5 comments about American Country Houses of the Gilded Age (Sheldon's "Artistic Country-Seats").

1. The author of this book refers to country homes of the Gilded Age as "Country Seats" (or "country cottages"). By the author's definition, these were homes of, "grandiose size and scale with imposing facades complemented by manicured gardens and with large and impressive reception rooms, halls, parlors, dining rooms, and other public spaces."
   
   George Sheldon published a book around 1887 documenting this surge in architectural creativity (expressed via country seats) and called his book :"ARTISTIC COUNTRY SEATS".
   
   Therefore, this book in review, called, AMERICAN COUNTRY HOUSES OF THE GILDEN AGE, (by Arnold Lewis) was written to show the homes photographed in the Sheldon book, and to update the information provided by Sheldon, so that we can better understand what the Architects and structures' owners were trying to express.
   
   For a long time, I have been interested in seeing what the opulent homes of the Gilded Age must have looked like, especialy those that were avaialable before they were all torn down or destroyed by vandals, fire, etc.
   
   Since I was not too familiar with "country seats" I wanted to find a good book on this specific topic. Well, by buying this book by Arnold Lewis I think I was able to get a better feel for these "country seats" of the wealthy (aka: "country cottages" of the rich).
   
   
   The "country cottages" owned by the wealthy class shown in this Lewis book, are mostly from 1880 to around 1889. Also included in this book are a few selected Casinos from the same period. Reason for the Casinos being included in the Lewis book is probably because the same famous Architects that designed some of the opulent private cottages also designed Casinos located in vacations spots visited by the wealthy class. In addition, some of the Casinos bear a striking resemblance to the styles of the country seats shown in this Lewis book.
   
   Anyhow, when reading this book, I would advise that the reader reads the INTRODUCTION throughly because it explains the role that Sheldon had, in describing each structure. In other words, before jumping right in (as many of us often do) and looking at all the photos, I would recommend reading the entire INTRODUCTION, because it puts the photos in complete perspective.
   
   For instance: The author of this book has researched the Sheldon photos (and reviews) and then re-vamped the descriptions so that they are more understandable to a reader from our Era.
   
   The photos are large and the reader can see all the details so clearly. In fact, it's amazing that photos taken in the 1880's can be so clear!
   
   The black and white photos, have an almost sepia tone to them, making them even more enjoyable to admire. Each structure's photo has a clear explanation of the Architect of the structure, and also a brief description of the date of production and a background of the actual owners, and also, when the structure was finalized.
   
   The photos include a reproduction (in black and white) of the "blueprint" of the first floor of each structure.
   
   As other commentators have pointed out, the book does not show "blueprints" of the second or third floors, however, the author does attempt to describe the upper floors within the photos' description.
   
   Each Architectural style is described in detail in the INTRODUCTION. However, if you are a novice as to specific Architectural styles of the past, then I would recommend becoming briefly acquainted with Architectural styles (and the elementary Architectural vocabulary) before attempting to fully understand the structures` actual styles. For example, to a novice, a structure that looks like a "snow white castle" may be misunderstood, unless the reader has a brief knowledge & understanding of why the early Victorian and/or Queen Anne homes were designed with so many gables and filligrees and turrets.
   
   I should also mention that this book's INTRODUCTION mentions the COST of each home, specifically at the time of the home's finish. So, I think that the readers will find this fact also very interesting, especially when comparing each home to each other (eg: why did some homes cost $6,000, while others cost $200,000.00?).
   
   Also included in the INTRODUCTION are descriptions of where each home was once located (by State), and also which Architectural firm designed each home.



2. This book is richly illustrated with black & white photos of historic houses in the United States. For the person interested in houses from the gilded age, this book provides clear photographs with a minimum of text that can be studied in detail. The photos, more often than not, set the house in its surroundings, however photos of gardens and landscape architecture is minimal. This book is ideal for someone looking for ideas to incorporate into their own plans for home-building, as well as for students and professionals seeking a good photographic reference to the gilded age that covers houses in many regions of the country.



3. The homes shown and described in this book are wonders of a world gone by, and sadly many of them have fallen to the wreakers ball. Thankfully, this book has saved the images, basic floor plans and stories of these magnificent homes. This book is a nice addition to any Victorian lovers library.



4. "American Country Houses of the Gilded Age" reprints 100 photographs from "Artistic Country-Seats," a book originally published in 1886-87 with commentary by George William Sheldon. This new version of the collection replaces Sheldon's original comments with those of Arnold Lewis. But the real "stars" of the book are the 93 houses and four casinos portrayed in the excellent black-and white photos.

   These houses represent some of the most stunning mansions of the late 19th century. Most of these buildings were built in the northeastern United States. Each plate is accompanied by both Lewis' comments and by a first floor plan.

   The houses themselves represent many of the popular styles of the era: Tudor, "Shingle," Queen Anne, Chateauesque, Richardsonian Romanesque, Colonial Revival, and Exotic Revival. The crisp photography captures a wealth of beautiful details: covered verandas, stone arches, classical pillars, towers, pinnacles, parapets, half-timbering, castellations, fanciful dormers, and intricate decorative flourishes.

   The only disappointing aspect to the book is the fact that only the first floor plans are included. Plans for the other floors would have increased the book's value as a record of social history. Nevertheless, the detailed first floor plans do offer fascinating insights into the lives of the wealthy families of the "Gilded Age." You can imagine yourself wandering through the billiard room or music room of your favorite mansion! If you are fascinated by American home architecture, or if you simply want a taste of this opulent era, you will love this book.




5. This book let's readers see how the wealthiest people in America lived back in the late 1800's. The floor plans are, although small, completely readable. I do wish the author would have included the floor plans for the second, third, etc. floors. Great photographs and good desrciptions of the homes.

5 comments about Great Houses on a Budget.

1. This book was very informative and has great photographic examples.
   I look forward to applying them to the next house that I build.
   The simplicity of the building materials breaks the boundaries of the common myths of building designs. I would live in any of these houses and find bliss.
   Highly recommended for anyone interested in living wisely, environmentally friendly, and whether on a budget for building or not, one who could appreciate space and design that is well appointed.
   I would also not hesitate to buy another copy to give as a gift to someone thinking of building their own home.



2. Good photos, and some good details and ideas, that could well be developed into an expression of your own living space.



3. Look, this book is a picture book... but so are all James Grayson Trulove books. If you are not familiar with his books then you are missing out. His books are not case studies with pages of boring text. He does not teach in his books, but rather inspire. You know when you have a favorite actor and no matter what they are in you go see it... that is the type of author that Trulove is. He is constantly producing new books with great houses that can give you great new ideas. If you're expecting alot more than great pictures of great houses then get something else. But if you want to peak behind the doors of some really cool new houses then you will love this book.



4. As with everything else from this author, it is just a collection of pretty pictures, with absolutely no detail on materials and construction techniques. There is a reason his books are so cheap.



5. I liked this book alot and refer to it often for innovative modern design in designing my own home.

3 comments about Vietnam Firebases 1965-73: American and Australian Forces (Fortress).

1. The firebases and their desciptions deal primarily of the areas in the FRAC area of operations. But there is no mention of some of the firebases employed in the south DRAC, some of these bases were unusual that they were entirely waterborne and supported riverine operations of the minth inf div.



2. A very good first research book on FSB's with lots of very good pics. It has most of the basics and can be used to write with authority on the subject.
   
   I wish it had covered more FSB, as I was station in I Corps in 68-69 and was basicly a mountain terrain vs. IV Corps where it was the delta (water), yet it covered the subject as completely as the book would allow.
   
   Vietnam historians and VN vets should purchase this book.
   
   NAM VET



3. Randy E.M. Foster's VIETNAM FIREBASES 1965-73: AMERICAN AND AUSTRALIAN FORCES considers artillery fire support bases of the Freeworld forces, surveying their use as troop shelters and command centers, their defense, and their key strategic role during the war. Serious military libraries will want all these histories.

4 comments about Interior Lighting, Fourth Edition.

1. This is a great lighting design book, lots of graphical explanations, lots of useful information, a must-buy for any kind of interior designer!



2. This is a required book for an introductory lighting class I'm taking. Since we are solely relying on this book and it isn't supplemented with lecture material, I find that, without familiarity with lighting terminology and concepts, it is very difficult to understand -- very cryptic with the seemingly overused language of the field. While the author may be very knowledgeable, I feel the book is not very well written and the target audience is, perhaps, not intended to be, essentially, the layman. I don't find the organization of ideas and concepts to be clearly laid out or communicated well and, as they unfold, and I come to understand what the author is trying to say, wonder why it was made so difficult -- is that all he means, geesh and why didn't he tell me that earlier. It would be easier to understand the general concept of things first, even in plain English perhaps, and then go on to a more technical description to learn the language of the field and get the details. Just seems to make simple things very complicated, especially with the language, flow of ideas, and phrasing.
   
   I also find a lot of the graphic figures and photo examples need some clarification or more details. A picture's supposed to be worth a thousand words, not be cryptic and time-consuming to understand.
   
   Sorry, I would not recommend this for students who are not primed first. Especially the younger ones.



3. While I was studying Interior Design at Parsons a number of years ago, I had Gary Gordon as a Lighting Design Instructor. He was by far one the best teachers that I had. He is very knowledgeable and has the unique ability to easily communicate the many aspects of both design and lighting. I highly recommend any publication he has authored.



4. The book begins with an inspirational and somewhat simplistic insight into lighting design. Simply as a study of lighting contrasts. While this is a very important aspect of LD, it is by far one of many concepts a professional must use. The book refers to many technical aspects of lighting without giving any "meat" or more in depth information, which I would have enjoyed. If you are new to LD or are an architect or engineer who has little experience with lighting, it is a very good lauching point. If you are technically knowledgable about lighting and want some inspiration, read chapter 1 and the last chapter on Design for concepts

5 comments about Building a Straw Bale House: The Red Feather Construction Handbook.

1. I found this book to be very helpful with pictures and building concepts easy to understand by the layman. The chapters are well layed out on each step of the building process and gives a lot of good tips both in dealing with the building code requirements and common sense ideas to building a straw bale house. While the houses in this book are architectually simple, a rectangle shape, the ideas can be use in more complex designs.



2. This was really a good book and I would recommend it very much.



3. This book gives an over view of the process to build a home using straw bale construction that is used by the Red Feather Development Group. Modeled after Habitat for Humanity they help tribal members living on Indian reservations achieve home ownership. The book takes you through the building process with many photos and diagrams. There is also pictures and discriptions of straw bale homes that are still lived in after 80 years, showing that sustainable housing is not a passing fad.



4. I first became aware of straw base houses when I visited friends who had built one high in the Colorado rockies. In spite of the bad winters in that location, they reported that they very rarely used any heating beyond opening the drapes on the south facing windows. I don't know what the R-value of a bale of straw might be, but it is high.
   
   They also reported that in the few years they had lived there they had had virtually no maintenance. I had imagined little cracks in the exterior covering and furry little critters living in the walls. But they reported that nothing like this had occurred.
   
   This book is put out by the Red Feather Development Group. They are a non-profit group chartered to provide low cost but efficient housing on indian reservations. They have been developing straw bale contruction for houses over many years, many buildings.
   
   This handbook is not exactly a complete primer on building a straw bale house, to me it is an idea book. There's not much here, for instance on plumbing, heating, wiring and so on. Fair enough, those things are much the same for any house, and well understood by architects and contractors. What this book does is talk about building the house itself, the wall structure, supporting the roof, the things that are unique to building with Straw Bales. There are lots of pictures, illustrating lots of points that you wouldn't think of unless you had been there and done that.
   
   Highly recommended!



5. When Red Feather Development Group founded in 1994, its mission was to build and develop affordable and ecological sound straw bail houses for the American Indian community. In recent years, the work of the Red Feather Development Group has drawn interest as many environmental and green building groups have developed.
   
   Due to the increase of interest, the group has released "Building a Straw Bale House: The Red Feather Construction Handbook".
   
   The handbook is a great guide for anybody wanting to better understand the principles of straw bale construction. With step-by-step construction directions and wonderful illustrations, "Building a Straw Bale House" makes the topic approachable and simple to create similar versions of the building technique.
   
   For example, the author provides the reader/builder with numeral step-by-step instructions for constructing the foundation, the correct mix for the interior finish coat, and radiant floor heating diagrams. Everything that may need to be known for constructing a straw house is available in its book, which that in itself is notable.
   
   "Building a Straw Bale House" succeeds in bringing an interesting construction type into the limelight, but the principle of its origin is even more admirable - providing affordable and sustainable housing to individuals.

5 comments about Architect? A Candid Guide to the Profession.

1. I recently finished my undergrad in business management, and have decided to return to school to earn an MArch. degree. This book has helped me in making this decision, as well as in knowing what to expect. If it does make you change your mind, then architecture is most likely not the career for you. If it's worth doing, it probably won't be easy. That said, it is not always as time consuming as people tend to think. My fiance is working on her bachelor's in architecture. While she is often very busy, there are times that she has a lighter load than I did in business school. It depends on the prof. and the project.



2. In this book Roger Lewis outlines the most important considerations in pursuing a career as an architect. I have always loved architecture, and have read extensively on the subject at the level of an interested amateur. When I was preparing for college in the 1980s, I wanted to pursue a five year professional architecture degree, but was dissuaded when I received a full scholarship in biology. That was an unfortunate decision in the long run, although I have been doing well professionally until recently, when my career field went into steep decline. I never forgot my interest in the subject, and while considering a mid-career occupation change, I have carefully considered returning to school and attempting to be admitted to a 3-4 year M.Arch. program.
   
   I am very glad that I read this book (and several others) prior to embarking on a career in architecture. The book is very honest about the rigors of school and the relative lack of money to be obtained in the field, unless you are uncharacteristically brilliant in design (and in selling your services). People like Michael Graves are definitely the exception to the rule. I appreciated Lewis' candor, and honestly the book has made me reappraise my desire to pursue this particular career transition. He repeatedly emphasizes that you should become an architect because of a love of architecture. I also have to be practical in considering that between three or four very expensive years of school and at least three years as an underpaid intern, it is at least seven years to becoming a licensed architect for me, and at this stage of my career that is difficult. Not impossible, but very difficult.
   
   I have not decided what professional avenues to pursue yet, but I will always appreciate the practical nature of this book in educating me about an architectural career. This is the most important book a prospective architect can read prior to committing to the arduous path leading to licensure.



3. I read this book when I was a senior in high school applying to colleges. It was helpful. I applied to architecture school and got into one of the best programs in the country. I graduated and got my dream job. When I was visiting my parents over Christmas I found this book on my shelf and read it again. This time I had an entirely different view after having gone to school and having worked for three different firms. This time it really hit the gut. I gave my notice at the firm and I'm going to pursue a different career for the next year. I'm not sure if I'm burned out on architecture and need to leave so that I can miss it and come back, or if I really don't want to be an architect. I have to say, the pay is bad. Really bad. That's what got to me. Expect to be paid HALF of what you're worth. That applies to the lowest intern all the way to the top partner. You just don't get paid what you're worth. Then again, it is a really incredible profession. It's a tough choice. So my advice is to buy this book and read it every couple years to make sure you really want to do this. Life is too damn short to do something you don't love with all your heart.



4. I have now been in the work force for 6 years having mostly worked in, now defunct, internet shops. Now I have a sterile job as a financial analyst working for a HUGE company. After being afraid to pursue my dreams again (after an earlier attempt in my mid-20's withered away...), I am seriously looking to get my masters in architecture although I have a liberal arts degree. I first read Cesar Pelli's "Observations" which inspired me. So I was afraid to get into this book knowing that many reviews here and in newsgroups claim it's harsh or may change your mind about architecture. Actually, it has strengthened my desire to pursue architecture. I won't be making as much money as I do now in my somewhat laid-back job, but there are other considerations far more important to me than working just for money. People who do not wish to be challenged to their fullest or work harder than they ever have worked before should not pursue such careers medicine, law, computer science, etc - architecture is no exception. I already knew architects are rarely rich, work very hard, go through a very tough education, and work in a very competitive environment. None of that came as a shock from reading this. Basically, I can conclude from this book that the field should only be pursued if one LOVES architecture despite all the difficulties. One can dislike medicine or law and not be as discouraged since the money can provide some comfort, but teh same is not true of architecture. Even if this book does talk many out of pursuing architecture, it's better that it tells it like it is. I'd rather know the good and the bad before making a decision. By the way, this book is not nearly as negative as some here have pointed out.



5. I like how it gives good information and advice for someone like myself who was considering the profession. It gave me an excellent idea of what to expect of the profession. I just wish I had listened even more carefully to his advice when reading the book, especially the advice about taking some time off between highschool and going to school to be an architect. One thing future architects need to realize is that if you are an architecture major, you will have no free time whatsoever outside of your classroom studio. So if you have any wild and crazy side to you that just wants to party, I suggest getting that out of your system first and then go study architecture. If there is any traveling you really want to do, do it first. Cause architects work hard and on average dont even make that much money. Anyhow this book contains other useful information for those who are certain they want to be architects as well. It gives you an excellent idea of what to expect, the types of jobs you will be doing, the skills you will need, ect..

5 comments about Naked Airport: A Cultural History of the World's Most Revolutionary Structure.

1. In its early years, air travel was a thrill for the rich. Today, it is boring, necessary and commonplace. Through well-written stories and narrative history, this easy read gives a history of air travel from the perspective of the architectural structures that support it. As our understanding of air travel has changed, airport architecture has changed as well. There is now more glass and more security, painfully long passageways, more roadway than runway and, of course, acres of parking. One thing has not changed: the airport has always been a portal to somewhere else. Airports are the waiting rooms of adventure and freedom. Naked Airport gives insight into the challenge of making these waiting rooms less purgatorial.
   
   I share the opinion of the other reviewer who says that the last part of the book is not as strong as the first. For example, there is no discussion of important recent developments such e-ticket kiosks and wireless networks. Even with this shortcoming, I still recommend this one.



2. As an Architect, I found Mr. Gordon's book to be a very accessible read. This is not a coffee table book with glossy photographs and difficult to comprehend architectural theory. Instead he gives a very clear overview of the development of the airport building type, much like The Architecture of Diplomacy by Jane Loeffler does. He uses simple and tasteful photographs and graphics pared with a well written history. I would give this book a high mark and recommend it for both architects and non-architect. Thank you, Alastair Gordon for a nicely written book.
   
   Gregory Knoop
   Oudens + Knoop Architects



3. Alastair Gordon is at his best describing airport construction from the mid-1930s WPA era through the early 1960s. At one point, in fact, he says, "It would be nice to imagine a brief period, a golden moment, somewhere between say 1958 and 1963 ... when advanced technology and American-style marketing produced a perfect, jet-setting age of travel." Instead of devoting energy to a new preservationist movement for airports built during that period (for example, Saarinen's TWA terminal at JFK), Gordon bathes in reverie from this point of the book all the way to the end.
   
   We are doomed to anonymous, repetitive styles in airports, he says, and promptly contradicts this assertion with descriptions of attempts to humanize airports constructed or refitted within the past five years. I can understand him being in love with airports of the late 50s and early 60s, since I am too. But this should not preclude his being fair with the newest efforts to make airports wonderful today. And some of these efforts are really impressive.
   
   Be fair, Alastair! We keep flying; new passenger planes are more comfortable and more efficient (like the 777). Airports are improving, too. Don't lose your sense of wonder and leave your readers dehydrated...the best is yet to come.



4. Even for the most expert traveler, the Naked Airport will shed light on many facets of airports domestically and abroad. For instance, did you know that there are over 200 old bank safes in the landfill at Newark (EWR)? The history is layed out cronologically, but woven with social, political, economic and business history, such that it is any interesting narrative rather than a dry recitation of facts.



5. Through the pages of Naked Airport, Alastair Gordon examines the history of the world's most diverse structures. Going well beyond the architecture, this book explores airports in their historical and cultural context, defining well known edifices by identifying their place in the 20th century timeline.
   
   I really enjoyed this book. Through a vivid and compelling narrative, Gordon manages to transport the reader to key points in time. Imagine attending the dedication of the New York Municipal Airport on October 15, 1939, where three skywriting planes circle overhead spelling out the words "NAME IT LA GUARDIA AIRPORT." The audience bursts into applause. Or picture being one of the first New York passengers in the early 1970s to walk through an electromagnetic gateway, a newly installed anti-terrorist device.
   
   Naked Airport is perhaps the most comprehensive statement on airport architecture, history and culture to date. It is a must-read for history buffs and casual readers alike.

5 comments about Signage and Wayfinding Design: A Complete Guide to Creating Environmental Graphic Design Systems.

1. I'm a graphic designer, and have recently been interested in environmental design. I bought this book a few weeks ago and have already gained a ton of information just by skimming through it. The process of creating environmental design is outlined, and everything from regulations to materials is outlined. Plenty of good images as well.



2. Calori covers industrial design specs to graphic design to project management to rapid prototyping signs to materials to testing to final deployment. A great primer into wayfinding and signage design.
   
   For the next update, it would be great to see more color photos. The full-color spread of third party signage examples contain a few serious design flaws. How about a critique of mediocre systems?



3. It is a brilliant book. A must read for all practitioners of Environmental Graphic Design.



4. 25 years ago John Follis published the last great book on environmental graphic design. This book is an update and improvement. The book starts with a clear and simple premise that underlies environmental graphics, a pyramid made of three parts (Graphics, hardware, information) The pyramid neatly divides the book into clear areas. Each section literally throws in the kitchen sink, with information on research, codes, guidelines and examples. Even more important are the picture examples. Many designers may come away disappointed if they are expecting a picture book, but the examples (A mix of B+W and color pictures) links closely to the text and lends weight to the content. This is a serious resource book for designers interested in reaching a higher level of design rigor.



5. A great up to date resource for everything having to do with environmental graphics. I see this as a valuable tool for design and architectural businesses as well as real estate developers. It is laid out like a step by step guide to take you through the entire process. The only thing that I found missing was how to come up with the great creative ideas that were featured in the color plates in the book - can we use them?

2 comments about Julius Shulman, Modernism Rediscovered.

1. These books were my birthday present to myself, and I can't imagine a better gift! They are GORGEOUS and huge, with full-page photos (some in color) on heavy paper, and text for each spread. The architecture is inspired, and, as always, Shulman's photographs capture the spirit, innovation, and excitement of the times. Too bad such individualism has given way to cookie-cutter McMansions and, with few exceptions, lackluster design seen everywhere in today's architecture.
   
   The only criticism I have of these books is that, as with most mid century architectural tomes, most of the photos in the book are from locations in California by architects we've already heard of. I would like to see photos of buildings in other parts of the country by lesser known, but equally inspired, architects.
   
   Finally, I hope that, with the abundance of photos in Shulman's archive, this Modernism Rediscovered series continues with more books in the future. I know that I will be first in line to buy future volumes if they are as well done as the original Modernism Rediscovered book and these three follow-up books.



2. A fittingly huge tribute to the man who captured Modernism in western America and especially in California. I thought the beauty of these three large books (check out the weight and dimensions in the Product Details section) was the way they are organized: historically using Shulman's own job reference numbers. Obviously there is not going to be a photo of every commission because a lot of his time was spent on what he calls 'bread and butter work'. So book 1 starts with #0003 in 1939 with Gregory Ain's Scheyer residence in LA and book 3 ends in 1981 with #5976 Augustin Hernandez's studio in Mexico City. Although Shulman is working again, with German photographer Juergen Nogai, the contents of the three books are based on the 250,000 negatives he presented to the Getty Research Institute upon retiring in 2004.
   
   I get the impression looking through the pages that there maybe more interior photos than exteriors but what a visual treat these interiors are. In photo after photo, there is a sense of spaciousness so typical of most modernist houses and many of the shots show how rooms extend into other living areas.
   
   The interiors from the Forties to the late Seventies also yield a fascinating opportunity to study the furniture and fittings the owners thought would work well in a modern home. Owing to the large page size some of these domestic interior photos are twenty-three inches wide on a spread so the detail is amazing. Another interesting point about a Shulman photo is the addition of people in his work. Apparently frowned upon at the time by architects but he took the view that it was an opportunity to reduce the purity (and possibly elitism) of Modernism in a domestic setting.
   
   Among all the great home photos commercial work covers corporate headquarters of large companies, schools, research facilities, banks, retail units and restaurants. The same sense of space and depth comes across in these images and I think you'll come to the same conclusion as I did about Shulman's photography: that he always managed to frame his compositions to captured the spatial essence of a building.
   
   The production of the three books is exemplary as you would expect from Taschen. The hundreds of photos are printed on quality paper with a 200dpi screen and presented in an elegant but simple layout. Each featured commission has between one and six photos with a short piece of background copy. All of this is a wonderful tribute to a remarkable architectural photographer. I know I'll be enjoying these three books for a long, long time.
   
   ***FOR AN INSIDE LOOK click 'customer images' under the cover.

5 comments about Design Research: Methods and Perspectives.

1. A primer for all designers - this book contains many useful case studies that underpin the quintessential need for research before beginning any design process.



2. I enjoy some of her earlier work but this one is misleading, in particular for those wishing to study (methods of) design research. Laurel neither relates nor contributes to the discipline of design research in this book in a direct way. Design postgraduates looking for a good book on design research are better advised looking at Design Research by Peter Downton, which is more difficult to get but worth it and newer.



3. This book is an excellent, comprehensive collection of design-related essays and research studies. It is inspirational and practical (and doesn't hurt that it is well designed)!



4. Brenda's collection is still the most comprehensive collection of diverse design research methods I can find. I use her book to inspire, intrigue, and sometimes perplex students, exposing them to lots of new ideas. I use the book in combination with Kuniavsky's more practical how-to information in Observing the User Experience. He provides too much detail and not enough high concept. The combination ends up working very well.
   
   If I could choose only a single text, I would choose Brenda's design research book. I can fill in specifics about different techniques drawn from many books and web sites, but the creativity of methods and the clear belief in the power of design research conveyed in the book needs to come from real world writers, not just from the professor claiming it is so. Her book makes the case!



5. The varied opinions among the existing reviews suggests this is somehow a strange subject area. I can only report on my own response, and I think this is a cool book. Before thumbing through to the preface you'll encounter a neat symbol of good design - a two page spread of the what's in the book. A true "table of contents," whose rows represent various aspect of design research, and whose columns are the book chapters. Each table cell is marked if that chapter pertains to that aspect. Pleasing to the eye and enormously useful, especially if you wish to use this as a text or part of some focused study.
   
   Many chapters are authored by one or more designers who reflect on their own approach and experience in design. I found this to be a rich source of material for thinking about ways to create new things. I would think that nearly anyone whose job requires creative output will find here some interesting and useful tools to add to their collection.