2 comments about Ethics and the Practice of Architecture.

1. I am very pleased to find a book written with such an extreme knowledge of the true meaning and use of ethics in the architectural field. It is an excellent text book for students in this field. It will help to guide anyone on their path to what a real architect should know and practice. I recommend it highly and found that it is a slice of literature which is in a field all it's own.



2. As stipulated in the UNECO-UIA Validation System for Architectural Education in 2002, Berlin Congress, Profession and Ethics in Architecture become requisite for university programs. With this background, I have examined that this book could be the best after reviewing several books for student to learn these field, although pages for profession seemed to be more expanded.

No comments about The Fairchild Dictionary of Interior Design (Fairchild Reference Collection).

1 comments about A Dictionary of Architecture and Landscape Architecture (Oxford Paperback Reference).

1. The completeness of the entries as well as the variety of drawings for entries---every variation on a capital, or on a roof line, or on window shape--makes this a perfect source book to learn from. The small paperback pocket size makes it handy to carry around when you are touring as well.

5 comments about Architecture Now 5.

1. Amazon claimed they were sending a new book but it arrived with a peeled spine. They claimed that it would be replaced but nothing arrived. This
   is the first time I have experienced poor service and not from a vendor,
   but rather, Amazon itself!



2. This is a nice little coffee table styled book on architecture and artwork, showcasing about 92 architects and a few of their works. Its small size makes it easy to take along with you wherever you go.
   
   Each architect gets two pages devoted to them, comprising a brief biography highlighting some of their notable works, as well as photos and/or sketches showcasing one or two of their works.
   
   Some of the architects and works featured include Alberto Campo Baeza (Center for innovative technologies in Majorca), Will Bruder (Byrne residence in Arizona), Frank Gehry (Experience Music Project in Seattle), Arata Isokazi (Shizuoka convention and arts center in Shizuoka), Polshek Partnership (the very space age Rose center for earth & science in New York), and Richard Rogers (Law courts in Bordeaux, and Millennium Dome in London).
   
   A good book.



3. Valuable book according to price. However there is a small binding problem in my copy...
   Yagmur TOPRAKLI



4. The author of this book has done a fine job of showcasing recent modern architectural projects of interest to the general population, as well as to architects and structural engineers working in the profession. I am a structural engineer, and I purchased the book because two of my friends, and one of their projects, are featured in the book. I also happened to work on that paticular project, and was interested in having a published record of the project along with my own project files. The book is well written, has wonderful photographs, and is a fine addition to the genre of "coffee table architecture books". Mr. Jodidio is to be commended for writing this book.



5. Despite of being on of the most interesting book which gather many architects and many styles, this fourth version is not as good as the other 3, although it reflect the kind of architecture being used at this moment all over the world.

2 comments about The Plan of Chicago: Daniel Burnham and the Remaking of the American City (Chicago Visions and Revisions).

1. I liked the book. As someone who recently moved to Chicago, I have a lot to learn about the city's past. This book gives a good overview of Chicago and the part that the Burnham and Bennett Plan played in the formation of the city, up to its present form. I would definitely recommend this book to anyone interested in Chicago, social history, or in urban planning.



2. As an architecture tour guide, I've read "The Plan of Chicago" and know some Chicago history. Smith succinctly summarizes prevailing circumstances so the reader knows the context of the development of The Plan, but he deftly includes colorful and precise detail. The book is under 200 pages, reflecting a distinctive self-restraint by this distinguished scholar at Northwestern University. Moving from background of Chicago history and of Daniel Burnham, Smith summarizes the Plan's development, describes the other players, analyzes the Plan's effects, and brings readers quickly up-to-date with urban planning of today. This excellent narrative, supplemented with photographs not commonly seen, ends with a "bibliographic essay" to guide interested readers in their subsequent investigations.

4 comments about Architectural Graphic Standards Student Edition: An Abridgement of the 9th Edition.

1. I am a fourth year architecture student and I use this book every semester. I keep it with me at all times. It is the perfect design handbook. If you don't have it, You need it!



2. The book was in great condition as expected. It was delivered during the expected time frame, but it was later rather than sooner. I purchase frequently from amazon and I recieve consistently good service from them.



3. Loaded with tons of reference data all good for Architects.
   Font is a small



4. This book is one of the best reference books an architect will ever use. It contains the necessary information for the beginning and advanced architect. Inside the 568 pages in this book one will find from the most basic to the highly complex architectural graphics. The book provides reference for the various arcchitectural plans such as the floor plan, elevation and perspective drawings. No other reference material can surpass the amount of information provided in this excellent book.

2 comments about Building the Dream: A Social History of Housing in America.

1. Although a little dated, this book provides a good, straightforward, easy to read background on housing in America. It touches on the historical reasons why we prefer the single-family suburban house yet also explores other housing types and their origins.



2. Wright starts at the beginning and explains how the American experience has effected American architechture, and vice versa. Weaving religious, social and economic conditions into her story of how Americans came to live in the structures that they call home, Wright's book is one of the few "page-turners" that I've encountered among architechture books. It's indespensible to the student of American history. --David Macia

No comments about Architecture Now! 3 (Taschen 25th Anniversary Editions).

2 comments about The Mathematics of the Ideal Villa and Other Essays.

1. Colin Rowe's essays are exceptionally insightful and truly enlightening. These essays were written decades ago but they're still enormously valuable and still very fresh. The first essay, from which the book takes its title and probably Rowe's most famous, is an analysis of the geometrical and proportional similarities between Le Corbusier's villa at Garches and Palladio's Villa Malcontenta. A brief but dense tour de force. Perhaps his next most famous essay is "Transparency: Literal and Phenomenal," written with Robert Slutzky. Also a real eye-opener. In other essays he discusses the curious relationship between the Chicago frame and modern architecture; neo-classicism and modern architecture; mannerism and modern architecture; La Tourette; 19th century thinking about architectural character and composition; and the architecture of utopia. These essays make you think, look at things differently, look at things you hadn't noticed, and they ultimately enlarge your understanding of architecture and your architectural field of vision. I'm grateful to Colin Rowe for that. After reading this book I bought his three-volume collection of essays, "As I Was Saying." I just had to have more. The essays in this book put your mind to work but Rowe's writing is also quite engaging. He's a genuinely independent thinker and a rigorous one too. These are wonderful essays and the book is highly recommended.



2. This collection of essays by Prof. Colin Rowe is considered to be among the most important analytical essays on architecture in this century. Prof. Rowe has won the Gold Medal in Architecture from Queen Elizabeth and was Professor of Architecture at Cornell for over 25 years.

5 comments about Seeing Is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin.

1. Robert Irwin has lived his life as both a solitary creator and unrelenting seeker to the same consummate degree that only Dante Alighieri, Agnes Martin, Meister Eckhart, Lao Tsu, and a handful of others have sought. If you haven't heard of him, you should read this anyway. Remember, it even took Bach two centuries to get his proper due. Regardless, this book changed a lot for me. I am forever grateful.
   
   Weschler's prose is Irwin's lighting. His book good as this biography junkie has ever read, and he does it in only 203 pages. As I write this, you can buy this book used for the price of a Domino's pizza - that's all i'm saying.



2. If you're an artist, you need this book. Even if you don't like Irwin's work (or never heard of him.) Remarkably, this biography of the most minimal of minimal artists contains no abstruse language, no mysteriously self-important pronouncements, nor even a single reference to any French esthetic theorist. Not only is this written in clean, straightforward prose; you can hardly put it down. It also raises critical, fascinating questions about the nature of art, and of the way we see. I've recommended this book to several people. It's never what they expect. They've always thanked me.



3. *
   
   I am fascinated by the creative process. I am fascinated by physical manifestations born from the spark of an idea. I am fascinated by the complex psychology, rigorous philosophy and simple backbone evinced by those devotees of method. And I am blown-away by Robert Irwin.
   
   My first contact with Robert Irwin's work came in graduate school when a few friends and I drove from Philadelphia to Manhattan to visit the Dia Center for the Arts. There on an upper floor I encountered a truly shocking, yet subduing, experience. Irwin had taken over the entire level and divided into rooms demarcated with translucent scrim. I walked slowly, from space to space, enclosed but not, silent in presence yet bursting with internal applause, and in awe. I marveled at the solidity of light that slid through the Dia's industrial steel windows, tracing its way across two layers of the thin white fabric and gently landing on the concrete floor. My eyes were tickled by the subtlety of color emanating from the vertical fluorescent lights wrapped in gels. There must have been thirty others there at the same time, meandering like ghosts whitened by one, two, three layers of scrim, yet the space was absolutely quiet. This was the first time that I truly understood the word ?perception.? It came in a space filled with exacted simplicity.
   
   Since then I have tried to follow Irwin's work, both past and present, only to find that it is rarely photographed, as the medium cannot do the work justice. However, Lawrence Weschler's biography on the artist is a tremendous piece of writing that will give you much more appreciation for Irwin than any catalog ever could. Weschler spent years interviewing the artist, tracking down collaborators and researching the works. He exhibits an amazing understanding of Irwin's intentions and adds much needed commentary to keep the story straight while tracing the complex and highly personal evolution of the man and his art. From descriptions of Irwin's self-imposed eight month exile in Ibiza, to his two year long rigorous exercise (and again, exile) to create what amounted to twenty lines, Weschler gives us an in depth look at the zen-like disposition of the artist in his search for the perceptual (and hence, not conceptual). Irwin's diligence and rigor will stupefy even those most devoted to their process, and discussion of his material experimentation will act to spur imaginations. Robert Irwin supplies the majority of storytelling, however, and lets the reader in on often humorous tales of the art world from the point of view of a very personable and highly influential artist.
   
   In short, I highly recommend that anyone devoted to design, be it fine art or architecture, read this book. I also recommend that you travel to San Diego to see the first major exhibition of Irwin?s work since 1993, "Robert Irwin: Primaries and Secondaries" at the MCASD through February 23rd.
   
   Note: The installation at the Dia Center was reviewed thoroughly, with an included history of the artist?s work, in an article entitled "Robert Irwin?s Doors of Perception" by Carol Diehl in Art in America magazine, December, 1999, findarticles.com



4. This is simply the best book about art I have ever read. Like other reviewers, I can say that this book permanently altered the way I see the world (and art). Irwin did it and he still does it.



5. I picked up this book in 1984 because it was on a reading list for an Art History class I was taking at Oberlin College. I stayed up all night in the library that night. I couldn't put it down. My mind has never been the same.
   
   I still often think of it,tell stories from it and give it as a gift. I always say "skip the first chapter-it gets much better." If I remember right, the book begins with a description of Irwin's perfectionism when cleaning the engine of his car. I figure that will bore my friends.
   
   I tell my students about Irwin's many years attempt to make the perfect line, to his wife's chagrin and his painting the back side of his paintings because it matters to him. They like the story of the riots that occured in South America due to the disorientation of his discs-concave and convex-the viewers couldn't tell where the wall started and the disc stopped. I have given the book as a graduation present.
   
   I thought about this book at the mechanic the other day. My engine is very, very dirty.
   
   I will never forget,forgetting. Great book.