No comments about Residential Design for Aging In Place.

No comments about The Skyscraper and the City: The Woolworth Building and the Making of Modern New York.

No comments about Architecture Now! 3 (Taschen 25th Anniversary Editions).

4 comments about Mexicasa: The Enchanting Inns and Haciendas of Mexico.

1. I can't say enough about the quality of the pictures in this book. Startling and brilliant color. Nice writeups about the inns and haciendas. For anyone traveling to Mexico and looking for unique and historical places to stay, this would be a great book to read before the trip. Highly recommend.



2. You can almost feel the colours and shapes, taste the food and smell the flowers in this lavishly illustrated book on Mexican Haciendas and Hotels. I can see why allot of the people that started these Inns sold everything they had and moved to Mexico to start a new life. This book will be an inspiration to architects and would also make a great coffee table book. Be careful to check the binding when you get it. The glue on mine all fell off in chunks after the first read!



3. This book is good, maybe even great, but still can't compare to Melba Levick and Masako Takahashi's AWESOME "Mexicolor". Masako's other book, "Mexican Tiles" comes close, and still edges out "Mexicasa" a little bit as well, so when all is said and done I think I just have to chalk it up to Masako's EVIDENT love and appreciation for the unfathomable beauty of things Mexican. Melba Levick seems to me to see things more from the outside looking in, and without so much PASSION, kind of like a more disinterested spectator than a participant, but that could just be my opinion.

   That said, this book is is REALLY NICE. I DO really like it and I highly recommend it- especially if you already own and really liked "Mexicolor" and "Mexican Tiles". Or if you aren't so much into artesanias and Mexican interior design, but are more of an armchair traveler or are interested in actual historic hotels and haciendas.




4. What Gina Hyams and Melba Levick have created here is a wonderful compilation of photos of 21 of Mexico's most spectacular and beautiful inns and bed & breakfast places.
   Melba Levick must have had a ball taking these shots. There's hardly a picture that isn't beautiful in its own right - and there must be at least 300 of them. For this observer, the Mexican talent for blending and matching and mixing colors is the highlight of page after page. We see gardens and patios and pool areas and bedroom and dining areas and a host of living spaces where the eye is simply enchanted by the way the owners of these homes have decorated their various spaces. My own personal favorite is, of all things, a bathroom wall composed of talavera tiles where almost no two tiles on the wall match each other.
   All the houses are fully described by Gina Hyams and in most cases she gives us anecdotes and stories about how the various places came about. Thus, for instance, in Hacienda Katanchel in the Yucatan,we read that the present owners discovered the place in 1996. It had been abandoned for 35 years and originally dated back to the 17th century. So what they acquired were 740 acres of dense jungle in which were buried many crumbling buildings with trees growing through walls and ceilings. They gradually cleared the mess away and started building and renovating in a blend of Mexican, Mayan and Spanish styles. And you should see the place now.
   On a less ambitious scale, we read about Mesón Sacristia de la Compañia in Puebla. This began as a family-run antique store which the owners turned into a restaurant and then an inn. It has one extra little twist for people who stay there - everything in the place is for sale. The owners are continually having to replace dishes and furniture.
   And so the stories go... Pick up a copy and give your coffee table a treat.

4 comments about Kandinsky: Complete Writings On Art.

1. A densely translated book. A must have reference for any artist's library.



2. This book deserves a commanding coign of vantage on the shelf of any reader desiring a deeper understanding of the creative process. In extending its reach beyond the requisite inclusion of Kandinsky's On the Spiritual in Art and Point and Line to Plane, the work embraces nearly 900 pages of life-giving insight by the master and driving force of nonobjective art.
   
   To cast a light on any one Kandinsky commentary is to risk a plunge of the whole into shadow. We nevertheless salute in general the author's reflections on his fellow artists, for as Kandinsky finds characteristics to praise he provides a refreshing view of art's operating mechanisms. To select but a single example, in a charming commentary on the paintings of musician Arnold Schoenberg the author skewers the popular idea that an artist achieves full realization through a discovery of a "corresponding form" recognizable to all comers. In fact, it is the very discovery of what Kandinsky calls a "dying form" which is to the artist "fatal." As for the converse, the artist who produces an ever-changing series of works representing in their form the development of a more sensitive and robust inner soul discovers, ironically, his works condemned for a lack of stylistic conformance. And so, says Kandinsky, "the dead passes for the living, and vice versa." Schoenberg, the author assures us, is one of the living for in each of his disparate works "the inner desire of the artist speaks forth in a form appropriate to it."
   
   If Kandinsky's control of the linguistic levers fails to rise to a degree of calibration one imagines appropriate to the vital topic, and if the author very often satisfies himself with the bold proposition which arrests the reader and inspires a healthy suspicion as to a deliberate reduction of the author's encircling vision, his conclusions are fired by a robust soul attuned to the finest strands of the real, and it only remains to add that in terms of abstraction this work must to the archway of understanding provide a requisite keystone.



3. This book is as thorough of a collection of writings by an individual as you will ever find. Including every major treatise, essay, and book by Kandisky, it goes a few steps further with every Kandisky poem (English and German translations) and play. Moreover, the book includes innumerable pamphlets and the like from the earlier late-Expressionist exhibits; also incorporated are several corrspondances between Kandinsky and contemporaries, particularly atonal composer Arnold Schoenburg--illuminating how each other's theories were mutually related and held a reciprocal influence. A little known fact, Schoenburg himself was a non-objective painter--photos of his works are among these pages, as well! Before each section is a contextual introduction to that particular writing. And much much more.



4. An obligatory text for any visual, aural, or literary artist, and a necessity for any true understanding of the nature of artistic creation.

1 comments about Biophilic Design: The Theory, Science and Practice of Bringing Buildings to Life.

1. I finished reading Biophilic Design--having read every chapter--on a recent trip. I think it is one of the most important design books ever written, not just in the decade. Readers should know that this book is not just for architects, builders, designers or city planners. Its rich array of chapters brings the message, with clear and compelling examples, to life for any of us who care about creating spaces and places where nature and culture are in a vibrant, beautiful, and healthy balance. Everyone benefits--from individuals to families to whole communities.

5 comments about Fallingwater: A Frank Lloyd Wright Country House.

1. I purchased this wonderful book after a visit to Fallingwater earlier this summer. It is absolutely phenomenal with the interesting details, plans, drawaings and photos of the progress of the design and building of the home. It is the absolute best book and hard to put down because everytime I pick it up my fascination with Fallimgwater is rekindled! I would highly recommend this book for architecture students, persons with an interest in art or anyone wishing to learn more about Frank Lloyd Wright's passion for organic design.



2. Anyone that wants a complete study of Fallingwater will want this book. Lots of detail. Lots of pictures. Drawings are great.



3. This is a huge heavy duty book filled with all kinds pictures and information about another of FLW's masterpieces. A great gift!



4. Fallingwater, in and of itself, is a name that commands awe and respect. This book epitomizes that notion.

   Simply, this is it. This is the be all, end all of texts on this masterpiece by the late F.L.W.

   I have been an admirer of F.L.W. since I was in the fifth grade, and had to do a report on earthquakes and buildings. Living in S.F., I guess this was a hot topic. But, in a showing (foreshadowing?) of extremely good taste---if I do say so myself, I chose F.L.W. and the TransAmerica building. For those of you out of the loop, that's the "pyramid" building you see when looking at (virtually every) snapshot(s) of the S.F. skyline. I hadn't yet discovered Fallingwater, but I would eventually be shown the way...

   This is such an incredibly beautiful house. Honestly, I could not imagine the blessing of owning that house and living there. This text, however, sets it all out.

   EXCELLENT photos, both inside and out....in different seasons as well.

   VERY GOOD text and dialogue. Provides a great understanding of the dream, planning, undertaking, and completion of this masterpiece.

   This is an incredibly text. I cannot urge you enough to purchase this one. In short, your collection is not complete without it.

   Open this book, and dream....




5. What first draws one to this book is the wonderful new photographs presented. This is also what I keep going back to see after reading the text. The perspective of many of the downstream shots is not exaggerated as are the older black and white ones taken in the 1930's although when I visited the house I was unable to get the same view or position. They must have been taken with a special camera. I appreciate the helicopter photos as it really shows the site, a deep ravine. The house always seemed to be up on a promontory but is set deep into the forest. The lighting on the interior is a little misleading when the shadows and light direction are altered. These photos overall are the most naturalistic that I have seen and to see all the seasons represented makes me want to goback for the others. It looks as if the insect screens were removed for most of the photos which gave the house a cleaner, more modern appearance than in person. I only wish the breaker pages, the ones with the large green background, were larger although I believe I have seen the winter view on a recent calendar by the same photographer, Heinz, great work on his part. I always wish there were more books like this on great American buildings, especially on the photogenic ones by Wright.

3 comments about Private Landscapes: Modernist Gardens in Southern California.

1. This book is a bit light on for photos. If you are buying it for ideas for a modernist inspired garden you might be disappointed.



2. Although this is mostly a coffee-table book (great pictures and original & later landscaping plans), it does give an unexpectedly generous amount of historical background on the modernist architectural movement in Southern California.
   
   It also focuses on specific examples of modernist houses and gives the background on the thought process of the architects and landscape designers, how they designed the houses and landscapes in relation to the lots and surrounding areas.
   
   I think the best part of this book is how it juxtaposes pictures and plans of each house from the past and how they look in the present day. Thus, you can get an immediate sense of how well the designs have held up over time. Some of it looks dated, but much of it remains relevant (especially with the resurgent interest in mid-century design). Also, you get to see how some of the houses were revised by later architects and designers. You get to see how the original plants have aged as well.
   
   I borrowed this from the library, but I may end up buying it.



3. Kathryn Smith's erudite introduction and the authors' texts add historical resonance to this enticing collection of new and original gardens (including several by Burton) that set off classic houses by Schindler, Neutra, Soriano, and Quincy Jones. The plans and photographs are reminders of how Garrett Eckbo and others led the way in integrating modern architecture with landscape, inspired by Neutra's vision of the house as "a machine in the garden." (Michael Webb is the book reviewer for LA Architect magazine.)

2 comments about Eero Saarinen, 1910-1961: A Structural Expressionist (Basic Art).

1. This is an alright intro. book (and reasonable at $10.00) but it almost brings up more questions than it answers. It is a good intro. to Saarinen and his major works, thoguh I had hoped for a bit more overall....



2. This volume is part of Taschen's series of monographs on the the Twentieth Century's greatest architects. This book follows the Series usual format by beginning with an introductory biographical section. It then moves onto Saarinen's most famous works such as the TWA Terminal, Dulles Intenational and Jefferson National Expansion Memorial. Each building receives a few pages of description and several full page photographs. This is all done in 96 well presented pages.
   
   Eero Saarinen was on the leading lights of American Mid-Century Modernism. If you are interested in the period, you must become familiar with Eero Saarinen's work. This is a reasonably priced volume and a great introduction to the works of one of the Twentieth Century's greatest masters. Highly recommended.

No comments about 4dsocial: Interactive Design Environments (Architectural Design).