2 comments about Green BIM: Successful Sustainable Design with Building Information Modeling.

1. The best book for anyone wants to integrate BIM and Sustainability in their work practice, mainly designers.
   Good for both students and professionals. a step by step procedure to achieve Green Design using BIM technology, with real life examples, procedures, calculations, etc...
   The main program discussed is Autodesks's Revit, wish they used more than one application.



2. This is a groundbreaking exploration of what you can do TODAY with BIM to make your buildings sustainable. Its got a lot of pictures and graphics that neatly explain the concepts. You can tell from reading the first few chapters that these guys really know what they are talking about.

5 comments about S M L XL: Second Edition.

1. An acquaintance had a copy of this so I looked through it during a dinner party. Blah. Bah! It's full of facetious, egotistical monoliths (from the edifices to the book itself) that offer nothing but themselves to the rest of the urban experience. Le Corbusier of the late 20th century. Gawd, I hope Koolhaas doesn't take that as a compliment.



2. Realmente atendeu as expectativas. Um belíssimo livro em um bom preço e no prazo de entrega informado.



3. So much information that it took too long to get through it before most of it wasn't relevant any longer.



4. There's a terrific line in Breakfast at Tiffany's. George Peppard proudly hands neighbor Audrey Hepburn a copy of his just-published book. She has no idea what to do with it, so she puts it on a shelf next to a vase, backs away and says "Doesn't that look nice?"
   This book is a lot like that. A self-conciously designed object for the homes of style consumers who already have the right clothes and the B&B Italia furniture. A prop for the still-life they want to inhabit. If they ever got around to "reading" it, they'd discover to their great relief... it's NOT a book to be read in any strict classical sense.
   
   It also reminds me of a New Yorker cartoon where one associate asks another, "Read the first few pages of any good books lately?" The age of the short attention span is not going away any time soon. This hefty grey slab is easily recast as the shiny new headstone for verbalized intelligence.
   
   As Kracauer holds it, there's nothing wrong with framing a culture via fragments, but I have plenty of qualms about advancing one's own ideas that way. And I'm suspect of ideas that trowel on style in the abundance seen here. If I could believe Bruce Mau's intentions were more than just trying to look new, (This 'look' now permeates architecture publications) I'd have more respect for this, but it was obviously calculated as a totem of style and style-suffusion.
   
   For better or for worse, the book got noticed, the industry was distracted by the pretty surfaces and the ascent of Koolhaas is a done deal.
   If you want to actually READ a book full of Koolhaas' thoughts, skip this and get a copy of Delirious New York.



5. Possibly one of the many great books on architecture of today with plenty of references and clean graphics. A must have for all architecs or if you just want a wonderfully beautiful book for your home or office.

5 comments about California Romantica: Spanish Colonial and Mission-Style Houses.

1. I love looking at Spanish colonial architecture. I have a viceral reaction to it, as does/did Diane Keaton, who is also a Californian. I would love to look at each and every photo in this book but it's very very difficult because it is so huge and heavy. You can't hold it in your lap to enjoy the pictures, so you must lay it on a table and look at each page using both hands. The black and white photos show details in the various grand houses mentioned but I was able to look them up online so I could see each house featured in the book inside and out, and in color, e.g. Leo Carillo's house, Los Quiotes. All in all, very very beautiful photography rather than inspirational. What I thought I was getting was something like a wonderful book called Red Tile Style. I can look at and read that book for hours and get the intense feeling that is somewhere in my early psyche and is brought out by seeing the Spanish Colonial and Mission Style houses, some gone, some that still exit, like those in Long Beach and Ventura, CA. I did not get that feeling from this book, but I liked what little writing there was. How I would have liked more to read. But for me, this book is not a keeper. Too much of a physical commitment to pull out and enjoy. I wonder if this book would have been published if the photos were taken by a non-celebrity. Oh well. I have always loved California architecture and Diane Keaton can do no wrong as far as I'm concerned. I hope she can get into Falcon's Lair, the last home that Rudolph Valentino owned. It still exists and I'd love to see photos of the inside of the house he loved so much at the time of his death at age 31.



2. I was disappointed with California Romantica. The use of a black seems to dominate. The photos are framed with a black border and pages with text are black with white lettering. For me,some photos were difficult to appreciate due to the darkness. One,in particular, the photo of huge old tree, using two pages,the foreground on the right side was black with just an outline of what one knew was a cactus. The left page had a dirt road lite by the sun giving a cooperish glow. The tree is underexposed making it very dark, therefore the focus is the cooperish dirt road. I love trees and I wish this one did not look dead since it seems to be a
   beautiful place to sit and stay awhile, to read a book or meditate. The architectural features of the villas,the walls, floors, ceilings, stairs, balconies, tile work, doorways,wooden doors, pools, windows, wrought iron work, the furnishings, were creatively portrayed. I did enjoy photos showing what one would see out of specific windows, such as the window on the all black page with just a patch of blue which we know is the ocean!
   
   I will keep the book since I love old houses and I have a great respect for Diane Keaton's efforts to renovate and restore these wonderful homes preserving California's past. Thank you Miss Keaton. Keep up the good work.



3. Just a bunch of art photos. Sure, some of them are beautiful. But this book is classified in the home section. If you are looking for ideas or inspiration for your house, this is definitely not the book. Casa California is far better for that purpose. Many of the photos in this book are of a tiny tiny detail. The book itself is gigantic and very heavy. It's a very self-indulgent work by the author and publishing house.



4. The photography in the book is "Breathtaking" ! Learned so much about my new home , California , early architecture ! A great help for restoring homes here in Southern California !



5. This is an excellent ART book. The photos are exquisite but the whole of the book leaves a little too much left unsaid. The beauty of these period houses are the huge quantity of fine detail and how those details interact. To really get a feel for this type of style it's important to see those details in total and not just specific details in a vacuum. While the shots were all beautiful it would have been much better if the overall feel of the book was more encompassing instead of a macro view with the focus on fine art photography. I absolutely loved the photography, I just was left wanting a little more.

5 comments about Watercolor Basics - Lets Get Started (Watercolor Basics).

1. Watercolor painting can be discouraging for the beginner because of
   its delicate and difficult technique. A complex sketch that took a
   long time to develop can be ruined in two minutes when the novice
   painter starts putting watercolor on it, therefore wasting precious
   time and effort plus some expensive paper and paint. That's why Jack
   Reid, a fine painter with a great instructional sense, suggest
   approaching watercolor by learning-by-practice four basic techniques:
   flat wash & glazing, graded wash, wet-on-wet and dry brush. Mr. Reid
   proposes practicing these techniques on exercises a learner will be
   glad to try: nice looking pictures based on very simple sketches,
   appealing enough to be stimulating but simple enough to avoid lazyness
   and frustration. Also, the exercises proposed can be made in small
   format, thus relieving the distress of wasting materials that often
   makes the beginner repress from practicing. It's indeed a delight
   working on that simple projects and finding that Mr. Reid's advices do
   work. Along these exercises the beginner will adquire a practical
   knowledge about how things are done in watercolor.
   
   Once the beginner is supposed to manage the basics, the second half of
   the book goes into the general problems of painting: value, colour and
   composition. Again, every subject is accompanied by exercises of
   increasing difficulty that the learner may be willing to reproduce.
   
   In summary, the book is brief but worth every paragraph and
   illustration. It makes those of us painting for some time as
   self-learners to stop for a while and think seriously about changing
   the way we focus our work. The only doubt it poses is if Mr. Reid's
   approach is valid for general watercolor painting or just for
   "Reid-ish watercolor". Anyway, one's style can only be develop by hard
   work; a book can only give directions on the basics. And this book is
   great for that.



2. This book is for the "Very Beginer". It tells you what to purchase to start...ie..which brushes, what paint colors, and paper type. It then goes on to show you step by step how to use those supplies to create a picture.



3. I am teaching myself watercolor painting and this book has helped me tremendously. The step by step exercises make is so easy to learn technique and the reasons for different techniques. It has also helped me to learn to draw better. I highly recommend it to any beginner!



4. After looking at the library copy of Jack Reid's books on water color tecnniques, I knew it was the best way to learn and feel confident that I can do it! I had to have a copy of my own. The illustrations are great as the painting develops step-by-step, gently leading me to a new skill. Enjoyable confidence builder. Also, Mr. Reid's approach on materials is easy on the budget and makes the picture more important than the kind of brush that paints it. Styrofoam and twigs are right up my alley.



5. I would recommend this book to everyone to get so that you can practice watercolor techniques. Like all the other books in this series, you can't go wrong adding it to your collection.

5 comments about Brushwork Essentials.

1. Beautiful reproductions...
   I enjoyed the information about water-soluble oils
   so much that I did more research on them and
   decided to give them a try.
   The information regarding brushes and the way
   to use them was thorough and met my expectations.
   I don't trust painters who don't establish their
   good credentials by showing examples of their work.
   Weber did this, with his "Realistic" and "Flemish"
   style paintings which showed his abilities
   to draw and paint at a high level.



2. I am an inexperienced beginner at oil painting who has never taken art lessons. So I read books. This book is exactly what I needed. It simply explains the different brushes, how to load them with paint and how to use them to get different effects. The text is clear and the graphics are great. I'll definitely be referring to this book again and again.



3. I'm fairly new to painting, but I have purchased a dozen books on oils, and this one has been the most helpful to me. It's pitched to the beginner or beginner-intermediate artist, not the expert.
   
   Weber mostly makes good on his promise to show you how to do things, not just finished results. He shows you a number of different ways to load a brush, for example "shovel loading, "chisel loading, "tip pull loading," "body loading," and others. The book includes helpful close-up photos of each of these techniques. He then shows you several different ways to apply each of these loaded brushes, again with close-up photos. Using the same kind of closeups, he shows you how to mix paint. I haven't seen this level of detail in any other painting book I've purchased.
   
   The book then goes on to demonstrate several techniques for blending, again using helpful series of photos depicting brushstrokes for blending, different stages in adding transitional colors, and thorough wet-into-wet blending. I really had no clue about blending until I read this material.
   
   The book didn't answer all my questions. I had hoped for some detailed instruction on how to paint water, but while there are "walkthroughs" for painting roses, a mountain landscape, and a human figure, and a couple of shots of water in photos, there wasn't a systematic treatment of water. Also, the book advocates using a "wash" to start a painting without thoroughly explaining why one would do this, although it does include an adequate description of how to go about it.
   
   But these are minor quibbles. I learned a lot from this book. I wish he'd make another, focusing on particular problems in painting, or providing more step-by-step walkthroughs, but this book will keep me busy for a while. I intend to try to reproduce his roses, for example, following his instructions.
   
   One final caveat. Weber happens to use the very same paints I do -- the DUO Aqua water-miscible (sometimes called water-soluble) oils. So for me the book was a perfect match, as he was actually talking about pigments that I'm already somewhat familiar with. Don't get me wrong; mostly his writing has a much broader application to "regular" oils, and he's quite clear about when his comments pertain only to water-miscibles. But part of my enthusiasm for the book is the happy coincidence that he uses "my" paints. For readers who use paints with very different handling characteristics, the book might be slightly less useful. But only slightly less.



4. Acknowledging that the reader may or may not have discovered some of their own techniques that render expressive painting, Mark Christopher Weber respectfully shares his vast knowledge without being preachy. This book contains beautiful, high quality reproductions of Weber's finished paintings and is a delightful read. With occasional subtle humor, and easily understandable similies (ex. "consistency of mayonnaise" and "jelly on top of peanut butter") Weber helps the reader relate painting to common everyday knowledge to get the point across. He meticulously shares different ways to "load the brush" and release the stroke to get the right effect.
   I found answers to many frustrating problems I was experiencing in my own foray into oil painting, even though I have been painting for several years now and had acquired and read a good collection of helpful books. If you are a good artist who struggles with just how to get that medium to do what you want, in other words, mastering it, this is a must-have reference for your artist's library, as well as a delightful read. Put it at the top on your art resource booklist.



5. This is a tough book to review. I give this book 3 stars (the above is inaccurate) I like the idea of learning how to apply paint to the canvas (or whatever) but somehow looking at photos and reading the text leaves something to be desired. In my opinion this would have been better as a DVD where a person could actually see the process taking place.
   
   The review of materials (in every Northlight book) gets tedious. The author seems to assume the reader hasn't painted before; however, I doubt a beginner in painting would purchase a book on brush technique.
   
   Brushwork Essentials does cover a lot of territory and it does demenstrate the importance of knowing what your combo of brush and paint can achieve. A lot of learning is included in the book. The problem is visualizing what the author is talking about. A couple of photos with text doesn't carry the ideas forward very well. Many people will benefit from this book, but it isn't something that is all that easy to grasp.
   
   After buying and reading numerous art books I have become disappointed with Northlight books. They publish a ton of books on every conceiveable subject; however, they are very repetitious and often do not manage to put the ideas forward very well. Northlight should switch to DVD or other types of presentations because their books are not cutting it as far as I am concerned.
   
   If you want to buy this book I suggest getting it used because I do not think it is worth the full price (which I paid). Cheated again by good advertising and poor execution.
   
   AD2

5 comments about Earthbag Building: The Tools, Tricks and Techniques (Natural Building Series).

1. This is our "go-to" book for very practical descriptions and diagrams of process and procedure. We are planning our new house, and are incorporating elements of off-grid solar/wind power, rainfall catchment, passive ventilation, and high-mass wall construction.
   
   Nothing beats a hands-on experience, and if you can visit either the CalEarth site in California, or the Earthships site in New Mexico, you should. You get a much better understanding of the process of earthbuilding, and also of the finished product. Then, as you begin to plan to build, gather all the information you can. "Ceramic Houses" will give you great information on design principles and on philosophy; the Earthship books by Mike Reynolds give primo information on the plumbing and electrical systems, and in particular on rainfall catchment.
   
   "Earthbag Building" however, remains our mainstay. Hunter gives such good detail, and provides excellent resource lists for materials, and also lovely line diagrams that are very clear and easy to follow. And to truly make her the Queen of Bag Building, if you e-mail her a reasonable question, she answers!



2. I first checked this book out in the local library. It's a wealth of information, so I went to Amazon and bought two copies. I can recommend it highly to anyone interested in exploring this form of construction.



3. This is a must book for anyone who is considering to undertake the task of building an earthbag structure. There are many tips and suggestions, the result of long practical experience, that will help the inexperienced builder to avoid many: "if I only had thought of this earlier..." moments.



4. Earthbag building, a method developped by Nader Khalili, is a wonderful innovation in building. It means that a building be built from materials found on site, even if those materials are too poor for rammed earth or mud brick. I've already used the techniques in this book to detail two public buildings! The trick is now to convince the structural engineer and councils...



5. This book makes a good gift to those who are planning or are fascinated by alternative house building.

3 comments about Cliff May and the Modern Ranch House.

1. Excellent pictures, beautiful book and fun to see all the different sizes, areas, and ideas about those homes that were around me in my childhood in Pacific Palisades/Brentwood. Loved the book - it was very well presented! I certainly didn't appreciate how inovative Cliff May's architecture was.



2. I can wholeheartedly recommend this book to all Cliff May owners and prospective owners. Gregory does a wonderful job of balancing academic research and analysis with colorful anecdotes about the man behind the homes. The photography is top-notch, especially the archived images brought to life from the past.



3. I bought this as a gift for my son and daughter-in-law as they live in a Cliff May that they need to update. They need to make changes to the kitchen but want to maintain the integrity of the design. They have both told me that this is a wonderful book and it has given them many good ideas. So, based on their recommendations, I would have to rate this highly. I am looking forward to a visit with them so I can actually see the book in person!!

1 comments about Interior Design Visual Presentation: A Guide to Graphics, Models & Presentation Techniques.

1. Awesome book. Great for all interior design students. Great for your library. Makes learning how to do models, etc., much easier than trying to learn from your instructor's brief instructions.

5 comments about Celebrate Your Creative Self.

1. Celebrate Your Creative Self: Over 25 Exercises to Unleash the Artist Within
   Have not had time to use a lot of the activities, but there seems to be some really creative acitivies that interest me.



2. I really like this book. I own it and have given it as a gift to many of my artist friends and students. It has great idea starters that are open ended enough to allow for creative license. I also really like the spiral binding that allows the book to lay flat while refering to some of the techniques.



3. It was a very inspiring book. Lot's of great photos of artist work. I am an oil painter and still found it helpful and inspiring.



4. This spiral bound hardback book is GREAT! Color photos throughout enhance the step by step instructions to help you learn new techniques.



5. This book presents simple exploratory exercises for acrylic paints that create novel and brilliant effects. The text is closely tied to the pictures, rather than stating generalities. The author is perhaps sponsored by Golden Paints, who I suspect of mounting a highly diverse and slightly annoying public relations effort through workshops and "how-to" books. Nevertheless, I have already learned a lot fom "25 Exercises".

5 comments about The Designers Complete Index (Boxed Set).

1. the designers complete index is a must have for all designers out there in the field.
   it includes an idea based book to get you started, a layout based book for format and a color based book, all to make the designing process seamless.
   kudos to jim krause!



2. This set is well worth it. If you are into graphic design this belongs in your book case just buy it you wont regret it. Very helpful and inspiration set.



3. Great, easy to use and comes in a cute clear plastic carrying case. Although these are meant for graphic design, I use them for ideas for my oil paintings. My boyfriend uses it for graphic design and he has said it has spurred on several ideas.
   
   I also bought the design essentials index. It comes in a tall slim yellow box and two different books included and and updated book on color.



4. I am a design student and use these books on an almost daily basis. While some aspects of them are some what simple as long as you are not going to be using these books to get ideas but rather improve upon an existing idea that you already have then these books are great. Overall there are definitely other books out there that will do the same thing but they wont be able to do it as quickly or as easily.



5. Just received this boxed set today. I expected much more. The type and examples are very, very small, with many "thumbnails" less than one inch square. The designs in the Layout Index are poor quality, in my opinion. The Idea Index contains 400 pages of lightbulb graphics and over-use of metallic ink (and I'm normally a big fan of metallic ink.) PMS colors are not mentioned anywhere. Anyone can buy a computer and call him/herself a designer, and these books prove that point well. I'm certainly glad I only paid the discounted price, because these books are certainly not worth $60.