No comments about Olympic Architecture: Beijing 2008.

4 comments about Hariri and Hariri Houses.

1. This book is a woonderfull piece of art. lots of photos and explanation. highlly recomended for those who like contemporary art as well as a good point of view for the city life/



2. Excellent collection of stunning photos by incredible team! I can look at these photos for hours and still find something to admire!



3. Somewhat of a coffee table type book - not much technical stuff...nonetheless the pictures of the great homes are worth the price of this publication. Nicely photographed material that provides much design inspiration.



4. To word it simply, the houses designed by the Hariri sisters are the most dramatic small buildings I have ever seen. Here you will not find gigantic homes built to use size to impress. The Spartan House, built in the Hague, Netherlands was required to have a house footprint no bigger than 26 by 33 feet. Yet even in that small a space their house standa out.
   
   More than just the exterior design, Hariri houses have an integrated feeling that the rooms flow from one to another following the function that is needed with a minimal disruption to the esthetic sense.
   
   Their houses are modern, some even ultra modern, combining the look of steel and glass with the natural look of wood and rock. All appear to be designed to have an absolutely minimal amount of maintenance and a lifetime that will be close to forever.
   
   Some of the houses shown here are just design studies, the Digital House, where the walls are made of LCD's. Others have been built literally around the world.
   
   When you are getting ready to do your new beach house in Miami, here would be a good place to start looking.

4 comments about Measure and Construction of the Japanese House.

1. Simply, with no doubt one of the best books on the subject. I've been studying Japanese architecture for some time and I always get back to it as a reference. Very technical and well illustrated. I'm looking for the complete volume by Heino Engel.



2. When I ordered this book, I was expecting to see a lot of pictures to help me design my house. But to my dismay, most of the colorless pages just feature blueprints that only an architect would understand. I kept the book for future reference.



3. Anyone who wishes to build a Japanese tea room either in the garden or attached to their house could do well to start with this book. You can also use this book to design accents for a single room, or to craft an entire house. It was written by a German architect who lived in Japan several decades ago and carefully measured surving older buildings as well as studying architecture there. While there are more detailed books in Japanese, this may well still be the best available book in English.



4. If you are an architect interested in japanese constructional systems, this is THE BOOK for you. If you aren't but find japanese culture a fountain of inspiration for living, you must read this extraordinary piece of art. Perhaps it don't shine like a jewel, but once you open it, you'll find the work of a man who decided to share his mastery. In this book, diagrams, materials, craftmanship, even detailed descriptions of the human space requirements are fully explained with precision and simplicity. Every page, and every example in them, is a world that must be carefully examined. And when doing so, you'll find that what the author is showing us, is more than a book about japanese houses: is the heart of the japanese carpenters and architects living in its pages.

5 comments about How to Make Clay Characters.

1. My daughter loves polymer clay and my wife saw this book so she told my daughter about it. My daughter got so excited she couldn't wait to order it. When we got the book, it was in excellent shape. Maureen Carlson is a awesome sculptor and my daughter said she does not know how Maureen created those realistic faces even though there are steps for it!



2. Maureen is such an amazing artist. If you are wanting to make figures in clay, then her books are a great place to start. I have several of her books now, and I love them all. Each one teaches you something more. Also this book came in great condition for a used book. Really good seller.



3. How to make clay characters by Maureen Carlson is not available to buy in Australia. I had it on loan from my local library but only for limited periods and it was never long enough. I am happy to say that although it may have been printed initially a long time ago I am delighted to have obtained it as it has such excellent instructions and lots of handy hints for the polymer clay first timer onwards.To anyone reading this revue who wants another hobby to try (even in Australia) buy this book and you will be hooked.
   
   The mere fact that it is still in print is a sign of how good it is for any age. Easy to follow and great fun all you need is polymer clay your imagination and this book.



4. I have four of Maureen Carlson's books. They are all fantastic.
   This one is my favorite. Very clear instruction. Gets you started and wanting to sculpt all the time. I love it!



5. Indeed a marvellous book you should have as one of your clay-book collections. Maureen has good eyes and different angles when seeing new things, and new thoughts to convert them into brilliant figurines. I love her ideas of how making the snakes and the dragons, and her tricks to get new color mixtures are awesome.
   
   I almost bought her books entirely, and have no regrets so far. Thanks to Amazon for superb service, even though I must bear waiting for a month and so for my orders.
   
   My advice, you always can give your book collections to your kids when you no longer need them.

2 comments about The International Style.

1. The most interesting aspect of the new edition is the recent forward by Philip Johnson (1995). In it he humorously describes his relationship with "The International Style," and how dated the book now appears. He also notes that it was Alfred Barr who introduced Hitchcock and him to this new world of architecture. It was Barr who had written extensively on the subject and dubbed it an "International Style."

   Not surprisingly, nearly all the buildings included in this catalog for the 1932 MoMA exhibit date from 1927. This was a pivotal year in the Modern Movement. Le Corbusier's "Toward a New Architecture" first appeared in English. The new improved Bauhaus opened its doors in Dessau, in Gropius' newly constructed complex. The International Competition for the League of Nations building was held with Le Corbusier losing out on a technicality. A building exhibition, laid out by Mies van der Rohe, was sponsored by the Deutscher Werkbund in Stuttgart. Modern Architecture had come of age.

   The selections are interesting for their range of architects but have several notable omissions. Among them Rudolf Schindler, who dismissed the idea of an "International Style," in a letter to Johnson. Modern architects then and now hate the idea of a "style," believing their works to be based on a set of constructive and compositional principles which transcend the notion of style.

   Nevertheless, the name stuck. Hitchcock and Johnson are widely credited for bringing the International Style to America, even though some early works by Neutra, Hood, Howe and Lescaze were included in the exhibition. Most importantly, Johnson lured Mies to America, where he would achieve his most lofty aspirations. The book makes for an interesting read but has long been superceded by more insightful and penetrating books on the subject.




2. This book is a living proof that architecture is an evolving being. It never stays stagnant. What is deemed to be modern then has now become a foundation for new styles & new materials to be developed to serve the functions & purposes of the occupants. Whilst the book defined the 3 principles that formed the backbone of the International Style, it's doing so as a mean of helping people to understand the 'style'better. Architects know better that there aren't any form of '-ism' but just good architecture when all the criterions of their clients are met. Half of the book is devoted to photos of buildings applying the so-called International Style but after you've seen one, you've seen it all. They all look distinctively indifferent to one another.

1 comments about New Seaside Interiors.

1. The book is just great. The pictures in this book will take you to bomb-shell destinations around the world.All the pictures are innovative.Since there is side by side translation in French , you can take a free course in French too at no extra cost.
   
   Dr.Jayan Thomas
   Cannanore, Kerala, India.670001

1 comments about Medieval Architecture (Oxford History of Art).

1. Part of the Oxford History of Art Series, this text on medieval architecture by Nicola Coldstream is an excellent survey of the development of architectural forms throughout the medieval period. Designed for the art major who is taking courses on architectural forms and history, the text provides a well-rounded presentation on the subject. Commencing with the derivation of the word "gothic," the book goes on to describe gothic's subsequent development as an architectural form through some five hundred years, and presents the differentiating features of the early, high, and late gothic, the flamboyant, and the rayonnant forms.
   
   After this orientation to the term "gothic," the text moves into a section on "Structure and Design," which covers floor plan design, architectural models, the role of the architect, and constructive geometry. A large section of the book covers the symbiotic roles of patrons and builders. Later sections of the book cover issues such as architectural space and representational art in great detail. Numerous full-color diagrammatic images support the text, and maps are also used as needed, making this book quite an impressive introductory text to the subject that should orient any reader to the subject.
   
   It is rare to find a book on such a theme that is simultaneously printed on high-quality semi-gloss paper, presented with the majority of its images in full color, be small enough to comfortably hold, and at the same time, be reasonably priced. This book, however, fits the bill admirably. The only small quibble would be that not ALL the photos are color. The majority indeed are, but it is unfortunate that, in an attempt, no doubt, to keep the cost down, a number of the photos are reproduced only in black and white. Nevertheless, and especially when one considers the price, it is pleasing to find the majority of photos are in color, and reproduced in good quality, as well. I highly recommend this book as an outstanding part of the library of a medievalist, an art scholar, or simply anyone interested in the emergence of gothic architecture. That the book is available at less than $15 is simply incredible.

1 comments about On the Art of Building in Ten Books.

1. The Ten Books of Architecture by Alberti, is one of the finest texts for the education of an Architect or Town Planner. Alberti's ideas are studied at almost very Architecture Program in the world. The Ten Books of Architecture describe how to design successfully, and how to design towns that are safe. Alberti expands on the work of Vitruvius. I would recommend this book for anyone who has an intrest in design. The text is very simple to understand. After reading these books, one will have a much clearer understanding of design.

3 comments about The Barefoot Architect.

1. This is the first English translation of The Barefoot Architect (TBA), which was originally written in Spanish in Mexico in 1982. Obviously written with a Third-World audience in mind, TBA nevertheless has a multitude of useful ideas that could be incorporated into North American buildings. At first glance this handbook's 697 pages are intimidating, but fear not - this tome is extremely user-friendly, as it employs only simple drawings and brief text to convey a wealth of handy ideas for laymen/owner builders and professional contractors alike. The only exception to that last statement is that TBA has a rather skimpy index.
   
   TBA starts off with a thoughtful design overview which shows how to situate your house, say, to take advantage of the prevailing winds, solar orientation, terrain, and vegetation on your building site. Subsequent chapters cover considerations and methods for building in deserts, jungles, and temperate zones. Granted, not many Norte Americanos will want to build their homes with bamboo, thatch or handmade adobe bricks, but there are plenty of examples of materials and construction techniques that I wouldn't hesitate to use where I live in Northwest Wyoming.
   
   The use of modern insulating, siding, and roofing materials that would be familiar and available to Americans is little discussed. Remember that the primary audience for this handbook resides not in North America/First World, but in the southern hemisphere, where most citizens don't have our economic wherewithal. I would not use a lot of TBA's suggestions in the building of my primary residence, but for outbuildings, walls, gardens, get-away cabins, etc., I would use this book in a heartbeat for my construction bible. Thoreau would have loved it. Perhaps in a post-peak oil world, TBA will become a must-have resource for those of us who have to live more simply and take advantage of the building materials close at hand. Most discussions in TBA readily stimulate one to think of practical uses for the natural resources that surround us all.



2. After my wife and I had finished writing The Straw Bale House and were beginning work in Mexico on a number of projects, we came across this book during our travels. We loved it so much we set out trying to find out where we could get more copies. The search took us to a bookstore in Mexico City where we bought several cases to bring back to the States. They were so popular with friends that we gave away/sold all of them in almost no time at all. It's just a marvelous little book with simple but very clear illustrations. Quite truthfully I'm totally amazed that Lloyd Khan the publisher came across this book and decided to print it in English. But then again, that's what makes Lloyd the entertaining publisher that he is.



3. I'm in the process of re-building the kitchen, bathroom, foundation and an addition to our home. Picking up this book to peruse made my imagination wander and provided tremendous insight into not only how to go about these significant changes but also provided new ways based upon sensible and older techniques. There are so many ideas, drawings and explanations that even if you thought you had everything at hand and knew just what you were going to do, this could very much make your work better. I very much recommend this thick and interesting book.

5 comments about Notes on the Synthesis of Form (Harvard Paperbacks).

1. Certainly, this book has produced a great impact on various fields related to design and architecture. The author tells us about the most amazing process in human life -- the conscious process of creating things. He has a good mathematical background and is very practical in his hypotheses.
   
   I bought this book because I heard that his theories led to the concepts of design patterns in programming. As a software developer I think that every modern program is a design problem even if it is a pure server-side software. You have to take into account a huge amount of factors and analyze lots of third party components before you come to a relatively optimal solution. Talking in Christopher's terms, the software is a form which we have to synthesize. And his ideas are still actual after more than 40 years.
   
   If you are a real software developer, you'll certainly be delighted in reading this book. It may even change your life.



2. A deep and nuanced analysis of patterns in design failures and successes - the author clearly has astounding comprehension of the modern design situation. I found the "unselfconscious design" vs "selfconscious design" analysis fascinating (although to be politically correct it should be something like "self designer" and "delegated designer" instead). The determination and use of (relatively) independent sub-systems to prune the overall design space is profound.
   
   Part 2 (chapter 6, page 73) is a highly structured "program" for design. I found this section of the book much less compelling, and I'm not sure how it necessarily falls out from Part 1. For me, Alexander's biggest insight is that a good design process involves iterative periods of change and stasis - specifically, designing by modifying single (or small numbers of) factors individually and allowing the design to reach "equilibrium" before making additional changes. From this standpoint, designing a whole village at the beginning (as is started in appendix I) may not ever be a good design approach - even with Alexander's "program"



3. Tip: Start by reading Appendix I. It is an example of the technique that the author spends the whole book explaining. In fact, Appendix I may be all you need to get the gist of the technique.



4. Alexanders 'Notes' anticipates the paths that major sciences would take decades after its publication.
   
   This is no mean feat for a work of science but here youre dealing with a book on architecture- or better, on what architecture could and ought to be.
   
   readers with scientific interests will notice Alexander inventing- from purely architectural phenomena - such models as
   fitness landscapes, adaptation measures according to 'gene' frequency, evolutionarily stable strategies.
   
   The general system of analysis in the book serves as one of the best guides for understanding cellular automata and the startegy of isolating variables anticipates the justly famous work of Dawkins on selfish genes.
   
   Alexander had almost nothing to work with in the early sixties apart from some pioneering formulations in early AI and a very acute insight into the paradoxes of optimisation strategies.
   
   His foresight is best witnessed by reading the footnotes to the book which are in themselves an uncanny selection of what would come to dominate epistemology, evolution and modelling decades later.
   
   People teaching history and philosophy of science should prescribe this book as the pre-eminent case study 'consilience'
   
   On the strength of this one book, Alexander joins C S Pierce, Boole, Babbage and Minsky as one of the greatest pathfinders in the recent history of knowledge-- too bad that architecture as a discipline hardly rose to his challenge and is now drowning in couture (and more credit to the software makers who have kept this unmined treasure in print).



5. Design is a difficult process that is often associated more with art than science. With principles of style, concerns about how design works.
   
   While many wring their hands about this, Alexander breaks the problem down, organizes it and then provides a framework for design that is relatively design neutral. That is a feat in deed.
   
   By thinking about how one structures a problem space and the bias that creates -- Alexander give the practioner a powerful tool for setting up the design process and scope. He then goes on to discuss the design process and he makes important distinctions between concious and unconcious design.
   
   Notes on Synthesis and Form are the foundation for Alexander's work on design patterns. This is the must read book before spending time on these other works.
   
   For the practioner, this book provides a powerful and applicable framework for addressing problems in multiple disciplines.