5 comments about Building with Structural Insulated Panels (SIPs): Strength and Energy Efficiency Through Structural Panel Construction (For Pros By Pros).

1. This book is a good primer for anyone who has doesn't know much about SIP's, but I found it quite basic. Also, there are passages in the book that show just how badly it is in need of an update. For instance, in the first chapter, it says something to the effect of "...with energy costs being relatively low, builders have a hard time selling energy efficiency and sacrificing the two story fake stone arch...' If this technology is to get a solid foothold in the building industry, MANY books should be written to provide builders with the resources they need to handle both high-end custom homes and affordable homes as well.
   
   In short, if you are just trying to get up to speed on what SIP's are, this is probably worthwhile. Otherwise, spend some time on the phone and visiting with your SIP dealer, talk to contractors who have used them, and look around online. I think you will find more detailed and specific (and UP TO DATE) information.



2. Excellent overview of SIPs construction basics and techniques. Author explains in ordinary terms so any layman can understand. Anyone considering SIPs construction should buy this book. It would be nice if a newer version (this one is 2002)were available to discuss the latest products.



3. Good book to explain the fundamentals and ideas behind why Structural Insulated Panels area a good building medium. Unfortunately, the solid information on estimating the costs or tricks to design that the interested party are looking for are not there.
   
   I look for someone to write the next book in the series.



4. this book provides a thorough and well detailed look at SIP anatomy and construction techniques. information on this construction type is extremely difficult to find from sources other than (possibly biased or glossed-over) information from SIP manufacturers. the content covers so many details of its construction that it could concievably be used as a primer/manual/textbook for contractors or others interested in using this construction type. any information needed to supplement the information found here will most likely be so specific that it will be material related to a particular manufacturer's product or information gleaned directly from materials testing reports. i have looked extensively, and not been able to find, any materials on SIPs that could compare to the value of this source.



5. Just a quick note on this book. My wife and I are looking to build an energy-efficient home. We are both engineers and very detail-oriented people. As part of our due diligence, we picked up this book after seeing a demonstration house built with SIPS as part of the 2005 Smithsonian Folk Life Festival (this was part of the US Forest Service pavilion - sustainable building approaches area). As noted in an earlier review, this book does have a bit of a promotional feel. However, it could simply be the author's enthusiasm for what appears to be a very good product. The book is also somewhat light in treating potential problems with SIPS. The failures of mutliple SIP roofing systems in Juneau, Alaska should have been addressed. In fairness though, these failures seem to largely be installation problems on the part of a small number of builders unfamiliar with the product. Overall, this book is a very useful and fairly detailed introduction to SIPS building. We would love to see a follow-up title that goes into much more technical detail on designing for SIPs use, as well as further exploration of lessons-learned from using SIPs in various settings and climates.

2 comments about Design Hotels Yearbook 2008.

1. I ordered a new book, but the book I got looks a used one.
   Even though it is acturally a "new" book, the book is technically too worn out and even some part of a page is torn.
   
   I was almost close to return the book.



2. It is probably the best publishing of trends in hotel design today. It is a must on table of every hotel designer, architect and developer.

4 comments about Great Houses Of Texas.

1. Beautifully photographed with interesting history on the diversity of Texas homes, this book details the unique blend of European sophistication and "homegrown" design that combined to create a truly unique architecture. This book makes a wonderful gift for any favorite Texan.



2. Great Houses of Texas would be appreciated by anyone with an interest in great architecture as exhibited in this book. Many of the houses included are well known, but some are hardly known at all. O'Neill Ford's house for the Steves family should have been included, in San Antonio. Its omission is my only disappointment in the book. The text is adequate though not extensive and the photographs, alone, are worth the price of the book. I know of only one other book on this subject, and that was written years ago, so such a book is long past due! Lee Govatos



3. Though some readers may quibble over the title of this book, it is clear that the book is focussed on the greatest houses still occupied in Texas. This is a subtle but important distinction. The houses shown are not dead great houses, of which there are many in Texas and many of which are greatly admired; Germany instead has focussed on private homes occupied by individuals. With that in mind, it is a fascinating read.



4. There are many things to admire about this book, the images are well presented, the text is informative and overall I liked it, but WHO selected these houses. The book should have been titled, some great and not so great houses in Texas. How could you write a book about Great Houses in Texas and not include the Sealy House in Galveston, the only McKim Mead and White house in the South, or the most famous house in the state, the Bishops Palace in Galveston, or not include Bayou Bend!!! or the McFaddin Mansion in Beaumont, a house that is considered by architecture scholars to be the best example in Colonial Beaux Art in America..it's just incredulous. Many of the houses selected were great, such as the mansion at Kings Ranch which graces the cover and leads you to believe all the houses in the book will be to this standard and they unforunitely are not...the Crespi House in dallas by Maurice Fatio is great as well as is the Bass House in Ft. Worth, as well as the Pease House in Austin, but many just leave you thinking..WHAT!..Im from Texas and am very familar with the grand houses in the state, so I shocked to see some of the most famous houses in the state not present in this book. This is not a bad book, I give it four stars, but it could have been great..too bad whomever selected the houses for this book, was not as thorough as they should have been, nice book, but a disappointment to those of us familiar with the truely great houses of this singular state.

5 comments about The Hawaiian House Now.

1. This book is beautifully produced, with a nice variety of types of homes presented.



2. I got this book so I could get some decorating ideas for my own house here in California. I found the book to be helpful in what I needed it for. It shows good interior design ideas for houses in Hawaii that could easily by used in other parts of the world. I love the Hawaiian styles and I am working on recreating them in my home.



3. This book transported me back to those years when I grew up in Hawaii and was exposed through friends and parties to so many of these kind of houses. I see Hawaii house decor being such an accumulation of all that is good about Hawaii - reflection of its spirit and early settlers and Hawaiian aspect. I live in New Zealand and decorate ALL my houses with a strong Hawaii/South Pacific/New Zealand flavor - this book has given me such inspiration for my next house. If you grew up in Hawaii or love the spirit of Hawaii this book is a must. I was thrilled when I received the book and as I am about to start a new adventure with a house I am going to incorporate so much of what I see and read in "The Hawaiian House Now" - It is not just a book with nice photos it is a book with some great information on all that is Hawaii.



4. I enjoyed this book very much. It was well written, well researched and contained a wealth of beautiful photographs. The author captured the beauty of simplicity. The Hawaiian House is a wonderful coffee table book.



5. Whether your style is contemporary, traditional, or eclectic this book has something for everyone. I've gone through it again and again, and each time I've seen something new or gotten an idea for something I can do in my own home.

No comments about Histories of the Immediate Present: Inventing Architectural Modernism (Writing Architecture).

5 comments about Virtual Pose 3: The Ultimate Visual Reference Series for Drawing the Human Figure.

1. i really love using this book (and the CD). i want to mention that i have a Mac with an operating system that isn't updated (OS 10.2), and i purposely got Virtual Pose 3 because i assumed (rightly) that a more recent version of these books would come with a CD-ROM that's not compatible with my operating system. so thankfully i CAN use this CD, which is the best part of this book.
   
   in my opinion, the book itself would be improved by 3 things:
   
   1. more dramatic lighting (although i believe the author has addressed his reasoning for this)
   
   2. a spiral binding (easier use for drawing from the book itself)
   
   3. larger pictures (at least some)
   
   i do like the models in this book very much, and the poses are great. i'm a bit of a beginner, and i only get to go to a life drawing once a month or so, so this is a great resource for me to just do lots and lots of gesture drawing, along with some more detailed work.



2. I am going to be critical, but I'd like to open with saying that this was a really cool and thoughful project for someone to come up with and offer to the artist.
   
   I get quite a chuckle at all the people who are angry about there being airbrushed vulvas and anuses. In your usual life drawing class you are not going to have the model eyeballing you with their privates. Its not like there is a shortage of vulvas and anuses online if that's what you want to draw. And any artist who has developed true capability with the human form can use the suggested form shadow as a base from which to draw a glorious sphincter and beautiful floral labia to make any viewer blush. Until then get over yourselves. The models, used to having a choice of what they want to show the students; are entitled to keep four square inches of themselves private from the world.
   
   Virtual Pose 3 is a good step up form Virtual Pose 2. And I appreciate the creativity of the poses and opportunity to see a pose from all sides. However I am still disappointed that these poses aren't lit properly to describe the form. Generally they are top lit so in standing poses you get some minor indication of core shadow and somewhat overly bright reflections on the skin on they upper torso,and everything below is pure ambient light and this obliterates form. While some poses are better with lighting than others; on the whole, the lighting is uninteresting and lifeless Virtual pose could take some cues on how to light their models by checking out an artistic soft porn site like Met Art. But hey, I suppose you are going to often be faced with the difficult challenge of illustrating people in ambient light. So Virtual Pose 3 will give you a real work out as you figure out how to describe form with even lighting all over!
   
   I'd like to see a Virtual Pose V or VI, but with artistic form light. As with Muybridge what a cool thing to attempt.But it won't be the ultimate reference series for the artist until the lighting loses its sterility.



3. I bought VP2 and VP3. At first, it was quite a novel idea, to plug in a disc and "rotate" the model 360" and draw from that. It was actually good practice for figure drawing. One gets a feel for the outlines and general
   proportions of the body, and with much practice, this book will help one
   improve one's drawing skills.
   However, there are some flaws. First, even though the photos are in full-color, the harsh lighting and poor resolution of many of the photographs make any serious, interior study of subtle shadows all but impossible. Look at a master figure drawing, and you'll see that the fine interpretation of shadows is paramount for a good figure study. Otherwise your figure will look "solarized" and crude. I found myself blocking in whole planes with singular, unnatural tone, trying to use my imagination to "figure out" what the tone should be. Worse, the arbitrary and non-dramatic lighting cast sharp secondary shadows on the figure which were quite displeasing. You could leave those out, but then you are left with a single-tone figure with no interior "body" shadows.
   Secondly, most of the poses are quite useless for artistic purposes. Unless you paint people doing yoga (see the cover), the poses will be only good for practice in studying the body, that's it. It's too bad, because it actually takes less effort to pose the model in natural sitting or standing poses you can actually use, than it does to pose them like a pretzel, but the author is obviously not a serious artist, and does not realize this. He is only concerned with giving a variety of dynamic-looking poses, most of which are actually quite useless for finished art.
   Thirdly, the Quicktime utility the disc comes with is sort of flaky. I wanted to "zoom in" certain areas (like I was able to do on VP 2, although the resolution is even worse in that edition), but VP 3 did not allow me
   to zoom in, even though the control was there. That was quite disappointing, because then I had to really lean forward and squint at the computer screen and draw--not very pleasant for a 1 hour figure study!
   
   In all, a decent idea and useful for the artist wishing to get the basics of figure drawing down. But for the serious artist, I suggest working from live models, or pose your friends and photograph them and then paint them, for a more serious, artistic figurative work. Posing the model so that you bring out the art of the interior, subtle shadows, and selecting a suggestive pose is paramount to becoming a good figurative artist. I have since sold both my VP2 and VP3 to a used bookstore, and have no regrets.



4. This is more than helpful for my art class. This is great!



5. I was hoping for a little bit more than this. I'll just sum up where I feel it is lacking:
   
   1. No lighting variation. The lighting is the same in every pose and it's not all that neutral a choice even, it's like noon sun where a lot of the anatomy doesn't cast a shadow. I would have liked the same pose with a few differently lit versions - this would teach a LOT about the anatomy.
   
   2. Resolution. It's the digital age and artists want material several times higher res than the public. You won't get any extra detail zooming in which is disappointing for people trying to study a subject better.
   
   Others have complained about the censorship... I didn't notice it for awhile, but it does appear any area very near the anus or vulva visible was covered over digitally. (Penises however, are displayed without any alterations.) Maybe this was necessary to not make the product too controversial or appeal to the wrong crowd... but on the other hand when you buy reference material you expect accuracy not this sort of thing.
   
   So I would say this is a pretty limited product overall, but you could use it as a basic pose reference for some basic poses (mostly sitting or "artistic", almost nothing that looks realistically dynamic).
   
   Overall I would rather pay more in the future to get a much more complete, useful product.

5 comments about Learning from Las Vegas - Revised Edition: The Forgotten Symbolism of Architectural Form.

1. I admire and respect Robert Venturi and Denise Scott Brown for their great career and contribution to architecture, which has yet to be fully assessed. The depth of their thinking, the vigilant efforts to achieve their aesthetic vision, their desire to overcome modernist dogma, which had mutated into marginalized elite uncivic abstraction, falsely denying vibrant areas of life...how can one argue with the importance and value of such work?
   
   Let me try.
   
   To me, this book represents one of the most interesting turning points of an architectural career, very similar to Rem Koolhaas' essay on Bigness in S,M,L,XL.
   
   Both texts are attempting to give themselves an elite artist's alibi for co-opting the corporate machinery's unself-conscious production. Here, both artists (VRSB and OMA)attempt to escape into pop art, just like their friend Andy Warhol, thumbing his nose at the self important abstract expressionists.
   
   There's just one problem with this; they are architects, not just artists.
   And this places them in significantly different political territory. Architects build in the public sphere, and therefore have a powerful civic impact. They enable some political forces, and, by physical default, suppress others. If they were artists, their voice is a singular one, an unsponsored comment, to be entertained or dismissed. Architecture cannot be waved away.
   
   So, being architects, is 'Learning from Las Vegas' and 'Bigness' an elite artist's manifesto, or a cynical architect's effort to solicit clients from the bloated and most lucrative areas of commerce? The ambiguity is disturbing, because ultimately it has proven out not to matter what their intention. Both Venturi and Rem Koolhaas have been most useful tools for the most egregious excesses of our runaway imperial corporate world.
   
   And this is a sad legacy for two brilliant architectural careers. No matter what their aesthetic accomplishments in the way of rarified architectural thought, the more brutal reality is that architects seeking fame cannot also speak truth to power. This gravely undermines their civic responsibilities.
   I am reminded of William Morris' quote, a sad retrospective look at his career, saying that ultimately, his work "only served the swinish luxuries of the rich." A bitter realization for a socialist, one who chose to retreat into archaic craft, instead of trendy pop.
   
   Pop architecture is not a game. It is an insidious symptom of the polarization of wealth, a symptom that Venturi and Koolhaas cheerfully enable, both with their particular form of dissociating irony. They can play with it as a theory, but it has wrought disastrous consequences in the physical and political landscape. Same thing happened to Frank Gehry, another symptomatic starchitectural monster, who apparently doesn't need to theorize. Hard to say when the deal went down exactly. I just don't know.



2. this book is extremely condensed into a multitude of thumbnails or panoramas and text that never fails to reiterate its point. i mean, these two architects really understand the idea of symbols, suggestions, and sheds but after a dozen pages on one idea, you already get the point.
   
   the images are really helpful in exemplifying the amount of criticism for or against the city ("idea") of las vegas.



3. This is a quite unusual and offbeat treatise on architectural theory, as applied to the world's greatest architectural monstrosity - Las Vegas. This analysis from the early 1970s is obviously outdated because Las Vegas hadn't yet become the monument to megalomania and excess that it is today, but it was already well on its way. The authors analyze Vegas' unique usages of space, lighting, placement, transportation, and building design for the purposes of communication and promotion. Strange chapter titles give a clue to the left-field analysis in store, and the authors have a clear sense of irony, underhandedly implying that Vegas presents the worst in architecture while they appear to be praising its uniqueness. Unfortunately the narrative gets bogged down in dense professor-speak terminology like "Brazilianoid" and "neo-Constructivist megastructures," along with a general overload of obtuse theory. Add to that the poor-quality and under-elaborated illustrations and you have a book that sacrifices insight and readability in favor of pedantic attempts to impress the authors' colleagues. [~doomsdayer520~]



4. Read this book to learn what you shouldn't do as an architect!

   This book follows Venturi's "Complexity and Contradiction", where you can learn how cynically to use casement windows in housing for the elderly where the elderly will happily put their plastic flowers in the windows, but *you* secretly know these are not really hormal casement windows, since they are out of scale (like fascist architecture's lack of scale?).

   This book will tell you about ducks and decorated sheds, but it will tell you nothing about building spaces which nourish creative human community. Try Louis Kahn (e.g., John Lobell's lovely little book "Between Silence and Light"). My postmodernist teachers at Harvard said Kahn's writings were incomprehensible, which says more about them than about him.

   Read Lobell's book and learn why, e.g., a city might deserve to exist. Remember: Only *you* can get beyond postmodernism!




5. Robert Venturi's study of the Las Vegas signage phenomena and it's impact on "architecture" is brilliant in it's scope. While written almost twenty five years ago, this book gains more and more pertinence as we as a society progress further into a "reality" of symbols, reproductions and representations. These words and thoughts are basically essential to the understanding of any city anymore, not just Las Vegas. Where this book misses the mark though is in the execution, as shown in Venturi's work, of these ideas. The projects put forth seem to pale in comparison to the implications the text actually has. These notions of architecture are by far some of the most relevant and important in modern theory today, it is unfortunate that their full potential could not be realized in these projects.... but maybe that is for you and I to do.

2 comments about Lighting Design Basics.

1. If you are looking for a beginner lighting course, this books is just what you need. It goes through lighting applications per room/area, explains how to calculate foot candles, but if you want to read more about lighting plans, layouts, electrical requirements.....I would say - keep looking.
   
   This is a good quick resource with little technical detail.



2. This book is great for designers! It covers everything you need to know and has some great ways for doing calculations for lighting!

5 comments about Space: Japanese Design Solutions.

1. This book is fine in almost everything but the floor plans that are missing. It's small and compact which goes with the theme but a floor plan would have been a great addition in simplifying the readability of it. Most of all it would be great if I could learn how to do them instead and of only admiring these houses.



2. This book... I liked it so much I even use it as a gift! Extremely happy!



3. it would make a marvelous coffee table book, except it's half the size of one. or maybe it makes a wonderful table book precisely because it is so easy to pick up and skim. regardless, don't let that deter you from getting this book, as it is remarkable in its showcasing of the creativity that small spaces foster. as you read both the words and pictures throughout the book, you will find yourself thinking "wow that makes so much sense!" and "i want that house!" over and over.
   a fantastic book, it will inspire you to either move to japan, or take the book to your architect and commission a house on the spot.



4. That's right, folks! Not a one! However, that hasn't put me off this little book.
   
   I've enjoyed this one for it's nifty little nooks and crannies and the way that others can realise good living in small spaces.
   
   This is a VERY Japanese style book. I would not necessarily agree on layouts of the homes but once again, I say unto you, I buy books for inspiration and I haven't been disappointed.



5. Just love the simplicity f spaces in japan, old and modern.

5 comments about Design with Nature (Wiley Series in Sustainable Design).

1. My husband is a landscape designer and architect. So, he loves this stuff! I bought it for him as one of his birthday gifts. He has been wanting something of high quality and loves McHarg. I would recommend this book. We keep it on the coffee table because the pictures are wonderful and the design shows through. My husband and I love it!



2. As a former colleague of McHarg's at the University of Pennsylvania during the 1960's, and currently working in a planned community he designed (The Woodlands, TX), I decided to buy this book to try to understand the strange idiosyncracies of The Woodlands, TX.
   
   The book is very wordy, but it is well illustrated. McHarg successfully blended community design with natural boundary conditions (watershed management, geology, forestry, slope properties, etc) with the case histories he presented (some of which I remember when serving on an invited basis on jury's in McHarg's academic program). The book's strength is his advocacy of melding human planning needs with nature's boundary conditions.
   
   BUT, does it really work? Only at the expense of the time of people working and living in such a planned community. The inconvenient practices that go with such a planned community require a lot of adjustment that asks a bit much of people who work in such places but don't live there.
   
   But it works fine for the affluent and the unhurried who can afford it.



3. No has estudiado arquitectura si este libro no ha caido en tus manos. Sin Ian Mcharg la arquitectura sostenible no seria posible. Por lo menos la arquitectura sostenible pensada a escala regional."



4. this highly recommended book started out as a compelling read, but became something i had to force myself to finish. it seems to be a series of lectures strung together, which may have been interesting as lectures, but is not cohesive enough to be a book. the good information is lost amidst the rambling style.



5. Anyone studying environmental planning or LA should read this book.