No comments about Ideas That Shaped Buildings.

3 comments about Bamboo Style: Exteriors, Interiors, Details (Icons).

1. . . .photographed very well. This is a 'picture book' meant to stimulate the imagination in finding ways to use bamboo creatively. If you have one, and just enjoy great photography and a homage to the beauty of bamboo, this is the book for you!



2. For anyone interested in design who wants to see examples of what others have done, this is a great book - lots of excellent pictures. For someone who wants lots of explanation of what they are looking at, it is a disaster as there is virtually zero text (whole book has maybe 1 page, pictures have no titles or descriptions of any sort, no idea of location, anything. So for the artist, designer who has a need for visual stimulation (like going to an art gallery), it is great.



3. I was given this book as gift by Joerg Stamm a famous bamboo builder. It is one of the most popular books in our library in our sales and design office. Shot mostly in Bali area (I think) it is a great photo essay of design possibilities using bamboo materials. Since it is what we do for a living we are always looking for ideas to help us create new tropical sanctuaries for our customers. I recommend it highly for design ideas, and a fine coffee table book filled with delicious images sure to inspire.

5 comments about How to Read a Church: A Guide to Symbols and Images in Churches and Cathedrals.

1. Well written and organized. I learned a lot. Potential buyers should know that the focus of this book is on Anglican and Catholic churches. I'd recommend it very highly.



2. Bought this to prepare for a trip to Italy, hoping to better understand what I was seeing in all those historic churches. This book, however, is centered on churches as places of Christian worship. To quote from the introduction: "Admiring a church for its beauty or history alone is like admiring a Monet for the frame". This is the author's principle theme. As an example, one chapter is devoted to the life of Jesus. In it, he elaborates on 29 different stages of Christ's life that you might see as an image in a church, from the Nativity to The Incredulity of Thomas. Other chapters include The Virgin Mary, Saints, and The Old Testament. The book does provide the needed visual clues to understand what one is seeing, e.g. pictures of St. Lawrence are of a young man with an iron grid and a money bag. However, the piety of the author is the both the book's strength and weakness. Those of the Christian faith may find this a wonderful read. Those of other faiths or none at all may be constantly irritated (as I was) by his writing technique, which treats the Bible as a source of eye-witness history. If you are looking for dispassionate discussion of church imagery, look elsewhere.



3. This book would be a useful guide for the American churchgoer who is curious about the signs and symbols he sees around him. In an encyclopedia-like format, Taylor describes the chi-rho, the attributes of the more popular saints, and similar visual messages of Christianity.
   
   It is not in-depth or particularly scholarly. For example, the entry for the columbine (flower, not high school) gives one meaning for that flower's symbolism, but does not go into older meanings that appear in medieval art. OK for most uses, but not as a reference for art history students.
   
   There are also odd mistakes that an editor should have prevented. For example, throughout the book Taylor uses the word "unshaven" to mean "beardless". I don't know about him, but when I don't shave, I am bearded.



4. This is a well-written, religiously neutral excursion of the visual symbols and elements of the Christian church, more or less as it exists today and leaning somewhat to the Anglican church. It is not a history of Christian church architecture or symbols through the ages though the author seems to be fairly conversant with the relevant art history. It is no more or less than a brief description of what is behind what you'd see in an English church, with accounts of the lives of Jesus, Mary, Joseph, Peter and all the rest, in case you know absolutely nothing.
   
   The charming churches the author is most familiar with are relics, and efforts like this one that may in some way preserve them are good. They, the churches of the past, are as much like America's mega-churches as flowers are like asphalt. I don't know if they have mega-churches in Europe. I don't think so. They, the mega-churches, help us envision the utter banality of the age to come. And what a long way we have traveled since Chartres.
   
   The author is studiously non-evangelistic, which is good, but one feels the absence of faith in or hope for anything beyond the obvious. It is really a rather light-hearted anatomy of Christian churches, lacking soul. If there's no hope of meaningfulness, no hope that these places may convey the possibility of a real inner life, it all seems rather hollow.



5. Ever wonder why some saints in paintings and sculpture have square haloes? Why columns have foliate capitals? And what are all those hand signals? Richard Taylor explains in How to Read a Church, written not as a scholastic thesis but as a general guide for lay persons. The basic layout of churches, the number and placement of stained glass windows, the grouping of figures and how to identify who's who - all of this can be helpful in figuring out what the builders and decorative artists were trying to convey to those viewing and appreciating the results of their labors. The book works as a resource, and does not have to be read from cover to cover. Individual chapters, such as that on styles of crosses, can be read separately and perused at leisure. Nice resource.

5 comments about Ancient Rome: Monuments Past and Present.

1. This is a wonderful book. It really fleshes out the remains of Rome's ancient monuments



2. We're planning a trip to Rome and like to prepare by reading about places we'll be seeing. This gives a very good explanation of the Roman building remains in an interesting manner.



3. Great book
   love to see rome then and now
   makes history come alive



4. This book uses overlays to show what Ancient Rome looked like when everything was new and in good shape. Then, you can flip the overlay and see how things look now. I always wondered how things looked then and wished I had a time machine to go back to those days. This book is the second-best thing to a time machine. The artists have done a great job of reconstructing the famous buildings, forums and temples. The book is well worth the money and is less expensive from Amazon than buying it in Rome.



5. This is a great book but way too expensive. I could have bought the exact book in Rome for less than half the price from a vendor at the Colosseum but decided to wait until I got home.

1 comments about Design on the Edge: The Making of a High-Performance Building.

1. Who could dispute David Orr's central contention that we need to continue making buildings that can sustain themselves, so called "green architecture," and that there's no better place to start than at home. His is an impassioned voice that occasionally reaches the oratorical heights of a Thoreau or a Lewis Mumford, and his account of the events leading to the opening of Adam Joseph Lewis Center at Oberlin (Ohio) is worth reading from the viewpoint of agitprop alone: it is the green equivalent of THE CRADLE WILL ROCK.
   
   Alas, it lacks music altogether, and some of its purpler passages should have gotten the red pencil. And while they had the pencil out, they might also have marked up some of the endless and dull passages about persuading this one, selling the idea to that one, many Ohio and government worthies who seem to have stepped out of an early Sinclair Lewis novel. In most cases Orr doesn't mind giving himself the heroic role, but he's the man and we might as well acknowledge it. He's not only the hero, he's the Jeremiah of his own legend. His writing style is accessible: not for Orr the theoretical flourishes of his kinsmen. In fact he harbors a certain contempt for the jargonheads, even ones who share his preoccupation with the green. He has a telling anecdote in which a San Francisco cosmopolitan, invited to give a speech, turns place into an abstraction and bewilders a room full of hardworking Ozark peasant women who give her a grim glare of blankness. These were women who lived, as opposed to the San Francisco woman who could only speak. He quotes Lao Tzu with a certain wry approval: "One who knows does not say and one who says does not know."
   
   In that case he knows and says everything that needs to be said. With the Lewis Center slated to open shortly, we will see the first colleege built building capable to sustaining itself since the original Oneida Foundation in upstate New York during the Transcendental years commemorated by Hawthorne in his BLITHEDALE ROMANCE. Yes, the cost of making such a building is higher than your ordinary strip mall, but in the long run it's the strip mall that's going to cost us more, and as Orr points out, costs decline geometrically as more and more buildings go green and the technology is shared by many. Plus he prevailed upon numerous foundations who were swayed by his appeal and his honesty. His book ends up paraphrasing Wendell Berry to the effect that "to live, we must daily break the body and shed the blood of Creeation. When we do this knowingly, lovingly, skillfully, reverently, it is a sacrament." I wouldn't put it that way myself, but at the heart of the matter, Orr's on the side of the Lord.

5 comments about Structures: Or Why Things Don't Fall Down.

1. I'm a starting-out engineer with a degree in aerospace. This is the sort of book that I would've "wanted" to read while in school. I personally haven't had chance to use 90% of what I've learned in school. But this book has opened my eyes to the root of what we do as engineers. Not something that'll get you a better grade in school. Instead, it will motivate you to really learn the most basic and important thing in engineering and to realize how important and crucial what we do at work are. 100% recommended for all my fellow engineering geeks out there!



2. The author, who worked as an aeronautical engineer during the war, was fond of asking his colleages "but shouldn't we put feathers on the wings". That his answer effected an instrument design of my own is strange enough, but it's his persistence in asking such a question well into middle age that is perhaps of higher value. It illustrates the childlike joy that marks the pleasures of engineering. In another example, a drawing of a wing feather showing the quill not centered but close to the leading edge provides a vivid punchline to the story of the development of the mono-plane. How putting struts in the center of their wings made them twist off when pulling out of a dive - resulting in the deaths of many Fokker pilots. He deepens our understanding of shear stresses through examples of form-fitting cocktail dresses made of fabrics cut 'on the bias' - heightening my appreciation both for the human form and Poisson's Ratio. That a book on structural enginnering was a pleasure to read was a surprise. That it was un-put-downable boggles the mind. He enables what we most hope for and least expect from a book: to see the world afresh.



3. I must confess I had a terrible time in the U making my degree in mechanical engineering.. stregth of materials almost made me mad.
   
   But as Twain said it, I have not let my schooling interfere with my education... and this are the books that educate.. for education can only be self-education... this is what I was after in the U and I never received it!!!
   
   I go futher with this assertion, the progress of the US (and some other advanced nations) above all the rest lies in the fact that popularizations of science and technology are readibly accesible to everyone (for all of those who want to use it, of course).. if anyone ever doubts the positive effects of globalization and the internet, I can testify that ever since I can use Amazon I can tap into the resources of knowledge previously denied by geographical barriers and help the system that produces this books.
   
   Getting back to the book, no matter what your schooling is, if you are into design and need to know about structures you cannot go wrong with this wonderful book.



4. I'M PROBABLY THE ODD MAN OUT ON THIS ONE BUT I HAD TROUBLE WADING THROUGH THIS BOOK..IN FACT I THOUGHT THE WRITING STYLE WAS GROPING AND STUMBLING AT BEST. WRITING ABOUT STRUCTURES IN SIMLPE TERMS IS A TOUGH TASK INDEED AND I'M NOT SURE GORDON HAS SUCEEDED HERE. I FOUND THE BOOK TO BE A REAL "YAWNER".
   
   FOR MY MONEY I WOULD BUY SALVADORI'S BOOKS OVER THIS. SALVADORI HAS A KNACK FOR MAKING THE SUBJECT TRULY GRIPPING READING. HIS BOOKS HAVE A MUCH MORE PRACTICAL BENT, AND IMHO THEY ARE WRITTEN MUCH BETTER, NOT TO MENTION THE ILLUSTRATIONS ARE TOP GRADE. TRY STRUCTURE IN ARCHITECTURE OR WHY BUILDINGS STAND UP.
   
   THE 2 STARS ARE FOR GORDON'S DISCUSSION OF STRESS AND STRAIN, THE BEST PART OF THE BOOK FOR ME.



5. The book is indeed good for the layman (I would even say very good), but it lacks rigour and this makes it less usable for professional purposes...
   The author wants to avoid as much math as possible but as a consequence, some explanations contain gaps.
   This book can be seen as an extra to more professional books, everybody will definitely learn something from it and it reads very well...But if you want to have a rigorous understanding of structures, you should buy another book ...

5 comments about Discoveries: Petra: Lost City of the Ancient World (Discoveries (Abrams)).

1. I bought this book for my parents who will be visiting Petra this year. This is a small but extensive book which packs in a lot of information about Petra: the history of the region, a guide to the city and what makes it unique. It is lavishly illustrated (in color throughout) and the pages are glossy and of high quality. It is also compact enough to pack neatly into a handbag or large pocket.
   
   Having said that, a few critiques:
   - The writing is dense and clunky. I don't know for sure if this is the case, but it reads like a poor translation from another language. I notice that the "look inside this book" facility doesn't include any of the actual text and I wonder if this is why. I found it a struggle to read this book. The content is interesting, but the way it is written makes it hard going.
   - The text is also quite small in size - smaller than an average book. Not ideal for older eyes!
   - Finally, the book is heavier than its small size would lead you to expect - presumably due to the high quality paper. It's still light enough to travel with, but it weighs twice as much as you would expect from such a slim volume.
   
   In spite of these shortcomings, I'm still happy with this purchase and my parents were very pleased to receive it. It is a beautiful and high quality book and the photographs are outstanding.



2. My husband and I bought this book before we visited Petra last year. It was a good primmer on the area but in no way can prepare you for what you are about to see.



3. Even though it lacks the details of bigger books such as Udi Levy's "The Lost Civilization of Petra" (a hardback book), it doesn't mean it lacks details altogether! I found this book to be a great source of information while I was travelling since it is small and stocked full of info on Petra, the Nabateans, and more.

   This book is loaded with colorful well-photographed pictures and lithographs, and lively-written text which makes reading it a breeze. I fit this book in my back pocket while in Petra and pulled it out to get details on things like the great cisterns and the waterway through the main siq. The section at the end of the book on modern plans to try and preserve Petra's vulnerable sandstone is very interesting... Electophoresis?!?! Wow!

   The book wraps up everything with a chronology at the end and a list of Nabataea's kings. A very enjoyable and informative read considering its small size... Big things do come in small packages!




4. Semitic name, Reqem or Raqmu, is said to mean 'striped,' or 'multicolored,' a reference to the extraodinary range of colors of its sandstone. Monuments carved into living rock may seem indesructible, yet the site is threatened by natural erosion nd by the neglect of centuries. Today, remedies are being explored to halt this deterioration."(Page 114). What a way to complete the most detailed history of Petra, by indicating the preservation needed to protect Petra for posterity.
   Putting the "cart before the horse" I just have to marvel (before I neglect to mention) that this book includes a helpful chronology of events at the very back of the book.
   "Petra...the name is said to come from the Greek word for stone, or rock, since the city itself was hollowed out of the rock. But it may just as well have come from the Arabic batara, meaning to cut or hew, since the city was actually carved from rock... perhaps this is even the better etymology, since this was a place cut off from the rest of the world. --Nabil Naoum, Le Chateau de la princesse (The Castle of the Princes), from Petra: Le Dit des pierres (Petra: The Stones Speak), edited by Phillippe Cardinal, 1993."(Page 96.)
   The book begins with Petra emerging from obscurity with the first archaeological missions. The book comprises the history of Petras peoples; lengthy revelations of The Nabataeans (and their other cities, too); "location, location, location!"; part of the caravan route and its participation in international trade; nomadic to stationary living; city planning; housing; temples, sanctuaries; and anatomy of forms of architecture. "It is Petra's funerary architecture, most famous in its rock-hewn form, that best reflects this dual cultural identity, Eastern and Hellenistic. Interest has focused on the facades that mark the entry to a funerary chamber excavated directly into the rock. These can be understood as a monumental form of the nefesh, an erect stele that indicates the presence of a deceased, just as a baetyl indicates the presence of a divinity. The facade shows the importance of the deceased and of his or her family..."(Page 84). Such rich architectural fetes are revealed to us within the framework of this work! Do take time to study the water system of Petra.
   "...due to a series of earthquakes, especially one in the 8th century, construction seems to have come to a halt there earlier than it did in regions farther to the north. We know little about Petra between the 7th and 10th centuries. By the Middle Ages, it may have been virtually deserted. We know that in the 12th century, one of the Crusader kings of Jerusalem, Baldwin I or II, built a castle at al-Wu'eira, in the Valley of Moses. Few medieval documents refer to the city, but a confused memory of its ancient rank as the capital of a far-reaching kingdom livd on. Oddly, traces of its old Aramaic and Babataean name, Arken or Reqem, meaning 'the Multi-colored,' survived. In 1217, a German pilgrim named Thetmar passed very close to a place he called 'Archim, formerly the metropolis of the Arabs.' The Arab chronicler Numeiri (1279-1332) gives a short description of the site as it was when the Mamluk Sultan Baybars I of Egypt and Syria saw it is 1276. He mentions the tomb of Aaron, the ruins of a fort, and the 'marvelous' ornate houses cut into the cliffs, but he does not name it. Neither writer says anything of its inhabitants. The Nabataeans themselves, and the Greco-Latin name Petra, remained lost until the rediscovery of the city by the first Western travelers of the 19th century. The enthusiasm aroused by this discovery has not faded, and the work of exploration and recovery is nowhere near to being finished. Nearly two hundred years of research, in fact, have raised more questions than answers. New avenues of investigation emerge daily. Most of the city still remains to be excavated and the civilization of Nabatea finally revealed." (Page 94-95).
   Thank goodness the Jordanian people have someone like Queen Noor who can appreciate the importance of Petra, who as a patron of architecture, thanks to her background in this field, is a proponent to its preservation.
   The staff of The Harry N. Abrams, Inc., publishing house have created a masterpiece in "Petra: lost city of the ancient world." The many books I have read with regard to Biblical architecture/archaeology, have seriously been lacking good arial photography, and the people at Abrams certainly satisfied my ravenousness desire for pictures of Petra!



5. This book has been done in a style similar to a National Geographic magazine. It combines a history of the city and its excavations with exquisite photographs and drawings. This book was well researched and does an excellent job describing the ancient city which was carved entirely out of the cliffs which make Petra unique. I reccomend this book to anyone who has an interest in the history of the Fertile Crescent, Jordan, archaelogy, or the 7 wonders of the ancient world (This book asserts that Petra is considered to be an eighth wonder).

2 comments about Conserving Buildings: Guide to Techniques and Materials, Revised Edition.

1. I bought this to learn more about building materials--wood, stone, concrete, metals--and was not disappointed. Each chapter begins with a summary that's authoritative but friendly. And interesting. You'll learn, for example, that the trick to making a hydraulic cement is to add some siliceous mineral to the limestone before firing in a kiln. The Romans used volcanic rock; modern Portland cement producers find it in certain clays. You'll realize none of these materials can stand up to water, which eventually returns them to their more chemically stable states, changing concrete into limestone, smelted metals back to ores (rust), and turning wood into food for other living things.

   What follows the introductory discussion is probably too technical for non-professionals--references to ASTM standards, specifications for water jet delivery in gallons per minute and PSI when cleaning stone, and tips for making your own epoxy using bulk chemicals, complete with Dow Chemical part numbers.

   I was a little disappointed by the presentation--B/W photos by the author and very basic drawings--but I suppose that's all that's needed for a book like this.




2. A wonderful reference tool for the professional conservitor, or even the "Matha Stewart" home fixer-uper.

5 comments about Building with Structural Insulated Panels (SIPs): Strength and Energy Efficiency Through Structural Panel Construction (For Pros By Pros).

1. This book is a good primer for anyone who has doesn't know much about SIP's, but I found it quite basic. Also, there are passages in the book that show just how badly it is in need of an update. For instance, in the first chapter, it says something to the effect of "...with energy costs being relatively low, builders have a hard time selling energy efficiency and sacrificing the two story fake stone arch...' If this technology is to get a solid foothold in the building industry, MANY books should be written to provide builders with the resources they need to handle both high-end custom homes and affordable homes as well.
   
   In short, if you are just trying to get up to speed on what SIP's are, this is probably worthwhile. Otherwise, spend some time on the phone and visiting with your SIP dealer, talk to contractors who have used them, and look around online. I think you will find more detailed and specific (and UP TO DATE) information.



2. Excellent overview of SIPs construction basics and techniques. Author explains in ordinary terms so any layman can understand. Anyone considering SIPs construction should buy this book. It would be nice if a newer version (this one is 2002)were available to discuss the latest products.



3. Good book to explain the fundamentals and ideas behind why Structural Insulated Panels area a good building medium. Unfortunately, the solid information on estimating the costs or tricks to design that the interested party are looking for are not there.
   
   I look for someone to write the next book in the series.



4. this book provides a thorough and well detailed look at SIP anatomy and construction techniques. information on this construction type is extremely difficult to find from sources other than (possibly biased or glossed-over) information from SIP manufacturers. the content covers so many details of its construction that it could concievably be used as a primer/manual/textbook for contractors or others interested in using this construction type. any information needed to supplement the information found here will most likely be so specific that it will be material related to a particular manufacturer's product or information gleaned directly from materials testing reports. i have looked extensively, and not been able to find, any materials on SIPs that could compare to the value of this source.



5. Just a quick note on this book. My wife and I are looking to build an energy-efficient home. We are both engineers and very detail-oriented people. As part of our due diligence, we picked up this book after seeing a demonstration house built with SIPS as part of the 2005 Smithsonian Folk Life Festival (this was part of the US Forest Service pavilion - sustainable building approaches area). As noted in an earlier review, this book does have a bit of a promotional feel. However, it could simply be the author's enthusiasm for what appears to be a very good product. The book is also somewhat light in treating potential problems with SIPS. The failures of mutliple SIP roofing systems in Juneau, Alaska should have been addressed. In fairness though, these failures seem to largely be installation problems on the part of a small number of builders unfamiliar with the product. Overall, this book is a very useful and fairly detailed introduction to SIPS building. We would love to see a follow-up title that goes into much more technical detail on designing for SIPs use, as well as further exploration of lessons-learned from using SIPs in various settings and climates.

1 comments about Contracts and the Legal Environment for Engineers and Architects.

1. I read this book as a contractor seeking to modify my standard contract to that which would apply to architects and engineers as sub-contractors. This book clearly introduces every aspect of contracts, and amplifies the reasoning behind these aspects using cases and examples. This book is only for those who wish to study and apply these concepts. It has no "templates" or boilerplate contracts. It is very valuable in developing an understanding of what is in construction contracts and why.