1 comments about Welcome to My Studio: Adventures in Oil Painting.

1. A great reference book to be read and re-read. She gives quick instruction for the problem areas of painting with lots of illustrations. Easy to use.

5 comments about Incredible Light & Texture in Watercolor.

1. The author, James Toogood, has produced an excellent and concise course in capturing light when painting transparent watercolors. His instructive
   chapters are worthy of study by the experienced watercolorist. This is a worthwhile reference.



2. I own dozens of watercolor instruction books and this is one of the few I would not give up! It is geared toward an intermediate watercolorist, but has basic information on paints, brushes and paper. In particular, Toogood explains how the properties of watercolor pigment affect a painting and how you might use that color.
   Toogood's style is tight and almost photographic. Some people do not like watercolors painted this way, but the book is helpful even so. He goes into detail on how to create textures of different surfaces which is a universal skill. I personally find Toogood's style impressive and inspiring. I enjoy the book to look at his paintings more than anything else.
   P.S. You cannot tell from the cover, but the book includes a great section on portrait painting in watercolor.



3. This book is by far the best watercolor book for the intermediate artist.
   definately not a beginner book. Toogood is both informative and inspiring.



4. This is a good book for those who want to paint watercolour copies of photographs. Unfortunately, Mr Toogood doesn't show that part of his working method involved in tracing the photographs he copies. If you're looking for more expressive styles, study the work of Winslow Homer or John Singer Sargent. If you want a good instructional book on watercolour, check out Mastering Atmosphere and Mood in Watercolor by Joseph Zbukvic.



5. Initially I bought this book for its beautiful and inspiring watercolors. Is there nothing this man can't paint? Breathtaking clouds, the wettest water I've ever seen in paint. You wouldn't know it from the cover, but the book also contains a chapter on portrait painting, step by step. He is as proficient in portrait painting as he is in landscapes, cityscapes, seascapes. I teach a "portraits in watercolor" class and I recommend this book to every student of the medium who is searching for an artist they can admire, who is willing to part with his "secrets".

3 comments about Watercolor for the Fun of It: Painting Greeting Cards (Watercolor for the Fun of It).

1. One of the best things about this book, is that Ms. Black has a contagious sense of fun. She focuses on spontaneity rather than rigid outcome. She leads a reader through a series of techniques (sorry for the over-used word) that help discourage intellectual interference. Great book for doing, in addition to reading about, the craft. I go back to this book time and time again.



2. This book really gets me going. I'm a beginner in painting 'cause I use different art media. But this book made it really easy for me to start in painting. I like EJ Black's ideas and techniques. Really good for beginners and act like a pro. I highly recommend this book for children and beginning adults!



3. This book has been a truly wonderful find! I enjoy the creative process, but watercolor has never been my strong suit. I purchased this book just a few days ago, and have already created several pieces of art that amaze even me! My intention in buying this book was less to make cards (though that's something I've long done) but more to use Elizabeth Joan Black's techniques in hopes of finding a new creative outlet. I definitely got that and more. Her book gives wonderful details, with colorful pictures that would help anyone achieve results they would be pleased with. I highly recommend this book for the novice to the experienced. It really is inspiring!

2 comments about 1000 Lights. 1000 Leuchten. 1000 Luminaires.

1. If you just want to see alot of lights with basic information, this is the way to go. Real pretty.



2. The Fiells previous effort covered the period 1878 to present in two volumes, each with 1000 lights. Charlotte Fiell is half of the original team. So this edition will be half as satisfying for detail lovers, and twice as good for those who want just the big hits. The text and captions are in English, French, and German. I wished for more complete details in a single language. 1000 Lights provides a great visual experience for design fans.

1 comments about Matisse: From Color to Architecture.

1. Primarily known for his luminous color paintings, the French artist Henri Matisse was also involved in designing stunningly beautiful stained glass windows and even ventured into the realm of architecture as well. Matisse: From Color To Architecture is a seminal work by Rene Percheron and Christian Brouder and the first to focus on these lesser known endeavors by one of France's most renowned painters. Offering an intimate portrait of the artist in work and life with a focus upon Matisse's work in his final years on the Chapel of the Rosary in Vence and the nursery school in his hometown of Le Cateayu-Cambresis (both of these buildings are located in the south of France), this 384 page compendium is enhanced with 396 illustrations (247 of which are in full color) and includes beautiful reproductions of Matisse's most famous paintings drawn from the collections of Centre Georges Pompidou, the Hermitage Museum, the Barnes Foundation, and the National Gallery of Art. These works are paired with documents and photographs culled from the archives of the Matisse estate. Included are first-hand accounts from the participants in the Vence and Le Cateau projects. Matisse: From Color To Architecture is an original and recommended contribution to personal, professional, academic, and community library Art History and Architectural Studies collections.

5 comments about Painting with Water-Soluble Oils.

1. I have owned this book for quite some time and just recently re-read it. It does a fine job providing an overview of water soluble oils (WSO) and how they differ from regular oils. The write-ups for each include a listing of paints offered by each manufacturer and their light-fastness (i.e., longevity after sustained exposure to light). The information covered is more than enough to help you select one of them to begin painting.
   
   I've used them in the past and am now taking a class where I'm using them and others are using traditional oils. I have to say that cleaning up with soap and water is awesome. I use the Artisan brand and have a couple of the MAX brand too. I'm going to try the other brands to see how they handle.
   
   The write-ups by artists about WSOs, their comparison/contrast with traditional oils and the demonstration "lessons" provide for light reading. The pictures throughout give you a fine overview of what other artists do/did with these paints.
   
   Having said all of this, though, I have to note that this isn't a strict how-to book. You'll need to look elsewhere for that. One person recommended the "Water Soluble Oils" section of a book called "The Oil Painting Book" by Bill Creevy. Another is "No Experience Required! - Water-Soluble Oils" by Mary Deutschman. From the reviews this last book sounds it is more about hands-on technique.
   
   [...]
   
   Overall, I'd say buy this book to help you get a sense about this medium.



2. I thought the book was helpfull in that it explained the chemical basis of water soluable oils and had a fairly thorough overview of the products on the market. I thought that the book leaned too heavily on the history of oil painting and basic information regarding supports, brushes, knives, etc. I would have liked to have seen more examples of the work of artists with the stature of Kevin McPherson and also more discussion of how these artists overcome the differences between water soluable oils and traditional oils.



3. "Painting with Water Soluble Oils" supplied me with what I wanted. A text by a an experienced practitioner in the medium, well-credentialed, successful, and wanting to spread the word (along with spreading the oils!) about this relatively new item. When I started painting, I was not so aware of the TOXCICITY of the paint as I was of my desire to USE the paint in a manner I found at least acceptable. Years later, the latest grimly discouraging news on greenhouse gasses, global warming, and newly-found carcinogens appear in the daily papers----and in the courts. I'm not an alarmist, but I thought "water soluble oils, hmmm, can this possibly work?". Thus, Dye's book told me all of what I needed to know. Of course there are pages on the components of the product, its development, and requisite scientific explanations. The science of safety in the home, the studio, the environment and its impact on our kids made this necessary.
   
   Beyond that, I needed to see just how the stuff behaves on a gessoed surface. Dye has what I'd call a painterly style, almost abstract at times, but it's a loose and defiantly colorlful style, with examples chosen to teach. Hey, I'm sure he wants to sell his works, but he is a teacher by trade when he writes.
   
   Anyway, I am delighted with the comparative safety of the new medium, with the courage I gained to try many techniques, brushes, knives, etc. I also continue to maintain respect for the pigments themselves. Heck, I'm not smearing it around with my fingers. My money was well spent, and I'd recommend this book because the main purpose of the text was to "git 'er DONE." Mission accomplished, IMHO. Buy, shop, paint, enjoy, plus you can inhale during fits of creativity and still run for president.



4. I feel a lot of the book was redundant, too much repetiton was used -- I believe it was to fluff up the page count. I'm new to oil painting all together and was looking for a book that would teach me to paint with this medium - for example, help me understand when I would thin with water, or when with watersoluable linseed oil. I thought that the promised "step by step demonstrations" would do that. Contained in only one chapter of the book, they seem almost an afterthought, and do not go into enough depth.
   
   There is an entire chapter devoted to "what is watersoluable oil color?" There are 20 pages -- which is far too much information -- about the properties of every watersoluable oil paint by color and manufacturer, though there are some useful demos of the various marks different brushes and knives make.
   
   The book contains more than I want or need to know about the processes by which watersoluable oils are created.
   
   By far the lengthiest chapter is the one which showcases 14 different artists who try out this medium and provide some tips, which may be useful. But I believe its primary purpose is as a showcase for the various artists. There are some useful tips here, but much of what is said is repetition from one artist to another - and that gets boring! In some ways I am more confused than ever, having learned that some of the artists shown aren't painting soley with watersoluable oil paint - they are using the oils in combination with watercolor or acrylics or sometimes using all three together!



5. About half this book discusses unique properties of water soluble oil paints, but I learned more from reading the paint manufacturers' brochures as I did from this book. The rest of the book discusses and demonstrates various techniques, but it doesn't cover anything different than what you'd find in standard oil painting text, and there are many better ones of those. Don't bother buying this book.

1 comments about Historic New Mexico Churches.

1. Terrific book with great photography. Really gives a sense of the place. My husband and I grew up in New Mexico and know many of these locations first hand. Seeing the pictures made me feel right at home. New Mexico has a varied past in which these churches have played an integral part. The author has provided an interesting text to give everyone a sense of that history.

3 comments about The American Builder's Companion.

1. It is an astounding piece of work that any devoted woodworking craftsman would do well to purchase. Considering the time it was written, considering the detailed information contained within, this needs to be viewed as a 'bible', it is that amazing.



2. This is one of the great pattern books of the nineteenth century. This, and others like it, were responsible for a greater proportion of excellent buildings not designed by architects than at any point since in the history of the USA.



3. This is an early pattern book that was in circulation during the mid and late 1800's. It is good only as a historic resource for those wishing to further their studies in American architecture. It is not a practical book for a practicing architect, builder, or restoration buff. The plates are beautiful and the descriptive geometry is fascinating.

3 comments about Land Development Calculations: Interactive Tools and Techniques for Site Planning, Analysis and Design.

1. A bit dissapointed that there was very little targeted toward Retail, specifically lacking in the areas of shopping center and out parcel development... but the formulas were interesting, and the concepts that were explained... were done so in great detail.



2. "Land Development Calculations" provides an excellent and innovative strategy for working towards sustainable land use and development. The models for varying land development strategies can assist local government land use decision makers and planners as well as developers determine the carrying capacity of land within realistic thresholds. The accompanying spreadsheets for the development scenarios on the CD-ROM are extremely user friendly and do not place an undue burden on the user by requiring what may be hard to find or to collect data. All of the data required just is typical of what is necessary to make appropriate land development decisions. As a local government planner, I am working towards incorporating the information received from the models in to the zoning and development code as part of the approval process by using it to further assess suitability of the property for the purposes proposed (a zoning consideration required in accordance with the State of Georgia Zoning Procedures Act). I strongly encourage other land planners and developers to read "Land Development Calculations," because of its highly practical and very timely material.



3. This is a terrificaly valuable technical reference for practitioners who need an efficient method of performing land development calulations. The book and its companion set of spreadsheets enable users to answer two key questions: 1) how much can be built on a given piece of land; or 2) how much land is needed to accommodate a given use? The material is clearly written and well illustrated, especially a series of worksheets leading through the method. Another strength is its comprehensiveness and detail, including all major land-use and micro site conditions.

No comments about Corporate Interiors No. 7 (Corporate Interiors).