacks any meaty, substantial analysis you'd expect to find in a "bible" of portfolio design:
   
   -nothing on the theories behind print design.
   -no explanation on the "whys" and "hows" of presenting your work.
   -little analysis on proper organization of a portfolio.
   -insufficient info on photography, cropping, margins, etc.
   
   If you've never put a portfolio together, you might get some use out of it in the initial stages of your portfolio. Once you iterate to a certain level, however, "Portfolio Design" makes a better coaster than a guide. Advice: buy it used, if you buy it.



2. lo recomiendo ...es el mejor libro de portfolios a la venta y esta muy bien dirigido al campo d ela arquitectura,,..sus fotos e ilustracion son magnificas..claras y explicitas...comprenlo....vale la pena increiblemente



3. First off, this is a great reference for people/architecture students who are starting up or refining their portfolios. It is packed with some excellent, helpful written guidelines and decent imagery of a wide variety of portfolios. The professional commentary/critiques of the case-study portfolios are worth the price of the book alone. I received the 2nd edition of the book 5 years ago as a gift as I was applying to architecture school (after I'd submitted my portfolio however!) and, after leafing through the book in detail at Borders, I picked up this 3rd edition today as I am preparing to graduate and enter the work force.
   
   Now, with that out of the way...
   
   Several of the negative complaints I've read on here have focused on the "poor presentation" of the portfolios and the quality of the images of them, etc. While those comments are not without merit or completely off-base, they are in fact quite silly with regard to the subject matter of this book. Linton is providing samples of portfolios that were created by various students who volunteered to have their work featured and the fact is that many of the portfolios are quite elaborate fold-outs, spiral bound books, or printed plates...there is really no way for the author to present the images of the portfolios themselves (not their content!) other than photographing them.
   
   You can easily understand the IDEAS that are on display and how they are being graphically represented. That is the essence of what you need for composing your OWN portfolio featuring your OWN work. If you're looking for step-by-step instructions on how to create a slick portfolio, look elsewhere. I will say that the book would strongly benefit from more color imagery, but as for the reviewer who said they simply gave the book away because it was so disappointing and worthless, well, we don't see eye-to-eye on this one.



4. This book is so often mentioned and recommended that I bought it. I have produced some hand-built portfolios of my own, and was looking for more inspiration and practical advice. Instead, I found poor images, much of it in black and white, and the work in the portfolios is more interesting than the portfolios themselves.
   
   This is heavily geared to architects and also to those with the means to have professional printing and a huge cash outlay for materials, cases, etc. I think some of the advice is good, but really for the un-initiated student, not professionals. A professional already knows that if the portfolio is sloppy, that it will not speak well of the designer and that a well-designed portfolio is an extra endorsement for the designer above and beyod the contents. There is little better advice/information in this book than that.
   
   The portfolios showcased are very similar to each other, and there is little that can be produced by someone at home with a computer and a printer. I can tell you from my own experience that there is a lot you can do with a little elbow grease and less reliance on professionally assembled pieces.
   
   A little advice of my own: A portfolio must showcase the work, must not detract from the quality of the work, and must be either changeable or expendable. Your portfolio should not be stagnant, but evolving with the new wonderful things you're doing and adding! Too few of the examples in this book provide for leave-behnids, inclusion of resumes, and the evolution of the contents.



5. "Whether you work in architecture, urban planning, landscape design/architecture, or interior design, a finely tailored portfolio is the most important element to include in your application for graduate school, a design grant or competition, or bring to a job interview. In addition to showing you how to assemble a portfolio that will display your talents and qualifications to the best advantage, the third edition of Portfolio Design adds a chapter on digital strategies, discussing all the elements necessary to bring your work together in a digital format. Also new in this edition is commentary and analysis of selected student portfolios by three experienced professionals who offers unique insights to help you develop your own portfolio.
   
   From formats, bindings, and cases to reproduction techniques, content, style, sequencing, multimedia, and the latest in promoting yourself on the internet, Portfolio Design addresses every aspect of portfolio plannin gand production."
   
   ~Excerpt from inside cover of Portfolio Design, Third Edition

5 comments about Why Buildings Stand Up: The Strength of Architecture.

1. I receipt the book very quikly and in excelent conditios of use, as a new book.



2. This book provides a layman's explanation of structural engineering without being overly simple or condensending.
   
   The early chapters on loads, materials, and beams and columns were a short but good foundation. The explanations of buildings, bridges, and dams, and other "non building" structures provides a useful broadening of perspective for those involved primarily in commercial building projects, but who may, on occasion, encounter more unusual complex sturctures.
   
   For those who are not engineers, but make their living building commercial building every day - building owners, architects, contractors, lenders, and insurers - this is about as much information as they need and can handle.
   
   Choosing Project Success - A Guide for Building Professionals



3. I never received this book from Amazon. Now I get to go through the fun process of trying to get a refund. Amazon sucks. Meanwhile, I bought this book at a bookstore and it is really good.



4. Salvadori's "Why Buildings Stand Up" is perhaps best introduced by the author's own words in the preface, succinctly and appealingly written: "This book was written for those who love beautiful buildings and wonder how they stand up." A somewhat lofty goal, the author nevertheless does a wonderful job of introducing the basics of building mechanics and then to describe how those mechanics - both static and dynamic - are at play in a wide variety of structures ancient and modern. The book is a thoroughly enjoyable read that leaves one much more greatly informed than one might expect, despite the obvious implication and stated goal of the title.
   
   The book truly represents a door opening into the world of structural issues in architecture. After a brief introduction on the historical background of the field of architecture, Salvadori introduces the pyramids of Egypt as one of the earliest examples of empirical approaches to structural erection ("empirical" meaning that much of this effort was trial-and-error, in spite of some basic understandings of how gravity affects, and creates, structural "loads" in any construction). Having allowed us to focus our thoughts on these early construction programs, we then are introduced in turn to essential engineering architecture concepts such as loads, beams, columns, and building materials. These discussions, which are covered in extensive, but nevertheless clear, text, serve as the foundation pieces for everything else examined throughout the remainder of the work.
   
   The text next moves into numerous specific building types, and examines the specific engineering issues surrounding each. By presenting the material in this manner, we are able to learn all about the sometimes complex statics and dynamics issues in a contextual manner, i.e., we see the actual real-life application of these concepts in the instances the author chooses as venues to teach these concepts. We look at houses from all ages, every major type of bridge, at domes, tents, balloon structures, and even "hanging dishes." We are also provided neatly crafted line drawings illustrating these concepts, and often reproducing specific sites that represent salient examples of the concepts under discussion.
   
   Beyond discussing structural concepts, we are also treated to specific examinations, by chapter, of some of the most fascinating building projects around the world, and are made to consider the unique and often complex structural issues at work in these buildings. These include the Eiffel Tower, the Hagia Sophia, the Brooklyn Bridge, and even a whole chapter on the fascinating elements in play in the classic medieval European gothic cathedral. In the case of gothic cathedrals, Salvadori selects one of the most interesting of cases, the Saint Pierre cathedral of Beauvais, as a dual example of how gothic structural forces are controlled through the pointed arch, the ribbed vault, and the flying buttress, but also how that, in some cases, such as at Beauvais, collapse still ensued under certain conditions. The Beauvais case is particularly interesting, as the lofty goal of the edifice - to be the tallest gothic cathedral ever built - may not have been the actual cause of collapse, and the steps taken to prevent further collapse (such as the adding of additional interior piers in the 14th century) are not necessarily the only reason why collapse has not since occurred in the structure since the 16th century.
   
   Salvadori's text is a companion to his other volume, "Why Buildings Fall Down," and although this might sound like a marketing ploy, upon reading the two texts one can see the very different approach and outcomes produced by these two approaches. You can certainly read either volume by itself and walk away satisfied, but if you read BOTH volumes, the opportunity is presented to the reader to more carefully integrate the learning into a more meaningful whole. One might view one approach as a top-down approach, and the other a bottom-up approach, although that metaphor slightly fails in some respects. But there is nevertheless a great value in seeing how stressors, tension, lateral forces, and so on balance in harmony in structurally-sound buildings and structures, and how unbalanced loads can force collapse in all types of structures.
   As an adjunct reading to the mechanical engineer, I can heartily recommend both these texts to help contextualize and illuminate the concepts learned in engineering classes. For the general reader, I can equally recommend these books as fascinating and educational forays into the world of structures, both standing and not.



5. This book is an essential read for architecture students entering the first years of architecture school or entering into Structures class, as well as curious people just interested in architecture in general. It is topically comprehensive in its description of critical physics, structure, and historical events that effect the building industry today.

5 comments about Traditional Construction Patterns: Design and Detail Rules-of-Thumb.

1. For those who want to put the home back into the house this book explains how traditional detailing works and why it makes us feel so comfortable. It's a technical manual and a spriitual inspiration.



2. Mr. Mouzon has written a very informative book about both the terminology of architecture elements, and the reasons behind traditional construction design that just "looks right".
   
   As someone who grew up in the building trade, most of my architecture terminology was limited, just as architecture elements implemented in most recent homes have been likewise limited. For example, the full range of classical entablature elements are seldom used today, and therefore the terminology describing those elements are not common in construction use. This book has an excellent chapter on architecture lexicon complete with a depiction of each element for ease of reference. This lexicon is very useful when describing homes built at the first of last century or earlier, and will hopefully come into use again as McMansions start rediscovering the beauty (and distinctiveness) of properly implemented classical design elements.
   
   Concerning the appearance of correct design, this book does a great job of explaining why certain building elements are perceived as being "right" while other elements are perceived as being "not right". Originally I purchased this book so to provide guidance in the renovation of an 1884 Victorian home I purchased - I want to add on to the house but in a way that blends seamlessly into the existing structure - but found it more useful in explaining my negative visceral reaction to certain home designs I've witnessed over time, including most of the McMansions being erected in my current tear-down neighborhood of Dallas. Many of the "not right" elements I have seen are thoroughly detailed in this book - too many gables, too many different materials used on the facade, a hodge-podge of window shape and sizes, improperly scaled columns and porches, etc. I've jokingly told my wife that if another house close to mine is purchased to be torn down, I'm going to personally deliver this book to the builder with the instructions to read it before any construction plans are finalized!
   
   This book would best benefit someone in the building trade that doesn't have a strong architecture background, someone who wants to build their own mid-to high-end home, or someone who builds spec homes of that range, all without the input of a competent architect. For the person who is building a lower-ended home many of these rules of thumbs just aren't financially attainable, though an awareness of the other applicable rules of thumbs will keep a muddled design at bay.
   
   I will continue to use this book both as a lexicon dictionary and design reference when, in the near future, I return to the building industry.



3. I only wish I had known about this book six months earlier! We're attempting to build a period-inspired colonial house. I was so dissatisfied with the house plans I saw that I decided to just design the house myself using library books and determination. I wanted to build something beautiful and the "anti-McMansion". If only I had had this book earlier we would've done so many things differently: my second floor windows would've been shorter to accommodate all the stuff that's supposed to be under the eaves but now won't fit. I would've put the little stoop in a different spot. My dormers would have different proportions. The only problem with reading this book is that now when I look at our house I see all the things I did wrong.



4. I am not an architect, but I am a city planner and frequently work with architects and draft zoning codes which govern architecture. To me, this book is worth the money simply for the "lexicon" at the beginning which describes and illustrates the key elements of traditional building construction. No other book I have used provides these descriptions in such a readily understandable way.
   
   Most of the book consists of a listing of "do's" and "don'ts," illustrated with photos and small drawings, that explain how each of the details should be used and work together to form a composition. I agree with one of the earlier reviewers that some of the photos are hard to read, but for the most part, it works. You may or may not share the author's strong opinions--a lot of people seem to prefer McMansions to the simpler forms of traditional architecture--but regardless of your aesthetic judgements, this book will teach you like no other how the design details come together to determine the overall look and feel of the building.



5. I am using this book to assist in the detailing of my house, which we are renovating right now. I lent it to my architect and he says it is a great resource and time saver. He will be buying himself a copy. This book provides many examples of what to do and what not to do and will allow you to focus in on those details that make homes look "just not right" and correct them before costly mistakes are made.

5 comments about Sketching and Rendering of Interior Spaces.

1. As an architect, this book it's been so helpful to me to visualize my ideas, and allow me to express what I see, feel and want to show to other using drawings.



2. I really like this book because it's not that "technical" and it's filled with practical advice for producing graphics! One of the only complaints that I have is that the materials suggested are a bit out-of-date (e.g. marker colors) but that is really it. I'd suggest this book for anyone looking to make fantastic graphics in a short amount of time.



3. The quality of the renderings in this book are horrible, if I had things like this in my portfolio or submited work like this, I would get nowhere very fast. Some look as if he put markers through a paper shredder and let them just drip randomly on the paper, then smeared it around a bit. All of the Case Studies are of things he (the author) has done, so there is absolutly no diversity in this book. Try some of the more expensive alternatives, you get what you pay for I assume.



4. I found this text very frustrating. There is no instruction in technique beyond some simple perspective lessons. If you want to know how to accurately render different materials you will have to find another book. You can tell there are many more steps he uses to achieve his renderings, possibly even the use of other materials or media with his markers, but there is no information about it in his book. It is the text our professor uses for our Intro to Color Rendering class and I think there has to be something better than this!



5. An excellent reference text for both the student of design and professional. Beautifully illustrated with step-by- step instructions explaining the mediums and techniques in their use to acheive maximum results!
   Ira S. Friedman
   College Instructor,Interior Design/Graphic Techniques/Drafting

2 comments about Problem Seeking: An Architectural Programming Primer.

1. I am not sure that I will use Amazon.com again.
   
   I am an instructor at a local college. I ordered books two & half weeks prior to my class beginning. a couple of days prior to class beginning, I wrote to Amazon asking where the books were. I received no answer. I wrote again on the day class began. I received no answer. The books arrived after the class began and I had no choice but to drive around town hand delivering the books to students who had not found the books on their own. I returned the remainder.
   
   Correspondence is either non existant or slow at best. I found Amazon a internet site with a lot to offer, but service and communication is not one of them.
   Karen Easter, IIDA, CEO
   IDR, Inc.



2. If you're interested in architectural programming--defining a project's requirements prior to designing--then this book is a "must read." Why "Problem Seeking?" Pena explains that since design is problem solving, programming is, "the search for sufficient information to clarify, to understand, to state the problem."
   Part One of the book is a primer, focusing on theory and principles. Part Two is the "how to do it" section, providing details and examples. The book is based on decades of real-life project examples from one of the most experienced architectural programming teams in the nation.
   
   
   The core idea is profound: Separating programming (analysis) from design (synthesis), brings tremendous clarity to the design problem. Focusing first on the goals, facts and concepts, then translating those into quantifiable needs (independent of the solution!) facilitates decision-making and encourages innovation.
   
   
   Reading this book won't make you an architectural programmer, but it provides an essential foundation for anyone involved in a building project--architects and owners alike. The book is used as a text book in architecture schools across the country, and is required reading before taking the Architectural Registration Exam. A 9 out of 10 only because it will leave you yearning for more.